The Triumphs of Integrity
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THE
TRIVMPHS OF
Integrity. A Noble Solemnity, performed through the
City, at the ſole Coſt and Charges of the Honorable
Fraternity of Drapers, at the Confirmation and
Eſtabliſhment of their most worthy Brother, the Right
Honorable, Martin Lvmley, in the high Of
fice of his Maieſties Lieutenant, Lord
Maior and Chancellor of the famous
City of London.
Taking beginning at his Lordſhips going, and perfecting
it ſelfe after His Returne from receiuing the Oath of
Maioralty at Weſtminſter, on the Morrow after
Simon and Iudes Day, being the 29. of
October. 1623.
TRIVMPHS OF
Integrity. A Noble Solemnity, performed through the
City, at the ſole Coſt and Charges of the Honorable
Fraternity of Drapers, at the Confirmation and
Eſtabliſhment of their most worthy Brother, the Right
Honorable, Martin Lvmley, in the high Of
fice of his Maieſties Lieutenant, Lord
Maior and Chancellor of the famous
City of London.
Taking beginning at his Lordſhips going, and perfecting
it ſelfe after His Returne from receiuing the Oath of
Maioralty at Weſtminſter, on the Morrow after
Simon and Iudes Day, being the 29. of
October. 1623.
TO
The Honor of him, to whom the Noble
Fraternity of Drapers, his Worthy Bro
thers haue Conſecrated their Loues, in coſtly
Triumphs; the Right Honorable, Martin
Lvmley, Lord Maior of this
Renowned City.
Thy Deſcent Worthy, (Fortunes Early Grace)
Sprung of an Antient, and moſt Generous Race
Mac’ht with a Vertuous Lady; iuſtly may
Challenge the Honor of ſo Great a Day.
Faithfully deuoted to the
Worthines of you Both,
Tho. Middleton.
Worthines of you Both,
the trivmphs of
Jntegrity, or a Noble Solemnity
through the City.
OF all Solemnities, by which the
Happy inauguration of a Subiect
is celebrated, I find none that
tranſcends the State and Magni
ficence of that Pompe prepared to
receiue his Maieſties Great Subſtitute into his
Honorable charge, (the City of London,) Dig
nified by the Title of the Kings Chamber Roy
all, which that it may now appeare no leſſe
hightned with Brotherly Affection, Coſt, Art,
or Inuention, then ſome other præceeding Tri
umphs (by which of late times, the Cities Honor
hath beene more faithfully illuſtrated) this takes
it’s fit occaſion to preſent it ſelfe.
Happy inauguration of a Subiect
is celebrated, I find none that
tranſcends the State and Magni
ficence of that Pompe prepared to
receiue his Maieſties Great Subſtitute into his
Honorable charge, (the City of London,) Dig
nified by the Title of the Kings Chamber Roy
all, which that it may now appeare no leſſe
hightned with Brotherly Affection, Coſt, Art,
or Inuention, then ſome other præceeding Tri
umphs (by which of late times, the Cities Honor
hath beene more faithfully illuſtrated) this takes
it’s fit occaſion to preſent it ſelfe.
And firſt to ſpecifie the loue of his Noble
Fraternity after his Lordſhippes returne from
Weſtminſter, hauing receiued ſome ſeruice vp
Fraternity after his Lordſhippes returne from
Weſtminſter, hauing receiued ſome ſeruice vp
A3
on
The Triumphs
on the water, by a proper and ſignificant Mai
ſter-peece of Triumph, called the Imperiall
Canopy, being the Antient Armes of the Com
pany, an Invention neither old, nor enforſt, the
ſame Glorious and Apt Property, accompanied
with foure other Triumphall Pegmes, are in
their conuenient Stages planted to honor his
Lordſhips progreſſe through the City, the firſt
for the land, attending his moſt wiſhed ariuall
in Pauls-Church-yard, which beares the inſcrip
tion of a Mount Royall, on which Mount are
plac’t certaine Kings and great Commanders,
which Antient Hiſtory produces, that were ori
ginally ſprung from Shepheards, and humble
beginnings; onely the number of Six preſented,
ſome with Crownes, ſome with gilt Laurels,
holding in their hands ſiluer Sheephookes, viz.
