MoEML: Tes Irenes Trophæa, or the Triumphs of Peace

Tes Irenes Trophæa.
OR,
The Tryumphs of Peace.

That Celebrated the Solemnity of the
right Honorable Sr Francis Iones
Knight, at his Inauguration into the Maioraltie
of London, on Monday being the 30. of
October, 1620.

At the particular coſt and charge of the right
worſhipfull and ancient Society of
the Haberdaſhers.

With explication of the ſeuerall ſhewes and
deuices by I. S.

Parua ſup ingentimuris ſe ſubycit vmbra.
(Vir.)

Figure of a crested fleur-de-lis.

LONDON,
Printed by Nicholas Okes,
1620.

Printer’s ornament

TO THE RIGHT
HONORABLE AND
worthy Gentleman, Sir
Francis Iones, Knight,
Lord Maior of the Citty
of London.

Honorable Sr,

I Doubt it is my Fortune, to
hazard calumny, in the im-
ployment of my inuention in
your ſeruice, and not the
thing, but the perſon incurs it,
whoſe minority admits cen-
ſure before tryall; therefore I beſeech your Ho-
nor ſeriouſly to ſuperuiſe this ſlight labour, ſcarce
meriting your attention; and the content you
want in this, let it be but added to the pleaſure (I
hope) your Honor will conceiue at view of
thoſe reall Tryumphs (ſcarce admitting a ſe-
cond) which your liberall Society haue ſo nobly

beſtowed

beſtowed on you and then I doubt not but to at-
tempt that credite, which many will Enuy.
Thus wiſhing that the Tryumphs
of Peace may for euer attend
you, I remaine,

Your honors ſeruant

Io. Squire

Horizontal Rule

Tes

Printer’s ornament

Tes Irenes Trophæa.

OR,

The Triumphs of Peace.

T He firſt ſhew, or preſentment,
on the water, was a Chariot, apt-
ly contriued of two ſea Mon-
ſters Argent, and drawn by two
Sea-horſes, ſet alſo off with pure
ſiluer: on this chariot was one
borne repreſenting Oceanus his
head wreath’d with ſegges,1 one hand graſping a
ſcepter of green reeds, to ſhew his potent ſway with-
in his watery dominions; and the other curbing the
forward fearceneſſe of his horſes: his azure locks, and
beard, o’re growne, hung like the careles emblem of
a reuerend age, diſheuered or’e his naked limmes,
which were ſhadowed off with a mantle of ſea

greene

greene taffaty, lymd with waues and fiſhes. This
firſt preſentment vſhered on a ſtately well built
ſhip, bearing full ſaile, figuring the traffique or trade
of the (worthy to be eſteemed noble) company of
the Haberdaſhers. Behind the ſhippe ſate Æolus the
god of winds, filling their ſailes with proſperous
guſts, and at each corner of the ſhip ſate (vpon ſmall
Ilands) the 4 parts of the world, Aſia, Africa, America,
and Europa, each of them inuiting their trade vnto
their coaſts. Aſia was attired in an antique habit of
peach coloured Sattin, and buskins of the ſame,
a Coronet on her head, and a cenſor in her hand
reaking with Panchayian ſpices: Africa a blackmoore
in a|naked ſhape, adorned with beads, and in her
hand the branch of a Nut-megg-tree: America a
tawny Moore, vpon her head a crowne of feathers,
and baſes of the ſame; at her backe, a quiuer of
ſhafts, and in her hand a Parthian bow: Europa in a
robe of Crymſon taffaty, on her head an imperiall
crowne conferred on her by the other three as Em-
preſſe of the earth, and holding in her hand a cluſter
of grapes, ’to ſignifie her full ſwolne plenty. Theſe
meeting the Lord Maior on the Thames at three
Cranes wharfe, where he tooke water, Oceanus made
this ſpeech.

The ſpeech of Oceanus.

I that am ſtil’d the potent king of waues,

Oceanus, he that in a moment can

Curbe the vaſt depth of ſea when as it raues,

And

And leuell marble mountaines that haue ran,

To ruine earth and skies; I now am ſent

From all the watery deities to attend

Thy ſtately triumphs, as an honor ment

To adde vnto thy greatneſſe, which to’th end,

And confines of our rule hath clapt his wings;

For ſtill the water Nymphs, and gods of ſtreames,

Running vnto my boſom, each one brings,

Report of thee; but my beloued Thames,

Full often when the cheerfull Lampe of day,

Hath warm’d my chilly bowells with his fires,

Hath tic’d me from his comfort with a lay

Of what thou art; and then with prayers, deſires,

And what elſe could attract me to conſent,

Hath yeelded to my conuay thy large ſhips,

To traffique through my wide vaſt continent.

