Preface to the Bills of Mortality Finding Aid
Go directly to the Bill of Mortality Finding Aid.
¶Introduction
The bills of mortality in early modern London were both printed documents that provided the statistics on deaths in the parishes
of London and popular
Text[s] to talk upon,according to John Graunt in his 1662 Natural and Political Observations Gap in transcription. Reason: Editorial omission for reasons of length or relevance. Use only in quotations in born-digital documents.[…] made upon the Bills of Mortality (Graunt sig. B1r). Despite the ubiquity of the bills in early modern London, criticism of the bills from the nineteenth century onward has focused on debating the statistical accuracy of Graunt’s calculations, not the texts themselves; indeed, many critics seem to agree tacitly with Plomer’s assertion that the
value of [the bills] Gap in transcription. Reason: Editorial omission for reasons of length or relevance. Use only in quotations in born-digital documents. (KL)[…] is very small(Plomer 222). This tendency to read the bills statistically—while having led to the preservation of the bills’ demographic data—has effaced the bibliographic codes of the texts. Consequentially, our understanding of the material form and print conventions of the bills remains incomplete. By compiling an exhaustive, enumerative bibliography of all extant early modern bills of mortality and their digital surrogates, I hope to remedy the nineteenth-century criticism and facilitate a turn in the critical conversation surrounding the London bills of mortality.
¶Previous Finding Aids
There have been few attempts at enumerating and collecting the bills of mortality
into a single document. Arguably, the first finding aid was F.P. Wilson’s appendix
to the second edition of The Plague in Shakespeare’s London (Wilson). The largest change from the first to the second edition was the addition of Wilson’s
proto-finding aid. Wilson explains that he sought after bills predating 1625, but
could find very few(Wilson xi). He continues, writing what amounts to a short prose finding aid. The scope of Wilson’s appendix differs from the MoEML finding aid in a number of ways: first, Wilson’s is an in-prose description of the bills, with footnotes leading to his sources; second, he does not discriminate between the physical bill and the statistics harvested from the bills; and third, he does not provide an enumerated list. Paul Slack provides a similar overview of the bills in The Impact of Plague in Tudor and Stuart England (Slack). Tapping into a demographic mode of explication, he lists the extant finding aids with a number of disambiguated data points, drawing various conclusions from the data. However, Slack’s focus is on numerical data and not the materials documents. His list of Bills of Mortality thus contains reproductions, from which little can be determined about the original bill from which the data came. The MoEML finding aid builds on the work of Wilson, Slack, and others, by focusing on the original bills and capitalizing on the interlinking potential of the digital environment. Drawing on resources such as MoEML’s bibliography and personography, as well as the English Short Title Catalogue (ESTC) and Early English Books Online (EEBO), the MoEML Bills of Mortality Finding Aid, I hope, will provide a powerful resource for researchers in a variety of fields.
¶How It’s Made
The data was first drawn from the ESTC, EEBO, Wilson, Sutherland, and the Guildhall Miscellany, and then carefully inputted into a spreadsheet (Wilson; Sutherland; Guildhall Miscellany). Using OCR technology, I exported the information contained within pages 145–150
of Nelson and Seccombe’s carefully researched Serial into text (.txt) files (Nelson and Seccombe). The output, while quite accurate, still required a series of Regular Expressions
to correlate Nelson and Seccombe’s bibliographic grammar with my own: dates were converted
into ISO-standard, record numbers were standardized, and characters related to the
print display of the records (e.g. straight-bar characters [‘|’]) were eliminated.
These were then exported and added into the spreadsheet.
Each sheet of the spreadsheet was then collapsed and converted into a single text
value with doubled quoted, tab-delimited fields. An XSLT (2.0) processed each row
of the text file, assigning each cell a variable name and forming the desired TEI
rows. The TEI rows were compressed into tables and sorted, grouped, and divided into
annual sections, with yearly and weekly bills differentiated into various tables.
ESTC and TCP numbers were added programatically through another XSLT transformation.
I converted the JSON catalogue of TCP numbers (available via the TCP Github here) into an XML representation using XSLT 3.0. The result XML was then processed against
the STC numbers recorded in the Finding Aid; if there was a cross-reference to the
TCP or ESTC, then those identifying numbers and catalogue entries (if applicable)
were added to the Finding Aid. If the TCP version of the text was available, then
a link to the TCP surrogate was added to the table.
¶Conclusion
This exhaustive bibliography of mortality bills will help researchers of literature,
history, and culture contextualize their research within the early modern environment
of the plague. The table is sortable, which helps those investigating the plague in
early modern London and its various effects find particular years of interest. For example, demographic
researchers can investigate the mortality rates in particular years, cross-reference
Graunt’s and other demographers’ texts with their source material, and trace the history
of human statistics in early modern London.
The end result of this bibliography is not to provide answers but to provoke questions.
Since early criticism hinged on discrediting the accuracy of the bills, few research
questions have been asked about what the bills tell us about early modern London. Some questions that arise from this bibliography include:
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What constitutes the genre of the bill of mortality? What are its generic conventions?
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What is the relationship between the bills’ purpose and their material form?
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How do the specific bibliographic codes and stylistic choices affect the bills’ rhetorical message?
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How do the bills of mortality demonstrate, model, or refute understandings of health and wellness in early modern London?
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What is the role of the Parish Clerks’ printing press in the dissemination of the bills of mortality?
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What is the perceived value of these documents? What sort of social, cultural, and political determinants shape the reception of the bills of mortality, in the seventeenth century through to the present?
References
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Citation
EEBO-TCP (EEBO Text Creation Partnership). [The Text Creation Partnership offers searchable diplomatic transcriptions of many EEBO items.] -
Citation
English Short Title Catalogue. British Library.This item is cited in the following documents:
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Citation
Graunt, John. Natural and political observations mentioned in a following index, and made upon the bills of mortality. London: Thomas Roycroft for John Martin, 1662. Wing G1599.This item is cited in the following documents:
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Citation
Guildhall Miscellany 2.7 (September 1965): 313–316. Print. [Rebound in a collection of Guildhall Miscellany volumes.]This item is cited in the following documents:
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Citation
Nelson, Carolyn and Matthew Seccombe. British Newspapers and Periodicals 1641–1700: A Short-Title Catalogue of Serials in England, Scotland, Ireland, and British America. New York: MLA, 1987. Print.This item is cited in the following documents:
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Citation
Plomer, Henry Robert.Literature of the Plague.
The Library s1-3.1 (1891): 209–228. doi:10.1093/library/s1-3.1.209.This item is cited in the following documents:
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Citation
Slack, Paul. The Impact of Plague in Tudor and Stuart England. London: Routledge, 1985. Print.This item is cited in the following documents:
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Citation
Sutherland, Ian.Mortality in London, 1563 to 1665.
Population and Social Change. Ed. D.V. Glass and Roger Revelle. Edward Arnold: London, 1972. 287–320. Print.This item is cited in the following documents:
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Citation
Wilson, F.P. The Plague in Shakespeare’s London. London: OUP, 1963. Print.This item is cited in the following documents:
Cite this page
MLA citation
Preface to the Bills of Mortality Finding Aid.The Map of Early Modern London, Edition 7.0, edited by , U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/MORT2_preface.htm.
Chicago citation
Preface to the Bills of Mortality Finding Aid.The Map of Early Modern London, Edition 7.0. Ed. . Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/MORT2_preface.htm.
APA citation
The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/7.0/MORT2_preface.htm.
2022. Preface to the Bills of Mortality Finding Aid. In (Ed), RIS file (for RefMan, RefWorks, EndNote etc.)
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TEI citation
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Personography
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Kate LeBere
KL
Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s Survey of London, old-spelling anthology of mayoral shows, and old-spelling library texts. She authored the MoEML’s first Project Management Manual andquickstart
guidelines for new employees and helped standardize the Personography and Bibliography. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.Roles played in the project
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Joey Takeda
JT
Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.Roles played in the project
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
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Tye Landels-Gruenewald
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Jessica Wright
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Kim McLean-Fiander
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Director of Pedagogy and Outreach, 2015–2020. Associate Project Director, 2015. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Janelle Jenstad
JJ
Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Martin D. Holmes
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Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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John Graunt is mentioned in the following documents:
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Graunt, John. Natural and political observations mentioned in a following index, and made upon the bills of mortality. London: Thomas Roycroft for John Martin, 1662. Wing G1599.
Locations
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London is mentioned in the following documents:
Organizations
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Parish Clerks’ Company
The Parish Clerks’ Company was a company in early modern London. While it never technically applied for livery status, it largely acted as a livery company. The Parish Clerks’ Company is still active and maintains a website at http://www.londonparishclerks.com/ that includes a history of the company.Roles played in the project
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