Viriat, a prime Commander of the Portugals, re
nowned amongſt the Hiſtorians, eſpecially the
Romans, who in battailes of 14 yeares continu
ance, purchaſed many great and honorable
victories; Arſaces King of the Parthians, who
ordained the firſt Kingdome that euer was a
mongſt them, and in the reuerence of this Kings
Name and memory, all others His Succeſſors
were called Arſacides after his Name, as the
Roman Emperours tooke the Name of Cæſar,
ſter-peece of Triumph, called the Imperiall
Canopy, being the Antient Armes of the Com
pany, an Invention neither old, nor enforſt, the
ſame Glorious and Apt Property, accompanied
with foure other Triumphall Pegmes, are in
their conuenient Stages planted to honor his
Lordſhips progreſſe through the City, the firſt
for the land, attending his moſt wiſhed ariuall
in Pauls-Church-yard, which beares the inſcrip
tion of a Mount Royall, on which Mount are
plac’t certaine Kings and great Commanders,
which Antient Hiſtory produces, that were ori
ginally ſprung from Shepheards, and humble
beginnings; onely the number of Six preſented,
ſome with Crownes, ſome with gilt Laurels,
holding in their hands ſiluer Sheephookes, viz.
Viriat, a prime Commander of the Portugals, re
nowned amongſt the Hiſtorians, eſpecially the
Romans, who in battailes of 14 yeares continu
ance, purchaſed many great and honorable
victories; Arſaces King of the Parthians, who
ordained the firſt Kingdome that euer was a
mongſt them, and in the reuerence of this Kings
Name and memory, all others His Succeſſors
were called Arſacides after his Name, as the
Roman Emperours tooke the Name of Cæſar,
for
of Jntegrity.
for the loue of Great Cæsar Auguſtus; Alſo Mar
cus Iulius Lucinus, Bohemiaes Primiſlaus, the
Emperour Pertinax, the Great Victor Tambur
layne, Conqueror of Syria, Armenia, Babilon,
Meſapotamia, Scythia, Albania, &c. Many Ho
norable Worthies more I could produce; By
their deſerts enobling their meane Originals.
But for the better expreſſion of a purpoſe in
Hand, a Speaker lends a voyce to theſe follow
ing words!
cus Iulius Lucinus, Bohemiaes Primiſlaus, the
Emperour Pertinax, the Great Victor Tambur
layne, Conqueror of Syria, Armenia, Babilon,
Meſapotamia, Scythia, Albania, &c. Many Ho
norable Worthies more I could produce; By
their deſerts enobling their meane Originals.
But for the better expreſſion of a purpoſe in
Hand, a Speaker lends a voyce to theſe follow
ing words!
The Speech in the Mount Royall.
THey that with Glory-enflamde hearts; deſire
To ſee Great Worth deſeruingly aſpire,
Let e’m draw neere and fixe a ſerious Eye,
On this Tryumphant Mount of Royaltye;
Here they ſhall finde faire Vertue and her Name,
From low-obſcure Beginnings rayſde to Fame,
Like Light ſtruck out of Darknes; the meane wombes
No more Eclipſe braue Merit, then rich Toombes
Make the Soule happy; ’tis the Life, and Dying
Crownes both with Honors Sacred Satiſfying;
And ’tis the Nobleſt Splendor vpon Earth,
For man to adde a Glory to his Birth
(All his Lifes Race with honor’d Acts commixt)
Then to be Nobly-borne and there ſtand fixt;
A4
As
The Triumphs
As if ’twere Competent Vertue for whole Life
To be Begot a Lord; ’tis vertuous Strife
That makes the compleate Chriſtian; not high Place,
As true Submiſſion is the State of Grace,
“The Path to Bliſse, lyes in the humbleſt Feild,
“Who euer riſe to Heauen that neuer kneeld,
Although the Roofe hath Supernaturall Height,
Yet there’s no Fleſh can thither goe vpright:
All this is inſtanc’ſt onely to commend,
The low condition whence theſe Kings deſcend;
I ſpare the *Prince of Prophets in this File,
And preſerue him for a farre Holier Stile,
Who being King Annoynted, did not ſcorne
To be a Shepheard after; theſe were borne
Shepheards, and riſe to Kings, tooke their aſcending
From the ſtrong hand of Vertue, neuer ending
Where Shee begins to rayſe, vntill ſhee place
Her Loue ſicke Seruants equall with her Grace;
And by this Dayes great Honor it appeares
Sh’as much preuaylde amongſt the Reuerend yeares
Of theſe Graue Senators, chiefe of the reſt
Her Fauour hath reflected moſt and beſt,
Vpon that Sonne whom wee of Honor call,
And may’t Succeſſiuely reflect on all.
From this Mount Royall beautified with the
Glory of deſeruing Aſpirers, deſcend we to the
Glory of deſeruing Aſpirers, deſcend we to the
This text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on evidence internal to
this text (context, etc.).Moderne
of Integrity.
