Cheapsides Triumphs, and Chyrones
Crosses Lamentation.
Crosses Lamentation.
To the tune of the Building.
SEe the guilding
Of Cheapsides famous building
the glorious Crosse,
Trimd vp most fairly,
With gold most rarely,
refin’d from drosse:
A pleasing prospect to all beholders,
that shall but view it,
and lately knew it
Defac’d of beauty,
but now a sumptuous thing:
Whose praise and wonder
Fame abroad doth ring.
Tricked most neatly
With cost compleatly
adorn’d most rare,
Whose shining beauty,
Showes the Cities duty
and tender care:
To preserue their rich & sumptuous (buildings,
in stately manner,
such cost vpon her
they bestow with honour,
Such is the loue they beare
which now is seene
By Cheapside glistering faire.
The Crosse there placed,
Is now much graced,
that it may be knowne,
How well the Citie,
With care and pitie,
respects her owne:
Braue Citizens of worthy London,
such loue they owe it,
and now they show it,
freely bestow it
Upon their City faire,
with Cheapside Crosse
There’s none can make compare.
Search England ouer,
From hence to Douer,
and so about,
The like to Cheapside,
Faire Londons chiefe pride,
you’l not find out:
Newly beautifi’d most neat and fairly,
all may admire,
and still desire,
to gaze vp higher,
To see the glorious state
of this rare building,
O sight most blessed,
To sée Cheapside dressed,
in stately manner:
May you perseuer
In loue foreuer,
tis for your honor,
To see your Crosse excell in shining
all CrossThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)e2s elsewhere,
to this comes not neere,
now trimmed most rare:
And glorious to behold,
whose shining brauery
Glistereth all of gold.
This golden splendor
Makes all men wonder,
to sée Cheapside:
In sumptuous manner,
For Londons honor,
and This text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on an external source. (JJ)state3 beside:
Put downe fThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)a4ire Oxfordshires chiefe (beauty
AbingThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)t5ons faire Crosse
was neuer grac’t thus,
as is bright Cheaps Crosse,
Now shining faire and bright,
whose excellent splendor
Giues the city light.
The second part, To the same tuné.
KInd frThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)i6ends pray turne ye,
With griefe now mourne ye,
to behold and sée
An ancient building
Now downwards yeelding,
ah woe is me:
The prouerb here is verified truly,
old things are worth nought,
but that’s a bad thought,
for to forget ought
Once esteemed deare,
In lamentation,
I make my supplication
to great and small,
That erst haue view’d me,
And now perus’d me,
then iudge withall,
That ancient things in these dayes are
more is the pity
that such a city,
so wise and witty,
Should not regard their fame,
censure This text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on an external source. (JJ)a9right,
Then tell me where’s the blame.
I long haue stood hThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)e10re,
Mary bad and good yeare,
pining away,
Expecting euer,
But I feare neuer
to see the day
Wherein my state againe shThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)a11ll be ad(uanced,
and all things made good,
of stone or else wood,
where I hThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)a12ue long stood,
Expecting This text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)e13uery day
I should be once againe
Made neat and gay.
Thou wert a deare one,
Old noble Chyron,
that plac’t me here,
My first supporter
Of stone and morter,
was seated This text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (NAP)r14are:
But now you sée my top is downward (bending
my state is reeling,
none hath a féelThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on an external source. (NAP)i15ng
to my appealing,
That now in sad distresse
to court and city
Some honest Courtier
Be my Supporter,
I now intreate,
Some Lord or Barrone,
Pitty old Chyrone,
ere it be tThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (NAP)o17o late,
For now my state you sée is down de(clining
my ancient building,
is downward yeelding,
In wofull manner
I waile my wretched state,
Oh pity soone, for feare it be too late,
In time I craue it,
And faine would haue it,
for mercies sake,
Take thou some pitie,
Faire London Citie,
my foundation make,
Aged Pauls and I may waile together
and pray to heauen
all may be eauen,
and gifts be giuen
By charitable men,
to beautifie
Our buildings faire agen.
FINIS.
