Using the Repertory Table Spreadsheet
¶The Repertory Table Spreadsheet
MoEML’s Repertory Table Spreadsheet is a schematic way to create a TEI-compliant and
XML-encoded repertory table for playhouses. For an example of a table created by the
spreadsheet, see the entry on the Cockpit Theatre. To download the repertory table Excel file, click here.
For an example of the type of repertory table that this spreadsheet creates, see the Blackfriars theatre repertory table.
¶Using the Table
Step 1 | Create a list of plays known (or conjectured) to have been performed at the playhouse you are researching. In addition to resources dealing specifically with your playhouse, check Wiggins1 and DEEP.2 |
Step 2 | For each performance, enter in the DEEP number3 (column P) and the Wiggins number4 (column Q). |
Step 3 | If the play has multiple authors, record each author’s name in separate columns (columns B, D, F).5 A cell will turn red if there are multiple authors entered. |
Step 4 | Using MoEML’s A-Z index, find each author’s @xml:id (four letters followed by an integer—eg: SHAK1 for William Shakespeare) and put it
in the appropriate cell.6 If the author is not in MoEML’s database, leave the XML:IDsection blank. |
Step 5 | If there is anything exceptional or worth noting about the authorship of the play,
write a short explanatory note in the NOTES ON AUTHOR(S)?column. Please use full sentences as these comments are rendered as clickable footnotes on the website. |
Step 6 | Enter the dates of the play’s performance.7 |
Step 7 | If the play has multiple separate performances (eg: 1598, 1602, and 1604) enter each
separate date into each respective column; however, if the dates of performance are
given as a range (eg: 1598-1604) then enter in the older date in the FROMcolumn and the other in the TOcolumn. |
Step 8 | If there is anything extraordinary about the dates, enter notes in the NOTES ON PERFORMANCE DATE(S)?cell. Questions of certainty (for instance, if your source puts a ?after the date) or issues around using something other than your main source to date the play (for instance, using DEEP when Gurr does not list the date) would both merit a comment. Again, please use full sentences. |
Step 9 | Enter the date of the play’s production in DATE: PRODUCTION.If there is anything noteworthy about this date, enter a comment in the NOTES ON PRODUCTION DATE?column. |
Step 10 | If there is anything you would like the MoEML encoder (not specifically the reader)
to know, leave a comment in the COMMENTS FOR MOEML ENCODERcolumn. |
Notes
- The four published volumes of Wiggins’s British Drama cover 1533-1602. Forthcoming volumes will cover the rest of the period up to 1642. For plays after 1602, check the following reference works, readily available in most university libraries: Chambers; Greg; Bentley; and Harbage, Schoenbaum, and Wagonheim. As forthcoming volumes of British Drama are published, we will update the repertory table.↑
- Note that DEEP records
Playbook Attribution
and does not constitute an authorative list of all performances that could have occured at a particular playhouse. To generate a list of the plays in DEEP that are associated with your playhouse, clickBasic Search,
selectSearch For: Theatre (Playbook Attribution),
and then click on your class’s assigned theatre. Copy and paste these results into the spreadsheet; please follow the order given on the spreadsheet.↑ - To find the DEEP number, press
Expand All
in the right-hand corner of your search results. Each play’s DEEP number is located underReference Information
on the left-hand corner.↑ - Wiggins numbers are found on the left-hand side of each play’s entry in British Drama. If your library does not shelve British Drama and it is unavailable through interlibrary loan or if the published volumes do not yet cover the necessary dates, leave this section blank.↑
- It does not matter if you format the names last-name, first-name or first-name last-name as long as it is consistent.↑
- The fastest way to do this is CTRL-F on Windows or Linux or CMD-F on Mac.↑
- We prefer the use of Wiggins’s British Drama. If the published volumes of British Drama have not yet covered the date of your play, use Andrew Gurr’s The Shakespearean Stage, 1574-1642 (any edition, but the 4th is the most recent). If that is not available, you are welcome to use any other reputable source. See MoEML’s list of research resources. Please include a comment in the comments on date section if you use a different source. If all of the performance dates come from the same source, you need only declare it once. If your library does not shelf British Drama and it is unavailable through interlibrary loan, leave this section blank.↑
References
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Citation
Bentley, G.E. The Jacobean and Caroline Stage. 2 vols. Oxford: Clarendon P, 1941. Print.This item is cited in the following documents:
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Citation
Chambers, E.K. The Elizabethan Stage. 4 vols. Oxford: Clarendon, 1923. Print.This item is cited in the following documents:
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Citation
DEEP: Database of Early English Playbooks. Ed. Alan B. Farmer and Zachary Lesser. Open.This item is cited in the following documents:
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Citation
Greg, Walter W. A Bibliography of the English Printed Drama to the Restoration. London: Bibliographical Society, 1939–1959.This item is cited in the following documents:
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Citation
Gurr, Andrew. The Shakespearean Stage 1574–1642. 4th ed. Cambridge: Cambridge UP, 2009.This item is cited in the following documents:
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Citation
Harbage, Alfred, Samuel Schoenbaum, and Sylvia Stoler Wagonheim, eds. Annals of English Drama, 975–1700. 3rd. ed. London: Routledge, 1989. Print.This item is cited in the following documents:
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Citation
Wiggins, Martin, and Catherine Richardson. British Drama 1533–1642: A Catalogue. 4 vols. Oxford: Oxford UP, 2011. Print.This item is cited in the following documents:
Cite this page
MLA citation
Using the Repertory Table Spreadsheet.The Map of Early Modern London, edited by , U of Victoria, 15 Sep. 2020, mapoflondon.uvic.ca/repertory_table.htm.
Chicago citation
Using the Repertory Table Spreadsheet.The Map of Early Modern London. Ed. . Victoria: University of Victoria. Accessed September 15, 2020. https://mapoflondon.uvic.ca/repertory_table.htm.
APA citation
The Map of Early Modern London. Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/repertory_table.htm.
, & 2020. Using the Repertory Table Spreadsheet. In (Ed), RIS file (for RefMan, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Takeda, Joey A1 - Jenstad, Janelle ED - Jenstad, Janelle T1 - Using the Repertory Table Spreadsheet T2 - The Map of Early Modern London PY - 2020 DA - 2020/09/15 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/repertory_table.htm UR - https://mapoflondon.uvic.ca/xml/standalone/repertory_table.xml ER -
RefWorks
RT Web Page SR Electronic(1) A1 Takeda, Joey A1 Jenstad, Janelle A6 Jenstad, Janelle T1 Using the Repertory Table Spreadsheet T2 The Map of Early Modern London WP 2020 FD 2020/09/15 RD 2020/09/15 PP Victoria PB University of Victoria LA English OL English LK https://mapoflondon.uvic.ca/repertory_table.htm
TEI citation
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<date when="2020-09-15">15 Sep. 2020</date>, <ref target="https://mapoflondon.uvic.ca/repertory_table.htm">mapoflondon.uvic.ca/repertory_table.htm</ref>.</bibl>
Personography
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Joey Takeda
JT
Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.Roles played in the project
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Tye Landels-Gruenewald
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Data Manager, 2015-2016. Research Assistant, 2013-2015. Tye completed his undergraduate honours degree in English at the University of Victoria in 2015.Roles played in the project
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Kim McLean-Fiander
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Director of Pedagogy and Outreach, 2015–present. Associate Project Director, 2015–present. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Janelle Jenstad
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Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Janelle Jenstad authored or edited the following items in MoEML’s bibliography:
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Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. Open.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed. Web.
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Martin D. Holmes
MDH
Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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