Introduction to A Remembrance of the Worthy Show and Shooting by the Duke of Shoreditch
In the fields to the north of the city in the Agas map, we can see pictured a number
                  of figures carrying longbows. Archery was a popular form of recreation in the sixteenth
                  and seventeenth centuries, and in suburban areas like Finsbury Fields, Spitalfields, Hoxton, and Mile End Green there were shooting ranges with permanent butts set up for weekend practice and competitions.
                  Legislation dating from the reign of Edward III required all adult English men to own a bow and four arrows, and regular practice
                  was mandated, if not always enforced. Shooting competitions took place in parishes
                  throughout the year, most notably the ones held annually in conjunction with the wrestling
                  matches at Bartholemew Fair.
               
               
               In the late 1570s and early 1580s, we see the appearance of what have been called bowshooting fraternities, festive
                  organizations about which little is now known. These groups marched through the streets
                  in great numbers, holding archery competitions in the suburban shooting ranges. Marchers
                  carried bows, guns, shields, musical instruments, whifflers and ensigns. They wore
                  ceremonial outfits adorned with scarves, gold chains, hats and feathers. The parade
                  included various figures in costume, such as friars and Irishmen, and at certain points
                  there would appear elaborate pageanting equipment of the kind seen in Lord Mayor’s
                  pageants,1 such as a sailing ship and a wicker giant.
               
               
               The two main groups for which evidence exists, the Duke of Shoreditch’s Men, and Prince Arthur’s Knights, seem to be associated with the great Livery Companies, the Goldsmiths and the Merchant Taylors respectively. Members of these bowshooting fraternities assumed fictional identities,
                  such as the the Duke of Shoreditch, the Earl of Pancridge, the Baron Stirrup, and
                  the Marquesses of Clarkenwell, Islington, Hogsden and Shackelwell. Although there
                  has been some speculation about the real persons behind these identities, there is
                  little to go on except in the case of Marquess Barlo, who is twice identified in the
                  text as Covell. This is almost certainly Thomas Covell, who had a shop in Goldsmiths’ Row on the corner of Friday Street. Real persons are occasionally identified as either participating or watching in
                  the festivities, such as Sir Owen Hopton, Sir Rowland Hayward, and Sir Thomas Knyvett. The Earl of Leicester and the Earl of Arundel are praised in the margins of the
                  text for providing food and prizes for the marchers.
               
               
               A Remembrance of the Worthy Show and Shooting by the Duke of Shoreditch is the only full record we have of one of these marches, although there are scattered
                  references to the fraternities in a number of other texts, including ballad titles,
                  pamphlets and a book dedicated to the coats of arms of Prince Arthur’s Men. Most notably, the fraternities are fleetingly memorialized in Shakespeare’s Henry IV, Part II, when Justice Shallow reminisces about his youth in London: 
               I remember at Mile-End Green, when I lay at Clement’s Inn, I was then Sir Dagonet in Arthur’s show(Shakespeare 3.2.251-252).
Notes
- See MoEML’s old-spelling anthology of mayoral shows. (KL)↑
References
- 
                     CitationShakespeare, William. Henry IV, Part 2. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/2H4/.This item is cited in the following documents:
Cite this page
MLA citation
Introduction to A Remembrance of the Worthy Show and Shooting by the Duke of Shoreditch.The Map of Early Modern London, Edition 7.0, edited by , U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/REME2_critical.htm.
Chicago citation
Introduction to A Remembrance of the Worthy Show and Shooting by the Duke of Shoreditch.The Map of Early Modern London, Edition 7.0. Ed. . Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/REME2_critical.htm.
APA citation
 2022. Introduction to A Remembrance of the Worthy Show and Shooting by the Duke of Shoreditch. In  (Ed), The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved  from https://mapoflondon.uvic.ca/editions/7.0/REME2_critical.htm.
               RIS file (for RefMan, RefWorks, EndNote etc.)
