The Great Boobee
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The Great Boobee
To a pleaſant new Tune: Or, Salengers
round.
MY Friends if you will underſtand
my fortunes what they are
I once had Cattel, Houſe and Land,
but now I am never the near,
My Father left a good eſtate,
as I may tell to thee,
I cozened was of all I had,
like a
great Boobee.
I went to School with a good intent,
and for to learn my book,
And all the day I went to play,
in it I never did look:
Full ſeven years, or very nigh,
as I may tell to thee,
I could hardly ſay my Chriſt Croſs
Row1
like a great Boobee.
My Father then in all the haſte,
did ſet me to the Plow,
And for to laſh the horſe about,
indeed I knew not how;
My Father took his Whip in his hand,
and ſoundly laſhed me,
He call’d me Fool and Country Clown,
and great Boobee.
But I did from my Father run,
for I will plow no more,
Becauſe he hath ſo ſlaſhed me,
and made my ſide ſo ſore:
But I will go to London Town,
ſome Vaſhions
for to ſee
When I came there they call’d me Clown
and great Boobee.
But as I went along the ſtreet,
I carried my hat in my hand,
And to every one that I did meet,
I bravely buſt my hand;
Some did laugh, and ſome did ſcoff,
and ſome did mock at me,
And ſome did ſay I was a Woodcock,
and a great Boobee.
Then did I walk in haſte to Pauls,
the Steeple for to view
Becauſe I heard ſome people ſay,
it ſhould be builded new,
Then I got up unto the top,
the City for to ſee,
It was ſo high it made me cry,
like a great Boobee.
From thence I went to Weſminſter,
and for to ſee the Tombs,
Oh, ſaid I, what a houſe is here,
with an infinite ſight of Rooms?
Sweetly the Abby Bells did ring
it was a fine ſight to ſee,
Me thoughts I was going to heaven
(in a ſtring,
like a great Boobee.
The ſecond part, to the ſame Tune.
But as I went along the ſtreet,
the moſt part of the day
Many Gallants did I meet
me thoughts they were very gay,
I blew my noſe, and piſt my hoſe
ſome people did me ſee,
They ſaid I was a beastly fool,
and a great Boobee.
Next day I through Pie-corner paſt,
the Roast-meat on the stall
Invited me to take a taſte
my money was but ſmall,
The meat I pickt, the Cook me kickt,
as I may tell to thee,
He beat me ſore, and made me rore,
like a great Boobee.
As I through Smithfield lately walkt,
a gallant Laſs I met,
Familiarly with me ſhe talkt
Which I cannot forget,
She proffered me a pint of wine,
me thought ſhe was wondrous free,
To the Tavern then I went with her
like a great Boobee.
She told me we were near of Kin,
and call’d for Wine good ſtore,
Before the reckoning was brought in,
my Couſin prov’d a Whore
My purſe ſhe pickt, and went away
my Couſin cozened me
The Vinter kickt me out of door
like a great Boobee.
At the Exchange when I came there,
I ſaw moſt gallant things
I thought the Pictures living were
of all our English Kings,
I doft my Hat, and made a leg
and kneeled on my Knee,
The people laught, and call’d me fool,
and great Boobee.
To Paris Garden then I went,
where there is great reſort,
My pleaſure was my puniſhment,
I did not like the ſport.
The Garden bull with his ſtout horns,
on high then toſſed me;
I did bewray my ſelf with fear
like a great Boobee.
The Bear-heard went to ſave me then,
the people flockt about,
I told the Bear-garden men,
my Guts were almoſt out:
They ſaid I ſtunk moſt grievouſly
no man would pitty me,
They call’d me witleſs Fool and Aſs,
and great Boobee.
Then o’re the Water did I paſs
as you ſhall underſtand,
I dropt into the Thames alasse,
before I came to Land,
The Water-man did help me out,
And thus thus did ſay to me,
’Tis not thy fortune to be drown’d,
thou great Boobee.
But I have learned ſo much wit
ſhall ſhorten all my cares,
If I can but a liſcence get,
To play before the Bears:
’Twill be a gallant place indeed,
As I may tell to thee,
Then who dares call me Fool or Aſs,
or great Boobee.