And now with a deſire that outſtrips

Imagination, I am come to ſee,

And wonder at the ſtate which I now find,

For to attend thy Brotherhood, and thee:

And now with you this league I will combind,

That while the influence of the forked moone,

Appoints my curled billowes ebbes, and tides,

While that the ſhipman throwes to heauen his boone

For ſafe returne, and while that ſtella rides,

With ſparkling glory o’re my wrinkled face,

My care ſhall be for euer to attend;

Your wealthy bottoms to your coaſts apace;

And this my promiſe will I neuer end,

Nor breake, vntill your wealth and ſtates ſurmount

Tagus vnualued ſands in the account.

The

The ſpeech of Æolus.

ANd here the god of winds his promiſe plights,

That whilſt the boiſterous North, & gentle Weſt,

The South, and nipping Eaſt wind, daies and nights,

Begirt the deſert Ocean, ready preſt,

To execute my will, with proſperous gales,

I will ſend home your ſhips, and take delight

To play with gentle murmures on your ſailes.

Thus ſince both ſeas, and winds, themſelues vnite,

Might vnto your their loue and aids incline.

THe ſecond and laſt preſentment on the water,
was Pernaſſus mount, whereon the nine Muſes
ſate; Clyo the firſt ſuted in a gowne of purple taffaty,
and ſtudiouſly imployd in turning ouer bookes, ſhee
being the Hiſtoricall Muſe; Melpomene was attired
in a blacke taffaty robe, her head deckt with Cypreſſe,
and playing on a Theorbo; Thalia the comick Muſe
in a light changeable taffaty robe, and playing on a
Voyall; Euterpe the Muſe that firſt|inuented wind-
inſtruments, was richly apparelled, and playd on a
Flute recorder; Terpſichore on the Lute; and the geo-
metricall Muſe, Erato with a ſeale and compaſſe in
her hand. The Heroicall Muſe Calliope was ſhap’t in
a tauny ſilke robe, and her temples girt with Bayes:
the heauenly Muſe Vrania that inuented Aſtrologie,
was deckt in a robe of azure taffaty ſemined with
ſtarres; on her head ſhee wore a coronet of ſtarres,

and

and her right hand ſupported a ſpheare; Polymneia
the inuẽtres of Rhethorique aſſumed her place neereſt
to Apollo, who ſate on the top of the mount in a robe
of cloth of gold, vnder a laurell tree, playing on a
harpe, alluding to that of Virgill:

In medio reſidens complectitur omnia Phœbus.

And on the backſide of the mount ſtood Mercury
liſtning to their harmonious ſtraines. This accom-
panied the Lord Maior vp to Weſtminſter with varie-
ty of muſique, where while his Honor was taking
the Oath, it returned backe and met him in Paules
Church-yard, where Euterpe & Terpſichore, entertai-
ned him with this ſong.

The

We Muſes of the pleaſant hill, that bath within the Theſpian

ſpring, That did direct the Grecians quill, Who of olde Pelius ſonne did ſing.

We that Amphion did in-ſpire, With ad-mired ſtraines and layes, And

did infuſe a ſacred fire, In both theſe to gaine the Bayes.2

We Apolloes hand-mayds nine, Come to meet thee on the way, that vn-

to thy honours ſhrine, Wee might dedi-cate this day.

And his die-ty vs a-mong, So curiouſ-ly ſhal wreſt thy glory. That the

enuious mongſt this throng ſhall confeſſe it merits ſt3ory.

THE third preſentment was a Quadrangle,
that mounted by aſcents to the forme of an
Egyptian pyramed, whereon in a well wrought
Landskip, where figured the ſeuerall ſhieres of Eng-
land; on the top ſat a princely Maieſty acootered in
a robe of purple veluet furred with Ermines, on his
head hee wore an Imperiall Crowne, and in his
right hand a ſcepter; ouer his head were fixt the
armes of England, and at his feete a Lyon couchant,
which did demonſtrate his power in reconciling
fearceneſſe vnto a willing ſeruitude; vnder him ſate
two Dukes; two Marquiſes; two Earles, and two
Barons, in Parliament robes of purple veluet; about
their neckes they wore collers of Eſſes, and on
their heads the apt cognizance of each ones honor;
at the 4 corners of this Pyramed, ſtood two Lyons, Or,
and two Vnicores Argent, ſupporting 4 ſtreamers,
wherein were Eſcutchoned the armes of our foure
Kingdomes, England, Scotland, France and Ireland: be-
fore it was caractered in a ſcroule, Respublica Beata;
and round about it ran the Ocean. This Pyramed
was ſupported by foure ſiluer Corinthian columnes,
the Baſes, and Capitalls, fine gold. Within theſe co-
lumnes ſate 4 Perſons, that ſeemed as it were to vn-
derprop the ponderous burthen of the Pyramed; the
firſt was the Citty, preſented in a ſcarlet gowne gar-
ded with blacke Veluet, like a Lady Maiores; and in
her hand two golden keyes; the other the Country
in a Ruſtique habit; the third the Law, habited like a
Iudge, and a ſcrowle in his hand; the fourth Religion
in a rotchet like a Biſhop, and in his hand a booke. At

the

the 4 corners of this vnder ſquare ſtood two Lyons
Or, and two Gotes, Argent, which are the ſupporters
of the Companies Armes, bearing 4 large ſtreamers, in
which were the armes of the Citty, and of the compa-
ny; and in the front ſtood the creſt of the Lord
Maior, a Lyon ſupporting an azure anchor, and on it
was fixt his cote of Armes, which was a chiefe Or,
with a Lyon Or, vpon a field azure, betweene 3 croſt
formes Or.

THE fourth preſentment, being the maine
Pageant, was a Mount, where on the top
vnder a canopie lim’d with ſtarres, was ſea-
ted Catherin, the Saint of the Company, whom antique
ſtories report to be the daughter of Coſtus King of
Alexandria; ſhe was attired in a ſnow white ſattin
gowne, in one hand ſhe held a booke, and in the o-
ther a ſword with the point downeward; it being
the inſtrument that in death ſealed her the fruition
of immortall reſt; her head circuled with a crowne
of gold, which did intimate her princely deſcent; and
at her feete lay a broken wheele: round about ſate
her Attendants twelue maydes of honor gorgeouſly
attired, each one bearing in her hand a ſiluer ſheild,
vpon which were portrayed Catherin Wheeles, and
within them the Motto to the Companies armes, Serue
and obay. Vnder theſe ſatre her ſeruants at worke,
ſome carding Wooll; ſome Spinning; others Knitting
capps; with her Feltmakers; one Bowed; one Baſoned;
and another Blockt; and behind the Mount ſate a
Shepheard keeping his ſheepe: Each of which in-

duſtrious

B 3

duſtrious faculties haue reference to the ſupport of
this Worſhipfull society.

THE fifth and laſt inuention, was a Chariot
painted ful with houre-glaſſes, and ſun-dialls,
the fore-wheeles were two Globes, and the
hinder wheeles were like two Church dialls; within
it aged Time was drawne, ſeated vpon an houre-glaſſe
that was ſupported on the ſhoulders of a gyant, re-
preſenting the Iron age; in one hand he held a ſickle,
in the other a croutch; and in the Chariot with him
were drawne the foure Elements, Ignis, Aer, Aqua,
and Terra. Ignis fire, was attired in a flame coloured
taffaty robe, leaning on a Salamander, and in his
hand three teend Lightning; Aer Aire, in a robe
lymmed with clouds and ſeuerall ſhaps of Birds, and
in his hand a Doue; Aqua water, in a robe limmed
with Waues and Fiſhes, her azure treſſes deckt with
flegges,4 and in her hand a veſſell full of liue Fiſhes;
Terra earth, in a robe on which graſſe and flowers,
ſprang as it were naturally; on her head ſtood green
corne, and in her hand ſhe bare a ſiluer ſpade. This
Chariot was drawne by the foure ſeaſons of the
yeare, Ver the ſpring, Æſtas the ſommer, Autumne, and
Hyems winter. Ver was ſuted in greene taffaty, a
chaplet of flowers on her head, a bow in her hand
and a quiuer at her backe like a huntreſſe; Æſtas in
a yellow taffaty robe, and her browes like Ceres,
deckt with ripe corne, & a cornucopiæ in her hand;
Antumne5 in a naked ſhape like Bacchus, his temples
wreathed with vines, and in his hand a cluſter of
grapes; Hyems Winter in a furred gowne, and in his
hand a pan of burning coles. This Chariot, in the

euening

euening when the Lord Maior came to Paules, at the
vpper Conduit in Cheapeſide, Time made this
ſpeech.

ME thinkes I ſee amazement pierce each eye,

That viewes me repreſenting my weake ſtate,

Who ſ […]ted with my dull variety,

Turne backe their heads I do not imitate;

But ſhew the ſpatious world, the age I beare:

For when command of the immortall powers,

Had giuen me being, when I firſt did reare

My Nimble eſſence on the winged howers:

I went forth like the ſpring, and did behold,

And weare out mans firſt dayes the age of gold;

Then roſe the ſiluer age, and that decaid,

Succeſſiuely another ganne to raigne,

Called the Brazen age: when that did fade,

This laſt prop of the world that doth ſuſtaine,

My ponderous glaſſe and me, the Iron age,

Sprung vp to be my Atlas; were he gone,

Theſe Elements attending would with rage,

Turne feeble Time to deſolation:

But now doe you not wonder much to ſee,

Me as I am ay’d, a ſolemnity,

Like to a victor borne triumphantly?