Notes
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- Gap in inking: missing letter obvious from context. (JJ)↑
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- Gap in inking: missing letter obvious from context. (JJ)↑
- Gap in inking: missing letter obvious from context. (JJ)↑
- Gap in inking: missing letter obvious from context. (JJ)↑
- Gap in inking: proofed against EBBA facsimile. (JJ)↑
- Gap in inking: proofed against EBBA facsimile. (JJ)↑
- Gap in inking: proofed against EBBA facsimile. (JJ)↑
- Gap in inking: missing letter obvious from context. (JJ)↑
- Gap in inking: missing letter obvious from context. (JJ)↑
- Gap in inking: missing letter obvious from context. (JJ)↑
- Gap in inking: missing letter obvious from context. (JJ)↑
- Gap in inking: missing letter obvious from context. (NAP)↑
- Gap in inking: proofed against EBBA facsimile. (NAP)↑
- Gap in inking: missing letter obvious from context. (NAP)↑
- Gap in inking: missing letter obvious from context. (NAP)↑
Cite this page
MLA citation
Cheapside’s Triumphs and Chyron’s Cross’s Lamentation.The Map of Early Modern London, Edition 6.6, edited by , U of Victoria, 30 Jun. 2021, mapoflondon.uvic.ca/edition/6.6/CHEA4.htm.
Chicago citation
Cheapside’s Triumphs and Chyron’s Cross’s Lamentation.The Map of Early Modern London, Edition 6.6. Ed. . Victoria: University of Victoria. Accessed June 30, 2021. mapoflondon.uvic.ca/edition/6.6/CHEA4.htm.
APA citation
The Map of Early Modern London (Edition 6.6). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/6.6/CHEA4.htm.
. 2021. Cheapside’s Triumphs and Chyron’s Cross’s Lamentation. In (Ed), RIS file (for RefMan, RefWorks, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - , ED - Jenstad, Janelle T1 - Cheapside’s Triumphs and Chyron’s Cross’s Lamentation T2 - The Map of Early Modern London ET - 6.6 PY - 2021 DA - 2021/06/30 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/6.6/CHEA4.htm UR - https://mapoflondon.uvic.ca/edition/6.6/xml/standalone/CHEA4.xml ER -
TEI citation
<bibl type="mla"><author><name ref="#ANON2"><name ref="#ANON2">Anonymous</name></name></author>.
<title level="a">Cheapside’s Triumphs and Chyron’s Cross’s Lamentation</title>. <title
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<publisher>U of Victoria</publisher>, <date when="2021-06-30">30 Jun. 2021</date>,
<ref target="https://mapoflondon.uvic.ca/edition/6.6/CHEA4.htm">mapoflondon.uvic.ca/edition/6.6/CHEA4.htm</ref>.</bibl>
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Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
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The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
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Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
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Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
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Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
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Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
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Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
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Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Locations
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Cheapside Street
Cheapside Street, one of the most important streets in early modern London, ran east-west between the Great Conduit at the foot of Old Jewry to the Little Conduit by St. Paul’s churchyard. The terminus of all the northbound streets from the river, the broad expanse of Cheapside Street separated the northern wards from the southern wards. It was lined with buildings three, four, and even five stories tall, whose shopfronts were open to the light and set out with attractive displays of luxury commodities (Weinreb and Hibbert 148). Cheapside Street was the centre of London’s wealth, with many mercers’ and goldsmiths’ shops located there. It was also the most sacred stretch of the processional route, being traced both by the linear east-west route of a royal entry and by the circular route of the annual mayoral procession.Cheapside Street is mentioned in the following documents:
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Cheapside Cross (Eleanor Cross)
Cheapside Cross (Eleanor Cross), pictured but not labelled on the Agas map, stood on Cheapside Street between Friday Street and Wood Street. St. Peter, Westcheap lay to its west, on the north side of Cheapside Street. The prestigious shops of Goldsmiths’ Row were located to the east of the Cross, on the south side of Cheapside Street. The Standard in Cheapside (also known as the Cheap Standard), a square pillar/conduit that was also a ceremonial site, lay further to the east (Brissenden xi).Cheapside Cross (Eleanor Cross) is mentioned in the following documents:
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London is mentioned in the following documents:
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St. Paul’s Cathedral
St. Paul’s Cathedral was—and remains—an important church in London. In 962, while London was occupied by the Danes, St. Paul’s monastery was burnt and raised anew. The church survived the Norman conquest of 1066, but in 1087 it was burnt again. An ambitious Bishop named Maurice took the opportunity to build a new St. Paul’s, even petitioning the king to offer a piece of land belonging to one of his castles (Times 115). The building Maurice initiated would become the cathedral of St. Paul’s which survived until the Great Fire of London.St. Paul’s Cathedral is mentioned in the following documents:
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Old Bailey
The Old Bailey ran along the outside of the London Wall near Newgate (Stow 1598, sig. U8v). It is labelled on the Agas map asOlde baily.
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