520 Class 5
¶COMMUNITAS AND CITY TYPES
WORLDS WITHIN WORLDS
Learning Outcomes:
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Take stock of the genres we have seen in the first five classes.
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Gain a sense of the complexity of London’s communitas and the various subject positions that London’s citizens and denizens occupied.
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Discuss the literary representations of economic conflicts and negotiations in the communitas.
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Locate individual citizens and denizens within the overlapping and nested worlds that made up the communitas.
Primary Reading:
Secondary Reading: None required for this class.
Other References: Rappaport; Jones; Travitsky; Hentschell gives a summary of the 1613-1614 Cockayne Project (to
export dyed and dressed cloths) in her Chapter 6,
Politics on Parade: The Cockayne Project and Anthony Munday’s Civic Pageants for the Drapers; Harte. Note! These references are for information only. I may draw upon them in my discussion, but do not expect you to read them.
Discussion Questions:
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Is Holinshed’s tone primarily one of nostalgia (like that of Stow), of disgust and pessimism, of concern and warning, or simply that of a detached chronicler attempting to present both historical origins and present reality? Keeping in mind that Holinshed expresses his desire to not
offend too much
(1), who is his audience? (KTY) -
The Counter’s Commonwealth describes its characters as
citizens of London, but never of Heavenly Jerusalem
(445). How is this concern about the social mobility of theseunconscionable citizens
(446) and the rampant injustice and dishonesty in the city treated in Holinshed’s Chronicles and Whitney’s poem? (KTY) -
Whitney’s poetic account clearly presents London’s communitas. Even though the author herself may not have been born in the city (as the footnote on page 291 acknowledges), does her writing imply that she considers herself a true Londoner? If so, what inspires her to possess this self-perception? Is it her familiarity with the city, both its distinctive streets and socially diverse inhabitants, or something else? (KTY)
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Dekker and Whitney show a sense of authority in depicting the city. For example, Whitney frequently says
I shall leave behind
(291), and Dekker prognosticates the business of different trades and openly laughs at some of them. Where does this sense of authority come from? How do the two writers position themselves in the communitas, which is hierarchically classified and economically bound? (CZ)
References
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Citation
Dekker, Thomas. The owles almanacke Prognosticating many strange accidents which shall happen to this kingdome of Great Britaine this yeare, 1618. Calculated as well for the meridian mirth of London as any other part of Great Britaine. Found in an iuy-bush written in old characters, and now published in English by the painefull labours of Mr. Iocundary Merrie-braines. London: E[dward] G[riffin] for Laurence Lisle, 1618. STC 6515.This item is cited in the following documents:
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Citation
Fennor, William. The Counter’s Commonwealth. The Elizabethan Underworld. Ed. A.V. Judges, 1930. Reprinted by New York: Octagon, 1965. 423–487. Print.This item is cited in the following documents:
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Citation
Harte, N.B., ed. The New Draperies in the Low Countries and England, 1300–1800. Oxford: Oxford UP, 1997. Print.This item is cited in the following documents:
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Citation
Hentschell, Roze. The Culture of Cloth in Early Modern England: Textual Constructions of a National Identity. Aldershot: Ashgate, 2008. Print.This item is cited in the following documents:
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Citation
Holinshed, Raphael and William Harrison. The first and second volumes of Chronicles comprising 1 The description and historie of England, 2 The description and historie of Ireland, 3 The description and historie of Scotland: first collected and published by Raphaell Holinshed, William Harrison, and others: now newlie augmented and continued (with manifold matters of singular note and worthie memorie) to the yeare 1586. London, 1587. STC 13569.This item is cited in the following documents:
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Citation
Jones, Ann Rosalind.Maidservants of London: Sisterhoods of Kinship and Labor.
Maids and Mistresses, Cousins and Queens: Women’s Alliances in Early Modern England. Ed. Susan Frye and Karen Robertson. Oxford: Oxford UP, 1999. 21–32. Print.This item is cited in the following documents:
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Citation
Rappaport, Steve. Worlds Within Worlds: Structures of Life in Sixteenth-Century London. Cambridge: Cambridge UP, 1989. Print.This item is cited in the following documents:
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Citation
Travitsky, Betty.The
English Literary Renaissance 10.1 (1980): 76–94. doi:10.1111/j.1475-6757.1980.tb01411.x.Wyll and Testament
of Isabella Whitney.This item is cited in the following documents:
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Citation
Whitney, Isabella.The Manner of Her Will, and What She Left to London.
Women Writers in Renaissance England. Ed. Randall Martin. London: Longman, 1997. 289–302.This item is cited in the following documents:
Cite this page
MLA citation
520 Class 5.The Map of Early Modern London, Edition 6.6, edited by , U of Victoria, 30 Jun. 2021, mapoflondon.uvic.ca/edition/6.6/FIVE1.htm.
Chicago citation
520 Class 5.The Map of Early Modern London, Edition 6.6. Ed. . Victoria: University of Victoria. Accessed June 30, 2021. mapoflondon.uvic.ca/edition/6.6/FIVE1.htm.
APA citation
The Map of Early Modern London (Edition 6.6). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/6.6/FIVE1.htm.
, , & 2021. 520 Class 5. In (Ed), RIS file (for RefMan, RefWorks, EndNote etc.)
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Personography
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Janelle Jenstad
JJ
Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Janelle Jenstad is a member of the following organizations and/or groups:
Janelle Jenstad is mentioned in the following documents:
Janelle Jenstad authored or edited the following items in MoEML’s bibliography:
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Martin D. Holmes
MDH
Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Can Zheng
CZ
Student contributor enrolled in English 520: Representations of London at the University of Victoria in Summer 2011. MA student, English.Roles played in the project
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Can Zheng is mentioned in the following documents:
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Katherine Young
KY
Student contributor enrolled in English 520: Representations of London at the University of Victoria in Summer 2011. MA student, English.Roles played in the project
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Katherine Young is mentioned in the following documents:
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