Troia-Noua
Triumphans.
London Triumphing, OR,
The Solemne, Magnificent, and Me
morable Receiuing of that worthy Gentle
man, Sir Iohn Svvinerton Knight, into
the Citty of London, after his Returne from
taking the Oath of Maioralty at Weſtminſter,
on the Morrow next after Simon and
Iudes day, being the 29. of
October. 1612.
All the Showes, Pageants, Chariots of Triumph, with
other Deuices, (both on the Water and Land)
here fully expreſſed.
London Triumphing, OR,
The Solemne, Magnificent, and Me
morable Receiuing of that worthy Gentle
man, Sir Iohn Svvinerton Knight, into
the Citty of London, after his Returne from
taking the Oath of Maioralty at Weſtminſter,
on the Morrow next after Simon and
Iudes day, being the 29. of
October. 1612.
All the Showes, Pageants, Chariots of Triumph, with
other Deuices, (both on the Water and Land)
here fully expreſſed.
LONDON,
Printed by Nicholas Okes, and are to be ſold by Iohn
Wright dwelling at Chriſt Church-gate. 1612.
Printed by Nicholas Okes, and are to be ſold by Iohn
Wright dwelling at Chriſt Church-gate. 1612.
To the Deſeruer of all thoſe Honors,
which the Cuſtomary Rites of this Day,
And the generall Loue of this City beſtow vpon
him; Sir Iohn Svvinerton, Knight, Lord
Maior of the renowmed City
of London.
HONOR (this
day) takes you by the Hand,
and giues you welcomes into your New-
Office of Pretorſhip. A Dignity worthie
the Cities beſtowing, and moſt worthy your
Receiuing. You haue it with the Harts of ma
ny people, Voices and Held-vp hands: they know it is a
Roabe fit for you, and therefore haue clothed you in it. May
the Laſt-day of your wearing the ſame, yeeld to your Selfe as
much Ioy, as to Others does this Firſt-day of your putting
it on. I ſwimme (for my owne part) not onely in the Maine
Full-ſea of the General praiſe and Hopes of you. But powre
out alſo (for my particular) ſuch a ſtreame as my Prayers
can render, for a ſucceſſe anſwerable to the On-ſet: for it is
no Field, vnleſſe it be Crowned with victory.
and giues you welcomes into your New-
Office of Pretorſhip. A Dignity worthie
the Cities beſtowing, and moſt worthy your
Receiuing. You haue it with the Harts of ma
ny people, Voices and Held-vp hands: they know it is a
Roabe fit for you, and therefore haue clothed you in it. May
the Laſt-day of your wearing the ſame, yeeld to your Selfe as
much Ioy, as to Others does this Firſt-day of your putting
it on. I ſwimme (for my owne part) not onely in the Maine
Full-ſea of the General praiſe and Hopes of you. But powre
out alſo (for my particular) ſuch a ſtreame as my Prayers
can render, for a ſucceſſe anſwerable to the On-ſet: for it is
no Field, vnleſſe it be Crowned with victory.
I preſent (Sir) vnto you, theſe labours of my Pen, as the
firſt and neweſt Congratulatory Offrings tendred into
your hands, which albeit I ſhould not (of my ſelfe) deſerue to
ſee accepted, I know notwithſtanding you will giue to them
a generous and gratefull entertainement, in regard of that
Noble Fellowſhip and Society, (of which you Yeſterday
firſt and neweſt Congratulatory Offrings tendred into
your hands, which albeit I ſhould not (of my ſelfe) deſerue to
ſee accepted, I know notwithſtanding you will giue to them
a generous and gratefull entertainement, in regard of that
Noble Fellowſhip and Society, (of which you Yeſterday
A2
were
The Epistle Dedicatory.
were a Brother, and This Day a Father) who moſt freely
haue beſtowed theſe their Loues vpon you. The Colours
of this Peece are mine owne; the Coſt theirs: to which no
thing was wanting, that could be had, and euery thing had
that was required. To their Laſting memory I ſet downe
This; And to your Noble Diſpoſition, this I Dedicate.
My wiſhes being (as euer they haue bene) to meete with a
ny Obiect, whoſe reflexion may preſent to your Eyes, that
Loue and Duty, In which
I ſtand Boundenhaue beſtowed theſe their Loues vpon you. The Colours
of this Peece are mine owne; the Coſt theirs: to which no
thing was wanting, that could be had, and euery thing had
that was required. To their Laſting memory I ſet downe
This; And to your Noble Diſpoſition, this I Dedicate.
My wiſhes being (as euer they haue bene) to meete with a
ny Obiect, whoſe reflexion may preſent to your Eyes, that
Loue and Duty, In which
To your Lordſhip.
Thomas Dekker.
TRyumphes, are the moſt choice and
dain
tieſt fruit that ſpring from Peace and A
bundance; Loue begets them; and Much
Coſt brings them forth. Expectation feeds
vpon them, but ſeldome to a ſurfeite,
for when ſhe is moſt full, her longing
wants ſomething to be ſatisfied. So in
ticing a ſhape they carry, that Princes themſelues take
pleaſure to behold them; they with delight; common
people with admiration. They are now and then the
Rich and Glorious Fires of Bounty, State and Magnificence,
giuing light and beauty to the Courts of Kings: And
now and then, it is but a debt payd to Time and Cuſtome:
And out of that dept come Theſe. Ryot hauing no hand
in laying out the Expences, and yet no hand in plucking
backe what is held decent to be beſtowed. A ſumptuous
Thriftineſſe in theſe Ciuil Ceremonies managing All. For
it were not laudable, in a City (ſo rarely gouerned and
tempered) ſuperfluouſly to exceed; As contrariwiſe it is
much honor to her (when the Day of ſpending comes)
not to be ſparing in any thing. For the Chaires of Magi
ſtrates ought to be adorned, and to ſhine like the Cha
riot which caries the Sunne; And Beames (if it were poſ
ſible) muſt be thought to be ſhot from the One as from
the Other: As well to dazle and amaze the common
tieſt fruit that ſpring from Peace and A
bundance; Loue begets them; and Much
Coſt brings them forth. Expectation feeds
vpon them, but ſeldome to a ſurfeite,
for when ſhe is moſt full, her longing
wants ſomething to be ſatisfied. So in
ticing a ſhape they carry, that Princes themſelues take
pleaſure to behold them; they with delight; common
people with admiration. They are now and then the
Rich and Glorious Fires of Bounty, State and Magnificence,
giuing light and beauty to the Courts of Kings: And
now and then, it is but a debt payd to Time and Cuſtome:
And out of that dept come Theſe. Ryot hauing no hand
in laying out the Expences, and yet no hand in plucking
backe what is held decent to be beſtowed. A ſumptuous
Thriftineſſe in theſe Ciuil Ceremonies managing All. For
it were not laudable, in a City (ſo rarely gouerned and
tempered) ſuperfluouſly to exceed; As contrariwiſe it is
much honor to her (when the Day of ſpending comes)
not to be ſparing in any thing. For the Chaires of Magi
ſtrates ought to be adorned, and to ſhine like the Cha
riot which caries the Sunne; And Beames (if it were poſ
ſible) muſt be thought to be ſhot from the One as from
the Other: As well to dazle and amaze the common
A3
Eye,
London Triumphing.
Eye, as to make it
learne that there is ſome Excellent, and
Extraordinary Arme from heauen thruſt downe to exalt
a Superior man, that thereby the Gazer may be drawne to
more obedience and admiration.
Extraordinary Arme from heauen thruſt downe to exalt
a Superior man, that thereby the Gazer may be drawne to
more obedience and admiration.
In a happy houre therefore did your Lordſhip take
vpon you this inſeperable burden (of Honor and Cares)
becauſe your ſelfe being Generous of mind, haue met
with men, and with a Company equall to your Selfe in
Spirit. And vpon as fortunate a Tree haue they ingraf
ted their Bounty; the fruites whereof ſhoot forth and
ripen, are gathered, and taſte ſweetly, in the mouthes
not onely of this Citty, but alſo of our beſt-to-be-belo
ued friends, the Nobleſt ſtrangers. Vpon whom, though
none but our Soueraigne King can beſtow Royall wel
comes; yet ſhall it be a Memoriall of an Exemplary Loue
and Duty (in thoſe who are at the Coſt of theſe Triumphs)
to haue added ſome Heightning more to them then was
intended at firſt, of purpoſe to do honor to their Prince
and Countrey. And I make no doubt, but many worthy
Companies in this City could gladly be content to be
partners in the Diſburſements, ſo they might be ſharers
in the Glory. For to haue bene leaden-winged now,
what infamy could be greater? When all the ſtreames
of Nobility and Gentry, run with the Tide hither. When
all Eares lye liſtning for no newes but of Feaſts and Tri
umphs: All Eyes ſtill open to behold them: And all harts
and hands to applaud them: When the heape of our
Soueraignes Kingdomes are drawne in Little: and to be
ſeene within the Walles of this City. Then to haue tied
Bounty in too ſtraight a girdle: Proh ſcelus infandum!
No; ſhe hath worne her garments looſe, her lippes haue
vpon you this inſeperable burden (of Honor and Cares)
becauſe your ſelfe being Generous of mind, haue met
with men, and with a Company equall to your Selfe in
Spirit. And vpon as fortunate a Tree haue they ingraf
ted their Bounty; the fruites whereof ſhoot forth and
ripen, are gathered, and taſte ſweetly, in the mouthes
not onely of this Citty, but alſo of our beſt-to-be-belo
ued friends, the Nobleſt ſtrangers. Vpon whom, though
none but our Soueraigne King can beſtow Royall wel
comes; yet ſhall it be a Memoriall of an Exemplary Loue
and Duty (in thoſe who are at the Coſt of theſe Triumphs)
to haue added ſome Heightning more to them then was
intended at firſt, of purpoſe to do honor to their Prince
and Countrey. And I make no doubt, but many worthy
Companies in this City could gladly be content to be
partners in the Diſburſements, ſo they might be ſharers
in the Glory. For to haue bene leaden-winged now,
what infamy could be greater? When all the ſtreames
of Nobility and Gentry, run with the Tide hither. When
all Eares lye liſtning for no newes but of Feaſts and Tri
umphs: All Eyes ſtill open to behold them: And all harts
and hands to applaud them: When the heape of our
Soueraignes Kingdomes are drawne in Little: and to be
ſeene within the Walles of this City. Then to haue tied
Bounty in too ſtraight a girdle: Proh ſcelus infandum!
No; ſhe hath worne her garments looſe, her lippes haue
bene
London Triumphing.
bene free in Welcomes, her purſe open, and her hands
liberall. If you thinke I ſet a flattering glaſſe before you,
do but ſo much as lanch into the Riuer, and there the
Thames it ſelfe ſhall ſhew you all the Honors, which this
day hath beſtowed vpon her: And that done, ſtep a
gaine vpon the Land, and Fame will with her owne
Trumpet proclaime what I ſpeake; And her I hope you
cannot deny to beleeue, hauing at leaſt twenty thou
ſand eyes about her, to witneſſe whether ſhe be a True
tong’d Fame or a Lying.
liberall. If you thinke I ſet a flattering glaſſe before you,
do but ſo much as lanch into the Riuer, and there the
Thames it ſelfe ſhall ſhew you all the Honors, which this
day hath beſtowed vpon her: And that done, ſtep a
gaine vpon the Land, and Fame will with her owne
Trumpet proclaime what I ſpeake; And her I hope you
cannot deny to beleeue, hauing at leaſt twenty thou
ſand eyes about her, to witneſſe whether ſhe be a True
tong’d Fame or a Lying.
By this time the Lord Maior hath taken his oath, is
ſeated in his barge againe; a lowd thundring peale of
Chambers giue him a Fare-well as he paſſes by. And ſee!
how quickly we are in ken of land, as ſuddenly there
fore let vs leap on ſhore, and there obſerue what hono
rable entertainement the Citty affoords to their new
Prætor, and what ioyfull ſalutations to her noble Vi
ſitants.
ſeated in his barge againe; a lowd thundring peale of
Chambers giue him a Fare-well as he paſſes by. And ſee!
how quickly we are in ken of land, as ſuddenly there
fore let vs leap on ſhore, and there obſerue what hono
rable entertainement the Citty affoords to their new
Prætor, and what ioyfull ſalutations to her noble Vi
ſitants.
The firſt Triumph on
the Land.
THE Lord Maior, and Companyes being landed, the
firſt Deuice which is preſented to him on the ſhore,
ſtands ready to receiue him at the end of Pauls-Chayne,
(on the ſouth ſide the Church) and this it is.
firſt Deuice which is preſented to him on the ſhore,
ſtands ready to receiue him at the end of Pauls-Chayne,
(on the ſouth ſide the Church) and this it is.
A Sea-Chariot artificially made, proper
for a God of
the ſea to ſit in; ſhippes dancing round about it, with
Dolphins and other great Fiſhes playing or lying at the
foot of the ſame, is drawne by two Sea-horſes.
the ſea to ſit in; ſhippes dancing round about it, with
Dolphins and other great Fiſhes playing or lying at the
foot of the ſame, is drawne by two Sea-horſes.
In this Chariot ſits Neptune, his head circled with a
Coronet of ſiluer, Scollup-ſhels, ſtucke with branches of
Coronet of ſiluer, Scollup-ſhels, ſtucke with branches of
Corrall
London Triumphing.
Corrall, and hung thicke with ropes of pearle;
be
cauſe ſuch things as theſe are the treaſures of the Deepe,
and are found in the ſhels of fiſhes. In his hand he holds
a ſiluer Trident, or Three-forked-Mace, by which ſome
Writers will haue ſignified the three Naturall qualiies
proper to Waters; as thoſe of fountaines to bee of a de
litious taſte, and Chriſtalline colour: thoſe of the Sea,
to bee ſaltiſh and vnpleaſant, and the colour ſullen, and
greeniſh: And laſtly, thoſe of ſtanding Lakes, neither
ſweet nor bitter, nor cleere, nor cloudy, but altogether
vnwholeſome for the taſte, and loathſome to the eye.
His roabe and mantle with other ornaments are corre
ſpondent to the quality of his perſon; Buskins of pearle
and cockle-ſhels being worne vpon his legges. At the
lower part of this Chariot ſit Mer-maids, who for their
excellency in beauty, aboue any other creatures belon
ging to the ſea, are preferred to bee ſtill in the eye of
Neptune.
cauſe ſuch things as theſe are the treaſures of the Deepe,
and are found in the ſhels of fiſhes. In his hand he holds
a ſiluer Trident, or Three-forked-Mace, by which ſome
Writers will haue ſignified the three Naturall qualiies
proper to Waters; as thoſe of fountaines to bee of a de
litious taſte, and Chriſtalline colour: thoſe of the Sea,
to bee ſaltiſh and vnpleaſant, and the colour ſullen, and
greeniſh: And laſtly, thoſe of ſtanding Lakes, neither
ſweet nor bitter, nor cleere, nor cloudy, but altogether
vnwholeſome for the taſte, and loathſome to the eye.
His roabe and mantle with other ornaments are corre
ſpondent to the quality of his perſon; Buskins of pearle
and cockle-ſhels being worne vpon his legges. At the
lower part of this Chariot ſit Mer-maids, who for their
excellency in beauty, aboue any other creatures belon
ging to the ſea, are preferred to bee ſtill in the eye of
Neptune.
At Neptunes foot ſits Luna (the Moone) who beeing
gouerneſſe of the ſea, & all petty Flouds, as from whoſe
influence they receiue their ebbings and flowings, chal
lenges to herſelfe this honour, to haue rule and com
mand of thoſe Horſes that draw the Chariot, and there
fore ſhe holds their reynes in her hands.
gouerneſſe of the ſea, & all petty Flouds, as from whoſe
influence they receiue their ebbings and flowings, chal
lenges to herſelfe this honour, to haue rule and com
mand of thoſe Horſes that draw the Chariot, and there
fore ſhe holds their reynes in her hands.
She is atired in light roabes fitting her ſtate and con
dition, with a ſiluer Creſcent on her head, expreſsing
both her power and property.
dition, with a ſiluer Creſcent on her head, expreſsing
both her power and property.
The whole Chariot figuring in it ſelfe that vaſt com
paſſe which the ſea makes about the body of the earth:
whoſe Globicall Rotundity is Hieroglifically repreſented
by the wheele of the Chariot.
paſſe which the ſea makes about the body of the earth:
whoſe Globicall Rotundity is Hieroglifically repreſented
by the wheele of the Chariot.
Before
London Triumphing.
Before this Chariot ride foure Trytons, who are feyned
by Poets to bee Trumpeters to Neptune, and for that
cauſe make way before him, holding ſtrange Trumpets
in their hands, which they ſound as they paſſe along,
their habits being Antike, and Sea-like, and ſitting vp
on foure ſeuerall fiſhes, viz. two Dolphins, and two
Mer-maids, which are not (after the old procreation)
begotten of painted cloath, and browne paper, but are
liuing beaſts, ſo queintly diſguiſed like the natural fiſhes,
of purpoſe to auoyd the trouble and peſtering of Por
ters, who with much noyſe and little comlineſſe are eue
ry yeare moſt vnneceſſarily imployed.
by Poets to bee Trumpeters to Neptune, and for that
cauſe make way before him, holding ſtrange Trumpets
in their hands, which they ſound as they paſſe along,
their habits being Antike, and Sea-like, and ſitting vp
on foure ſeuerall fiſhes, viz. two Dolphins, and two
Mer-maids, which are not (after the old procreation)
begotten of painted cloath, and browne paper, but are
liuing beaſts, ſo queintly diſguiſed like the natural fiſhes,
of purpoſe to auoyd the trouble and peſtering of Por
ters, who with much noyſe and little comlineſſe are eue
ry yeare moſt vnneceſſarily imployed.
The time being ripe, when the ſcope of this Deuice
is to be deliuered, Neptunes breath goeth forth in theſe
following Speeches.
is to be deliuered, Neptunes breath goeth forth in theſe
following Speeches.
Neptunes Speeches.
WHence breaks this warlike
thunder of lowd drummes,
(Clarions and Trumpets) whoſe ſhrill eccho comes
Vp to our Watery Court, and calles from thence
Vs, and our Trytons? As if violence
Weere to onr Siluer-footed
Siſter done
Twice euery day to our boſome,
and there hides
* Her wealth, whoſe Streame
in liquid This text has been supplied. Reason: Smudging dating from the original print process.