O Honord Lord, it is to ſhew the loue,

I bare to thee and thy Societie,

Whoſe bounteous intertainments are aboue

All that I euer found. Now in returne,

I promiſe this, if that with honor’d care,

Thou execute thy charge, then ſhall thy vrne,

Be reuerenced, and thither ſhall repaire,

A bleſſed memory that neuer dies,

To […]l ſon it vnto poſterities.

Vnder

Vnder this Pyramed, ſate ſacred Peace, that chan-
ged her celeſtiall Manſion, to make vs happy with
the ſweete pleaſures of a quiet ſtate; on her head ſhe
wore a wreath of oliues, in her right hand a palme,
her robe was of white taffaty, limm’d with the
mappe of England: in her lap ſhee bare the modell
of London, and on her left arme a ſheild, whereon
was Vndæ Argent and azure vpon a bend Gules a
Lyon paſſant gardant Or, the Armes of the Societie;
at her feete lay warre in compleat armes vpon
Speares, Launces, foulded enſignes; and leaning on
an Vnbrac’t drum; this ſhew paſſed along till the
Lord Maior came to Saint Laurence lane end, where
Peace began to ſpeake thus.

The Speech of Peace.

A Welcome honor’d Pretor I doo giue,

Free and vnbounded, as my wiſh to liue,

and to retaine the bleſſed ſtiles are giuen

Me, with applauſe of Nations and of heauen:

From whence I boaſt my linage; I am Peace

That my long Pilgrimage did neuer ceaſe,

From the firſt minute of the aged World,

Vntill I found this Iland; for being hurld

Out of each region by rebellious War,

(Which now lies bound my Vaſſall) like a ſtar,

Whoſe vnfixt glory glides from ſpheare, to ſpheare,

I wandred vp and downe: and not a teare

I ſhed, but with it went a ſigh that I

Might be ſo fauor’d of the Deity,

To be recald from earth, which when they ſaw

Me, from the world beſides they did withdraw,

To this (then troubled) ſtate, which did imbrace

Me with ſuch Ioy, that Nobles flockt apace,

To intertaine me, and the poore did ſtand,

To craue my bleſſing, to ore flowe their land;

And Ioyntly all of them deliuered War,

Fetterd in chaines to be my priſoner,

Now honord Lord ſince that you find and ſee,

Peace placed here by a diuine decree;

Within this common-weatlh, and chiefly here,

Within this Citty, where for one whole yeare,

Thy mandats are obayd, then haue a care,

To ſee me ſafely kept; and ſince you beare

That powerfull ſway about yee that attends,

The execution of your will, and ends:

Imploy’t ſo nobly that my generall ſtate,

May ſay thou leadſt the way to imitate.

After the Sermon at St Paules church was ended,
the Lord Maior returned backe by torch light to
his houſe, attended by the whole body of the So-
lemnity, where being come to his gate, War from
out the Pageant called the Common-wealth, made
this ſpeech.

IT is decreed, nor can my power reſiſt,

This moſt ineuitable doombe of fate,

I haue forgot my nature, and conſiſt

Of ſomething more then lenity: my ſtate,

At firſt was ſoueraignty; and that ſame ſway,

That

That curb’d dominions: for I mounted on

The backe of horror, bath’d in blood, could fray

Peace from their coaſts, then deſolation,

I could command to raiſe my ſtatues there,

That Nations far remote with mourning eies,

Should not rehearſe the ſtory without feare,

Leſt I might ſo cloſe vp their obſequies:

I taught the Romans to immortallize,

Their names by their great acts, and to refine,

Their meane creation by the ſacrifize,

Of their owne blood to Warre and to my ſhrine,

They offer’d mighty ſpoyles, but now I beare

Captiuity about me: yet like one

That renders ſeruitude for loue, nor feare,

Imploying his deuotion to be ſhowne,

As free as if his mind could captiuate

His will, I yeeld to ſacred Peace and you;

That this day haue with a tryumphant ſtate,

Entred your charge, and office, which the due

Of Time admitts you too, and ſhould it chance,

That any foraigne armes from out this throane,

Striue to inforce her, I will then aduance,

My enſignes to her aide; and make it knowne,

That this is her inheritance, and place,

Which heauen hath pointed out to be her reſt;

And therefore worthy Lord follow the trace

Of noble preſidents, and in thy breſt,

Reſolue of future hazards; and prepare

Me ſuch prouiſions that if times ſhould ceaſe,

To be vnto this land as now they are,

Warre might reſtore againe the Palme to Peace.

This

This ſpeech being ended, Peace and Warre diſ-
mounted from vnder the Pyramed, Peace conducted
the Lord Maior into his houſe; and Warre ſtood with
fire and ſword to defend his gates.