Moderne vſe of this Antient and Honorable
Miſtery, and there we ſhall finde the whole Li
uery of this moſt renowned and famous City,
as vpon this Day, and at all Solemne meetings,
furniſhed by it; it clothes the Honorable Sena
tors in their higheſt and richeſt Wearings, all
Courts of Iuſtice, Magiſtrates, and Iudges of
the Land.
Miſtery, and there we ſhall finde the whole Li
uery of this moſt renowned and famous City,
as vpon this Day, and at all Solemne meetings,
furniſhed by it; it clothes the Honorable Sena
tors in their higheſt and richeſt Wearings, all
Courts of Iuſtice, Magiſtrates, and Iudges of
the Land.
By this time his Lordſhip, and the Worthy
Company being gracefully conducted toward
the little Conduit in Cheape, there another part
of the Triumph waytes his Honors happy ap
proach, being a Chariot Artfully framde, and pro
perly garniſhed; And on the Conſpicuous part
thereof is plac’ſt the Regiſter of all Heroicke
Acts and worthy Men, bearing the Title of Sa
cred Memory, who for the greater Fame of this
Honorable Fraternity preſents the Neuer-dying
Names of many memorable and remarkable
Worthies of this Antient Society, ſuch as were
the Famous for State and Gouernment, Sir Hen
ry Fitz-alwin Knight, who held the Seate of
Magiſtracy in this City twenty foure yeares to
gether, He ſits figured vnder the Perſon of Go
uernment: Sir Iohn Norman, thThis text is the corrected text. The original is o (MK)e firſt Lord
Maior rowed in Barge to Weſtminſter with ſil
uer Oares at his owne coſt and charges; vnder
Company being gracefully conducted toward
the little Conduit in Cheape, there another part
of the Triumph waytes his Honors happy ap
proach, being a Chariot Artfully framde, and pro
perly garniſhed; And on the Conſpicuous part
thereof is plac’ſt the Regiſter of all Heroicke
Acts and worthy Men, bearing the Title of Sa
cred Memory, who for the greater Fame of this
Honorable Fraternity preſents the Neuer-dying
Names of many memorable and remarkable
Worthies of this Antient Society, ſuch as were
the Famous for State and Gouernment, Sir Hen
ry Fitz-alwin Knight, who held the Seate of
Magiſtracy in this City twenty foure yeares to
gether, He ſits figured vnder the Perſon of Go
uernment: Sir Iohn Norman, thThis text is the corrected text. The original is o (MK)e firſt Lord
Maior rowed in Barge to Weſtminſter with ſil
uer Oares at his owne coſt and charges; vnder
B
the
The Triumphs
This text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (CH)the perſon of Honor, the Valiant Sir Francis
Drake, that rich Ornament to Memory, (who in
two yeares and ten moneths ſpace did caſt a gir
dle about the world) vnder the perſon of Victory,
Sir Simon Eyre, (who at his owne coſt built Lea
den Hall, a Granary for the Poore,) vnder the fi
gure of Charity, Sir Richard Champion, and Sir
Iohn Milborne, vnder the perſon of Munificence
or Bounty, Sir Richard Hardell, and Sir Iohn
Poultney, the one in the ſeate of Magiſtracy ſixe
yeares, the other foure yeares together, vnder
the figures of Iuſtice and Piety, That Sir Iohn be
ing a Colledge-Founder in the Pariſh of St. Law
rence Poultney, by Candle-wick ſtreete; & ſic de
cæteris. This Chariot drawne by two pellited
Lyons, being the proper Supporters of the Com
panies Armes, thoſe two vpon the Lyons pre
ſenting Power and Honor, the one in a little
Streamer or Banneret bearing the Lord Maiors
Armes, the other the Companies.
Drake, that rich Ornament to Memory, (who in
two yeares and ten moneths ſpace did caſt a gir
dle about the world) vnder the perſon of Victory,
Sir Simon Eyre, (who at his owne coſt built Lea
den Hall, a Granary for the Poore,) vnder the fi
gure of Charity, Sir Richard Champion, and Sir
Iohn Milborne, vnder the perſon of Munificence
or Bounty, Sir Richard Hardell, and Sir Iohn
Poultney, the one in the ſeate of Magiſtracy ſixe
yeares, the other foure yeares together, vnder
the figures of Iuſtice and Piety, That Sir Iohn be
ing a Colledge-Founder in the Pariſh of St. Law
rence Poultney, by Candle-wick ſtreete; & ſic de
cæteris. This Chariot drawne by two pellited
Lyons, being the proper Supporters of the Com
panies Armes, thoſe two vpon the Lyons pre
ſenting Power and Honor, the one in a little
Streamer or Banneret bearing the Lord Maiors
Armes, the other the Companies.