Evidence: The text has been supplied based on an external source. (MK)Chriſtall glides
Ebbe This text has been supplied. Reason: Smudging dating from the original print process.
Evidence: The text has been supplied based on an external source. (MK)& Flow.
Guarded with troopes of Swannes? what does
beget
Theſe Thronges? this Confluence? why do voyces beate
The Ayre with acclamations of
applauſe,
Good wiſhes, Loue, and
Praiſes? what is’t drawes
B
Clapping
London Triumphing.
Clapping her infinite wings,
whoſe noyſe the Skyes
From earth receiue, with
Muſicall rebounding,
And ſtrike the Seas with repercuſsiue
ſounding.
Oh! now I ſee the cauſe: vaniſh
vaine feares,
*Iſis
no danger feeles: for her
head weares
Crowns of Rich Triumphes,
which This day puts on,
And in Thy Honor all theſe Rites are done.
Thus farre-vp into th’ Land
to make him ſwell
Beyond his Bownds, and with his Sea-troops wait
Thy wiſh’t arriuall, to
congratulate.
Goe therefore on, goe boldly:
thou muſt ſaile
In rough Seas (now) of
Rule: and euery Gale
Will not perhaps befriend thee:
But (how blacke
So ere the Skyes looke) dread not Thou a Wracke,
Steering the Helme, no Rocke the Ship can ſplit.
Nor care the Whales (neuer ſo great) their
Iawes
Should ſtretch to ſwallow thee: Euery good mans cauſe
Is in all ſtormes his Pilot: He that’s ſound
To himſelfe (in Conſcience) nere can run-a-ground.
Which that thou mayſt do, neuer
looke on’t ſtill:
For (Spite of Fowle guſts)
calmer Windes ſhall fill
Thy Sayles at laſt. And ſee! they home haue
brought
With richeſt Iuice of
Grapes, which thy Friends
ſhall
Drinke off in Healths to this Great
Feſtiuall.
If any at Thy happineſſe
repine,
They gnaw but their Owne
hearts, and touch not
Thine.
Let Bats and Skreech-Owles murmure at bright Day,
Whiles Prayers of Good-men Guid Thee on the way.
The
London Triumphing.
The Trytons then ſownding, according
to his com
mand, Neptune in his Chariot paſſeth along before the
Lord Maior. The foure Windes (habilimented to their
quality, and hauing both Faces and Limbes proportio
nable to their bluſtring and boiſterous condition) driue
forward that Ship of which Neptune ſpake. And this
concludes this firſt Triumph on the Land.
mand, Neptune in his Chariot paſſeth along before the
Lord Maior. The foure Windes (habilimented to their
quality, and hauing both Faces and Limbes proportio
nable to their bluſtring and boiſterous condition) driue
forward that Ship of which Neptune ſpake. And this
concludes this firſt Triumph on the Land.
Theſe two Shewes paſſe on vntill they
come into
Pauls-Church-yard, where ſtandes another Chariot; the
former Chariot of Neptune, with the Ship, beeing con
ueyd into Cheap-ſide, this other then takes the place:
And this is the Deuice.
Pauls-Church-yard, where ſtandes another Chariot; the
former Chariot of Neptune, with the Ship, beeing con
ueyd into Cheap-ſide, this other then takes the place:
And this is the Deuice.
The ſecond
Land-Triumph.
IT is the Throne of Vertue, gloriouſly adorned & beau
tified with all things that are fit to expreſſe the Seat of
ſo noble and diuine a Perſon.
tified with all things that are fit to expreſſe the Seat of
ſo noble and diuine a Perſon.
Vpon the height, and moſt eminent place (as wor
thieſt to be exalted) ſits Arete (Vertue) herſelfe; her tem
ples ſhining with a Diadem of ſtarres, to ſhew that her
Deſcent is onely from heauen: her roabes are rich, her
mantle white (figuring Innocency) and powdred with
ſtarres of gold, as an Embleme that ſhe puts vpon Men,
the garments of eternity.
thieſt to be exalted) ſits Arete (Vertue) herſelfe; her tem
ples ſhining with a Diadem of ſtarres, to ſhew that her
Deſcent is onely from heauen: her roabes are rich, her
mantle white (figuring Innocency) and powdred with
ſtarres of gold, as an Embleme that ſhe puts vpon Men,
the garments of eternity.
Beneath Her, in diſtinct places, ſit
the Seauen liberall
Sciences, viz. Grammer, Rhetoricke, Logicke, Muſicke, A
rithmetike, Geometry, Aſtronomy.
Sciences, viz. Grammer, Rhetoricke, Logicke, Muſicke, A
rithmetike, Geometry, Aſtronomy.
Hauing thoſe roomes alotted them, as being Mothers
to all Trades, Profeſsions, Myſteries and Societies, and the
readieſt guide to Vertue. Their habits are Light Roabes,
to all Trades, Profeſsions, Myſteries and Societies, and the
readieſt guide to Vertue. Their habits are Light Roabes,
B2
and
London Triumphing.
and Looſe (for
Knowledge ſhould be free.) On
their heads
they weare garlands of Roſes, mixt with other flowers,
whoſe ſweet Smels are arguments of their cleere and vn
ſpotted thoughts, not corrupted with uice. Euery one
carrying in her hand, a Symbole, or Badge of that Learning
which ſhe profeſſeth.
they weare garlands of Roſes, mixt with other flowers,
whoſe ſweet Smels are arguments of their cleere and vn
ſpotted thoughts, not corrupted with uice. Euery one
carrying in her hand, a Symbole, or Badge of that Learning
which ſhe profeſſeth.
At the backe of this Chariot ſit
foure Cupids, to ſigni
fie that vertue is moſt honored when ſhe is followed by
Loue.
fie that vertue is moſt honored when ſhe is followed by
Loue.
This Throne, or Chariot, is drawne by foure Horſes:
vpon the two formoſt ride Time and Mercury: the firſt,
the Begetter and Bringer forth of all things in the world,
the ſecond, the God of Wiſedome and Eloquence. On the
other two Horſes ride Deſire and Induſtry; it beeing inti
mated hereby, that Tyme giues wings to Wiſedome, and
ſharpens it, Wiſedome ſets Deſire a burning, to attaine to
Vertue, and that Burning Deſire begets Induſtry (earneſt
neſtly to purſue her.) And all theſe (together) make men
in Loue with Arts, Trades, Sciences, and Knowledge, which
are the onely ſtaires and aſcenſions to the Throne of Ver
tue, and the onely glory and vpholdings of Cities. Time
hath his wings, Glaſſe, and Sythe, which cuts downe All.
vpon the two formoſt ride Time and Mercury: the firſt,
the Begetter and Bringer forth of all things in the world,
the ſecond, the God of Wiſedome and Eloquence. On the
other two Horſes ride Deſire and Induſtry; it beeing inti
mated hereby, that Tyme giues wings to Wiſedome, and
ſharpens it, Wiſedome ſets Deſire a burning, to attaine to
Vertue, and that Burning Deſire begets Induſtry (earneſt
neſtly to purſue her.) And all theſe (together) make men
in Loue with Arts, Trades, Sciences, and Knowledge, which
are the onely ſtaires and aſcenſions to the Throne of Ver
tue, and the onely glory and vpholdings of Cities. Time
hath his wings, Glaſſe, and Sythe, which cuts downe All.
Mercury hath his Caduceus, or Charming Rod, his fethe
red Hat, his Wings, and other properties fitting his con
dition, Deſire caries a burning heart in her hand.
red Hat, his Wings, and other properties fitting his con
dition, Deſire caries a burning heart in her hand.
Induſtry is in the ſhape of an old Country-man, bearing
on his ſhoulder a Spade, as the Embleme of Labour.
on his ſhoulder a Spade, as the Embleme of Labour.
Before this Chariot, or Throne (as Guardians and Pro
tectors to Vertue, to Arts, and to the reſt; and as Aſsiſtants
to Him who is Chiefe within the Citty for that yeare) are
mounted vpon horſebacke twelue Perſons (two by two)
tectors to Vertue, to Arts, and to the reſt; and as Aſsiſtants
to Him who is Chiefe within the Citty for that yeare) are
mounted vpon horſebacke twelue Perſons (two by two)
repreſenting
London Triumphing.
repreſenting the twelue ſuperior Companyes, euery one
carrying vpon his left arme a faire Shield with the armes
in it of one of the twelue Companies, and in his right hand
a launce with a light ſtreamer or pendant on the top of
it, and euery horſe led and attended by a Footman.
carrying vpon his left arme a faire Shield with the armes
in it of one of the twelue Companies, and in his right hand
a launce with a light ſtreamer or pendant on the top of
it, and euery horſe led and attended by a Footman.
HAile (worthy Pretor) ſtay, and do Me grace,
(Who ſtill haue cald thee
Patron) In this place
To take from me heap’d welcomes,
who combine
Theſe peoples hearts in one, to make them thine.
And therefore (ſpying thee)
downe ſhe leapd to earth
Whence vicious men had driuen her: On her throne
The Liberall Arts waite: from whoſe breſts
do runne
The milke of Knowledge: on which, Sciences feed,
Trades and Profeſſions: And by Them, the ſeed
Of Ciuill, Popular
gouernment, is ſowne;
Which ſpringing vp, loe! to what
heigth tis growne
In Thee and *Theſe is ſeene. And (to maintaine
The AlThis text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on an external source. (MK)der
men.
men.