And thus the ſolemnity diſſolued.

The credit of this workmanſhip (curiouſly ex-
ceeding many former ſhewes, and far more ritch
then any, in regard no mettall was vſed to a-
dorne it but gold and ſiluer) I impoſe on Fran-
cis Tipſley Cittizen and Haberdaſher of London.

FINIS.

Notes

I.e., sedge: A name for various coarse grassy, rush-like or flag-like plants growing in wet places; also (in different localities) variously applied spec., e.g. to the cyperaceous genera Carex and Cladium, to the Sweet Flag (Acorus) and the Wild Iris ( Iris Pseudacorus) (OED). (SM)↑
I.e., the bay laurel wreath, which was given to great poets. (SM)↑
Text supplied based on internal contextual evidence. (SM)↑
Probably irises, but could refer to any type of reed or rush (OED). (SM)↑
I.e., Autumne. (SM)↑

References

Citation
Early English Books Online (EEBO). Proquest LLC. Subscription.
This item is cited in the following documents:
Citation
EEBO-TCP (EEBO Text Creation Partnership). [The Text Creation Partnership offers searchable diplomatic transcriptions of many EEBO items.] Web.
This item is cited in the following documents:
Citation
Oxford English Dictionary. Oxford: Oxford UP, 2012. Subscription. OED.
This item is cited in the following documents:

Cite this page

MLA citation

Squire, John. Tes Irenes Trophæa, or the Triumphs of Peace. The Map of Early Modern London, edited by Janelle Jenstad, U of Victoria, 20 Jun. 2018, mapoflondon.uvic.ca/TESI1.htm.

Chicago citation

Squire, John. Tes Irenes Trophæa, or the Triumphs of Peace. The Map of Early Modern London. Ed. Janelle Jenstad. Victoria: University of Victoria. Accessed June 20, 2018. http://mapoflondon.uvic.ca/TESI1.htm.

APA citation

Squire, J. 2018. Tes Irenes Trophæa, or the Triumphs of Peace. In J. Jenstad (Ed), The Map of Early Modern London. Victoria: University of Victoria. Retrieved from http://mapoflondon.uvic.ca/TESI1.htm.

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Provider: University of Victoria
Database: The Map of Early Modern London
Content: text/plain; charset="utf-8"

TY  - ELEC
A1  - Squire, John
ED  - Jenstad, Janelle
T1  - Tes Irenes Trophæa, or the Triumphs of Peace
T2  - The Map of Early Modern London
PY  - 2018
DA  - 2018/06/20
CY  - Victoria
PB  - University of Victoria
LA  - English
UR  - http://mapoflondon.uvic.ca/TESI1.htm
UR  - http://mapoflondon.uvic.ca/xml/standalone/TESI1.xml
ER  -

RefWorks

RT Web Page
SR Electronic(1)
A1 Squire, John
A6 Jenstad, Janelle
T1 Tes Irenes Trophæa, or the Triumphs of Peace
T2 The Map of Early Modern London
WP 2018
FD 2018/06/20
RD 2018/06/20
PP Victoria
PB University of Victoria
LA English
OL English
LK http://mapoflondon.uvic.ca/TESI1.htm

TEI citation

<bibl type="mla"><author><name ref="#SQUI2"><surname>Squire</surname>, <forename>John</forename></name></author>. <title level="m">Tes Irenes Trophæa, or the Triumphs of Peace</title>. <title level="m">The Map of Early Modern London</title>, edited by <editor><name ref="#JENS1"><forename>Janelle</forename> <surname>Jenstad</surname></name></editor>, <publisher>U of Victoria</publisher>, <date when="2018-06-20">20 Jun. 2018</date>, <ref target="http://mapoflondon.uvic.ca/TESI1.htm">mapoflondon.uvic.ca/TESI1.htm</ref>.</bibl>

Personography

Janelle Jenstad

JJ

Janelle Jenstad, associate professor in the department of English at the University of Victoria, is the general editor and coordinator of The Map of Early Modern London. She is also the assistant coordinating editor of Internet Shakespeare Editions. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. Her articles have appeared in the Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Performing Maternity in Early Modern England (Ashgate, 2007), Approaches to Teaching Othello (Modern Language Association, 2005), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Institutional Culture in Early Modern Society (Brill, 2004), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), and Teaching Early Modern English Literature from the Archives (MLA, forthcoming). She is currently working on an edition of The Merchant of Venice for ISE and Broadview P. She lectures regularly on London studies, digital humanities, and on Shakespeare in performance.
Roles played in the project
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Janelle Jenstad is a member of the following organizations and/or groups:
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Janelle Jenstad is mentioned in the following documents:
Tye Landels-Gruenewald

TLG

Research assistant, 2013-15, and data manager, 2015 to present. Tye completed his undergraduate honours degree in English at the University of Victoria in 2015.
Roles played in the project
- Author
- Author of Term Descriptions
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Tye Landels-Gruenewald is a member of the following organizations and/or groups:
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Quinn MacDonald

QM

Undergraduate research assistant and encoder, 2013. Quinn is a fourth-year honours English student at the University of Victoria. Her areas of interest include postcolonial theory and texts, urban agriculture, journalism that isn’t lazy, fine writing, and roller derby. She is the director of community relations for The Warren Undergraduate Review and senior editor of Concrete Garden magazine.
Roles played in the project
- Encoder
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Quinn MacDonald is a member of the following organizations and/or groups:
Quinn MacDonald is mentioned in the following documents:
Kim McLean-Fiander

KMF

Director of Pedagogy and Outreach, 2015–present; Associate Project Director, 2015–present; Assistant Project Director, 2013-2014; MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.
Roles played in the project
- Associate Project Director
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- Managing Editor
- Markup Editor
- Metadata Architect
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Kim McLean-Fiander is a member of the following organizations and/or groups:
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Joey Takeda

JT

Programmer, 2018-present; Junior Programmer, 2015 to 2017; Research Assistant, 2014 to 2017. Joey Takeda is an MA student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests include diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.
Roles played in the project
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- CSS Editor
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- Junior Programmer
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Joey Takeda is a member of the following organizations and/or groups:
- Student Research Assistants
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Zaqir Virani

ZV

Graduate Research Assistant, 2013-14. Zaqir Virani completed his MA at the University of Victoria in April 2014. He received his BA from Simon Fraser University in 2012, and has worked as a musician, producer, and author of short fiction. His research focuses on the linkage of sound and textual analysis software and the work of Samuel Beckett.
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Zaqir Virani is a member of the following organizations and/or groups:
Zaqir Virani is mentioned in the following documents:
Martin D. Holmes

MDH

Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.
Roles played in the project
- Author
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- Name Encoder
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Martin D. Holmes is a member of the following organizations and/or groups:
Martin D. Holmes is mentioned in the following documents:
Sarah Milligan

SM

MoEML Research Affiliate. Research assistant, 2012-14. Sarah Milligan completed her MA at the University of Victoria in 2012 on the invalid persona in Elizabeth Barrett Browning’s Sonnets from the Portuguese. She has also worked with the Internet Shakespeare Editions and with Dr. Alison Chapman on the Victorian Poetry Network, compiling an index of Victorian periodical poetry.
Roles played in the project
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- Encoder
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Sarah Milligan is a member of the following organizations and/or groups:
Sarah Milligan is mentioned in the following documents:
Oceanus

Personification of the great river that the Greeks believed encircled the world. Appears as an allegorical character in mayoral shows.
- BAE
- EM
Oceanus is mentioned in the following documents:
Æolus

Greek god of winds. Appears as an allegorical character in mayoral shows.
- BAE
- EM
Æolus is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Melpomene

One of the nine muses in Greek mythology, patron of tragedy or lyre playing. Also appears as an allegorical character in mayoral shows.
- BAE
- EM
Melpomene is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Thalia

One of the nine muses in Greek mythology, patron of comedy. Also appears as an allegorical character in mayoral shows.
- BAE
- EM
Thalia is mentioned in the following documents:
- Camp-Bell, or the Ironmongers’ Fair Field
- Tes Irenes Trophæa, or the Triumphs of Peace
Euterpe

One of the nine muses in Greek mythology, patron of music or flute playing. Appears as an allegorical character in mayoral shows.
- BAE
- Wikipedia
Euterpe is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Terpsichore

One of the nine muses in Greek mythology, patron of dancing, chorus, or lyric poetry. Also appears as an allegorical character in mayoral shows.
- BAE
- EM
Terpsichore is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Erato

One of the nine muses in Greek mythology, patron of lyric and erotic poetry or hymns. Appears as an allegorical character in mayoral shows.
- BAE
- EM
Erato is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Calliope

Foremost of the nine muses in Greek mythology, patron of epic poetry. Appears as an allegorical character in mayoral shows.
- BAE
- EM
Calliope is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Urania

One of the nine muses in Greek mythology, patron of astronomy. Appears as an allegorical character in mayoral shows.
- BAE
- EM
Urania is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Polymnia

One of the nine muses in Greek mythology, patron of dancing or geometry. Appears as an allegorical character in mayoral shows.
- BAE
- EM
Polymnia is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Apollo

An influential Greek deity with multiple meanings and functions. Since the time of Homer, he has been defined as the god of divine distance.
- BAE
- EM
Apollo is mentioned in the following documents:
Clio

One of the nine muses in Greek mythology, patron of history. Appears as an allegorical character in mayoral shows.
- BAE
- EM
Clio is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
City