The Speech, in the Chariot.
I Am all Memory, and me thinkes I ſee
Into the fardeſt Time, Act, Quality;
As cleere as if ’twere now begun agen,
The Natures, Diſpoſitions, and the Men;
of Jntegrity.
I finde to Godneſſe they bent all their powers,
Which very Name makes bluſhing Times of ours;
They heapt vp Vertues, long before they were old,
This Age ſits laughing vpon Heapes of Gold,
We by great Buildings ſtriue to rayſe our Names,
But they more truely wiſe built vp their Fames,
Erected faire Examples, large and hie,
Patternes for vs to build our Honors by;
For inſtance onely Memory relates,
The Nobleſt of all City-Magiſtrates,
Famous Fitz-alwin, naming him alone,
I ſumme vp twenty foure Lord Maiors in one,
For He by free election and conſent
Fild all thoſe yeares with vertuous Gouerment;
Cuſtome and Time requiring now but one,
How ought that yeare to be well dwelt vpon,
It ſhould appeare an Abſtract of that worth,
Which former Times in many yeares brought forth,
Through all the life of Man, this is the yeare,
Which may wiſh, and neuer can come neare,
Thinke and giue thanks; to whom this yeare do’s come,
The Greateſt Subiect’s made in Chriſtendome;
This is the yeare for whom ſome long preparde,
And others haue their glorious Fortune ſharde,
But ſerious in thankſgiuing, ’tis a yeare,
To which all Vertues like the people heere
B2
Should
The Triumphs
Should throng and cleaue together, for the Place
Is a fit Match for the whole Stocke of Grace;
And as men gather wealth, ’gainſt the Yeare comes,
So ſhould they gather Goodneſſe with their Summes,
For ’tis not ſhowes, Pompe, nor a House of State
Curiouſly deckt, that makes a Magiſtrate,
’Tis his faire Noble ſoule, his Wiſedome, Care,
His vpright Iuſtnes to the Oath he ſware
Giues him compleate; when ſuch a Man to mee,
Spreads his Armes open, there my Pallace bee,
He’s both an Honor to the Day ſo grac’ſt,
And to his Brother-hoods loue that ſees him plac’ſt,
And in his faire Deportment there reuiues,
The Antient Fame of all his Brothers Liues.
After this, for the full cloſe of the Fore-noones
Triumph, neere St. Lawrence lane, his Lordſhip
Receiues an Entertainment from an vnparaleld
Maiſter-peece of Art, called the Criſtall Sanctu
ary, ſtilde by the name of the Temple of Integri
ty where her Immaculate ſelfe with all her glo
rious and Sanctimonious Concomitants ſit
tranſparently ſeene through the Cryſtall; and
more to expreſſe the Inuention, & the Art of the
Engineer, as alſo for Motion, VarietThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH)y, and
the content of the Spectators, this Cryſtall Tem
Triumph, neere St. Lawrence lane, his Lordſhip
Receiues an Entertainment from an vnparaleld
Maiſter-peece of Art, called the Criſtall Sanctu
ary, ſtilde by the name of the Temple of Integri
ty where her Immaculate ſelfe with all her glo
rious and Sanctimonious Concomitants ſit
tranſparently ſeene through the Cryſtall; and
more to expreſſe the Inuention, & the Art of the
Engineer, as alſo for Motion, VarietThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH)y, and
the content of the Spectators, this Cryſtall Tem
ple
of Integrity.
ple is made to open in many parts, at fit and con
uenient Times, and vppon occaſion of the
Speech; the Columnes or Pillars of this Criſtall
Sanctuary, are Gold, the Battlements Siluer, the
whole Fabrick for the Night Triumph adorned
and beautified with many Lights, diſperſing
their glorious Radiances on all ſides thorough
the Criſtall.
uenient Times, and vppon occaſion of the
Speech; the Columnes or Pillars of this Criſtall
Sanctuary, are Gold, the Battlements Siluer, the
whole Fabrick for the Night Triumph adorned
and beautified with many Lights, diſperſing
their glorious Radiances on all ſides thorough
the Criſtall.
The Speech from the Sanctuary.