This Greatneſſe) Twelue ſtrong Pillars it ſuſtaine;
Vpon whoſe Capitals, *Twelue Societies ſtand,
The twThis text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on an external source. (MK)elue
CompaThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (MK)nies.
CompaThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (MK)nies.
(Graue and well-ordred) bearing chiefe Command
Within this City, and (with Loue) thus reare
Thy fame, in free election, for this yeare.
All arm’d, to knit their Nerues (in One) with Thine,
To guard this new Troy: And, (that She may ſhine
In Thee, as Thou in Her) no Miſers kay
B3
Has
London Triumphing.
Has bard the Gold vp; Light flies from the Day
Not of more free gift, thaThis text is the corrected text. The original is u (MK)n from
them their Coſt:
For whats now ſpar’d, that only they count
Loſt.
As then their Ioynd-hands
lift Thee to thy Seate.
(Changing thereby thy Name
for one More*
This text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on an external source. (MK)Lord Maior.
Great)
And as this City, with her Loud, Full
Voice,
(Drowning all ſpite that murmures at the
Choice,
If at leaſt ſuch there be) does Thee preferre,
So art thou bound to loue,
both Them and
Her.
For know, thou art not like a
Pinnacle, plac’d
Onely to ſtand aloft, and to be
grac’d
With wondring eyes, or to haue
caps and knees
Heape worſhip on thee: for
that Man does
leeze
Himſelfe and his Renowne,
whoſe growth being Hye
In the weale-publicke (like
the Cypres tree)
Is neither good to
Build-with, nor beare
Fruit;
Thou muſt be now, Stirring,
and Reſolute.
To be what thou art Sworne,
(a waking Eye)
A farre off (like a Beacon)
to deſcry
What ſtormes are comming, and
(being come) muſt then
Shelter with ſpred armes, the
poor’ſt Citizen.
Set Plenty at thy Table, at thy Gate
Bounty, and Hoſpitality: hee’s moſt Ingrate
Into whoſe lap the
Publicke-weale hauing
powr’d
Her Golden ſhewers, from Her his wealth ſhould hoord.
Be like thoſe Antient
Spirits, that (long agon)
Could thinke no Good deed
ſooner, than twas
Don;
Others to pleaſure. Hold it Thou more Glory,
Than to be pleas’d Thy
Selfe. And be not ſory
If Any ſtriue (in beſt things) to
exceed thee,
But glad, to helpe thy
Wrongers, if they need
thee.
Nor
London Triumphing.
Of her inuenomd Arrowes, which
at the Seates
Of thoſe Who Beſt Rule, euermore
are ſhot,
But the Aire blowes off their
fethers, and they hit not.
Come therefore on; nor dread
her, nor her Sprites,
The poyſon ſhe ſpits vp, on her
owne Head lights.
On, on, away.
This Chariot or Throne of Vertue is then
ſet forward,
and followes that of Neptune, this taking place iuſt
before the Lord Maior: And this concludes the ſe
cond Triumphant ſhew.
and followes that of Neptune, this taking place iuſt
before the Lord Maior: And this concludes the ſe
cond Triumphant ſhew.
The third Deuice.
THe third Deuice is a Forlorne Caſtle, built cloſe to the
little Conduit in Cheap-ſide, by which as the Throne
of Vertue comes neerer and neerer, there appeare a
boue (on the battlements) Enuy, as chiefe Comman
dreſſe of that infernall Place, and euery part of it guar
ded with perſons repreſenting all thoſe that are fellowes
and followers of Enuy: As Ignorance, Sloth, Oppreſsion,
Diſdaine, &c. Enuy her ſelfe being attired like a Fury,
her haire full of Snakes, her countenance pallid, mea
gre and leane, her body naked, in her hand a knot of
Snakes, crawling and writhen about her arme.
little Conduit in Cheap-ſide, by which as the Throne
of Vertue comes neerer and neerer, there appeare a
boue (on the battlements) Enuy, as chiefe Comman
dreſſe of that infernall Place, and euery part of it guar
ded with perſons repreſenting all thoſe that are fellowes
and followers of Enuy: As Ignorance, Sloth, Oppreſsion,
Diſdaine, &c. Enuy her ſelfe being attired like a Fury,
her haire full of Snakes, her countenance pallid, mea
gre and leane, her body naked, in her hand a knot of
Snakes, crawling and writhen about her arme.
The reſt of her litter are in as
vgly ſhapes as the Dam, e
uery one of themthẽ being arm’d with black bowes, & arrows
ready to bee ſhot at Vertue. At the gates of this Fort of
Furies, ſtand Ryot and Calumny, in the ſhapes of Gyants,
with clubs, who offer to keep back the Chariot of Vertue,
uery one of themthẽ being arm’d with black bowes, & arrows
ready to bee ſhot at Vertue. At the gates of this Fort of
Furies, ſtand Ryot and Calumny, in the ſhapes of Gyants,
with clubs, who offer to keep back the Chariot of Vertue,
and
London Triumphing.
and to ſtop her paſſage. All the reſt
likewiſe on the bat
tlements offering to diſcharge their blacke Artillery at
her: but ſhe onely holding vp her bright ſhield, dazzles
them, and confounds them, they all on a ſudden ſhrin
king in their heads, vntill the Chariot be paſt, and then all
of them appearing againe: their arrowes, which they
ſhoote vp into the aire, breake there out in fire-workes,
as hauing no power to do wrong to ſo ſacred a Deity as
Vertue.
tlements offering to diſcharge their blacke Artillery at
her: but ſhe onely holding vp her bright ſhield, dazzles
them, and confounds them, they all on a ſudden ſhrin
king in their heads, vntill the Chariot be paſt, and then all
of them appearing againe: their arrowes, which they
ſhoote vp into the aire, breake there out in fire-workes,
as hauing no power to do wrong to ſo ſacred a Deity as
Vertue.
This caue of Monſters ſtands
fixed to the Conduit,1 in
which Enuie onely breathes out her poyſon to this pur
poſe.
which Enuie onely breathes out her poyſon to this pur
poſe.
The ſpeech of Enuy.
(Baine to learning)
Ignorance
Thy rancke-rotten gall vp: See,
See, See,
That Witch, whoſe bottomeleſſe Sorcery
Makes fooles runne mad for her;
that Hag
For whom your Dam pines, hangs out her flag
See, ſee, how braue ſhee’s, I am
poore.
Envy.
Snakes, from your virulent ſpawne
ingender
Dragons, that may peece-meale
rend her:
Adders ſhoote your ſtings like
quils
Of
London Triumphing.
Of Porcupines, (Stiffe) hot Aetnean hils
Vomit ſulphure to confound
her,
Fiendes and Furies (that dwell
vnder)
Lift hell gates from their
hindges: come
You clouen-foote-broode of
Barrathrum,
Stop, ſtay her, fright her, with
your ſhreekes,
Either during this ſpeech, or elſe when it is done, cer
taine Rockets flye vp into the aire; The Throne of Ver
tue paſſing on ſtill, neuer ſtaying, but ſpeaking ſtill
thoſe her two laſt lines, albeit, ſhee bee out of the
hearing of Enuy: and the other of Enuies Faction,
crying ſtill, ſhoote, ſhoote, but ſeeing they preuaile
not, all retire in, and are not ſeene till the Throne
comes backe againe.
taine Rockets flye vp into the aire; The Throne of Ver
tue paſſing on ſtill, neuer ſtaying, but ſpeaking ſtill
thoſe her two laſt lines, albeit, ſhee bee out of the
hearing of Enuy: and the other of Enuies Faction,
crying ſtill, ſhoote, ſhoote, but ſeeing they preuaile
not, all retire in, and are not ſeene till the Throne
comes backe againe.
The fourth Deuice.
THis Throne of Vertue paſſeth along
vntill it
come to the Croſſe in Cheape, where the preſenta
tion of another Triumph attends to welcome the Lord
Maior, in his paſſage, the Chariot of Vertue is drawne
then along, this other that followes taking her place, the
Deuice bearing this argument.
come to the Croſſe in Cheape, where the preſenta
tion of another Triumph attends to welcome the Lord
Maior, in his paſſage, the Chariot of Vertue is drawne
then along, this other that followes taking her place, the
Deuice bearing this argument.
Vertue hauing by helpe of her followers, conducted
C
the
London Triumphing.
the Lord Maior ſafely, eveneuẽ, as it
were, through the iawes
of Enuy and all her Monſters: The next and higheſt ho
nour ſhee can bring him to, is to make him ariue at the
houſe of Fame, And that is this Pageant. In the vpper ſeat
ſits Fame crowned in rich attire, a Trumpet in her hand,
&c. In other ſeuerall places ſit Kings, Princes, and No
ble perſons, who haue bene free of the Marchant-tailors:
A perticular roome being reſerued for one that repre
ſents the perſon of Henry the now Prince of Wales.
of Enuy and all her Monſters: The next and higheſt ho
nour ſhee can bring him to, is to make him ariue at the
houſe of Fame, And that is this Pageant. In the vpper ſeat
ſits Fame crowned in rich attire, a Trumpet in her hand,
&c. In other ſeuerall places ſit Kings, Princes, and No
ble perſons, who haue bene free of the Marchant-tailors:
A perticular roome being reſerued for one that repre
ſents the perſon of Henry the now Prince of Wales.
The onely ſpeaker heere is Fame her ſelfe, whoſe
wordes ſound out theſe glad welcomes.
wordes ſound out theſe glad welcomes.
The ſpeech of
Fame.
Thy footing; for the wayes which thou haſt
paſt
Will be forgot and worne out,
and no Tract
Of ſteps obſeru’d, but what
thou now ſhalt
Act.
The booke is ſhut of thy
precedent deedes,
(Aloud) the Chronickle of a dangerous yeare,
For Each Eye will looke through thee,
and Each Eare
Way-lay thy Words and Workes. Th’haſt yet but gon
About a Pyramid’s foote; the Top’s not won,
That’s glaſſe; who ſlides there,
fals, and once falne downe
Neuer more riſes: No Art
cures Renowne
The wound being ſent to’th Heart. Tis kept from thence
By a ſtrong Armor, Vertues influence;
Erect thou then a Serious
Eye, And looke
What
London Triumphing.
That now (thine owne name read
there) none may blot
Thy leafe with foule inke, nor
thy Margent quoate
With any Act of Thine, which may diſgrace
This Citties choice, thy
ſelfe, or this thy
Place:
Or, that which may diſhonour the
high Merits
Of thy Renown’d Society:
Roiall Spirits
Of Princes holding it a grace to
weare
That Crimſon Badge, which theſe about them
beare,
Yea, Kings themſelues ’mongſt
you haue Fellowes bene,
Stil’d by the Name of a Free-citizen:
For inſtance, ſee, ſeuen
Engliſh Kings there
plac’d,
Cloth’d in your Liuery, The
firſt Seate being
grac’d
By ſecond Richard: next him
*HenThis text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on an external source. (MK)ry the 4This text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on an external source. (MK).
*Bullingbrooke:
Richard the third, next him, and then that King,
Who made both Roſes in one Branch to ſpring:
A Sprig of which Branch, (Higheſt
now but One)
Who of this Brotherhood,
laſt and beſt ſteps
forth,
Honouring your Hall: To Heighthen more your worth.
I can a Regiſter ſhow of
ſeuenteene more,
(Princes and Dukes All:) entombed long before,
And Barons ſixty ſix that path haue
gone:
Of Viſecounts onely one, your Order tooke:
Turne ouer one leafe more in our
vaſt booke
And you may reade the Names
of Prelates there,
Of which one Arch-biſhop your cloth
did weare.
C2
And
London Triumphing.
And Byſhops twenty foure: of Abbots
ſeuen,
As many Priors, to make the number
euen:
Of forty Church men, I, one ſub-prior
adde,
You from all theſe, Theſe from you
honour had:
Women of high bloud likewiſe laid
aſide
Their greater State ſo to be
dignified:
Of which a Queene the firſt was, then
a paire
of Dukes wiues: And to leaue the Roll more faire
Fiue Counteſſes and two Ladies
are the laſt,
Whoſe Birth & Beauties
haue your Order gracd.
But I too long ſpin out this Thrid of Gold;
On a Large File (with Others,) And their Story
The world ſhall reade, to Adde vnto thy Glory,
Which I am loath to darken:
thouſand eyes
Yet aking till they enioy thee,
win then that priſe
Fame
ſhall the end crowne, as ſhe
hath begun.
Set forward.
Thoſe Princes and Dukes (beſides the Kings nominated
before) are theſe.
before) are theſe.
}
In the time of Richard
the ſecond.
the ſecond.
}
In the time of Henry the
the fifth.
the fifth.
In the time of Edward the 4.
London Triumphing.
Edward D. of Buckingham, In the
time of Henry the
7. with others, whoſe Rol is too long, here to be opened.
The Queene ſpoken of, was Anne wife to Richard the 2.
7. with others, whoſe Rol is too long, here to be opened.
The Queene ſpoken of, was Anne wife to Richard the 2.
Dukes wiues theſe, viz.
The Dutcheſſe of Gloſter. In the time of Richard the 2.
Elionor Dutcheſſe of Gloſter. In the time of H. the 5.
Elionor Dutcheſſe of Gloſter. In the time of H. the 5.
Now for Prelates, I reckon onely theſe,
And his Sub-prior.
The Prior of Elſing-ſpittle,
Henry Bewfort Biſhop of
Winton.
The Abbot of
Barmondſey.
The Abbot of
Towrchill.
The Abbot of
Tower-hill.
George Neuill Biſhop of
VVincheſter, and
Chauncelor of England.
Chauncelor of England.
If I ſhould lengthen this number, it were but to trou
ble you with a large Index of names onely, which I am
loath to do, knowing your expectation is to bee other
wiſe feaſted.
ble you with a large Index of names onely, which I am
loath to do, knowing your expectation is to bee other
wiſe feaſted.
C3
The
London Triumphing.
The Speech of Fame
therefore being ended, as ’tis ſet
downe before, this Temple of Hers takes place next be
fore the Lord Maior, thoſe of Neptune and Vertue mar
ching in precedent order. And as this Temple is carryed
along, a Song is heard, the Muſicke being queintly con
ueyed in a priuate roome, and not a perſon diſcouered.
downe before, this Temple of Hers takes place next be
fore the Lord Maior, thoſe of Neptune and Vertue mar
ching in precedent order. And as this Temple is carryed
along, a Song is heard, the Muſicke being queintly con
ueyed in a priuate roome, and not a perſon diſcouered.
THE SONG.
HOnor, eldeſt Child
of Fame,
Thou farre older
then thy Name,
Waken with my Song,
and ſee
One of thine, here
waiting thee.
Sleepe not now
But thy brow
Chac’t with Oliues,
Oke and Baies
And an age of happy
dayes
Vpward bring
Whilſt we ſing
In a Chorus altogether,
Welcome, welcome,
welcome hither.
Longing round about
him ſtay
Eyes, to make
another day,
Able with their
vertuous Light
Vtterly to baniſh
Night.
All agree
This is hee
Full of bounty,
honour, ſtore
And a world of
goodneſſe more
Yet to ſpring
Whilſt we ſing
In
London Triumphing.
In a Chorus altogether,
Welcome, welcome,
welcome hither.
Enuy
angry with the dead,
Far from this place
hide thy head:
And Opinion, that nere knew
What was either good
or true
Fly, I ſay
For this day
And ſuch happy ſonnes of Light
To vs bring
Whilſt we ſing
In a Chorus altogether,
Welcome, welcome,
welcome hither.
Goe on nobly, may
thy Name,
Be as old, and good
as Fame.
Euer be remembred
here
Whilſt a bleſsing,
or a teare
Is in ſtore
With the pore
But his vertues vpward flye
And ſtill ſpring
Whilſt we ſing
In a Chorus ceaſing neuer,
He is liuing, liuing
euer.
In
London Triumphing.
In returning backe from the
Guild-hall, to performe
the Ceremoniall cuſtomes in Pauls Church, theſe ſhewes
march in the ſame order as before: and comming with
the Throne of Vertue, Enuy and her crue are as buſie a
gaine, Enuy vttering ſome three or foure lines toward
the end of her ſpeech onely: As thus:
the Ceremoniall cuſtomes in Pauls Church, theſe ſhewes
march in the ſame order as before: and comming with
the Throne of Vertue, Enuy and her crue are as buſie a
gaine, Enuy vttering ſome three or foure lines toward
the end of her ſpeech onely: As thus:
Lift Hell-gates from their hindges: Come
You clouen-footed-brood of
Barathrum,
Stop, ſtony her, fright her with
your ſhreekes,
This done, or as it is in doing, thoſe twelue that ride
armed diſcharge their Piſtols, at which Enuy, and the reſt,
vaniſh, and are ſeene no more.
armed diſcharge their Piſtols, at which Enuy, and the reſt,
vaniſh, and are ſeene no more.
When the Lord Maior is (with all
the reſt of their Tri
umphes) brought home, Iuſtice (for a fare-well) is moun
ted on ſome couenient ſcaffold cloſe to his entrance at
his Gate, who thus ſalutes him.
umphes) brought home, Iuſtice (for a fare-well) is moun
ted on ſome couenient ſcaffold cloſe to his entrance at
his Gate, who thus ſalutes him.
The ſpeech of Ivstice.
MY This-dayes-ſworne-protector, welcome home,
The world giues out ſhee’s
blinde; but men ſhall ſee,
Her Sight is cleere, by influence drawne
from Thee.
For One-yeare therefore, at theſe Gates
ſhee’l ſit,
To guid thee In and Out: thou ſhalt commit
(If
London Triumphing.
(If Shee ſtand by thee) not
One touch of wrong:
And though I know thy
wiſdome built vp
ſtrong,
Yet men (like great ſhips) being
in ſtorms, moſt neere
To danger, when vp all their
ſailes they beare.
And ſince all Magiſtrates
tread ſtill on yce,
From mine owne Schoole I reade thee this
aduice:
Do good for no mans ſake (now) but thine
owne,
Take leaue of Friends &
foes, both muſt be knowne
But by one Face: the Rich and Poore muſt lye
In one euen Scale: All Suiters, in thine Eye
Welcome alike; Euen Hee that ſeemes moſt baſe,
Looke not vpon his Clothes,
but on his Caſe.