Personification of civic institution of the City. Appears as an allegorical character in mayoral shows.
City is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Country

Personification of the nation and land. Appears as an allegorical character in mayoral shows.
Country is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
- The Device of the Pageant Borne before Wolstan Dixie
St. Catherine of Alexandria

Saint Catherine of Alexandria

(d. between 301 and 400)

Christian martyr who protested the persecution of Christians in Roman Egypt.
- BAE
- Wikipedia
St. Catherine of Alexandria is mentioned in the following documents:
Giant

Personification of the Iron Age of human history. Appears as an allegorical character in mayoral shows.
Giant is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Aer

Personification of the element of air. Appears as an allegorical character in mayoral shows.
- OR
Aer is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Aqua

Personification of the element of water. Allegorical character in mayoral shows.
- OR
Aqua is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Ignis

Personification of the element of fire. Appears as an allegorical character in mayoral shows.
- OR
Ignis is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Ver

Personification of the season of spring. Appears as an allegorical character in mayoral shows.
Ver is mentioned in the following documents:
- London’s Tempe
- Tes Irenes Trophæa, or the Triumphs of Peace
Aestas

Personification of the season of summer. Appears as an allegorical character in mayoral shows.
Aestas is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Autumne

Personification of the season of autumn. Appears as an allegorical character in mayoral shows.
Autumne is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Hyems

Personification of the season of winter. Appears as an allegorical character in mayoral shows.
Hyems is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Peace

Personification of peace. Appears as an allegorical character in mayoral shows.
Peace is mentioned in the following documents:
War

Personification of war and violence. Appears as an allegorical character in mayoral shows.
War is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Terra

Personification of the element of earth. Appears as an allegorical character in mayoral shows.
- OR
Terra is mentioned in the following documents:
- Link Content to Pages and Databases
- Tes Irenes Trophæa, or the Triumphs of Peace
Law

Personification of the institution of law. Appears as an allegorical character in mayoral shows.
Law is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Religion

Personification of religion. Appears as an allegorical character in mayoral shows.
Religion is mentioned in the following documents:
America

Personification of the continents of America. Appears as an allegorical character in mayoral shows.
America is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Europa

Personification of the continent of Europe. Appears as an allegorical character in mayoral shows.
Europa is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Asia

Personification of the continent of Asia. Appears as an allegorical character in mayoral shows.
Asia is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Africa

Personification of the continent of Africa. Appears as an allegorical character in mayoral shows.
Africa is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Mercury

Roman god of merchandise and merchants.
- BAE
- EM
Mercury is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
- Troia-Nova Triumphans, or London Triumphing
Bacchus

Roman god of wine and ecstasy.
- BAE
- EM
Bacchus is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
- Troia-Nova Triumphans, or London Triumphing
Nicholas Okes

(fl. 1596-1645)

Stationer.
- BBTI
- Wikipedia
Nicholas Okes is mentioned in the following documents:
John Squire

Playwright.
- ODNB
John Squire is mentioned in the following documents:
Time

Personification of time. Appears as an allegorical character in mayoral shows.
Time is mentioned in the following documents:
Achilles

In Greek mythology, Achilles was the most famous Greek hero in the Trojan war. Central character in Homer’s Iliad. Son of the mortal Peleus and the sea nymph Thetis.
- BAE
- Wikipedia
Achilles is mentioned in the following documents:
Amphion

In Greek mythology, Amphion and his twin brother Zetheus were the sons of Zeus by Antiope. Amphion’s wife was Niobe. He became a great musician and helped build the wall of Thebes. The stones would follow the sound of his lyre and move into place.
- BAE
- Wikipedia
Amphion is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Ceres

Roman goddess of agriculture, depicted as a character in mayoral shows.
- EM
- Wikipedia
Ceres is mentioned in the following documents:
Sir Francis Jones

Sir Francis Jones Sheriff Mayor

(b. 1559, d. 1622)

Sheriff of London from 1610—1611 CE. Mayor from 1620—1621 CE. Member of the Haberdashers’ Company.
- MASL
- Wikipedia
Sir Francis Jones is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Peleus

In Greek mythology, Peleus married the sea nymph Thetis and was the father of Achilles.
- BAE
- Wikipedia
Peleus is mentioned in the following documents:
Francis Tipsley

Haberdasher.
Francis Tipsley is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
Virgil

Roman poet, best known for the Aeneid.
- BAE
- Wikipedia
Virgil is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace
King Costus

Costus King of Alexandria

Traditionally considered the father of St. Catherine of Alexandria.
King Costus is mentioned in the following documents:
- Tes Irenes Trophæa, or the Triumphs of Peace