HAue you a minde thicke Multitude to ſee
A Vertue, neere concernes Magiſtracy,
Here on my Temple throw your greedy eyes,
See me, and learne to know me, then y’are wiſe;
Looke, and looke through me, I no fauour craue,
Nor keepe I hid the Goodneſſe you ſhould haue,
Tis all tranſparent what I thinke or do,
And with one looke your Eye may pierce me through,
There’s no diſguiſe, or hypocriticke vaile,
(Vſde by adulterous Beauty ſet to ſale)
Spread o’re my actions, for reſpect or feare,
Onely a Criſtall which approues me cleare;
Would you deſire my Name? Intregritie,
One that is This text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (MK)euer what ſhe ſeemes to be,
B3
So
The Triumphs
So manifeſt, perſpicuous, plaine, and cleere
You may ee’n ſee my thoughts as they ſit here,
And there they ſit crownde with eternall Youth,
I fixe my Cogitations vpon Loue,
Peace, Meeknes, and thoſe thoughts come from aboue,
The Temple of an vpright Magiſtrate,
Is my faire Sanctuary, Throne, and State;
And as I dare Detractions euilleſt Eye,
Sore at the ſight of Goodneſſe, to eſpie
Into my wayes and actions, which lie ope
To euery cenſure, arm’d with a ſtrong Hope:
So of Your part ought nothing to be done,
But what the enuious Eie might looke vpon:
As Thou art Eminent, ſo muſt thy Acts
Be all Tralucent, and leaue worthy Tracts
For future times to finde, thy very Breſt
Tranſparent, like this Place wherein I reſt:
Vaine doubtings; al thy Daies haue bin ſo cleare
Neuer came Nobler Hope to fill a yeare.
At the cloſe of this Speech, this Criſtall
Temple of Integritie with all her cæleſtiall Con
comitants, and the other parts of Triumph take
leaue of his Lordſhip for that time, and reſt from
Temple of Integritie with all her cæleſtiall Con
comitants, and the other parts of Triumph take
leaue of his Lordſhip for that time, and reſt from
ſeruice
of Integrity.
ſeruice til the great Feaſt be ended, after which the
whole Body of Triumph attends vpon his
Honor, both toward St. Paules, and homeward,
his Lordſhip accompanied with the Graue and
Honorable Senators of the City; amongſt
whom the two worthy Conſulls, his Lordſhips
Graue-Aſſiſtants for the yeare, the worſhipfull
and Generous, Mr. Raph Freeman, and Mr.
Thomas Moulſon, Sheriffes and Aldermen, ought
not to paſſe of my reſpect vnremembred; whoſe
Bounty and Nobleneſſe will prooue beſt their
owne Expreſſers.
whole Body of Triumph attends vpon his
Honor, both toward St. Paules, and homeward,
his Lordſhip accompanied with the Graue and
Honorable Senators of the City; amongſt
whom the two worthy Conſulls, his Lordſhips
Graue-Aſſiſtants for the yeare, the worſhipfull
and Generous, Mr. Raph Freeman, and Mr.
Thomas Moulſon, Sheriffes and Aldermen, ought
not to paſſe of my reſpect vnremembred; whoſe
Bounty and Nobleneſſe will prooue beſt their
owne Expreſſers.
Neere the entrance of woodſtreete, that part
of Triumph being planted to which the con
cluding Speech hath chiefly reference, and the
reſt, about the Croſſe, I thought fit in this place
to giue this it’s full Illustration; It being an In
uention both glorious and proper to the Com
pany, bearing the name of the thrice Royall Ca
nopie of State, being the honored Armes of this
Fraternity, the three Imperiall Crownes caſt in
to the Forme and Bigneſſe of a Triumphall
Pageant, with Cloude and Sun-beames, thoſe
Beames by Enginous Art made often to mount
and ſpred like a Golden and Glorious Canopy
ouer the Deified perſons that are plac’ſt vnder it,
of Triumph being planted to which the con
cluding Speech hath chiefly reference, and the
reſt, about the Croſſe, I thought fit in this place
to giue this it’s full Illustration; It being an In
uention both glorious and proper to the Com
pany, bearing the name of the thrice Royall Ca
nopie of State, being the honored Armes of this
Fraternity, the three Imperiall Crownes caſt in
to the Forme and Bigneſſe of a Triumphall
Pageant, with Cloude and Sun-beames, thoſe
Beames by Enginous Art made often to mount
and ſpred like a Golden and Glorious Canopy
ouer the Deified perſons that are plac’ſt vnder it,
B4
which
The Triumphs
which are eight in number, figuring the eight
Beatitudes, To improoue with conceite, Beati
Pacifici, being the Kings word or Motto, is ſet
in faire great Letters, neare the vppermoſt of the
three Crownes; and as in all great Edifices or
Buildings, the Kings Armes is eſpecially remem
bred, as a Honor to the Building and Builder in
the Frontiſpice: ſo is it comely and requiſite in
theſe matters of Triumph framed for the Inau
guration of his great Subſtitute, the Lord Maior
of London, that ſome remembrance of Honour
ſhould reflect vpon his Maieſty, by whoſe peace
full Gouernment vnder Heauen we enioy the
Solemnity!