Let not Oppreſſion waſh his hands ith’
Teares
Of Widowes, or of Orphans: Widowes prayers
Can pluck downe Thunder,
& poore Orphans cries
Are Lawrels held in fire; the violence
flyes
Vp to Heauen-gates, and there the wrong does
tell,
Whilſt Innocence leaues behind it a ſweet
ſmell.
Thy Conſcience muſt be like that Scarlet
Dye;
One fowle ſpot ſtaines it
All: and the quicke Eye
Of this prying world, will make
that ſpot thy ſcorne.
That Collar (which about thy Necke is worne)
Of Golden Eſſes, bids thee ſo to knit
Mens hearts in Loue, and make a Chayne of it.
That Sword is ſeldome drawne, by which is
meant,
It ſhould ſtrike ſeldome: neuer
th’innocent.
Tis held before thee by
anothers Hand,
But the point vpwards (heauen muſt that commandcõmand)
Snatch it not then in
Wrath; it muſt be
giuen,
But to cut none, till
warranted by Heauen.
The Head, the politike Body muſt aduance
D
For
London Triumphing.
For which thou haſt this
Cap of Maintenance,
And ſince the moſt iuſt
Magiſtrate often erres,
Thou guarded art about with
Officers,
Who knowing the pathes of
Others that are gone,
Should teach thee what to
do, what leaue vndone.
Nights Candles lighted are, and burne
amaine,
Cut therefore here off, Thy
Officious Traine
Which Loue and Cuſtome lend thee: All Delight
Crowne both this Day and Citty: A good Night
To Thee, and theſe Graue Senators,
to whom
My laſt Fare-wels, in theſe glad wiſhes come,
That thou & they (whoſe ſtrength the City
beares)
May be as old in Goodneſſe
as in Yeares.
THe Title-page of this Booke makes promiſe of all
the
Shewes by water, as of theſe On the Land; but Apollo
hauing no hand in them, I ſuffer them to dye by that
which fed them; that is to ſay, Powder & Smoake. Their
thunder (according to the old Gally-foyſt-faſhion) was
too lowd for any of the Nine Muſes to be bidden to it.
I had deuiz’d One, altogether Muſicall, but Times Glaſſe
could ſpare no Sand, nor lend conuenient Howres for
the performance of it. Night cuts off the glory of this
Day, and ſo conſequently of theſe Triumphes, whoſe
brightneſſe beeing ecclipſed, my labours can yeeld no
longer ſhadow. They are ended, but my Loue and Duty
to your Lordſhip ſhall neuer.
Shewes by water, as of theſe On the Land; but Apollo
hauing no hand in them, I ſuffer them to dye by that
which fed them; that is to ſay, Powder & Smoake. Their
thunder (according to the old Gally-foyſt-faſhion) was
too lowd for any of the Nine Muſes to be bidden to it.
I had deuiz’d One, altogether Muſicall, but Times Glaſſe
could ſpare no Sand, nor lend conuenient Howres for
the performance of it. Night cuts off the glory of this
Day, and ſo conſequently of theſe Triumphes, whoſe
brightneſſe beeing ecclipſed, my labours can yeeld no
longer ſhadow. They are ended, but my Loue and Duty
to your Lordſhip ſhall neuer.
⎯⎯⎯Non
diſplicuiſſe meretur,
Feſtinat
(Prætor) Qui placuiſſe Tibi.
FINIS.
Notes
References
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Citation
Early English Books Online (EEBO). Proquest LLC.This item is cited in the following documents:
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EEBO-TCP (EEBO Text Creation Partnership). [The Text Creation Partnership offers searchable diplomatic transcriptions of many EEBO items.]
Cite this page
MLA citation
Troia-Nova Triumphans, or London Triumphing. The Map of Early Modern London, Edition 6.6, edited by , U of Victoria, 30 Jun. 2021, mapoflondon.uvic.ca/edition/6.6/TROI1.htm.
. Chicago citation
Troia-Nova Triumphans, or London Triumphing.The Map of Early Modern London, Edition 6.6. Ed. . Victoria: University of Victoria. Accessed June 30, 2021. mapoflondon.uvic.ca/edition/6.6/TROI1.htm.
APA citation
The Map of Early Modern London (Edition 6.6). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/6.6/TROI1.htm.
2021. Troia-Nova Triumphans, or London Triumphing. In (Ed), RIS file (for RefMan, RefWorks, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Dekker, Thomas ED - Jenstad, Janelle T1 - Troia-Nova Triumphans, or London Triumphing T2 - The Map of Early Modern London ET - 6.6 PY - 2021 DA - 2021/06/30 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/6.6/TROI1.htm UR - https://mapoflondon.uvic.ca/edition/6.6/xml/standalone/TROI1.xml ER -
TEI citation
<bibl type="mla"><author><name ref="#DEKK1"><surname>Dekker</surname>, <forename>Thomas</forename></name></author>.
<title level="m">Troia-Nova Triumphans, or London Triumphing</title>. <title level="m">The
Map of Early Modern London</title>, Edition <edition>6.6</edition>, edited by <editor><name
ref="#JENS1"><forename>Janelle</forename> <surname>Jenstad</surname></name></editor>,
<publisher>U of Victoria</publisher>, <date when="2021-06-30">30 Jun. 2021</date>,
<ref target="https://mapoflondon.uvic.ca/edition/6.6/TROI1.htm">mapoflondon.uvic.ca/edition/6.6/TROI1.htm</ref>.</bibl>
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
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Chase Templet
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Research Assistant, 2017-2019. Chase Templet was a graduate student at the University of Victoria in the Medieval and Early Modern Studies (MEMS) stream. He was specifically focused on early modern repertory studies and non-Shakespearean early modern drama, particularly the works of Thomas Middleton.Roles played in the project
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Research Assistant, 2013-2014. Zaqir Virani completed his MA at the University of Victoria in April 2014. He received his BA from Simon Fraser University in 2012, and has worked as a musician, producer, and author of short fiction. His research focused on the linkage of sound and textual analysis software and the work of Samuel Beckett.Roles played in the project
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Research Assistant, 2004–2008. BA honours, 2006. MA English, University of Victoria, 2007. Melanie Chernyk went on to work at the Electronic Textual Cultures Lab at the University of Victoria and now manages Talisman Books and Gallery on Pender Island, BC. She also has her own editing business at http://26letters.ca.Roles played in the project
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KMF
Director of Pedagogy and Outreach, 2015–present. Associate Project Director, 2015–present. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Mark Kaethler received his PhD from the University of Guelph and completed his MA and HBA at Lakehead University. He teaches early English literature at Medicine Hat College and serves as the Assistant Project Director of Mayoral Shows for the Map of Early Modern London at the University of Victoria as well as the President of the Medicine Hat College Faculty Association. He is a co-applicant with project lead Janelle Jenstad, fellow co-applicant Martin Holmes, and various collaborators on a SSHRC Insight Grant and a SSHRC Partnership Development Grant. He is a co-editor with Janelle Jenstad and Jennifer Roberts-Smith of Shakespeare’s Digital Language: Old Words, New Tools (Routledge, 2018) and the author of the forthcoming monograph Thomas Middleton’s Plural Politics and Jacobean Drama (Medieval Institute Publications, 2021). He has sole or co-authored articles forthcoming or published in Early Theatre, Literature Compass, The Journal of the Text Encoding Initiative, Digital Studies, Ludica, This Rough Magic, and Upstart, as well as chapters in several edited collections. His research interests include early modern politics, London, and theatre; textual editing; digital humanities; and game studies.Roles played in the project
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Janelle Jenstad
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Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Martin D. Holmes
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Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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George Plantagenet
(b. 1449, d. 1478)First Duke of Clarence. Drowned in a vessel filled with malmsey (a fortified wine).George Plantagenet is mentioned in the following documents:
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Thomas Dekker is mentioned in the following documents:
Thomas Dekker authored or edited the following items in MoEML’s bibliography:
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Bevington, David. Introduction.
The Shoemaker’s Holiday.
By Thomas Dekker. English Renaissance Drama: A Norton Anthology. Ed. David Bevington, Lars Engle, Katharine Eisaman Maus, and Eric Rasmussen. New York: Norton, 2002. 483–487. Print. -
Dekker, Thomas, and John Webster. Vvest-vvard hoe As it hath been diuers times acted by the Children of Paules. London: [William Jaggard] for Iohn Hodgets, 1607. STC 6540.
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Dekker, Thomas. Britannia’s Honor.
The Dramatic Works of Thomas Dekker.
Vol. 4. Ed. Fredson Bowers. Cambridge: Cambridge UP, 1961. Print. -
Dekker, Thomas. The Dead Tearme. Or Westminsters Complaint for long Vacations and short Termes. Written in Manner of a Dialogue betweene the two Cityes London and Westminster. 1608. The Non-Dramatic Works of Thomas Dekker. Ed. Rev. Alexander B. Grosart. 5 vols. 1885. Reprinted by New York: Russell and Russell, 1963. 1–84. Print.
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Dekker, Thomas. The Gull’s Horn-Book: Or, Fashions to Please All Sorts of Gulls. Thomas Dekker: The Wonderful Year, The Gull’s Horn-Book, Penny-Wise, Pound-Foolish, English Villainies Discovered by Lantern and Candelight, and Selected Writings. Ed. E.D. Pendry. London: Edward Arnold, 1967. 64–109. The Stratford-upon-Avon Library 4.
