Introduction
See the text of the Quenes Maiesties Passage.
Although the form of the Royal Entry has been modified since its beginnings in the
thirteenth century, its social function survives in English royal culture and politics
today. The same love for entertainment and spectacle that draws a crowd toward parades
today also drew crowds to a historical event rich in pageantry and cultural significance.
The purpose of the entry was to deliver the soon-to-be crowned king or queen through
London, the day prior to his or her coronation. An intimidating procession of footmen
and councillors, along with their future regent, marched through the streets of London
from the Tower in the East to Westminster Abbey. The entry allowed the common people to view their future ruler and to welcome him
or her with gifts and pageants.
This was a staged event that took months of planning and preparation, and required
the efforts of many planners and craftsmen. The aldermen paid for the costly materials
and labour. The final project not only reflected the wealth of the livery companies,
but also revealed their admiration and devotion to their regent. The presentations
for the entry were not simple productions. The pageants and route followed a consistent
pattern that had been established for hundreds of years.
Beginning at the Tower, the future king or queen was welcomed by the Lord Mayor of London. The Lord Mayor
then escorted the future regent through the gates of London, proceeding through the
district of Cheapside, until the arrival at Westminster. The following day, the coronation took place at
Westminster, and the festivities would continue.
Cite this page
MLA citation
Introduction to The Queen’s Majesty’s Passage.The Map of Early Modern London, edited by , U of Victoria, 20 Jun. 2018, mapoflondon.uvic.ca/QMPS1_introduction.htm.
Chicago citation
Introduction to The Queen’s Majesty’s Passage.The Map of Early Modern London. Ed. . Victoria: University of Victoria. Accessed June 20, 2018. http://mapoflondon.uvic.ca/QMPS1_introduction.htm.
APA citation
The Queen’s Majesty’s Passage. In (Ed), The Map of Early Modern London. Victoria: University of Victoria. Retrieved from http://mapoflondon.uvic.ca/QMPS1_introduction.htm.
2018. Introduction to RIS file (for RefMan, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Butler, Jennie ED - Jenstad, Janelle T1 - Introduction to The Queen’s Majesty’s Passage T2 - The Map of Early Modern London PY - 2018 DA - 2018/06/20 CY - Victoria PB - University of Victoria LA - English UR - http://mapoflondon.uvic.ca/QMPS1_introduction.htm UR - http://mapoflondon.uvic.ca/xml/standalone/QMPS1_introduction.xml ER -
RefWorks
RT Web Page SR Electronic(1) A1 Butler, Jennie A6 Jenstad, Janelle T1 Introduction to The Queen’s Majesty’s Passage T2 The Map of Early Modern London WP 2018 FD 2018/06/20 RD 2018/06/20 PP Victoria PB University of Victoria LA English OL English LK http://mapoflondon.uvic.ca/QMPS1_introduction.htm
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<bibl type="mla"><author><name ref="#BUTL1"><surname>Butler</surname>, <forename>Jennie</forename></name></author>. <title level="a">Introduction to <title level="m">The Queen’s Majesty’s Passage</title></title>. <title level="m">The Map of Early Modern London</title>, edited by <editor><name ref="#JENS1"><forename>Janelle</forename> <surname>Jenstad</surname></name></editor>, <publisher>U of Victoria</publisher>, <date when="2018-06-20">20 Jun. 2018</date>, <ref target="http://mapoflondon.uvic.ca/QMPS1_introduction.htm">mapoflondon.uvic.ca/QMPS1_introduction.htm</ref>.</bibl>Personography
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Janelle Jenstad
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Janelle Jenstad, associate professor in the department of English at the University of Victoria, is the general editor and coordinator of The Map of Early Modern London. She is also the assistant coordinating editor of Internet Shakespeare Editions. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. Her articles have appeared in the Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Performing Maternity in Early Modern England (Ashgate, 2007), Approaches to Teaching Othello (Modern Language Association, 2005), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Institutional Culture in Early Modern Society (Brill, 2004), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), and Teaching Early Modern English Literature from the Archives (MLA, forthcoming). She is currently working on an edition of The Merchant of Venice for ISE and Broadview P. She lectures regularly on London studies, digital humanities, and on Shakespeare in performance.Roles played in the project
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Director of Pedagogy and Outreach, 2015–present; Associate Project Director, 2015–present; Assistant Project Director, 2013-2014; MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Locations
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Tower of London is mentioned in the following documents:
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Westminster Abbey
Westminster Abbey was a historically significant church, located on the bottom-left corner of the Agas map. Colloquially known asPoets’ Corner,
it is the final resting place of Geoffrey Chaucer, Ben Jonson, Francis Beaumont, and many other notable authors; in 1740, a monument for William Shakespeare was erected in Westminster Abbey (ShaLT).Westminster Abbey is mentioned in the following documents:
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Cheapside Street
Cheapside, one of the most important streets in early modern London, ran east-west between the Great Conduit at the foot of Old Jewry to the Little Conduit by St. Paul’s churchyard. The terminus of all the northbound streets from the river, the broad expanse of Cheapside separated the northern wards from the southern wards. It was lined with buildings three, four, and even five stories tall, whose shopfronts were open to the light and set out with attractive displays of luxury commodities (Weinreb and Hibbert 148). Cheapside was the centre of London’s wealth, with many mercers’ and goldsmiths’ shops located there. It was also the most sacred stretch of the processional route, being traced both by the linear east-west route of a royal entry and by the circular route of the annual mayoral procession.Cheapside Street is mentioned in the following documents: