The Great Boobee
To a pleaſant new Tune: Or, Salengers
round.
MY Friends if you will underſtand
my fortunes what they are
I once had Cattel, Houſe and Land,
but now I am never the near,
My Father left a good eſtate,
as I may tell to thee,
I cozened was of all I had,
like a
great Boobee.
I went to School with a good intent,
and for to learn my book,
And all the day I went to play,
in it I never did look:
Full ſeven years, or very nigh,
as I may tell to thee,
I could hardly ſay my Chriſt Croſs
Row1
like a great Boobee.
My Father then in all the haſte,
did ſet me to the Plow,
And for to laſh the horſe about,
indeed I knew not how;
My Father took his Whip in his hand,
and ſoundly laſhed me,
He call’d me Fool and Country Clown,
and great Boobee.
But I did from my Father run,
for I will plow no more,
Becauſe he hath ſo ſlaſhed me,
and made my ſide ſo ſore:
But I will go to London Town,
ſome Vaſhions
for to ſee
When I came there they call’d me Clown
and great Boobee.
But as I went along the ſtreet,
I carried my hat in my hand,
And to every one that I did meet,
I bravely buſt my hand;
Some did laugh, and ſome did ſcoff,
and ſome did mock at me,
And ſome did ſay I was a Woodcock,
and a great Boobee.
Then did I walk in haſte to Pauls,
the Steeple for to view
Becauſe I heard ſome people ſay,
it ſhould be builded new,
Then I got up unto the top,
the City for to ſee,
It was ſo high it made me cry,
like a great Boobee.
From thence I went to Weſminſter,
and for to ſee the Tombs,
Oh, ſaid I, what a houſe is here,
with an infinite ſight of Rooms?
Sweetly the Abby Bells did ring
it was a fine ſight to ſee,
Me thoughts I was going to heaven
(in a ſtring,
like a great Boobee.
The ſecond part, to the ſame Tune.
But as I went along the ſtreet,
the moſt part of the day
Many Gallants did I meet
me thoughts they were very gay,
I blew my noſe, and piſt my hoſe
ſome people did me ſee,
They ſaid I was a beastly fool,
and a great Boobee.
Next day I through Pie-corner paſt,
the Roast-meat on the stall
Invited me to take a taſte
my money was but ſmall,
The meat I pickt, the Cook me kickt,
as I may tell to thee,
He beat me ſore, and made me rore,
like a great Boobee.
As I through Smithfield lately walkt,
a gallant Laſs I met,
Familiarly with me ſhe talkt
Which I cannot forget,
She proffered me a pint of wine,
me thought ſhe was wondrous free,
To the Tavern then I went with her
like a great Boobee.
She told me we were near of Kin,
and call’d for Wine good ſtore,
Before the reckoning was brought in,
my Couſin prov’d a Whore
My purſe ſhe pickt, and went away
my Couſin cozened me
The Vinter kickt me out of door
like a great Boobee.
At the Exchange when I came there,
I ſaw moſt gallant things
I thought the Pictures living were
of all our English Kings,
I doft my Hat, and made a leg
and kneeled on my Knee,
The people laught, and call’d me fool,
and great Boobee.
To Paris Garden then I went,
where there is great reſort,
My pleaſure was my puniſhment,
I did not like the ſport.
The Garden bull with his ſtout horns,
on high then toſſed me;
I did bewray my ſelf with fear
like a great Boobee.
The Bear-heard went to ſave me then,
the people flockt about,
I told the Bear-garden men,
my Guts were almoſt out:
They ſaid I ſtunk moſt grievouſly
no man would pitty me,
They call’d me witleſs Fool and Aſs,
and great Boobee.
Then o’re the Water did I paſs
as you ſhall underſtand,
I dropt into the Thames alasse,
before I came to Land,
The Water-man did help me out,
And thus thus did ſay to me,
’Tis not thy fortune to be drown’d,
thou great Boobee.
But I have learned ſo much wit
ſhall ſhorten all my cares,
If I can but a liſcence get,
To play before the Bears:
’Twill be a gallant place indeed,
As I may tell to thee,
Then who dares call me Fool or Aſs,
or great Boobee.