Notes
- Refers to first line of a hornbook.↑
Cite this page
MLA citation
The Great Boobee.The Map of Early Modern London, edited by , U of Victoria, 15 Sep. 2020, mapoflondon.uvic.ca/GREA5.htm. Draft.
Chicago citation
The Great Boobee.The Map of Early Modern London. Ed. . Victoria: University of Victoria. Accessed September 15, 2020. https://mapoflondon.uvic.ca/GREA5.htm. Draft.
APA citation
The Map of Early Modern London. Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/GREA5.htm. Draft.
. 2020. The Great Boobee. In (Ed), RIS file (for RefMan, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - , ED - Jenstad, Janelle T1 - The Great Boobee T2 - The Map of Early Modern London PY - 2020 DA - 2020/09/15 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/GREA5.htm UR - https://mapoflondon.uvic.ca/xml/standalone/GREA5.xml TY - UNP ER -
RefWorks
RT Unpublished Material SR Electronic(1) A1 , A6 Jenstad, Janelle T1 The Great Boobee T2 The Map of Early Modern London WP 2020 FD 2020/09/15 RD 2020/09/15 PP Victoria PB University of Victoria LA English OL English LK https://mapoflondon.uvic.ca/GREA5.htm
TEI citation
<bibl type="mla"><author><name ref="#ANON2"><name ref="#ANON2">Anonymous</name></name></author>.
<title level="a">The Great Boobee</title>. <title level="m">The Map of Early Modern
London</title>, edited by <editor><name ref="#JENS1"><forename>Janelle</forename>
<surname>Jenstad</surname></name></editor>, <publisher>U of Victoria</publisher>,
<date when="2020-09-15">15 Sep. 2020</date>, <ref target="https://mapoflondon.uvic.ca/GREA5.htm">mapoflondon.uvic.ca/GREA5.htm</ref>.
Draft.</bibl>
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Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
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Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
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The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
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Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
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Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
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Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
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Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. Open.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed. Web.
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Benjamin Barber
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Benjamin Barber is a PhD student at the University of Ottawa. His recently completed MA research at the University of Victoria analyzed the role of mimetic desire, honour, and violence in Heywood’s Edward IV Parts 1 and 2 and Shakespeare’s The Winter’s Tale. Barber’s current research explores the influence of Shakespearian protagonists on Lord Byron’s characterization of Childe Harold and Don Juan. He has articles forthcoming in Literature and Theology (Oxford UP) and Contagion: Journal of Violence Mimesis and Culture (Michigan State UP). He has also contributed an article to Anthropoetics: The Journal of Generative Anthropology (UCLA).Roles played in the project
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Locations
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St. Paul’s Cathedral
St. Paul’s Cathedral was—and remains—an important church in London. In 962, while London was occupied by the Danes, St. Paul’s monastery was burnt and raised anew. The church survived the Norman conquest of 1066, but in 1087 it was burnt again. An ambitious Bishop named Maurice took the opportunity to build a new St. Paul’s, even petitioning the king to offer a piece of land belonging to one of his castles (Times 115). The building Maurice initiated would become the cathedral of St. Paul’s which survived until the Great Fire of London.St. Paul’s Cathedral is mentioned in the following documents:
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Westminster Abbey
Westminster Abbey was a historically significant church, located on the bottom-left corner of the Agas map. Colloquially known asPoets’ Corner,
it is the final resting place of Geoffrey Chaucer, Ben Jonson, Francis Beaumont, and many other notable authors; in 1740, a monument for William Shakespeare was erected in Westminster Abbey (ShaLT).Westminster Abbey is mentioned in the following documents:
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Smithfield
Smithfield was an open, grassy area located outside the Wall. Because of its location close to the city centre, Smithfield was used as a site for markets, tournaments, and public executions. From 1123 to 1855, the Bartholomew’s Fair took place at Smithfield (Weinreb, Hibbert, Keay, and Keay 842).Smithfield is mentioned in the following documents:
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Royal Exchange
Located in Broad Street Ward and Cornhill Ward, the Royal Exchange was opened in 1570 to make business more convenient for merchants and tradesmen (Harben 512). The construction of the Royal Exchange was largely funded by Sir Thomas Gresham (Weinreb, Hibbert, Keay, and Keay 718).Royal Exchange is mentioned in the following documents:
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Paris Garden Manor House is mentioned in the following documents:
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The Thames is mentioned in the following documents: