Our Pedagogical Partners

List documents mentioning Our Pedagogical Partners

¶Introduction

MoEML began as a teaching tool. In 2014, we found a way to honour our pedagogical origins while upholding scholarly standards. Since then, we have worked with many wonderful students and their professors around the globe. MoEML Pedagogical Partnerships allow us to team up with professors in other locations, supply teaching materials, and have the students contribute to MoEML under the close supervision of their professor on site. Have a look at all the pages contributed by or assigned to Pedagogical Partners.

Two experienced Pedagogical Partners have joined the MoEML leadership team. Ian MacInnes is our US Agent for Pedagogical Partnerships; American professors who are contemplating pedagogical partnerships with MoEML are invited to contact him directly. Kristen A. Bennett is the MoEML Module Mentor, working with Ian MacInnes to support American Pedagogical Partnerships in the development of their MoEML module, particularly if the module entails an Encoding Partnership.

¶Ian MacInnes, US Agent for Pedagogical Partnerships

Ian MacInnes and his students at Albion College have been Pedagical Partners since 2015. In 2015, Kate Casebeer prepared an article on the City Dog House; in 2016, she prepared a follow-up project on Finsbury Field. In 2017, Emily Allison prepared articles on the Cardinal’s Hat and the Elephant.

¶Kristen A. Bennett, MoEML Module Mentor

In Kristen A. Bennett’s first partnership with MoEML, in Spring 2016, her Pop Culture and Bibliodigiogy class at Stonehill College and Janelle Jenstad’s class at the University of Victoria transcribed and encoded Dekker’s The Gull’s Hornbook.

¶Pedagogical Partners — 2020

Joyce Boro and her ANG6470: Text to Hypertext class at Université de Montréal in Spring 2020 worked on correcting the EEBO-TCP transcription of Dekker’s The Wonderful Year.

¶Pedagogical Partners — 2018

Una McIlvenna (Photo credit: Casamento Photography)

Una McIlvenna and her students at the University of Melbourne will prepare an article on Newgate Prison.

¶Pedagogical Partners — 2016

Kristen A. Bennett

Kristen A. Bennett and her students in Pop Culture and Bibliodigigogy in Early Modern England at Stonehill College will write introductions for little-known EEBO texts and encode a portion of Thomas Dekker’s The Gull’s Hornbook.

¶Pedagogical Partners — 2015

Ian MacInnes

Ian MacInnes and his two summer research students at Albion College, Dana Demchak and Kate Casebeer, will prepare articles on several animal-related sites. Kate Casebeer is working with the MoEML team in order to encode her own article in TEI.

Jennifer Drouin

Jennifer Drouin and the students in her graduate course (EN 500: Digital Humanities) at The University of Alabama are MoEML’s first encoding partners.

¶Pedagogical Partners — Summer and Autumn 2014

Following on the success of our pedagogical pilot project with Professor Peter C. Herman at San Diego State University and Professor Kate McPherson at Utah Valley University in Spring 2014 (see below), MoEML is pleased to welcome a new batch of pedagogical partners for the Summer and Autumn 2014 terms.

Tom Bishop

Tom Bishop and his English/Drama advanced seminar (Studies in English Renaissance Drama) at The University of Auckland will prepare an article on the Theatre playhouse.

Briony Frost

Briony Frost and her M.A. Renaissance Literature class (Country, City and Court: Renaissance Literature, 1558-1618) at Exeter University will prepare encyclopedia entries on many of the sites (numbered 1-12) on The Queen’s Majesty’s Passage.

Sarah Hogan

Sarah Hogan and her Sixteenth-century British Literature class at Wake Forest University will prepare an encyclopedia article on Ludgate.

Shannon Kelley

Shannon Kelley and her Shakespeare survey class (Shakespeare I) at Fairfield University will prepare encyclopedia entries on the gardens on the Agas map, including the Bear Garden.

Kathryn Moncrief

Kathryn M. Moncrief and her Renaissance Drama class at Washington College will prepare an article on the Rose playhouse.

Kevin Quarmby

Kevin Quarmby and his Autumn 2014 sophomore Shakespeare class at Oxford College of Emory University will prepare an article on Bearbaiting in Early Modern London.

Meg Roland

Meg Roland and the students in her Study Abroad in London and Rome: Tracing Empire course at Marylhurst University will prepare an article on the London Wall or Bishopsgate.

Anita Sherman

Anita Sherman and the undergraduate/graduate students in her Revenge Drama and City Comedy: Shakespeare’s Contemporaries course at American University will be doing a place-based reading of Ben Jonson’s Bartholomew Fair. Her students will prepare articles on Smithfield and some of the surrounding streets and sites.

Amy L. Tigner

Amy Tigner and her graduate seminar (Shakespeare and Early Modern Urban/Rural Nature) at the University of Texas, Arlington will collectively research and write an article on the Thames.

Donna Woodford-Gormley

Donna Woodford-Gormley and her Autumn 2014 Shakespeare: From the Globe to the Global class at New Mexico Highlands University will prepare an article on the Globe playhouse.

Details of other new partners will be added as they become available. Watch this space!

¶Pedagogical Partners — Spring 2014 Pilot

Our first two pedagogical partners were Professor Peter C. Herman at San Diego State University and Professor Kate McPherson at Utah Valley University. Professor Herman’s research seminar on Shakespeare collectively produced an article on the Blackfriars Theatre and Professor McPherson’s Shakespeare’s Histories & Comedies class wrote an article on The Curtain Theatre. We will make an announcement when the articles are published by MoEML.

Peter C. Herman

Kate McPherson

Cite this page

MLA citation

McLean-Fiander, Kim, Janelle Jenstad, and Janelle Jenstad. Our Pedagogical Partners. The Map of Early Modern London, Edition 7.0, edited by Janelle Jenstad, U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/pedagogical_partnership.htm.

Chicago citation

McLean-Fiander, Kim, Janelle Jenstad, and Janelle Jenstad. Our Pedagogical Partners. The Map of Early Modern London, Edition 7.0. Ed. Janelle Jenstad. Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/pedagogical_partnership.htm.

APA citation

McLean-Fiander, K., Jenstad, J., & Jenstad, J. 2022. Our Pedagogical Partners. In J. Jenstad (Ed), The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/7.0/pedagogical_partnership.htm.

RIS file (for RefMan, RefWorks, EndNote etc.)

Provider: University of Victoria
Database: The Map of Early Modern London
Content: text/plain; charset="utf-8"

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ET  - 7.0
PY  - 2022
DA  - 2022/05/05
CY  - Victoria
PB  - University of Victoria
LA  - English
UR  - https://mapoflondon.uvic.ca/edition/7.0/pedagogical_partnership.htm
UR  - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/pedagogical_partnership.xml
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TEI citation

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Personography

Joey Takeda

JT

Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.
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Contributions by this author
Joey Takeda is a member of the following organizations and/or groups:
Joey Takeda is mentioned in the following documents:
Joey Takeda authored or edited the following items in MoEML’s bibliography:
- Jenstad, Janelle and Joseph Takeda. Making the RA Matter: Pedagogy, Interface, and Practices. Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
Tye Landels-Gruenewald

TLG

Data Manager, 2015-2016. Research Assistant, 2013-2015. Tye completed his undergraduate honours degree in English at the University of Victoria in 2015.
Roles played in the project
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Contributions by this author
Tye Landels-Gruenewald is a member of the following organizations and/or groups:
Tye Landels-Gruenewald is mentioned in the following documents:
Kim McLean-Fiander

KMF

Director of Pedagogy and Outreach, 2015–2020. Associate Project Director, 2015. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.
Roles played in the project
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- Data Manager
- Director of Pedagogy and Outreach
- Editor
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- Geo-Coordinate Researcher
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Contributions by this author
Kim McLean-Fiander is a member of the following organizations and/or groups:
Kim McLean-Fiander is mentioned in the following documents:
Janelle Jenstad

JJ

Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).
Roles played in the project
- Abstract Author
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Contributions by this author
Janelle Jenstad is a member of the following organizations and/or groups:
Janelle Jenstad is mentioned in the following documents:
Janelle Jenstad authored or edited the following items in MoEML’s bibliography:
- Jenstad, Janelle and Joseph Takeda. Making the RA Matter: Pedagogy, Interface, and Practices. Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
- Jenstad, Janelle. Building a Gazetteer for Early Modern London, 1550-1650. Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145.
- Jenstad, Janelle. The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody. The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print.
- Jenstad, Janelle. The City Cannot Hold You: Social Conversion in the Goldsmith’s Shop. Early Modern Literary Studies 8.2 (2002): 5.1–26..
- Jenstad, Janelle. The Gouldesmythes Storehowse: Early Evidence for Specialisation. The Silver Society Journal 10 (1998): 40–43.
- Jenstad, Janelle. Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside. Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373.
- Jenstad, Janelle. Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment. Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print.
- Jenstad, Janelle. Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage. Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print.
- Jenstad, Janelle. Using Early Modern Maps in Literary Studies: Views and Caveats from London. GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print.
- Jenstad, Janelle. Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?. Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/.
- Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
- Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
Kristen A. Bennett

Kristen Abbott Bennett KAB

Kristen Abbott Bennett has been a MoEML pedagogical partner and module mentor; she is now Assistant Director, Pedagogy. She is an Assistant Professor in the English Department of Framingham State University, where she teaches classics, medieval and early modern British literature, and digital humanities. In addition to her contributions to MoEML as a guest editor, Dr. Bennet is the editor of Conversational Exchanges in Early Modern England (1549-1640), and has published articles on digital pedagogy, Nashe, Marlowe, Shakespeare, and other topics. She is the Director of The Kit Marlowe Project and has served on the scholarly advisory committee for the Folger Shakespeare Library’s Digital Anthology of Early Modern Drama project, and on the editorial board of This Rough Magic: A Peer-Reviewed, Academic, Online Journal Dedicated to the Teaching of Medieval and Renaissance Literature.
Roles played in the project
- Guest Editor
Kristen A. Bennett is mentioned in the following documents:
Kevin A. Quarmby