Notes
- Refers to first line of a hornbook.↑
Cite this page
MLA citation
The Great Boobee.The Map of Early Modern London, edited by , U of Victoria, 20 Jun. 2018, mapoflondon.uvic.ca/GREA5.htm.
Chicago citation
The Great Boobee.The Map of Early Modern London. Ed. . Victoria: University of Victoria. Accessed June 20, 2018. http://mapoflondon.uvic.ca/GREA5.htm.
APA citation
The Map of Early Modern London. Victoria: University of Victoria. Retrieved from http://mapoflondon.uvic.ca/GREA5.htm.
. 2018. The Great Boobee. In (Ed), RIS file (for RefMan, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - , ED - Jenstad, Janelle T1 - The Great Boobee T2 - The Map of Early Modern London PY - 2018 DA - 2018/06/20 CY - Victoria PB - University of Victoria LA - English UR - http://mapoflondon.uvic.ca/GREA5.htm UR - http://mapoflondon.uvic.ca/xml/standalone/GREA5.xml ER -
RefWorks
RT Web Page SR Electronic(1) A1 , A6 Jenstad, Janelle T1 The Great Boobee T2 The Map of Early Modern London WP 2018 FD 2018/06/20 RD 2018/06/20 PP Victoria PB University of Victoria LA English OL English LK http://mapoflondon.uvic.ca/GREA5.htm
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<bibl type="mla"><author><name ref="#ANON2"><name ref="#ANON2">Anonymous</name></name></author>. <title level="a">The Great Boobee</title>. <title level="m">The Map of Early Modern London</title>, edited by <editor><name ref="#JENS1"><forename>Janelle</forename> <surname>Jenstad</surname></name></editor>, <publisher>U of Victoria</publisher>, <date when="2018-06-20">20 Jun. 2018</date>, <ref target="http://mapoflondon.uvic.ca/GREA5.htm">mapoflondon.uvic.ca/GREA5.htm</ref>.</bibl>Personography
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Benjamin Barber
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Benjamin Barber is a PhD student at the University of Ottawa. His recently completed MA research at the University of Victoria analyzed the role of mimetic desire, honour, and violence in Heywood’s Edward IV Parts 1 and 2 and Shakespeare’s The Winter’s Tale. Barber(U+2019)s current research explores the influence of Shakespearian protagonists on Lord Byron’s characterization of Childe Harold and Don Juan. He has articles forthcoming in Literature and Theology (Oxford UP) and Contagion: Journal of Violence Mimesis and Culture (Michigan State UP). He has also contributed an article to Anthropoetics: The Journal of Generative Anthropology (UCLA).Roles played in the project
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Janelle Jenstad
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Janelle Jenstad, associate professor in the department of English at the University of Victoria, is the general editor and coordinator of The Map of Early Modern London. She is also the assistant coordinating editor of Internet Shakespeare Editions. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. Her articles have appeared in the Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Performing Maternity in Early Modern England (Ashgate, 2007), Approaches to Teaching Othello (Modern Language Association, 2005), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Institutional Culture in Early Modern Society (Brill, 2004), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), and Teaching Early Modern English Literature from the Archives (MLA, forthcoming). She is currently working on an edition of The Merchant of Venice for ISE and Broadview P. She lectures regularly on London studies, digital humanities, and on Shakespeare in performance.Roles played in the project
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St. Paul’s Cathedral
St. Paul’s Cathedral was—and remains—an important church in London. In 962, while London was occupied by the Danes, St. Paul’s monastery was burnt and raised anew. The church survived the Norman conquest of 1066, but in 1087 it was burnt again. An ambitious Bishop named Maurice took the opportunity to build a new St. Paul’s, even petitioning the king to offer a piece of land belonging to one of his castles (Times 115). The building Maurice initiated would become the cathedral of St. Paul’s which survived until the Great Fire of 1666.St. Paul’s Cathedral is mentioned in the following documents:
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Westminster Abbey was a historically significant church, located on the bottom-left corner of the Agas map. Colloquially known asPoets’ Corner,
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