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TEI citation
<bibl type="mla"> <title level="a">Introduction to <title level="m">A Remembrance
                     of the Worthy Show and Shooting by the Duke of Shoreditch</title></title>. <title
                     level="m">The Map of Early Modern London</title>, Edition <edition>7.0</edition>,
                     edited by <editor><name ref="#JENS1"><forename>Janelle</forename> <surname>Jenstad</surname></name></editor>,
                     <publisher>U of Victoria</publisher>, <date when="2022-05-05">05 May 2022</date>,
                     <ref target="https://mapoflondon.uvic.ca/edition/7.0/REME2_critical.htm">mapoflondon.uvic.ca/edition/7.0/REME2_critical.htm</ref>.</bibl>
               Personography
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                     Kate LeBereKLProject Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s Survey of London, old-spelling anthology of mayoral shows, and old-spelling library texts. She authored the MoEML’s first Project Management Manual andquickstart guidelines for new employees and helped standardize the Personography and Bibliography. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.Roles played in the project- 
                                    Abstract Author
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 Contributions by this authorKate LeBere is a member of the following organizations and/or groups:Kate LeBere is mentioned in the following documents:
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                     Janelle JenstadJJJanelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project- 
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 Contributions by this authorJanelle Jenstad is a member of the following organizations and/or groups:Janelle Jenstad is mentioned in the following documents:Janelle Jenstad authored or edited the following items in MoEML’s bibliography:- 
                                    Jenstad, Janelle and Joseph Takeda.Making the RA Matter: Pedagogy, Interface, and Practices. Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
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                                    Jenstad, Janelle.Building a Gazetteer for Early Modern London, 1550-1650. Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145.
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                                    Jenstad, Janelle.The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody. The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print.
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                                    Jenstad, Janelle.
 Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You : Social Conversion in the Goldsmith’s Shop.
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                                    Jenstad, Janelle.
 The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse : Early Evidence for Specialisation.
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                                    Jenstad, Janelle.Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside. Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373.
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                                    Jenstad, Janelle.Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment. Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print.
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                                    Jenstad, Janelle.Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage. Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print.
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                                    Jenstad, Janelle.Using Early Modern Maps in Literary Studies: Views and Caveats from London. GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print.
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                                    Jenstad, Janelle.Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?. Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/.
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                                    Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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                                    Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
 
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                     Roles played in the project- 
                                    Author
 James Ellis is mentioned in the following documents:
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- 
                     Martin D. HolmesMDHProgrammer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project- 
                                    Abstract Author
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 Contributions by this authorMartin D. Holmes is a member of the following organizations and/or groups:Martin D. Holmes is mentioned in the following documents:
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                     Edward IIIEdward This numeral is a Roman numeral. The Arabic equivalent is 3III King of England(b. 12 November 1312, d. 21 June 1377)Edward III is mentioned in the following documents:
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                     Sir Rowland HeywardSir Rowland Heyward Sheriff Mayor(b. 1520, d. 1593)Sheriff of London 1563-1564. Mayor 1570-1571 and 1590-1591. Member of the Clothworkers’ Company. Husband of Katherine Heyward. Father of George Heyward, John Heyward, Alice Heyward, Katharine Heyward, Mary Heyward, and Anne Heyward.Sir Rowland Heyward is mentioned in the following documents:
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                     Justice ShallowDramatic character in William Shakespeare’s Henry IV, Part 1.Justice Shallow is mentioned in the following documents:
- 
                     William Shakespeare is mentioned in the following documents:William Shakespeare authored or edited the following items in MoEML’s bibliography:- 
                                    Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. 1998. Remediated by Project Gutenberg.
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                                    Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. Ed. Vittorio Gabrieli and Giorgio Melchiori. Revels Plays. Manchester; New York: Manchester UP, 1990. Print.
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                                    Shakespeare, William. All’s Well That Ends Well. Ed. Helen Ostovich. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/AWW/.
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                                    Shakespeare, William. Antony and Cleopatra. Ed. Randall Martin. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Ant/.
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                                    Shakespeare, William. As You Like It. Ed. David Bevington. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/AYL/.
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                                    Shakespeare, William. The Comedy of Errors. Ed. Matthew Steggle. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Err/.
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                                    Shakespeare, William. Coriolanus. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Cor/.
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                                    Shakespeare, William. Cymbeline. Ed. Jennifer Forsyth. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Cym/.
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                                    Shakespeare, William. Edward III. Ed. Jennifer Massai. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Edw/.
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                                    Shakespeare, William. The first part of the contention betwixt the two famous houses of Yorke and Lancaster with the death of the good Duke Humphrey: and the banishment and death of the Duke of Suffolke, and the tragicall end of the proud Cardinall of VVinchester, vvith the notable rebellion of Iacke Cade: and the Duke of Yorkes first claime vnto the crowne. London, 1594. STC 26099.
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                                    Shakespeare, William. Hamlet. Ed. David Bevington. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Ham/.
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                                    Shakespeare, William. Henry IV, Part 1. Ed. Rosemary Gaby. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/1H4/.
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                                    Shakespeare, William. Henry IV, Part 2. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/2H4/.
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                                    Shakespeare, William. Henry V. Ed. James D. Mardock. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/H5/.