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Dekker, Thomas. If it be not good, the Diuel is in it A nevv play, as it hath bin lately acted, vvith great applause, by the Queenes Maiesties Seruants: at the Red Bull. London: Printed by Thomas Creede for John Trundle, 1612. STC 6507.
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Dekker, Thomas. Lantern and Candlelight. 1608. Ed. Viviana Comensoli. Toronto: Centre for Reformation and Renaissance Studies, 2007. Publications of the Barnabe Riche Society.
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Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: British Library; Shelfmark: C.34.g.11.
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Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: Huntington Library; Shelfmark: Rare Books 59055.
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Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: National Library of Scotland; Shelfmark: Bute.143.
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Dekker, Thomas. London’s Tempe. The Dramatic Works of Thomas Dekker. Ed. Fredson Bowers. Vol. 4. Cambridge: Cambridge UP, 1961. Print.
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Dekker, Thomas. The magnificent entertainment giuen to King Iames, Queene Anne his wife, and Henry Frederick the Prince, vpon the day of his Maiesties tryumphant passage (from the Tower) through his honourable citie (and chamber) of London, being the 15. of March. 1603. As well by the English as by the strangers: vvith the speeches and songes, deliuered in the seuerall pageants. London: T[homas] C[reede, Humphrey Lownes, Edward Allde and others] for Tho. Man the yonger, 1604. STC 6510
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Dekker, Thomas. The Magnificent Entertainment: Giuen to King James, Queene Anne his wife, and Henry Frederick the Prince, ypon the day of his Majesties Triumphant Passage (from the Tower) through his Honourable Citie (and Chamber) of London being the 15. Of March. 1603. London: T. Man, 1604. Treasures in full: Renaissance Festival Books. British Library.
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Dekker, Thomas. The owles almanacke Prognosticating many strange accidents which shall happen to this kingdome of Great Britaine this yeare, 1618. Calculated as well for the meridian mirth of London as any other part of Great Britaine. Found in an iuy-bush written in old characters, and now published in English by the painefull labours of Mr. Iocundary Merrie-braines. London: E[dward] G[riffin] for Laurence Lisle, 1618. STC 6515.
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Dekker, Thomas. Penny-vvis[e] pound foolish or, a Bristovv diamond, set in t[wo] rings, and both crack’d Profitable for married men, pleasant for young men, a[nd a] rare example for all good women. London: A[ugustine] M[athewes] for Edward Blackmore, 1631. STC 6516.
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Dekker, Thomas. The Second Part of the Honest Whore, with the Humors of the Patient Man, the Impatient Wife: the Honest Whore, perswaded by strong Arguments to turne Curtizan againe: her braue refuting those Arguments. London: Printed by Elizabeth All-de for Nathaniel Butter, 1630. STC 6506.
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Dekker, Thomas. The seuen deadly sinnes of London drawne in seuen seuerall coaches, through the seuen seuerall gates of the citie bringing the plague with them. Opus septem dierum. London: E[dward] A[llde and S. Stafford] for Nathaniel Butter, 1606. STC 6522.
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Dekker, Thomas. The Shoemaker’s Holiday. Ed. R.L. Smallwood and Stanley Wells. Manchester: Manchester UP, 1979. The Revels Plays.
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Dekker, Thomas. The shomakers holiday. Or The gentle craft VVith the humorous life of Simon Eyre, shoomaker, and Lord Maior of London. As it was acted before the Queenes most excellent Maiestie on New-yeares day at night last, by the right honourable the Earle of Notingham, Lord high Admirall of England, his seruants. London: Valentine Sims, 1600. STC 6523.
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Dekker, Thomas, Stephen Harrison, Ben Jonson, and Thomas Middleton. The Whole Royal and Magnificent Entertainment of King James through the City of London, 15 March 1604, with the Arches of Triumph. Ed. R. Malcolm Smuts. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 219–279. Print.
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Dekker, Thomas. Troia-Noua Triumphans. London: Nicholas Okes, 1612. STC 6530. DEEP 578. Greg 302a. Copy: Chapin Library; Shelfmark: 01WIL_ALMA.
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Dekker, Thomas. TThe shoomakers holy-day. Or The gentle craft VVith the humorous life of Simon Eyre, shoomaker, and Lord Mayor of London. As it was acted before the Queenes most excellent Maiestie on New-yeares day at night last, by the right honourable the Earle of Notingham, Lord high Admirall of England, his seruants. London: G. Eld for I. Wright, 1610. STC 6524.
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Dekker, Thomas. Westward Ho! The Dramatic Works of Thomas Dekker. Vol. 2. Ed. Fredson Bowers. Cambridge: Cambridge UP, 1964. Print.
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Middleton, Thomas, and Thomas Dekker. The Roaring Girl. Ed. Paul A. Mulholland. Revels Plays. Manchester: Manchester UP, 1987. Print.
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. 1998. Remediated by Project Gutenberg.
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. Ed. Vittorio Gabrieli and Giorgio Melchiori. Revels Plays. Manchester; New York: Manchester UP, 1990. Print.
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Smith, Peter J.
Glossary.
The Shoemakers’ Holiday. By Thomas Dekker. London: Nick Hern, 2004. 108–110. Print.
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Edward IV
Edward This numeral is a Roman numeral. The Arabic equivalent is 4IV King of England
(b. 28 April 1442, d. 9 April 1483)Edward IV is mentioned in the following documents:
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Fame
Personification of fame. Appears as an allegorical character in mayoral shows, Richard Johnson’s Nine Worthies of London and John Stow’s Survey of London.Fame is mentioned in the following documents:
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Neptune is mentioned in the following documents:
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Virtue
Personification of virtue. Appears as an allegorical character in mayoral shows, Richard Johnson’s Nine Worthies of London and John Stow’s Survey of London. See also Arete.Virtue is mentioned in the following documents:
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Oceanus
Personification of the great river the Greeks believed encircled the world. Appears as an allegorical character in mayoral shows.Oceanus is mentioned in the following documents:
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Henry Beaufort is mentioned in the following documents:
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Luna is mentioned in the following documents:
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Rumour
Personification of hearsay and rumour. Appears as an allegorical character in mayoral shows.Rumour is mentioned in the following documents:
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Envy
Personification of envy. Appears as an allegorical character in mayoral shows and Richard Johnson’s Nine Worthies of London. -
Justice
Personification of lawfulness and fairness. Appears as an allegorical character in mayoral shows and Richard Johnson’s Nine Worthies of London.Justice is mentioned in the following documents:
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Wisdom
Personification of wisdom. Appears as an allegorical character in mayoral shows.Wisdom is mentioned in the following documents:
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Desire
Personification of desire. Appears as an allegorical character in mayoral shows.Desire is mentioned in the following documents:
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Industry
Personification of industry. Appears as an allegorical character in mayoral shows.Industry is mentioned in the following documents:
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Ignorance
Personification of ignorance. Appears as an allegorical character in mayoral shows.Ignorance is mentioned in the following documents:
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Sloth
Personification of laziness. Appears as an allegorical character in mayoral shows.Sloth is mentioned in the following documents:
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Oppression
Personification of oppression. Appears as an allegorical character in mayoral shows.Oppression is mentioned in the following documents:
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Disdain
Personification of disdain. Appears as an allegorical character in mayoral shows.Disdain is mentioned in the following documents:
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Riot
Personification of uprising and disorder. Appears as an allegorical character in mayoral shows.Riot is mentioned in the following documents:
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Calumny
Personification of slander and defamation. Appears as an allegorical character in mayoral shows.Calumny is mentioned in the following documents:
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Four Winds
Wind gods in Greek mythology. Appear as a set of four allegorical characters in mayoral shows.Four Winds is mentioned in the following documents:
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John of Gaunt
John
(b. 1340, d. 1399)Duke of Aquitaine and First Duke of Lancaster. Husband of Blanche of Lancaster.John of Gaunt is mentioned in the following documents:
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Henry VI
Henry This numeral is a Roman numeral. The Arabic equivalent is 6VI King of England
(b. 6 December 1421, d. 21 May 1471)Henry VI is mentioned in the following documents:
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Henry VII
Henry This numeral is a Roman numeral. The Arabic equivalent is 7VII King of England
(b. 1457, d. 1509)Henry VII is mentioned in the following documents:
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Henry V
Henry This numeral is a Roman numeral. The Arabic equivalent is 5V King of England
(b. 1386, d. 1422)Henry V is mentioned in the following documents:
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Henry Frederick
(b. 19 February 1594, d. 6 November 1612)Prince of Wales. Son of James VI and I and Anne of Denmark. Brother of Charles I and Elizabeth Stuart of Bohemia. Died of typhoid fever at the age of eighteen.Henry Frederick is mentioned in the following documents:
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Thomas Holland
(b. 1374, d. 1400)Sixth Earl of Kent and Duke of Surrey. Father of Elizabeth Neville.Thomas Holland is mentioned in the following documents:
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Humphrey of Lancaster
Humphrey
(b. 1390, d. 1447)First Duke of Gloucester. Prince, soldier, and literary patron. Rebuit Baynard’s Castle after it was destroyed by fire in 1428. Husband of Eleanor de Cobham. Son of Henry IV and Mary de Bohun.Humphrey of Lancaster is mentioned in the following documents:
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Edmund of Langley
Edmund
(b. 1341, d. 1402)First Duke of York and Earl of Cambridge. Father of Richard of Conisburgh.Edmund of Langley is mentioned in the following documents:
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Love
Personification of love. Appears as an allegorical character in mayoral shows.Love is mentioned in the following documents:
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John Mowbray is mentioned in the following documents:
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Nicholas Okes
(fl. 1596-1645)Printer and Publisher. Member of the Stationers’ Company. Business partner of John Norton. Father of John Okes.Nicholas Okes is mentioned in the following documents:
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John de la Pole is mentioned in the following documents:
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Richard II
Richard This numeral is a Roman numeral. The Arabic equivalent is 2II King of England
(b. 6 January 1367, d. 1400)Richard II is mentioned in the following documents:
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Richard III
Richard This numeral is a Roman numeral. The Arabic equivalent is 3III King of England
(b. 1452, d. 1485)King of England and Lord of Ireland 1483-1485.Richard III is mentioned in the following documents:
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Sir John Swynnerton
Sir John Swynnerton Sheriff Mayor
Sheriff of London 1602-1603. Mayor 1612-1613. Member of the Merchant Taylors’ Company. Knighted on 26 July 1603.Sir John Swynnerton is mentioned in the following documents:
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Thomas of Woodstock is mentioned in the following documents:
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Richard of York is mentioned in the following documents:
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Anne of Bohemia
Anne Queen consort of England
(b. 1366, d. 1394)Queen consort of England 1382-1394. Wife of Richard II. Daughter of Charles IV of Bohemia. Sister of Wenceslaus IV of Bohemia. Buried at Westminster Abbey.Anne of Bohemia is mentioned in the following documents:
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George Neville is mentioned in the following documents:
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Edward Stafford is mentioned in the following documents:
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Eleanor de Bohun
(b. 1366, d. 1399)Duchess of Gloucester. Wife of Thomas of Woodstock. Daughter of Humphrey de Bohun IX. Sister of Mary de Bohun. Buried at Westminster Abbey.Eleanor de Bohun is mentioned in the following documents:
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Eleanor de Cobham is mentioned in the following documents:
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John Wright is mentioned in the following documents:
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John Russell is mentioned in the following documents:
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John May is mentioned in the following documents:
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William Waynflete is mentioned in the following documents:
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Philip Morgan
Philip Morgan Bishop of Worchester Bishop of Ely
(d. 25 October 1435)Bishop of Worchester 1419-1426. Bishop of Ely 1426-1435.Philip Morgan is mentioned in the following documents:
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Thomas Arundel
Thomas Arundel Archbishop of Canterbury
(b. 1353, d. 19 February 1414)Archbishop of Canterbury 1397-1399.Thomas Arundel is mentioned in the following documents:
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Geometry
Personification of geometry, one of the liberal sciences. Appears as an allegorical character in mayoral shows.Geometry is mentioned in the following documents:
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Astronomy
Personification of astronomy, one of the liberal sciences. Appears as an allegorical character in mayoral shows.Astronomy is mentioned in the following documents:
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Music
Personification of music, one of the liberal sciences. Appears as an allegorical character in mayoral shows.Music is mentioned in the following documents:
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Arithmetic
Personification of arithmetic, one of the liberal sciences. Appears as an allegorical character in mayoral shows.Arithmetic is mentioned in the following documents:
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Logic
Personification of logic, one of the liberal sciences. Appears as an allegorical character in mayoral shows.Logic is mentioned in the following documents:
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Rhetoric
Personification of rhetoric, one of the liberal sciences. Appears as an allegorical character in mayoral shows.Rhetoric is mentioned in the following documents:
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Grammar
Personification of grammar, one of the liberal sciences. Appears as an allegorical character in mayoral shows.Grammar is mentioned in the following documents:
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Innocence
Personification of innocence. Appears as an allegorical character in mayoral shows.Innocence is mentioned in the following documents:
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Integrity
Personification of integrity. Appears as an allegorical character in mayoral shows.Integrity is mentioned in the following documents:
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Thomas Kempe is mentioned in the following documents:
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Laurence Booth
Laurence Booth Bishop of Durham Archbishop of York
(fl. 1420-80)Bishop of Durham 1456–1476. Archbishop of York 1476–1480.Laurence Booth is mentioned in the following documents:
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Right
Personification of moral guidance. Appears as an allegorical character in mayoral shows.Right is mentioned in the following documents:
Locations
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London is mentioned in the following documents:
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Westminster Palace is mentioned in the following documents:
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Christ Church is mentioned in the following documents:
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Paul’s Chain
Paul’s Chain was a street that ran north-south between St Paul’s Churchyard and Paul’s Wharf, crossing over Carter Lane, Knightrider Street, and Thames Street. It was in Castle Baynard Ward. On the Agas map, it is labelledPaules chayne.
The precinct wall around St. Paul’s Church had six gates, one of which was on the south side by Paul’s Chain. It was here that a chain used to be drawn across the carriage-way entrance in order to preserve silence during church services.Paul’s Chain is mentioned in the following documents:
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St. Paul’s Churchyard
Surrounding St. Paul’s Cathedral, St. Paul’s Churchyard has had a multi-faceted history in use and function, being the location of burial, crime, public gathering, and celebration. Before its destruction during the civil war, St. Paul’s Cross was located in the middle of the churchyard, providing a place for preaching and the delivery of Papal edicts (Thornbury).St. Paul’s Churchyard is mentioned in the following documents:
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Cheapside Street
Cheapside Street, one of the most important streets in early modern London, ran east-west between the Great Conduit at the foot of Old Jewry to the Little Conduit by St. Paul’s churchyard. The terminus of all the northbound streets from the river, the broad expanse of Cheapside Street separated the northern wards from the southern wards. It was lined with buildings three, four, and even five stories tall, whose shopfronts were open to the light and set out with attractive displays of luxury commodities (Weinreb and Hibbert 148). Cheapside Street was the centre of London’s wealth, with many mercers’ and goldsmiths’ shops located there. It was also the most sacred stretch of the processional route, being traced both by the linear east-west route of a royal entry and by the circular route of the annual mayoral procession.Cheapside Street is mentioned in the following documents:
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Little Conduit (Cheapside)
The Little Conduit (Cheapside), also known as the Pissing Conduit, stood at the western end of Cheapside Street outside the north corner of Paul’s Churchyard. On the Agas map, one can see two water cans on the ground just to the right of the conduit.Little Conduit (Cheapside) is mentioned in the following documents:
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Cheapside Cross (Eleanor Cross)
Cheapside Cross (Eleanor Cross), pictured but not labelled on the Agas map, stood on Cheapside Street between Friday Street and Wood Street. St. Peter, Westcheap lay to its west, on the north side of Cheapside Street. The prestigious shops of Goldsmiths’ Row were located to the east of the Cross, on the south side of Cheapside Street. The Standard in Cheapside (also known as the Cheap Standard), a square pillar/conduit that was also a ceremonial site, lay further to the east (Brissenden xi).Cheapside Cross (Eleanor Cross) is mentioned in the following documents:
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St. Bartolomew’s Priory
A priory of Augustinian canons once encompassing St. Bartholomew the Great, St. Bartholomew the Less, and St. Bartholomew’s Hospital. Dissolved by Henry VIII.St. Bartolomew’s Priory is mentioned in the following documents:
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St. Saviour (Southwark)
St. Saviour (Southwark) dates back at least to 1106. It was originally known by the name St. Mary Overies, with Overies referring to its beingover
the Thames, that is, on its southern bank. After the dissolution of the monasteries, the church was rededicated and renamed St. Saviour (Sugden 335). St. Saviour (Southwark) is visible on the Agas map along New Rents street in Southwark. It is marked with the labelS. Mary Owber.
St. Saviour (Southwark) is mentioned in the following documents:
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Creechurch Lane is mentioned in the following documents:
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Westminster Abbey
Westminster Abbey was a historically significant church, located on the bottom-left corner of the Agas map. Colloquially known asPoets’ Corner,
it is the final resting place of Geoffrey Chaucer, Ben Jonson, Francis Beaumont, and many other notable authors; in 1740, a monument for William Shakespeare was erected in Westminster Abbey (ShaLT).Westminster Abbey is mentioned in the following documents:
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Guildhall is mentioned in the following documents:
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St. Paul’s Cathedral
St. Paul’s Cathedral was—and remains—an important church in London. In 962, while London was occupied by the Danes, St. Paul’s monastery was burnt and raised anew. The church survived the Norman conquest of 1066, but in 1087 it was burnt again. An ambitious Bishop named Maurice took the opportunity to build a new St. Paul’s, even petitioning the king to offer a piece of land belonging to one of his castles (Times 115). The building Maurice initiated would become the cathedral of St. Paul’s which survived until the Great Fire of London.St. Paul’s Cathedral is mentioned in the following documents:
Organizations
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Merchant Taylors’ Company
Worshipful Company of Merchant Taylors
The Merchant Taylors’ Company was one of the twelve great companies of London. Since 1484, the Merchant Taylors and the Skinners have alternated precedence annually; the Merchant Taylors are now sixth in precedence in odd years and seventh in even years, changing precedence at Easter. The Worshipful Company of Merchant Taylors is still active and maintains a website at http://www.merchanttaylors.co.uk/ that includes a history of the company and a list of historical milestones.This organization is mentioned in the following documents:
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Roles played in the project
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First Encoders
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Transcriber
This organization is mentioned in the following documents:
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