Cheapside’s Triumphs and Chyron’s Cross’s Lamentation
Part I
[Printer’s ornament]
Cheapſides Triumphs, and Chyrones Croſſes Lamentation.
To the tune of the Building.
[Woodcut image of London showing Cheapside Cross]
SEe the guilding
Of Cheapſides famous building
the glorious Croſſe,
Trimd vp moſt fairly,
With gold moſt rarely,
refin’d from droſſe:
A pleaſing proſpect to all beholders,
that ſhall but view it,
and lately knew it
Defac’d of beauty,
but now a ſumptuous thing:
Whoſe praiſe and wonder
Fame abroad doth ring.
Tricked moſt neatly
With coſt compleatly
adorn’d moſt rare,
Whoſe ſhining beauty,
ſhowes the Cities duty
and tender care:
To preſerue their rich & ſumptuous buildings,
in ſtately manner,
ſuch coſt vpon her
they beſtow with honour,
Such is the loue they beare
which now is ſeene
By Cheapſide gliſtering faire.
The Croſſe there placed,
Is now much graced,
that it may be knowne,
How well the Citie,
With care and pitie,
reſpects her owne:
Braue Citizens of worthy London,
ſuch loue they owe it,
and now they ſhow it,
freely beſtow it
Upon their City faire,
with Cheapſide Croſſe
There’s none can make compare.
Search
England
ouer,
From hence to
Douer
,
and ſo about,
The like to Cheapſide,
Faire
Londons
chiefe pride,
you’l not find out:
Newly beautifi’d moſt neat and fairly,
all may admire,
and ſtill deſire,
to gaze vp higher,
To ſee the glorious ſtate
of this rare building,
Rais’d vp ve1ry late.
O ſight moſt bleſſed,
To ſée Cheapſide dreſſed,
in ſtately manner:
May you perſeuer
In loue foreuer,
tis for your honor,
To ſee your Croſſe excell in ſhining
all Croſſe2s elſewhere,
to this comes not neere,
now trimmed moſt rare:
And glorious to behold,
whoſe ſhining brauery
Gliſtereth all of gold.
The ſecond part, To the ſame tuné.
[Woodcut image of a house framed by two pillars and two human
figures (a courtier to the left and a king to the right]
KInd fri6ends pray turne ye,
With griefe now mourne ye,
to behold and ſée
An ancient building
Now downwards yeelding,
ah woe is me:
The prouerb here is verified truly,
old things are worth nought,
but that’s a bad thought,
for to forget ought
Once eſteemed deare,
But yet ala7ſſe
Too t8rue appeares.
In lamentation,
I make my ſupplication
to great and ſmall,
That erſt haue view’d me,
And now peruſ’d me,
then iudge withall,
That ancient things in theſe dayes are
more is the pity
that ſuch a city,
ſo wiſe and witty,
ſhould not regard their fame,
cenſure a9right,
Then tell me where’s the blame.
I long haue ſtood he10re,
Mary bad and good yeare,
pining away,
Expecting euer,
But I feare neuer
to ſee the day
Wherein my ſtate againe ſha11ll be aduanced,
and all things made good,
of ſtone or elſe wood,
where I ha12ue long ſtood,
Expecting e13uery day
I ſhould be once againe
Made neat and gay.
Thou wert a deare one,
Old noble Chyron,14
that plac’t me here,
My firſt ſupporter
Of ſtone and morter,
was ſeated r15are:
But now you ſée my top is downward bending
my ſtate is reeling,
none hath a féeli16ng
to my appealing,
That now in ſad diſtreſſe
My ſad woes doe expre17ſſe.
ſome honeſt Courtier
Be my ſupporter,
I now intreate,
ſome Lord or Barrone,
Pitty old Chyrone,
ere it be to18o late,
For now my ſtate you ſée is down declining
my ancient building,
is downward yeelding,
In wofull manner
I waile my wretched ſtate,
Oh pity ſoone, for feare it be too late,
In time I craue it,
And faine would haue it,
for mercies ſake,
Take thou ſome pitie,
Faire London Citie,
my foundation make,
Aged Pauls and I may waile together
and pray to heauen
all may be eauen,
and gifts be giuen
By charitable men,
to beautifie
Our buildings faire agen.
F I N I S.
Notes
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- We have been unable to determine the identity of Chyron. Please contact the MoEML team if you can provide information. (JJ)↑
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Cite this page
MLA citation
Cheapside’s Triumphs and Chyron’s Cross’s Lamentation.The Map of Early Modern London, edited by , U of Victoria, 20 Jun. 2018, mapoflondon.uvic.ca/CHEA4.htm.
Chicago citation
Cheapside’s Triumphs and Chyron’s Cross’s Lamentation.The Map of Early Modern London. Ed. . Victoria: University of Victoria. Accessed June 20, 2018. http://mapoflondon.uvic.ca/CHEA4.htm.
APA citation
The Map of Early Modern London. Victoria: University of Victoria. Retrieved from http://mapoflondon.uvic.ca/CHEA4.htm.
. 2018. Cheapside’s Triumphs and Chyron’s Cross’s Lamentation. In (Ed), RIS file (for RefMan, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - , ED - Jenstad, Janelle T1 - Cheapside’s Triumphs and Chyron’s Cross’s Lamentation T2 - The Map of Early Modern London PY - 2018 DA - 2018/06/20 CY - Victoria PB - University of Victoria LA - English UR - http://mapoflondon.uvic.ca/CHEA4.htm UR - http://mapoflondon.uvic.ca/xml/standalone/CHEA4.xml ER -
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RT Web Page SR Electronic(1) A1 , A6 Jenstad, Janelle T1 Cheapside’s Triumphs and Chyron’s Cross’s Lamentation T2 The Map of Early Modern London WP 2018 FD 2018/06/20 RD 2018/06/20 PP Victoria PB University of Victoria LA English OL English LK http://mapoflondon.uvic.ca/CHEA4.htm
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<bibl type="mla"><author><name ref="#ANON2"><name ref="#ANON2">Anonymous</name></name></author>. <title level="a">Cheapside’s Triumphs and Chyron’s Cross’s Lamentation</title>. <title level="m">The Map of Early Modern London</title>, edited by <editor><name ref="#JENS1"><forename>Janelle</forename> <surname>Jenstad</surname></name></editor>, <publisher>U of Victoria</publisher>, <date when="2018-06-20">20 Jun. 2018</date>, <ref target="http://mapoflondon.uvic.ca/CHEA4.htm">mapoflondon.uvic.ca/CHEA4.htm</ref>.</bibl>Personography
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Janelle Jenstad
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Janelle Jenstad, associate professor in the department of English at the University of Victoria, is the general editor and coordinator of The Map of Early Modern London. She is also the assistant coordinating editor of Internet Shakespeare Editions. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. Her articles have appeared in the Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Performing Maternity in Early Modern England (Ashgate, 2007), Approaches to Teaching Othello (Modern Language Association, 2005), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Institutional Culture in Early Modern Society (Brill, 2004), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), and Teaching Early Modern English Literature from the Archives (MLA, forthcoming). She is currently working on an edition of The Merchant of Venice for ISE and Broadview P. She lectures regularly on London studies, digital humanities, and on Shakespeare in performance.Roles played in the project
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Director of Pedagogy and Outreach, 2015–present; Associate Project Director, 2015–present; Assistant Project Director, 2013-2014; MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Locations
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Cheapside Street
Cheapside, one of the most important streets in early modern London, ran east-west between the Great Conduit at the foot of Old Jewry to the Little Conduit by St. Paul’s churchyard. The terminus of all the northbound streets from the river, the broad expanse of Cheapside separated the northern wards from the southern wards. It was lined with buildings three, four, and even five stories tall, whose shopfronts were open to the light and set out with attractive displays of luxury commodities (Weinreb and Hibbert 148). Cheapside was the centre of London’s wealth, with many mercers’ and goldsmiths’ shops located there. It was also the most sacred stretch of the processional route, being traced both by the linear east-west route of a royal entry and by the circular route of the annual mayoral procession.Cheapside Street is mentioned in the following documents:
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Cheapside Cross (Eleanor Cross)
If monuments could speak, the Cheapside Cross would have told a tale of kingly love, civic pride, and sectarian violence. The Cross, pictured but not labelled on the Agas map, stood in Cheapside between Friday Street and Wood Street. St. Peter Westcheap lay to its west, on the north side of Cheapside. The prestigious shops of Goldsmiths’ Row were located to the east of the Cross, on the south side of Cheapside. The Standard in Cheapside (also known as the Cheap Standard), a square pillar/conduit that was also a ceremonial site, lay further to the east (Brissenden xi).Cheapside Cross (Eleanor Cross) is mentioned in the following documents:
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Westminster is mentioned in the following documents:
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St. Paul’s Cathedral
St. Paul’s Cathedral was—and remains—an important church in London. In 962, while London was occupied by the Danes, St. Paul’s monastery was burnt and raised anew. The church survived the Norman conquest of 1066, but in 1087 it was burnt again. An ambitious Bishop named Maurice took the opportunity to build a new St. Paul’s, even petitioning the king to offer a piece of land belonging to one of his castles (Times 115). The building Maurice initiated would become the cathedral of St. Paul’s which survived until the Great Fire of 1666.St. Paul’s Cathedral is mentioned in the following documents:
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Old Bailey is mentioned in the following documents:
Organizations
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EEBO-TCP
Early English Books Online–Text Creation Partnership
EEBO-TCP is a partnership with ProQuest and with more than 150 libraries to generate highly accurate, fully-searchable, SGML/XML-encoded texts corresponding to books from the Early English Books Online Database. EEBO-TCP maintains a website at http://www.textcreationpartnership.org/tcp-eebo/.
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