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                                    Shakespeare, William. Henry VIII. Ed. Diane Jakacki. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/H8/.
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                                    Shakespeare, William. Henry VI, Part 1. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/1H6/.
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                                    Shakespeare, William. Henry VI, Part 2. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/2H6/.
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                                    Shakespeare, William. Henry VI, Part 3. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/3H6/.
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                                    Shakespeare, William. Julius Caesar. Ed. John D. Cox. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/JC/.
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                                    Shakespeare, William. King John. Ed. Michael Best. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Jn/.
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                                    Shakespeare, William. King Lear. The Complete Works of Shakespeare. Ed. David Bevington. 5th ed. New York: Pearson Longman, 2004. 1201–54.
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                                    Shakespeare, William. King Lear. Ed. Michael Best. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Lr/.
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                                    Shakespeare, William. King Richard III. Ed. James R. Siemon. London: Methuen, 2009. The Arden Shakespeare.
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                                    Shakespeare, William. The Life of King Henry the Eighth. The Complete Works of Shakespeare. Ed. David Bevington. 5th ed. New York: Pearson Longman, 2004. 919–64.
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                                    Shakespeare, William. A Lover’s Complaint. Ed. Hardy M. Cook. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/lC/.
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                                    Shakespeare, William. Love’s Labor’s Lost. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/LLL/.
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                                    Shakespeare, William. Macbeth. Ed. Anthony Dawson. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Mac/.
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                                    Shakespeare, William. Measure for Measure. The Complete Works of Shakespeare. Ed. David Bevington. 5th ed. New York: Pearson Longman, 2004. 414–454.
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                                    Shakespeare, William. Measure for Measure. Ed. Herbert Weil. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MM/.
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                                    Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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                                    Shakespeare, William. The Merry Wives of Windsor. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Wiv/.
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                                    Shakespeare, William. A Midsummer Night’s Dream. Ed. Suzanne Westfall. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MND/.
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                                    Shakespeare, William. Mr. VVilliam Shakespeares comedies, histories, & tragedies Published according to the true originall copies. London, 1623. STC 22273.
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                                    Shakespeare, William. Much Ado About Nothing. Ed. Grechen Minton. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Ado/.
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                                    Shakespeare, William. Othello. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Oth/.
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                                    Shakespeare, William. The Passionate Pilgrim. Ed. Hardy M. Cook. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/PP/.
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                                    Shakespeare, William. Pericles. Ed. Tom Bishop. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Per/.
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                                    Shakespeare, William. The Phoenix and the Turtle. Ed. Hardy M. Cook. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/PhT/.
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                                    Shakespeare, William. The Rape of Lucrece. Ed. Hardy M. Cook. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Luc/.
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                                    Shakespeare, William. Richard II. The Complete Works of Shakespeare. Ed. David Bevington. 5th ed. New York: Pearson Longman, 2004. 740–83.
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                                    Shakespeare, William. Richard II. Ed. Catherine Lisak. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/R2/.
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                                    Shakespeare, William. Richard the Third (Modern). Ed. Adrian Kiernander. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/R3/.
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                                    Shakespeare, William. Romeo and Juliet. Ed. Erin Sadlack. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Rom/.
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                                    Shakespeare, William. The Second Part of King Henry the Sixth. The Complete Works of Shakespeare. Ed. David Bevington. 5th ed. New York: Pearson Longman, 2004. 552–984.
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                                    Shakespeare, William. The Sonnets. Ed. Michael Best. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Son/.
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                                    Shakespeare, William. The Taming of the Shrew. Ed. Erin Kelly. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Shr/.
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                                    Shakespeare, William. The Tempest. Ed. Brent Whitted and Paul Yachnin. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Tmp/.
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                                    Shakespeare, William. Timon of Athens. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Tim/.
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                                    Shakespeare, William. Titus Andronicus. The Complete Works of Shakespeare. Ed. David Bevington. 5th ed. New York: Pearson Longman, 2004. 966–1004.
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                                    Shakespeare, William. Titus Andronicus. Ed. Trey Jansen. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Tit/.
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                                    Shakespeare, William. Troilus and Cressida. Ed. W. L. Godshalk. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Tro/.
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                                    Shakespeare, William. Twelfth Night. Ed. David Carnegie and Mark Houlahan. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/TN/.
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                                    Shakespeare, William. Two Gentlemen of Verona. Ed. Melissa Walter. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/TGV/.
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                                    Shakespeare, William. Two Noble Kinsmen. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/TNK/.
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                                    Shakespeare, William. Venus and Adonis. Ed. Hardy M. Cook. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Ven/.
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                                    Shakespeare, William. The Winter’s Tale. Ed. Hardin Aasand. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/WT/.
 
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                     Sir Owen HoptonAdministrator and lieutenant of the Tower of London during the reign of Elizabeth I.Sir Owen Hopton is mentioned in the following documents:
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                     Thomas Knevet(b. 1545, d. 27 July 1622)Courtier and Member of Parliament. Husband of Elizabeth Knevet.Thomas Knevet is mentioned in the following documents:
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                     Arthur is mentioned in the following documents:
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                     Dagonet is mentioned in the following documents:
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                     Thomas CovellArcher from Shoreditch. Granted the jocular titleDuke of Shoreditch by Henry VIII in Sir William Wood’s A Remembrance of the Worthy Show and Shooting by the Duke of Shoreditch.Thomas Covell is mentioned in the following documents:
Locations
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                     Finsbury FieldFinsbury Field is located in northen London outside the London Wall. Note that MoEML correctly locates Finsbury Field, which the label on the Agas map confuses with Mallow Field (Prockter 40). Located nearby is Finsbury Court. Finsbury Field is outside of the city wards within the borough of Islington (Mills 81).Finsbury Field is mentioned in the following documents:
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                     SpitalfieldsSpitalfields was a large area of open fields east of Bishopsgate Street and a good distance north of Aldgate and Houndsditch. Spitalfields, also recorded asSpittlefields andLollesworth, is unmistakable on the Agas map. The large expanse of fields is clearly markedThe Spitel Fyeld. There have been many relics unearthed during archeological excavations in Spitalfields.Spitalfields is mentioned in the following documents:
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                     HoxtonThis location has been added to the MoEML gazetteer on the authority of Carlin and Belcher’s gazetteer of 1520 London.Hoxton is mentioned in the following documents:
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                     Mile End is mentioned in the following documents:
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                     Goldsmiths’ RowGoldsmiths’ Row was a section on the south side of Cheapside Street, by Cheapside Cross. Goldsmiths’ Row and the shops and homes of other wealthy merchants made the street an elite and attractive one.Goldsmiths’ Row is mentioned in the following documents:
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                     Friday StreetFriday Street passed south through Bread Street Ward, beginning at the cross in Cheapside Street and ending at Old Fish Street. It was one of many streets that ran into Cheapside Street market whose name is believed to originate from the goods that were sold there.Friday Street is mentioned in the following documents:
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                     London is mentioned in the following documents:
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                     Clements Inn is mentioned in the following documents:
Organizations
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                     Goldsmiths’ CompanyWorshipful Company of GoldsmithsThe Goldsmiths’ Company was one of the twelve great companies of London. The Goldsmiths were fifth in the order of precedence established in 1515. The Worshipful Company of Goldsmiths is still active and maintains a website at https://www.thegoldsmiths.co.uk/ that includes a history of the company and explains the company’s role in the annual Trial of the Pyx.![The coat of arms of the Goldsmiths’
                    Company, from Stow (1633).
                    [Full size
                    image] The coat of arms of the Goldsmiths’
                    Company, from Stow (1633).
                    [Full size
                    image]](graphics/Goldsmiths_sm.jpg)  The coat of arms of the Goldsmiths’ Company, from Stow (1633). [Full size image] This organization is mentioned in the following documents:
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                     Merchant Taylors’ CompanyWorshipful Company of Merchant TaylorsThe Merchant Taylors’ Company was one of the twelve great companies of London. Since 1484, the Merchant Taylors and the Skinners have alternated precedence annually; the Merchant Taylors are now sixth in precedence in odd years and seventh in even years, changing precedence at Easter. The Worshipful Company of Merchant Taylors is still active and maintains a website at http://www.merchanttaylors.co.uk/ that includes a history of the company and a list of historical milestones.![The coat of arms of the Merchant Taylors’
                    Company, from Stow (1633).
                    [Full size
                    image] The coat of arms of the Merchant Taylors’
                    Company, from Stow (1633).
                    [Full size
                    image]](graphics/MerchantTaylors_sm.jpg)  The coat of arms of the Merchant Taylors’ Company, from Stow (1633). [Full size image] This organization is mentioned in the following documents:
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                     Duke of Shoreditch’s MenDuke of Shoreditch’s Men was a bowshooting fraternity in early modern London.This organization is mentioned in the following documents:
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                     Prince Arthur’s MenPrince Arthur’s Men was a bowshooting fraternity in early modern London.This organization is mentioned in the following documents:









