The manner of his Lordships Entertainement vpon Michaelmas day1 last, being the day of his Honorable Election, together with the Worthy Sir IOHN SWINARTON, Knight, then Lord Maior, the Learned and Iuditious, Sir HENRY MONTAGVE, Maister Recorder, and many of the Right Worshipfull the Aldermen of the Citie of London.
PERFECTION (which is the Crowne of all Inuentions) swelling now high with happy welcomes
to all the glad well-wishers of her admired Maturity, the Father and Maister of this
Famous Worke, expressing thereby both his thankefulnesse to Heauen, and his zeale
to the Citty of London, in true ioy of heart to see his Time, Trauailes and Expences, so successiuely greeted,
thus giues entertainment to that Honorable Assembly.
At their first appearing, the Warlike Musicke of Drummes and Trumpets liberally beates
the Aire, sounds as proper as in Battell, for there is no Labour
that Man vndertakes, but hath a warre within it selfe, and Perfection makes the Conquest, and no few or meane On-sets of Malice, Calumnies and Slanders, hath this Resolued Gentleman borne off, before his labours were inuested with Victory, as in this following speech to those Honorable Auditors then placed vpon the Mount, is more at large related.
that Man vndertakes, but hath a warre within it selfe, and Perfection makes the Conquest, and no few or meane On-sets of Malice, Calumnies and Slanders, hath this Resolued Gentleman borne off, before his labours were inuested with Victory, as in this following speech to those Honorable Auditors then placed vpon the Mount, is more at large related.
A Troope of Labourers, to the number of three-score or vpwards, all in greene Cappes
alike, bearing in their hands the Symboles of their seuerall imployments in so great
a businesse, with Drummes before them, marching twice or thrice about the Cesterne,
orderly present themselues before the Mount; and after their obeysance,
The Speech.
Long have wee labour’d, long desir’d and praid
For this great Workes perfection, and by th’ Aide
Of Heauen and good Mens wishes, ’tis at length
Happily conquer’d by Cost, Art, and Strength;
And after fiue yeares deere expence in dayes,
Trauaile and paines, besides the infinite wayes
Of Malice, Enuy, false suggestions,
Able to daunt the Spirits of mighty ones
In Wealth and Courage, This, a Worke so rare,
Onely by one mans Industry, Cost, and Care
Is brought to blest effect, so much withstood,
His onely Aime, the Citties generall Good,
And where before many vniust Complaints
Enuiously Seated, hath oft caus’d Restraints,
Stoppes and great Crosses to our Maisters Charge,
And the Workes hinderance; Favour now at large
Spreds it selfe open to him, and commends
To admiration both his Paines and Ends.
(The Kings most Gracious Loue) Perfection draws
Fauour from Princes, and from all Applause,
Then Worthy Magistrates, to whose Content
Next to the State, all this great Care was bent,
And for the publicke Good (which Grace requires)
Your Loues and Furtherance chiefly he desires
To cherish these proceedings, which may giue
Courage to some that may hereafter liue
To practise deedes of goodnesse, and of Fame,
And cheerfully Light their Actions by his Name.
Clearke of the worke, reach me the booke to show
How many Arts from such a Labour flow.
These lines following are read in the Clearkes Booke.
First here’s the Ouer-seer, this try’d Man,
An antient Souldier, and an Artizan;
The Clearke, next him Mathematitian;
The Maister of the Timber-worke takes place
Next after these, and the Measurer in like case,
Bricke-layer, and Enginer, and after those
The Borer and the Pauier, then it showes
The Labourers next, Keeper of Amwell-head,
The Walkers2 last, so all their Names are read,
Yet these but parcels of sixe hundred more,
That at one time haue beene employd before,
Yet these in sight, and all the rest will say,
That euery weeke they had their Royall Pay.
The Speech goes on.
Now This text has been supplied. Reason: The facsimile photograph is not clear, out-of-focus,
etc. Evidence: The text has been supplied based on evidence internal to this text
(context, etc.). (KL)for the Fruits then, flow forth pretious This text has been supplied. Reason: The facsimile photograph is not clear, out-of-focus,
etc. Evidence: The text has been supplied based on evidence internal to this text
(context, etc.). (KL)Spring
So long and deerely sought for, and now bring
ComfThis text has been supplied. Reason: The facsimile photograph is not clear, out-of-focus,
etc. Evidence: The text has been supplied based on evidence internal to this text
(context, etc.). (KL)ort to all that loue thee, lowdly sing,
And with thy Cristall murmurs This text has been supplied. Reason: The facsimile photograph is not clear, out-of-focus,
etc. Evidence: The text has been supplied based on evidence internal to this text
(context, etc.). (KL)strucke together,
Bid all tThis text has been supplied. Reason: The facsimile photograph is not clear, out-of-focus,
etc. Evidence: The text has been supplied based on evidence internal to this text
(context, etc.). (KL)hy trThis text has been supplied. Reason: The facsimile photograph is not clear, out-of-focus,
etc. Evidence: The text has been supplied based on evidence internal to this text
(context, etc.). (KL)ue wel-wishers Welcome hither.
At which words the Floud-gate opens the Streame let in into the CestThis text has been supplied. Reason: The facsimile photograph is not clear, out-of-focus,
etc. Evidence: The text has been supplied based on evidence internal to this text
(context, etc.). (KL)erne, Drummes and Trumpets giuing it TriumpThis text has been supplied. Reason: The facsimile photograph is not clear, out-of-focus,
etc. Evidence: The text has been supplied based on evidence internal to this text
(context, etc.). (KL)hant welcomes, and for the close of this their HonThis text has been supplied. Reason: The facsimile photograph is not clear, out-of-focus,
etc. Evidence: The text has been supplied based on evidence internal to this text
(context, etc.). (KL)orable entertainmenThis text has been supplied. Reason: The facsimile photograph is not clear, out-of-focus,
etc. Evidence: The text has been supplied based on evidence internal to this text
(context, etc.). (KL)t, a peale of Chambers.
FINIS.
5 AP 58
Notes
References
-
Citation
Oxford English Dictionary. Oxford UP. https://www.oed.com/.This item is cited in the following documents:
Cite this page
MLA citation
Amwell Head.The Map of Early Modern London, Edition 6.6, edited by , U of Victoria, 30 Jun. 2021, mapoflondon.uvic.ca/edition/6.6/AMWE1.htm.
Chicago citation
Amwell Head.The Map of Early Modern London, Edition 6.6. Ed. . Victoria: University of Victoria. Accessed June 30, 2021. mapoflondon.uvic.ca/edition/6.6/AMWE1.htm.
APA citation
The Map of Early Modern London (Edition 6.6). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/6.6/AMWE1.htm.
2021. Amwell Head. In (Ed), RIS file (for RefMan, RefWorks, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Middleton, Thomas ED - Jenstad, Janelle T1 - Amwell Head T2 - The Map of Early Modern London ET - 6.6 PY - 2021 DA - 2021/06/30 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/6.6/AMWE1.htm UR - https://mapoflondon.uvic.ca/edition/6.6/xml/standalone/AMWE1.xml ER -
TEI citation
<bibl type="mla"><author><name ref="#MIDD12"><surname>Middleton</surname>, <forename>Thomas</forename></name></author>.
<title level="a">Amwell Head</title>. <title level="m">The Map of Early Modern London</title>,
Edition <edition>6.6</edition>, edited by <editor><name ref="#JENS1"><forename>Janelle</forename>
<surname>Jenstad</surname></name></editor>, <publisher>U of Victoria</publisher>,
<date when="2021-06-30">30 Jun. 2021</date>, <ref target="https://mapoflondon.uvic.ca/edition/6.6/AMWE1.htm">mapoflondon.uvic.ca/edition/6.6/AMWE1.htm</ref>.</bibl>
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
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Research Assistant, 2013-2014. Zaqir Virani completed his MA at the University of Victoria in April 2014. He received his BA from Simon Fraser University in 2012, and has worked as a musician, producer, and author of short fiction. His research focused on the linkage of sound and textual analysis software and the work of Samuel Beckett.Roles played in the project
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James Campbell
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Melanie Chernyk
MJC
Research Assistant, 2004–2008. BA honours, 2006. MA English, University of Victoria, 2007. Melanie Chernyk went on to work at the Electronic Textual Cultures Lab at the University of Victoria and now manages Talisman Books and Gallery on Pender Island, BC. She also has her own editing business at http://26letters.ca.Roles played in the project
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Kim McLean-Fiander
KMF
Director of Pedagogy and Outreach, 2015–present. Associate Project Director, 2015–present. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Stewart Arneil
Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC) who maintained the Map of London project between 2006 and 2011. Stewart was a co-applicant on the SSHRC Insight Grant for 2012–16.Roles played in the project
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Martin D. Holmes
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Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Lacey Marshall
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Thomas Middleton is mentioned in the following documents:
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Brissenden, Alan.
Introduction.
A Chaste Maid in Cheapside. By Thomas Middleton. 2nd ed. New Mermaids. London: A&C Black; New York: Norton, 2002. xi–xxxv. Print. -
Dekker, Thomas, Stephen Harrison, Ben Jonson, and Thomas Middleton. The Whole Royal and Magnificent Entertainment of King James through the City of London, 15 March 1604, with the Arches of Triumph. Ed. R. Malcolm Smuts. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 219–279. Print.
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Middleton, Thomas, and Thomas Dekker. The Roaring Girl. Ed. Paul A. Mulholland. Revels Plays. Manchester: Manchester UP, 1987. Print.
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Middleton, Thomas. A Chaste Maid in Cheapside. Ed. Alan Brissenden. 2nd ed. New Mermaids. London: Benn, 2002.
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Middleton, Thomas. Civitatis Amor. Ed. David Bergeron. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 1202–8.
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Middleton, Thomas. The Triumphs of Honour and Industry. London: Printed by Nicholas Okes, 1617. STC 17899.
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Middleton, Thomas. The Triumphs of Integrity. Ed. David Bergeron. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 1766–1771.
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Middleton, Thomas. The Triumphs of Love and Antiquity. London: Printed by Nicholas Okes, 1619. STC 17902.
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Middleton, Thomas. The Triumphs of Truth. London, 1613. Ed. David M. Bergeron. Thomas Middleton: The Collected Works. Ed. Gary Taylor and John Lavagnino. Oxford: Clarendon, 2007. 968–76.
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Middleton, Thomas. The Triumphs of Truth. London, 1613. STC 17903. [Differs from STC 17904 in that it does not contain the additional entertainment.]
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Middleton, Thomas. The Triumphs of Truth. London, 1613. STC 17904. [Differs from STC 17903 in that it contains an additional entertainment celebrating Hugh Middleton’s New River project, known as the Entertainment at Amwell Head.]
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Middleton, Thomas. The Works of Thomas Middleton, now First Collected with Some Account of the Author and notes by The Reverend Alexander Dyce. Ed. Alexander Dyce. London: E. Lumley, 1840. Print.
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Taylor, Gary, and John Lavagnino, eds. Thomas Middleton: The Collected Works. By Thomas Middleton. Oxford: Oxford UP, 2007. The Oxford Middleton. Print.
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Nicholas Okes
(fl. 1596-1645)Printer and Publisher. Member of the Stationers’ Company. Business partner of John Norton. Father of John Okes.Nicholas Okes is mentioned in the following documents:
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Sir John Swynnerton
Sir John Swynnerton Sheriff Mayor
Sheriff of London 1602-1603. Mayor 1612-1613. Member of the Merchant Taylors’ Company. Knighted on 26 July 1603.Sir John Swynnerton is mentioned in the following documents:
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Locations
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