Beatitudes, To improoue with conceite, Beati
Pacifici, being the Kings word or Motto, is ſet
in faire great Letters, neare the vppermoſt of the
three Crownes; and as in all great Edifices or
Buildings, the Kings Armes is eſpecially remem
bred, as a Honor to the Building and Builder in
the Frontiſpice: ſo is it comely and requiſite in
theſe matters of Triumph framed for the Inau
guration of his great Subſtitute, the Lord Maior
of London, that ſome remembrance of Honour
ſhould reflect vpon his Maieſty, by whoſe peace
full Gouernment vnder Heauen we enioy the
Solemnity!
THe Bleſſedneſſe, Peace, Honor, and Renowne,
This Kingdome do’s enioy vnder the Crowne,
Worne by that Royall Peace-maker, our King,
(So oft preſerude from Dangers menacing)
Making this Armes, (glorious in it ſelfe) outgoe
All that Antiquity could euer ſhowe,
AnThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (CH)d thy Fraternity hath ſtriude t’appeare
in all their courſe, worthy the Armes they beare,
Thrice
of Jntegrity.
Thrice haue They Crown’d their Goodnes this one Day
With Loue, with Care, with Coſt; by which they may
By their Deſerts moſt iustly theſe Armes claime,
Got once by Worth, now Trebly held by Fame:
Shall I bring Honor to a larger Feild,
And ſhow what Royall Buſineſſe theſe Armes yeild?
Firſt the three Crownes affords a Diuine ſcope,
Which Three the onely ſafe Combiners be,
Of Kingdomes, Crownes, and euery Company;
Likewiſe with iuſt propriety they may ſtand
For thoſe three Kingdomes ſwaide by the meek Hand
The Cloud that ſwells beneath e’m, may imply
Some Enuious Miſt caſt forth by Hereſie, (will,
Which through his happy Raigne, and Heauens bleſt
The sun-beames of the Goſpell ſtrikes through ſtill;
More to aſſure it to Succeeding Men,
We haue the Crowne of Brittaines Hope agen,
(Illuſtrious Charles our Prince,) which all will ſay,
Addes the chiefe Ioy and Honor to this Day:
AThis text has been supplied. Reason: The facsimile photograph is not clear, out-of-focus,
etc. Evidence: The text has been supplied based on evidence internal to this text
(context, etc.).nd as three Crownes, three Fruites of Brotherhood
By which all Loues Worth may be vnderſtood,
This text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (CH)So threefold Honor makes the Royall Sute
In the King, Prince, and the Kings Subſtitute:
C
By
The Triumphs
By th’ eight Beatitudes, Yee vnderſtand
The Fulneſſe of all Bleſsings to this Land,
More chiefly to this City, whoſe ſafe Peace
Good Angels guard, and Good mens prayers encreaſe:
May all ſucceeding-Honor’d Brothers bee,
With as much Loue brought Home, as Thine brings (Thee.
FOr all the Proper Adornments of Arte and
Workmanſhip in ſo ſhort a Time, ſo grace
fully ſetting forth the Bodie of ſo Magni
fThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (MK)icent a Triumph, the prayſe comes as a iuſt due
to the Exquiſit Deſeruings of Mr. Garret Criſmas,
whoſe faithfull performances ſtill take the vpper
hand of his promiſes.
Workmanſhip in ſo ſhort a Time, ſo grace
fully ſetting forth the Bodie of ſo Magni
fThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (MK)icent a Triumph, the prayſe comes as a iuſt due
to the Exquiſit Deſeruings of Mr. Garret Criſmas,
whoſe faithfull performances ſtill take the vpper
hand of his promiſes.
FINIS.
References
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EEBO (EEBO). Proquest LLC. Subscr.This item is cited in the following documents:
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EEBO-TCP (EEBO Text Creation Partnership). [The Text Creation Partnership offers searchable diplomatic transcriptions of many EEBO items.] Web.
Cite this page
MLA citation
The Triumphs of Integrity. The Map of Early Modern London, edited by , U of Victoria, 15 Sep. 2020, mapoflondon.uvic.ca/INTE1.htm. Draft.