Kevin A. Quarmby is a MoEML Pedagogical Partner and a member of MoEML’s Editorial Board. He is Assistant Professor of English at Oxford College of Emory University. He is author of The Disguised Ruler in Shakespeare and His Contemporaries (Ashgate, 2012), shortlisted for the Globe Theatre Book Award 2014. He has published numerous articles on Shakespeare and performance in scholarly journals, with invited chapters in Women Making Shakespeare (Bloomsbury, 2013), Shakespeare Beyond English (Cambridge, 2013), and Macbeth: The State of Play (Bloomsbury, 2014). Quarmby’s interest in the political, social and cultural impact of the theatrical text is informed by thirty-five years as a professional actor. He is editor of Henry VI, Part 1 for Internet Shakespeare Editions, Davenant’s Cruel Brother for Digital Renaissance Editions and co-editor with Brett Hirsch of the anonymous Fair Em, also for DRE.
Roles played in the project
- Guest Editor
Kevin A. Quarmby is a member of the following organizations and/or groups:
- Editorial Board
Kevin A. Quarmby is mentioned in the following documents:
Martin D. Holmes

MDH

Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.
Roles played in the project
- Abstract Author
- Author
- Conceptor
- Editor
- Encoder
- Geo-Coordinate Researcher
- Markup Editor
- Post-Conversion Editor
- Programmer
- Proofreader
- Researcher
Contributions by this author
Martin D. Holmes is a member of the following organizations and/or groups:
Martin D. Holmes is mentioned in the following documents:
Tom Bishop

Tom Bishop is a MoEML Pedagogical Partner. He is Professor of English at the University of Auckland, New Zealand, where he teaches in the English and Drama programmes. He is the author of Shakespeare and the Theatre of Wonder (Cambridge, 1996), the translator of Ovid’s Amores (Carcanet, 2003), and a general editor of The Shakespearean International Yearbook, an annual volume of scholarly essays published by Ashgate Press. He has published articles on Elizabethan music, Shakespeare, Jonson, Australian literature, and other topics, co-produced a full-scale production of Ben Jonson’s Oberon, the Fairy Prince, and sits on the board of the Summer Shakespeare Trust at the University of Auckland. He is currently working on a project entitled Shakespeare’s Theatre Games.
- Tom Bishop’s University of Auckland profile
Roles played in the project
- Guest Editor
Tom Bishop is mentioned in the following documents:
Tom Bishop authored or edited the following items in MoEML’s bibliography:
- Shakespeare, William. Pericles. Ed. Tom Bishop. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Per/.
Joyce Boro

Joyce Boro is Professor of English literature at Université de Montréal, Canada. She is the editor of Lord Berners’ Castell of Love (MRTS 2007), Margaret Tyler’s Mirror of Princely Deeds and Knighthood (MHRA 2014), and author of articles and essays on Anglo-Spanish literary relations, translation, transnational adaptation, romance, drama, and book history.
Joyce Boro is mentioned in the following documents:
Jennifer Drouin

Jennifer Drouin is a MoEML Pedagogical Partner. She is Assistant Professor of English in the Hudson Strode Program in Renaissance Studies at the University of Alabama. Her monograph, Shakespeare in Québec: Nation, Gender, and Adaptation, was published by University of Toronto Press in 2014. She has also published essays in Theatre Research in Canada, Borrowers and Lenders, Shakespeare Re-Dressed, Native Shakespeares, Queer Renaissance Historiography, Shakespeare on Screen: Macbeth, Shakespeare on Screen: Othello, and on the Canadian Adaptations of Shakespeare Project site. Her previous digital humanities work includes the SSHRC-MCRI-funded Making Publics project website. In collaboration with the Internet Shakespeare Editions, she is currently working on a bilingual critical anthology and database called Shakespeare au/in Québec (SQ), which aims to produce TEI critical editions of 35 Québécois adaptations of Shakespeare written since the Quiet Revolution.
- Jennifer Drouin’s University of Alabama profile
Roles played in the project
- Guest Editor
Jennifer Drouin is mentioned in the following documents:
Briony Frost

Briony Frost is an Education and Scholarship Lecturer in English at the University of Exeter. Her teaching and research fields include: Renaissance literature, especially drama; Elizabethan and Jacobean succession literature; witchcraft; publics; memory and forgetting; and soundscapes. Her M.A. Renaissance Literature class (Country, City and Court: Renaissance Literature, 1558-1618) will prepare encyclopedia entries on many of the sites (numbered 1-12) on The Queen’s Majesty’s Passage.
- Briony Frost’s Academia.edu profile
Roles played in the project
- Guest Editor
Briony Frost is mentioned in the following documents:
Peter C. Herman

Peter Herman PCH

Peter C. Herman is a MoEML Pedagogical Partner. He is Professor of English Literature at San Diego State University. His most recent books include, The New Milton Criticism, co-edited with Elizabeth Sauer (Cambridge UP, 20012), A Short History of Early Modern England (Wiley-Blackwell, 2011), and Royal Poetrie: Monarchic Verse and the Political Imaginary of Early Modern England (Cornell UP, 2010). His current projects include a teaching edition of Thomas Deloney’s Jack of Newbury and a book on the literature of terrorism. In Spring 2014, he is teaching a research seminar on Shakespeare that will collectively produce the article on Blackfriars Theatre for the Map of Early Modern London.
- Peter Herman’s SDSU profile
Roles played in the project
- Guest Editor
Peter C. Herman is mentioned in the following documents:
Sarah Hogan