Locations

The Thames
The Thames is mentioned in the following documents:
Three Cranes Wharf
Three Cranes Wharf is mentioned in the following documents:
Westminster Palace
Westminster Palace is mentioned in the following documents:
St. Paul’s Churchyard
St. Paul’s Churchyard is mentioned in the following documents:
St. Paul’s Cathedral

St. Paul’s Cathedral was—and remains—an important church in London. In 962, while London was occupied by the Danes, St. Paul’s monastery was burnt and raised anew. The church survived the Norman conquest of 1066, but in 1087 it was burnt again. An ambitious Bishop named Maurice took the opportunity to build a new St. Paul’s, even petitioning the king to offer a piece of land belonging to one of his castles (Times 115). The building Maurice initiated would become the cathedral of St. Paul’s which survived until the Great Fire of 1666.
St. Paul’s Cathedral is mentioned in the following documents:
Little Conduit (Cheapside)

The Little Conduit in Cheapside, also known as the Pissing Conduit, stood at the western end of Cheapside outside the north corner of Paul’s Churchyard. On the Agas map, one can see two water cans on the ground just to the right of the conduit.
Little Conduit (Cheapside) is mentioned in the following documents:
Cheapside Street

Cheapside, one of the most important streets in early modern London, ran east-west between the Great Conduit at the foot of Old Jewry to the Little Conduit by St. Paul’s churchyard. The terminus of all the northbound streets from the river, the broad expanse of Cheapside separated the northern wards from the southern wards. It was lined with buildings three, four, and even five stories tall, whose shopfronts were open to the light and set out with attractive displays of luxury commodities (Weinreb and Hibbert 148). Cheapside was the centre of London’s wealth, with many mercers’ and goldsmiths’ shops located there. It was also the most sacred stretch of the processional route, being traced both by the linear east-west route of a royal entry and by the circular route of the annual mayoral procession.
Cheapside Street is mentioned in the following documents:
St. Laurence Lane (Guildhall)
St. Laurence Lane (Guildhall) is mentioned in the following documents:

Organizations

The Haberdashers’ Company

The Worshipful Company of Haberdashers

The Haberdashers’ Company was one of the twelve great companies of London. The Haberdashers were eighth in the order of precedence established in 1515. The Worshipful Company of Haberdashers is still active and maintains a website at http://www.haberdashers.co.uk/ that includes a history of the company and of their hall.

The coat of arms of the Haberdashers’ Company, from Stow (1633). [Full size image]
This organization is mentioned in the following documents:

Notes

References

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MLA citation

Chicago citation

APA citation

RIS file (for RefMan, EndNote etc.)

RefWorks

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Personography

JJ

Roles played in the project

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Janelle Jenstad is a member of the following organizations and/or groups:

Janelle Jenstad is mentioned in the following documents:

TLG

Roles played in the project

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Tye Landels-Gruenewald is a member of the following organizations and/or groups:

Tye Landels-Gruenewald is mentioned in the following documents:

QM

Roles played in the project

Quinn MacDonald is a member of the following organizations and/or groups:

Quinn MacDonald is mentioned in the following documents:

KMF

Roles played in the project

Contributions by this author

Kim McLean-Fiander is a member of the following organizations and/or groups:

Kim McLean-Fiander is mentioned in the following documents:

JT

Roles played in the project

Contributions by this author

Joey Takeda is a member of the following organizations and/or groups:

Joey Takeda is mentioned in the following documents:

ZV

Roles played in the project

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Zaqir Virani is a member of the following organizations and/or groups:

Zaqir Virani is mentioned in the following documents:

MDH

Roles played in the project

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Martin D. Holmes is a member of the following organizations and/or groups:

Martin D. Holmes is mentioned in the following documents:

SM

Roles played in the project

Contributions by this author

Sarah Milligan is a member of the following organizations and/or groups:

Sarah Milligan is mentioned in the following documents:

Oceanus is mentioned in the following documents:

Æolus is mentioned in the following documents:

Melpomene is mentioned in the following documents:

Thalia is mentioned in the following documents:

Euterpe is mentioned in the following documents:

Terpsichore is mentioned in the following documents:

Erato is mentioned in the following documents:

Calliope is mentioned in the following documents:

Urania is mentioned in the following documents:

Polymnia is mentioned in the following documents:

Apollo is mentioned in the following documents:

Clio is mentioned in the following documents:

City is mentioned in the following documents:

Country is mentioned in the following documents:

Saint Catherine of Alexandria

St. Catherine of Alexandria is mentioned in the following documents:

Giant is mentioned in the following documents:

Aer is mentioned in the following documents:

Aqua is mentioned in the following documents:

Ignis is mentioned in the following documents:

Ver is mentioned in the following documents:

Aestas is mentioned in the following documents:

Autumne is mentioned in the following documents:

Hyems is mentioned in the following documents:

Peace is mentioned in the following documents: