520 Class 8
¶THE CITY AND THE CROWN
Primary Reading: Heywood, Edward IV, Parts 1 and 2
Secondary Reading: Browse the introduction to
Rowland’s edition. Rowland sums up the reason we are reading this play in a
course on London:
Edward IV’s privileging of the local, both urban and provincial, was an innovatory achievement analogous to and almost exactly contemporaneous with the unprecedented contribution to cultural history that Stow’s Survey of London provided(Rowland, Introduction 12).
Other References: Rowland, Howard, Lander, Wall, and Corrigan. There
are few critical articles on Edward IV, Parts 1 and
2. As chronicle history plays, they are given only glancing
reference in the monographs on city comedy. Richard Rowland, editor of the
plays for The Revels Plays series, is also most important recent critic of
the plays; the first chapter of Thomas Heywood’s
Theatre argues that Heywood mapped a London overlooked by the
prose chronicles. See also Jean Howard’s positioning of the plays within the
chronicle history tradition. Note! These references are for information
only. I may draw upon them in my discussion, but I do not expect you to read
them for class. If you plan to write your research paper on this play, you
might profitably start with these references.
¶Discussion Questions
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The Shakespearean scholar and editor David Bevington has pointed out that Heywood’s plays magnify the roles of citizens, and the consequences of their actions, in English history in a way that Shakespeare’s drama does not (242). Does this emphasis make Edward IV a history play or a domestic tragedy? How does Heywood use questions of loyalty to unify his play? Must the loyal subject unquestioningly submit to the absolute will of the King even when a monarch violates his own obligations to the res publica and communitas? (KSJ)
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John Hobs subverts the accepted social order by his ability to make the distinctions of rank vanish in familiarity. He famously informs Edward IV on first meeting that if he does not know him
then thou knows nobody
(1.2.121). The tanner gains by refusing the King’s flattery and entreaties to accompany him to Court. How does this resistance increase the bond between King and subject? Is permissible opportunity for a provincial tanner treason for a citizen of London? (KSJ) -
The character of Jane Shore figures centrally in the plotline of Edward IV. She is desired alike by the rebel Falconbridge and King Edward himself, both of whom are non-Londoners, and both of whom connect her to their ambitions to either explicitly or subtly exploit the culture of the city. How do the two men’s characterizations of Jane differ? Falconbridge refers to Jane as
the flower of London for her beauty
(1.4.41), and quickly goes on to taunt Shore that he will be sleeping in his bed with his wife that night. Conversely, Edward describes Jane as[a] bright twinkling spark of precious diamond, of greater value than all India
(1.17.31-32). Does Heywood appear to be sympathetic to Falconbridge over Edward? What is implied by the way in which Edward reduces Jane to a material object of great value? Finally, is it possible that Jane is accepted back into the City of London following Edward’s death and Gloucester’s ascension to the throne only because of her ultimate ability to convince Edward to free Stranguidge and her old husband (as well as her ability to settle Mistress Bladge’s land dispute with the King)? (AG) -
The Lord Mayor and the Goldsmith Matthew Shore are London’s two most pre-eminent citizens. How do they demonstrate a mastery over the City via their movements through it, especially in relation to how they control its access points and its liminal structures? Shore refuses to allow Tyrell and his men access to the Tower when he states
God bless the princes, if it be his will. I do not like these villains
(2.16.30-31). How does Shore’s protection of royal interests here reflect negatively on Edward’s behaviour towards the city, especially when he makes Shore’s wife his mistress? Further, how does Shore’s disguising himself as Flood mirror Edward’s disguise as the butler Ned when the King decides to go slumming in the city? (AG)
References
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Citation
Bevington, David. Tudor Drama and Politics: A Critical Approach to Topical Meaning. Cambridge: Harvard UP, 1968. Print.This item is cited in the following documents:
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Citation
Corrigan, Nora L.The Merry Tanner, the Mayor’s Feast, and the King’s Mistress: Thomas Heywood’s 1 Edward IV and the Ballad Tradition.
Medieval and Renaissance Drama in England 22 (2009): 27–41.This item is cited in the following documents:
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Citation
Heywood, Thomas. The First and Second Parts of King Edward IV. Ed. Richard Rowland. Manchester: Manchester UP, 2005. The Revels Plays.This item is cited in the following documents:
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Citation
Howard, Jean E.Other Englands: The View from the Non-Shakespearean History Play.
Other Voices, Other Views: Expanding the Canon in English Renaissance Studies. Ed. Helen Ostovich, Mary V. Silcox, and Graham Roebuck. Newark: U of Delaware P, 1999. 135–153. Print.This item is cited in the following documents:
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Citation
Lander, Jesse M.
Renaissance Drama 27 (1996): 47–78. doi:10.1086/rd.27.41917327.Faith in Me unto This Commonwealth
: Edward IV and the Civic Nation.This item is cited in the following documents:
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Citation
Rowland, Richard. Thomas Heywood’s Theatre, 1599–1639: Locations, Translations, and Conflict. Farnham: Ashgate, 2010. Print. [See especially chapter 1,A
]London that yee see hourely
: Heywood, Stow, and the Invention of the City Staged.This item is cited in the following documents:
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Citation
Wall, Wendy.Forgetting and Keeping: Jane Shore and the English Domestication of History.
Renaissance Drama 27 (1996): 123–156. doi:10.1086/rd.27.41917330.This item is cited in the following documents:
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Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Jenstad, Janelle A1 - St. John, Kerra A1 - Gruenewald, Aleta ED - Jenstad, Janelle T1 - 520 Class 8 T2 - The Map of Early Modern London PY - 2020 DA - 2020/09/15 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/EIG1.htm UR - https://mapoflondon.uvic.ca/xml/standalone/EIG1.xml ER -
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Personography
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Janelle Jenstad
JJ
Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Contributions by this author
Janelle Jenstad is a member of the following organizations and/or groups:
Janelle Jenstad is mentioned in the following documents:
Janelle Jenstad authored or edited the following items in MoEML’s bibliography:
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Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. Open.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed. Web.
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Martin D. Holmes
MDH
Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Kerra St. John
KSJ
Student contributor enrolled in English 520: Representations of London at the University of Victoria in Summer 2011. MA student, Theatre. Director of Ceremonies and Events, University of Victoria.Roles played in the project
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Aleta Gruenewald
AG
Student contributor enrolled in English 520: Representations of London at the University of Victoria in Summer 2011. MA student, English and Cultural, Social, and Political Thought.Roles played in the project
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Aleta Gruenewald is mentioned in the following documents:
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