SH

Sarah Hogan is a MoEML Pedagogical Partner. She is Assistant Professor of English Literature at Wake Forest University. Her work has appeared in JMEMS, JEMCS, and Upstart, and she is currently at work on a book-length project, Island Worlds and Other Englands: Utopia, Capital, Empire (1516-1660). Her class on sixteenth-century British literature will be composing an entry on Ludgate.
- Sarah Hogan’s WFU profile
Sarah Hogan is mentioned in the following documents:
Shannon Kelley

Shannon Kelley is a MoEML Pedagogical Partner. She is an Assistant Professor of English at Fairfield University. Her teaching and research fields include Lyric Poetry, Literary Theory, Ecocriticism, Early Modern Culture, Science Studies, and Renaissance Drama. Her class will prepare encyclopedia entries on the gardens on the Agas map, including the Bear Garden.
- Fairfield University profile
Roles played in the project
- Author
- Guest Editor
Contributions by this author
- Bear Garden
- Pike Gardens
Shannon Kelley is mentioned in the following documents:
Ian MacInnes

IM

Ian MacInnes (B.A. Swarthmore College, Ph.D. University of Virginia) is the director of pedagogical partnerships (US) for MoEML. He is Professor of English at Albion College, Michigan, where he teaches Elizabethan literature, Shakespeare, and Milton. His scholarship focuses on representations of animals and the environment in Renaissance literature, particularly in Shakespeare. He has published essays on topics such as horse breeding and geohumoralism in Henry V and on invertebrate bodies in Hamlet. He is particularly interested in teaching methods that rely on students’ curiosity and sense of play.

Click here for Ian MacInnes’ Albion College profile.
Roles played in the project
- Guest Editor
- Transcriber
Ian MacInnes is mentioned in the following documents:
Una McIlvenna

Una McIlvenna is Hansen Lecturer in History at the University of Melbourne, where she teaches courses on crime, punishment, and media in early modern Europe, and on the history of sexualities. She has held positions as Lecturer in Early Modern Literature at Queen Mary University of London and the University of Kent. From 2011-2014 she was a Postdoctoral Research Fellow with the Australian Research Council’s Centre for the History of Emotions, based at the University of Sydney, where she began her ongoing project investigating emotional responses to the use of songs and verse in accounts of crime and public execution across Europe. She has published articles on execution ballads in Past & Present, Media History, and Huntington Library Quarterly, and is currently working on a monograph entitled Singing the News of Death: Execution Ballads in Europe 1550-1900. She also works on early modern court studies, and is the author of Scandal and Reputation at the Court of Catherine de Medici (Routledge, 2016).
Roles played in the project
- Guest Editor
Una McIlvenna is mentioned in the following documents:
Kate McPherson

Kate McPherson is a MoEML Pedagogical Partner. She is Professor of English at Utah Valley University. She is co-editor, with Kathryn Moncrief and Sarah Enloe of Shakespeare Expressed: Page, Stage, and Classroom in Shakespeare and His Contemporaries (Fairleigh Dickinson, 2013); and with Kathryn Moncrief of two other edited collections, Performing Pedagogy in Early Modern England: Gender, Instruction, and Performance (Ashgate, 2011) and Performing Maternity in Early Modern England (Ashgate, 2008). She has published numerous articles on early modern maternity in scholarly journals as well. An award-winning teacher, Kate is also Resident Scholar for the Grassroots Shakespeare Company, an original practices performance troupe begun by two UVU students.
- Kate McPherson’s UVU profile
Roles played in the project
- Abstract Author
- Guest Editor
Contributions by this author
- The Curtain
Kate McPherson is mentioned in the following documents:
Kathryn Moncrief

Kathryn M. Moncrief holds a Ph.D in English from the University of Iowa, an M.A. in English and Theatre from the University of Nebraska, and a B.A. in English and Psychology from Doane College. She is Professor and Chair of English at Washington College in Chestertown, Maryland and is the recipient of the college’s Alumni Association Award for Distinguished Teaching. She is co-editor, with Kathryn McPherson, of Shakespeare Expressed: Page, Stage and Classroom in Early Modern Drama (Fairleigh Dickinson UP, 2013); Performing Pedagogy in Early Modern England: Gender, Instruction and Performance (Ashgate, 2011); and Performing Maternity in Early Modern England (Ashgate, 2007). She is the author of articles published in book collections and journals, including Gender and Early Modern Constructions of Childhood, Renaissance Quarterly and others, and is also author of Competitive Figure Skating for Girls (Rosen, 2001).
- Washington College profile
Kathryn Moncrief is mentioned in the following documents:
Meg Roland

Meg Roland is a MoEML Pedagogical Partner. She is Associate Professor and Chair of Literature and Art at Marylhurst University.
Roles played in the project
- Guest Editor
- Researcher
Meg Roland is mentioned in the following documents:
Meg Roland authored or edited the following items in MoEML’s bibliography:
- Roland, Meg. After Poyetes and Astronomyers: English Geographical Thought and Early English Print. Mapping Medieval Geographies: Geographical Encounters in the Latin West and Beyond, 300–1600. Ed. Keith Lilley. Cambridge: Cambridge UP, 2014. 127–151. Print.
Anita Sherman

Anita Gilman Sherman is a MoEML Pedagogical Partner. She is an Associate Professor in the Department of Literature at American University. She is the author of Skepticism and Memory in Shakespeare and Donne (2007). She has published articles on several topics, including essays on Garcilaso de la Vega, Montaigne, Thomas Heywood, John Donne, Shakespeare and W. G. Sebald. Her current book project is titled The Skeptical Imagination: Paradoxes of Secularization in English Literature, 1579-1681.
- American University profile
Roles played in the project
- Guest Editor
Anita Sherman is mentioned in the following documents:
Amy Tigner

Amy Tigner is a MoEML Pedagogical Partner. She is Associate Professor of English at the University of Texas, Arlington, and the Editor-in-Chief of Early Modern Studies Journal. She is the author of Literature and the Renaissance Garden from Elizabeth I to Charles II: England’s Paradise (Ashgate, 2012) and has published in ELR, Modern Drama, Milton Quarterly, Drama Criticism, Gastronomica and Early Theatre. Currently, she is working on two book projects: co-editing, with David Goldstein, Culinary Shakespeare, and co-authoring, with Allison Carruth, Literature and Food Studies.
- Amy Tigner’s UTA profile
Roles played in the project
- Guest Editor
Amy Tigner is mentioned in the following documents:
Donna Woodford-Gormley

Donna Woodford-Gormley is a MoEML Pedagogical Partner. She is Professor of English at New Mexico Highlands University. She is the author of Understanding King Lear: A Student Casebook to Issues, Sources, and Historical Documents. She has also published several articles on Shakespeare and Early Modern Literature in scholarly books and journals. Currently, she is writing a book on Cuban adaptations of Shakespeare. In Fall 2014, she is teaching ENGL 422/522, Shakespeare: From the Globe to the Global, and her students will produce an article on The Globe playhouse for MoEML.
- Donna Woodford-Gormley’s NMHU profile
Roles played in the project
- Guest Editor
Donna Woodford-Gormley is mentioned in the following documents:
Kate Casebeer

KMC

Student contributor at Albion College in Spring 2015, working under the guest editorship of Ian MacInnes.
Roles played in the project
- Author
- Encoder
- Toponymist
Contributions by this author
- City Dog House
- Finsbury Field
Kate Casebeer is a member of the following organizations and/or groups:
- Albion College Spring 2015 Students
Kate Casebeer is mentioned in the following documents:
Emily Allison

EPA

Student contributor at Albion College, working under the guest editorship of Ian MacInnes.
Roles played in the project
- Author
- Conceptor
- Encoder
- Researcher
Contributions by this author
- Cardinal’s Hat (Southwark)
- The Elephant
Emily Allison is a member of the following organizations and/or groups:
- Albion College Summer 2017 Students
Emily Allison is mentioned in the following documents:
Thomas Dekker

(b. 1572, d. 1632)

Playwright, poet, and author.
- EB
- ODNB
- Wikipedia
Thomas Dekker is mentioned in the following documents:
Thomas Dekker authored or edited the following items in MoEML’s bibliography:
- Bevington, David. Introduction. The Shoemaker’s Holiday. By Thomas Dekker. English Renaissance Drama: A Norton Anthology. Ed. David Bevington, Lars Engle, Katharine Eisaman Maus, and Eric Rasmussen. New York: Norton, 2002. 483–487. Print.
- Dekker, Thomas, and John Webster. Vvest-vvard hoe As it hath been diuers times acted by the Children of Paules. London: [William Jaggard] for Iohn Hodgets, 1607. STC 6540.
- Dekker, Thomas. The Belman of London. London: 1608. STC 6482.
- Dekker, Thomas. Britannia’s Honor. The Dramatic Works of Thomas Dekker. Vol. 4. Ed. Fredson Bowers. Cambridge: Cambridge UP, 1961. Print.
- Dekker, Thomas. The Dead Tearme. Or Westminsters Complaint for long Vacations and short Termes. Written in Manner of a Dialogue betweene the two Cityes London and Westminster. 1608. The Non-Dramatic Works of Thomas Dekker. Ed. Rev. Alexander B. Grosart. 5 vols. 1885. Reprinted by New York: Russell and Russell, 1963. 1–84. Print.
- Dekker, Thomas. The Gull’s Horn-Book: Or, Fashions to Please All Sorts of Gulls. Thomas Dekker: The Wonderful Year, The Gull’s Horn-Book, Penny-Wise, Pound-Foolish, English Villainies Discovered by Lantern and Candelight, and Selected Writings. Ed. E.D. Pendry. London: Edward Arnold, 1967. 64–109. The Stratford-upon-Avon Library 4.
- Dekker, Thomas. The guls horne-booke. London: Nicholas Okes for R. Sergier, 1609. STC 6500.
- Dekker, Thomas. If it be not good, the Diuel is in it A nevv play, as it hath bin lately acted, vvith great applause, by the Queenes Maiesties Seruants: at the Red Bull. London: Printed by Thomas Creede for John Trundle, 1612. STC 6507.
- Dekker, Thomas. Lantern and Candlelight. 1608. Ed. Viviana Comensoli. Toronto: Centre for Reformation and Renaissance Studies, 2007. Publications of the Barnabe Riche Society.
- Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: British Library; Shelfmark: C.34.g.11.
- Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: Huntington Library; Shelfmark: Rare Books 59055.
- Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: National Library of Scotland; Shelfmark: Bute.143.
- Dekker, Thomas. London’s Tempe. The Dramatic Works of Thomas Dekker. Ed. Fredson Bowers. Vol. 4. Cambridge: Cambridge UP, 1961. Print.
- Dekker, Thomas. The magnificent entertainment giuen to King Iames, Queene Anne his wife, and Henry Frederick the Prince, vpon the day of his Maiesties tryumphant passage (from the Tower) through his honourable citie (and chamber) of London, being the 15. of March. 1603. As well by the English as by the strangers: vvith the speeches and songes, deliuered in the seuerall pageants. London: T[homas] C[reede, Humphrey Lownes, Edward Allde and others] for Tho. Man the yonger, 1604. STC 6510
- Dekker, Thomas. The Magnificent Entertainment: Giuen to King James, Queene Anne his wife, and Henry Frederick the Prince, ypon the day of his Majesties Triumphant Passage (from the Tower) through his Honourable Citie (and Chamber) of London being the 15. Of March. 1603. London: T. Man, 1604. Treasures in full: Renaissance Festival Books. British Library.
- Dekker, Thomas. The owles almanacke Prognosticating many strange accidents which shall happen to this kingdome of Great Britaine this yeare, 1618. Calculated as well for the meridian mirth of London as any other part of Great Britaine. Found in an iuy-bush written in old characters, and now published in English by the painefull labours of Mr. Iocundary Merrie-braines. London: E[dward] G[riffin] for Laurence Lisle, 1618. STC 6515.
- Dekker, Thomas. Penny-vvis[e] pound foolish or, a Bristovv diamond, set in t[wo] rings, and both crack’d Profitable for married men, pleasant for young men, a[nd a] rare example for all good women. London: A[ugustine] M[athewes] for Edward Blackmore, 1631. STC 6516.
- Dekker, Thomas. The Second Part of the Honest Whore, with the Humors of the Patient Man, the Impatient Wife: the Honest Whore, perswaded by strong Arguments to turne Curtizan againe: her braue refuting those Arguments. London: Printed by Elizabeth All-de for Nathaniel Butter, 1630. STC 6506.
- Dekker, Thomas. The seuen deadly sinnes of London drawne in seuen seuerall coaches, through the seuen seuerall gates of the citie bringing the plague with them. Opus septem dierum. London: E[dward] A[llde and S. Stafford] for Nathaniel Butter, 1606. STC 6522.
- Dekker, Thomas. The Shoemaker’s Holiday. Ed. R.L. Smallwood and Stanley Wells. Manchester: Manchester UP, 1979. The Revels Plays.
- Dekker, Thomas. The shomakers holiday. Or The gentle craft VVith the humorous life of Simon Eyre, shoomaker, and Lord Maior of London. As it was acted before the Queenes most excellent Maiestie on New-yeares day at night last, by the right honourable the Earle of Notingham, Lord high Admirall of England, his seruants. London: Valentine Sims, 1600. STC 6523.
- Dekker, Thomas, Stephen Harrison, Ben Jonson, and Thomas Middleton. The Whole Royal and Magnificent Entertainment of King James through the City of London, 15 March 1604, with the Arches of Triumph. Ed. R. Malcolm Smuts. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 219–279. Print.
- Dekker, Thomas. A Strange Horse-race. London: 1613. STC 6528.
- Dekker, Thomas. Troia-Noua Triumphans. London: Nicholas Okes, 1612. STC 6530. DEEP 578. Greg 302a. Copy: Chapin Library; Shelfmark: 01WIL_ALMA.
- Dekker, Thomas. TThe shoomakers holy-day. Or The gentle craft VVith the humorous life of Simon Eyre, shoomaker, and Lord Mayor of London. As it was acted before the Queenes most excellent Maiestie on New-yeares day at night last, by the right honourable the Earle of Notingham, Lord high Admirall of England, his seruants. London: G. Eld for I. Wright, 1610. STC 6524.
- Dekker, Thomas. Westward Ho! The Dramatic Works of Thomas Dekker. Vol. 2. Ed. Fredson Bowers. Cambridge: Cambridge UP, 1964. Print.
- Middleton, Thomas, and Thomas Dekker. The Roaring Girl. Ed. Paul A. Mulholland. Revels Plays. Manchester: Manchester UP, 1987. Print.
- Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. 1998. Remediated by Project Gutenberg.
- Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. Ed. Vittorio Gabrieli and Giorgio Melchiori. Revels Plays. Manchester; New York: Manchester UP, 1990. Print.
- Smith, Peter J. Glossary. The Shoemakers’ Holiday. By Thomas Dekker. London: Nick Hern, 2004. 108–110. Print.
- Webster, John, and Thomas Dekker. Northward Ho. London, 1607. STC 6539.
Ben Jonson

(b. 1572, d. 1637)

Poet and playwright.
- ODNB
- Wikipedia
Ben Jonson is mentioned in the following documents:
Ben Jonson authored or edited the following items in MoEML’s bibliography:
- Chapman, George, Ben Jonson, and John Marston. Eastvvard hoe. London: George Eld for William Aspley, 1605. STC 4973.
- Chapman, George, Ben Jonson, and John Marston. Eastward Ho! Ed. R.W. Van Fossen. New York: Manchester UP, 1999. Print.
- Dekker, Thomas, Stephen Harrison, Ben Jonson, and Thomas Middleton. The Whole Royal and Magnificent Entertainment of King James through the City of London, 15 March 1604, with the Arches of Triumph. Ed. R. Malcolm Smuts. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 219–279. Print.
- Gifford, William, ed. The Works of Ben Jonson. By Ben Jonson. Vol. 1. London: Nichol, 1816. Remediated by Internet Archive.
- Jonson, Ben. The Alchemist. London: New Mermaids, 1991. Print.
- Jonson, Ben. Bartholomew Fair. Ed. E.A. Horsman. Manchester: Manchester UP, 1979. Revels Plays. Print.
- Jonson, Ben. Bartholomew Fair. Ed. Suzanne Gossett, based on The Revels Plays edition ed. E.A. Horsman. Manchester: Manchester UP, 2000. Revels Student Editions. Print.
- Jonson, Ben. Bartholomew Fayre. London, 1614. STC 14753.5.
- Jonson, Ben. Ben: Ionson’s execration against Vulcan. London: J. Okes for John Benson and A. Crooke, 1640. STC 14771.
- Jonson, Ben. B. Ion: his part of King Iames his royall and magnificent entertainement through his honorable cittie of London, Thurseday the 15. of March. 1603 so much as was presented in the first and last of their triumphall arch’s. London, 1604. STC 14756.
- Jonson, Ben. The Complete Poetry of Ben Jonson. Ed. William B. Hunter, Jr. New York: New York UP, 1963. Print.
- Jonson, Ben. The Complete Poetry of Ben Jonson. Ed. William B. Hunter. Stuart Edtions. New York: New YorkUP, 1963.
- Jonson, Ben. The Devil is an Ass. Ed. Peter Happé. Manchester and New York: Manchester UP, 1996. Revels Plays. Print.
- Jonson, Ben. Epicene. Ed. Richard Dutton. Revels Plays. Manchester: Manchester UP, 2004. Print.
- Jonson, Ben. Epicoene, or the silent woman. London, 1620. STC 14763.
- Jonson, Ben. Every Man Out of His Humour. Ed. Helen Ostovich. Manchester: Manchester UP, 2001. Print.
- Jonson, Ben. The First, of Blacknesse, Personated at the Court, at White-hall, on the Twelfth Night, 1605. The Characters of Two Royall Masques: The One of Blacknesse, the Other of Beautie. Personated by the Most Magnificent of Queenes Anne Queene of Great Britaine, &c. with her Honorable Ladyes, 1605 and 1608 at White-hall. London : For Thomas Thorp, and are to be Sold at the Signe of the Tigers Head in Paules Church-yard, 1608. Sig. A3r-C2r. STC 14761.
- Jonson, Ben. Oberon, The Faery Prince. The Workes of Benjamin Jonson. Vol. 1. London: Will Stansby, 1616. Sig. 4N2r-2N6r.
- Jonson, Ben. On the Famous Voyage. The Works of Ben Jonson. 8 vols. London, 1875. 8:232–39.
- Jonson, Ben. The Staple of Newes. The Works. Vol. 2. London: Printed by I.B. for Robert Allot, 1631. Sig. 2A1r-2J2v.
- Jonson, Ben. The Staple of News. Ed. Anthony Parr. Manchester; New York: Manchester UP, 1999. Revels Plays. Print.
- Jonson, Ben. To Penshurst. The Norton Anthology of English Literature. Ed. Stephen Greenblatt, Carol T. Christ, Alfred David, Barbara K. Lewalski, Lawrence Lipking, George M. Logan, Deidre Shauna Lynch, Katharine Eisaman Maus, James Noggle, Jahan Ramazani, Catherine Robson, James Simpson, Jon Stallworthy, Jack Stillinger, and M. H. Abrams. 9th ed. Vol. B. New York: W.W. Norton & Company, 2012. 1547.
- Jonson, Ben. Underwood. Cambridge: Cambridge UP, 1905. Remediated by Internet Archive.
- Jonson, Ben. The vvorkes of Beniamin Ionson. Containing these playes, viz. 1 Bartholomew Fayre. 2 The staple of newes. 3 The Divell is an asse. London, 1641. STC 14754.

Locations

City Dog House

The City Dog House, located in northern London, was adjacent to Moorfields and was located outside of The Wall and the city wards. On the Agas map, it is labelled as Dogge hous. Built in 1512, the Lord Mayor’s dog house, as it was most frequently called, housed the Lord Mayor’s hunting dogs.
City Dog House is mentioned in the following documents:
Finsbury Field

Finsbury Field is located in northen London outside the London Wall. Note that MoEML correctly locates Finsbury Field, which the label on the Agas map confuses with Mallow Field (Prockter 40). Located nearby is Finsbury Court. Finsbury Field is outside of the city wards within the borough of Islington (Mills 81).
Finsbury Field is mentioned in the following documents:
Cardinal’s Hat (Southwark)

The Cardinal’s Hat was located south of the Thames and west of the London Bridge in the ward of Southwark. It was part of a row of twelve licensed brothels or stewhouses along Bankside that were permitted by King Henry VII to operate after temporary closure in 1506 (Stow 1598, sig. Y6v).
Cardinal’s Hat (Southwark) is mentioned in the following documents:
The Elephant

The Elephant was located in the ward of Southwark, south of the Thames and west of the London Bridge. It was part of a row of twelve licensed brothels or stewhouses along Bankside that reopened after Henry VII closed them for a season in 1506 (Stow). It is not located on the Agas map.
The Elephant is mentioned in the following documents:
The Theatre

The first purpose-built playhouse in England, the Theatre, located in Shoreditch, was constructed in 1576 by actor James Burbage. While direct evidence of plays performed at the Theatre is rare, scholars have inferred that the playhouse was used by the Queen Elizabeth’s Men, Earl of Leicester’s Men, Earl of Warwick’s Men, Lord Strange’s Men, Admiral’s Men, Chamberlain’s Men, and Earl of Pembroke’s Men. In 1598, the Theatre was dismantled after a land dispute and was relocated to Bankside were it was erected as the Globe.
The Theatre is mentioned in the following documents:
Ludgate

Located in Farringdon Within Ward, Ludgate was a gate built by the Romans (Carlin and Belcher 80). Stow asserts that Ludgate was constructed by King Lud who named the gate after himself for his owne honor (Stow 1:1).
Ludgate is mentioned in the following documents:
Bear Garden

The Bear Garden was never a garden, but rather a polygonal bearbaiting arena whose exact locations across time are not known (Mackinder and Blatherwick 18). Labelled on the Agas map as The Bearebayting, the Bear Garden would have been one of several permanent structures—wooden arenas, dog kennels, bear pens—dedicated to the popular spectacle of bearbaiting in the sixteenth and seventeenth centuries.
Bear Garden is mentioned in the following documents:
The Rose

Built in 1587 by theatre financier Philip Henslowe, the Rose was Bankside’s first open-air amphitheatre playhouse (Egan). Its foundation, excavated in 1989, reveals a fourteen-sided structure about 22 metres in diameter, making it smaller than other contemporary playhouses (White 302). Relatively free of civic interference and surrounded by pleasure-seeking crowds, the Rose did very well, staging works by such playwrights as Shakespeare, Marlowe, Kyd, and Dekker (Egan).
The Rose is mentioned in the following documents:
The Wall

Originally built as a Roman fortification for the provincial city of Londinium in the second century C.E., the London Wall remained a material and spatial boundary for the city throughout the early modern period. Described by Stow as high and great (Stow 1:8), the London Wall dominated the cityscape and spatial imaginations of Londoners for centuries. Increasingly, the eighteen-foot high wall created a pressurized constraint on the growing city; the various gates functioned as relief valves where development spilled out to occupy spaces outside the wall.
The Wall is mentioned in the following documents:
Bishopsgate
Bishopsgate is mentioned in the following documents:
Smithfield

Smithfield was an open, grassy area located outside the Wall. Because of its location close to the city centre, Smithfield was used as a site for markets, tournaments, and public executions. From 1123 to 1855, the Bartholomew’s Fair took place at Smithfield (Weinreb, Hibbert, Keay, and Keay 842).
Smithfield is mentioned in the following documents:
The Thames

Perhaps more than any other geophysical feature, the Thames river has directly affected London’s growth and rise to prominence; historically, the city’s economic, political, and military importance was dependent on its riverine location. As a tidal river, connected to the North Sea, the Thames allowed for transportation to and from the outside world; and, as the longest river in England, bordering on nine counties, it linked London to the country’s interior. Indeed, without the Thames, London would not exist as one of Europe’s most influential cities. The Thames, however, is notable for its dichotomous nature: it is both a natural phenomenon and a cultural construct; it lives in geological time but has been the measure of human history; and the city was built around the river, but the river has been reshaped by the city and its inhabitants.
The Thames is mentioned in the following documents:
The Globe

The Globe was the open-air, public theatre in which William Shakespeare was a shareholder. It was one of the theatres at which the Lord Chamberlain’s Men, later the King’s Men, regularly performed. Most of Shakespeare’s plays were performed at the Globe, along with the works of many other playwrights. It was an open-air, polygonal theatre with standing room around a thrust stage and three levels of gallery seating. It was built in 1599, burnt down in 1613, rebuilt in 1614 and closed in 1642. A modern reconstruction now stands a short distance from the site of the original in Bankside.
The Globe is mentioned in the following documents:
Blackfriars Theatre

The history of the two Blackfriars theatres is long and fraught with legal and political struggles. The story begins in 1276, when King Edward I gave to the Dominican order five acres of land.
Blackfriars Theatre is mentioned in the following documents:
The Curtain

In 1577, the Curtain, a second purpose-built London playhouse arose in Shoreditch, just north of the City of London. The Curtain, a polygonal amphitheatre, became a major venue for theatrical and other entertainments until at least 1622 and perhaps as late as 1698. Most major playing companies, including the Lord Chamberlain’s Men, the Queen’s Men, and Prince Charles’s Men, played there. It is the likely site for the premiere of Shakespeare’s plays Romeo and Juliet and Henry V.
The Curtain is mentioned in the following documents:

Organizations

Université de Montréal Études anglaises 6470 Spring 2020 Students

Student contributors enrolled in Études anglaises 470: Text to Hypertext at Université de Montréal in Spring 2020, working under the guest editorship of Joyce Boro.

Student Contributors
This organization is mentioned in the following documents:
- Our Pedagogical Partners
- Release Notes for MoEML v.6.4

MoEML v.7.0, svn rev. 20565 2022-05-05 09:11:13 -0700 (Thu, 05 May 2022).

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