. Chicago citation
The Triumphs of Integrity.The Map of Early Modern London. Ed. . Victoria: University of Victoria. Accessed September 15, 2020. https://mapoflondon.uvic.ca/INTE1.htm. Draft.
APA citation
The Map of Early Modern London. Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/INTE1.htm. Draft.
2020. The Triumphs of Integrity. In (Ed), RIS file (for RefMan, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Middleton, Thomas ED - Jenstad, Janelle T1 - The Triumphs of Integrity T2 - The Map of Early Modern London PY - 2020 DA - 2020/09/15 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/INTE1.htm UR - https://mapoflondon.uvic.ca/xml/standalone/INTE1.xml TY - UNP ER -
RefWorks
RT Unpublished Material SR Electronic(1) A1 Middleton, Thomas A6 Jenstad, Janelle T1 The Triumphs of Integrity T2 The Map of Early Modern London WP 2020 FD 2020/09/15 RD 2020/09/15 PP Victoria PB University of Victoria LA English OL English LK https://mapoflondon.uvic.ca/INTE1.htm
TEI citation
<bibl type="mla"><author><name ref="#MIDD12"><surname>Middleton</surname>, <forename>Thomas</forename></name></author>.
<title level="m">The Triumphs of Integrity</title>. <title level="m">The Map of Early
Modern London</title>, edited by <editor><name ref="#JENS1"><forename>Janelle</forename>
<surname>Jenstad</surname></name></editor>, <publisher>U of Victoria</publisher>,
<date when="2020-09-15">15 Sep. 2020</date>, <ref target="https://mapoflondon.uvic.ca/INTE1.htm">mapoflondon.uvic.ca/INTE1.htm</ref>.
Draft.</bibl>
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KMF
Director of Pedagogy and Outreach, 2015–present. Associate Project Director, 2015–present. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Mark Kaethler, full-time instructor at Medicine Hat College (Medicine Hat, Alberta), is the assistant project director of mayoral shows for the Map of Early Modern London (MoEML). Mark received his PhD from the University of Guelph in 2016; his dissertation focused on Jacobean politics and irony in the works of Thomas Middleton, including Middleton’s mayoral show The Triumphs of Truth. His work on politics and civic pageantry has appeared in the peer-reviewed journals Upstart and This Rough Magic, and he is currently finishing work on Thomas Dekker’s lord mayor’s show London’s Tempe for MoEML. He is the co-editor with Janelle Jenstad and Jennifer Roberts-Smith of a forthcoming volume of essays entitled Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge, 2017) and is co-authoring a piece on creating the digital anthology of mayoral shows with Jenstad for a forthcoming collection of essays on early modern civic pageantry. The mayoral shows project affords Mark the opportunity to share his research skills in governance, civic communities, urban navigation, bibliographical studies, and the digital humanities with MoEML.Roles played in the project
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Janelle Jenstad
JJ
Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Janelle Jenstad is a member of the following organizations and/or groups:
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Janelle Jenstad authored or edited the following items in MoEML’s bibliography:
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Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. Open.
-
Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed. Web.
-
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Tracey Hill
Dr. Tracey Hill is a Professor of Early Modern Literature and Culture at Bath Spa University. Her specialism is in the literature and history of early modern London. She is the author of two books: Anthony Munday and Civic Culture (Manchester UP, 2004), and Pageantry and Power: A Cultural History of the Early Modern lord mayor’s Shows, 1585–1639 (Manchester UP, 2010). She has also published a number of articles on Munday’s prose works, on The Booke of Sir Thomas More, and on late Elizabethan history plays.Roles played in the project
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Hill, Tracey. Anthony Munday and Civic Culture: Theatre, History and Power in Early Modern London, 1580–1633. Manchester: Manchester UP, 2004. Print.
-
Hill, Tracey. Pageantry and Power: A cultural history of the early modern Lord Mayor’s Show 1585–1639. Manchester: Manchester UP, 2013. Print.
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Hill, Tracy.
Owners and Collectors of the Printed Books of the Early Modern Lord Mayors’ Shows.
Library and Information History 30.3 (2013): 151–171. doi:10.1179/1758348914Z.00000000061
-
-
Martin D. Holmes
MDH
Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Agatha Rowe-Crowder
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Sir Francis Drake is mentioned in the following documents:
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Sir Simon Eyre is mentioned in the following documents:
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William fitz-Stephen is mentioned in the following documents:
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Sir Henry fitz-Alwine
Sir Henry fitz-Alwine Mayor
(d. 1212)First mayor of London 1189–1212. Possible member of the Drapers’ Company. Buried at Holy Trinity Priory.Sir Henry fitz-Alwine is mentioned in the following documents:
-
Ralph Hardel
Ralph Hardel Sheriff Mayor
Sheriff of London 1249-1250. Mayor 1254-1258. Possible member of the Drapers’ Company or Vintners’ Company.Ralph Hardel is mentioned in the following documents:
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David II of Scotland
David This numeral is a Roman numeral. The Arabic equivalent is 2II King of Scotland
King of Scotland 1329-1371.David II of Scotland is mentioned in the following documents:
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Augustus Caesar
Augustus Caesar Emperor of the Roman Empire Gaius Octavius Thurinus
Emperor of the Roman Empire 27 BCE–14 CE.Augustus Caesar is mentioned in the following documents:
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Justice
Personification of lawfulness and fairness. Appears as an allegorical character in mayoral shows.Justice is mentioned in the following documents:
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Honour
Personification of honour. Appears as an allegorical character in mayoral shows.Honour is mentioned in the following documents:
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James VI and I
James This numeral is a Roman numeral. The Arabic equivalent is 6VI This numeral is a Roman numeral. The Arabic equivalent is 1I King of Scotland King of England King of Ireland
(b. 1566, d. 1625)James VI and I is mentioned in the following documents:
James VI and I authored or edited the following items in MoEML’s bibliography:
-
James VI and I. Letters of King James VI and I. Ed. G.P.V. Akrigg. Berkeley: U of California P, 1984. Print.
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Rhodes, Neill, Jennifer Richards, and Joseph Marshall, eds. King James VI and I: Selected Writings. By James VI and I. Aldershot: Ashgate, 2004.
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Sir Martin Lumley
Sir Martin Lumley Sheriff Mayor
(d. 1634)Sheriff of London 1614-1615. Mayor 1623-1624. Member of the Drapers’ Company. Knighted on 23 June 1624.Sir Martin Lumley is mentioned in the following documents:
-
Thomas Middleton is mentioned in the following documents:
Thomas Middleton authored or edited the following items in MoEML’s bibliography:
-
Brissenden, Alan.
Introduction.
A Chaste Maid in Cheapside. By Thomas Middleton. 2nd ed. New Mermaids. London: A&C Black; New York: Norton, 2002. xi–xxxv. Print. -
Dekker, Thomas, Stephen Harrison, Ben Jonson, and Thomas Middleton. The Whole Royal and Magnificent Entertainment of King James through the City of London, 15 March 1604, with the Arches of Triumph. Ed. R. Malcolm Smuts. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 219–79.
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Middleton, Thomas, and Thomas Dekker. The Roaring Girl. Ed. Paul A. Mulholland. Revels Plays. Manchester: Manchester UP, 1987. Print.
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Middleton, Thomas. A Chaste Maid in Cheapside. Ed. Alan Brissenden. 2nd ed. New Mermaids. London: Benn, 2002.
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Middleton, Thomas. Civitatis Amor. Ed. David Bergeron. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 1202–8.
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Middleton, Thomas. The Triumphs of Honour and Industry. London: Printed by Nicholas Okes, 1617. STC 17899. Reprint. EEBO. Web.
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Middleton, Thomas. The Triumphs of Integrity. Ed. David Bergeron. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 1766–1771.
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Middleton, Thomas. The Triumphs of Love and Antiquity. London: Printed by Nicholas Okes, 1619. STC 17902. Reprint. EEBO. Web.
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Middleton, Thomas. The Triumphs of Truth. London, 1613. Ed. David M. Bergeron. Thomas Middleton: The Collected Works. Ed. Gary Taylor and John Lavagnino. Oxford: Clarendon, 2007. 968–76.
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Middleton, Thomas. The Triumphs of Truth. London, 1613. STC 17903. Reprint. EEBO. Web.[Differs from STC 17904 in that it does not contain the additional entertainment.]
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Middleton, Thomas. The Triumphs of Truth. London, 1613. STC 17904. Reprint. EEBO. Web. [Differs from STC 17903 in that it contains an additional entertainment celebrating Hugh Middleton’s New River project, known as the Entertainment at Amwell Head.]
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Middleton, Thomas. The Works of Thomas Middleton, now First Collected with Some Account of the Author and notes by The Reverend Alexander Dyce. Ed. Alexander Dyce. London: E. Lumley, 1840. Print.
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Taylor, Gary, and John Lavagnino, eds. Thomas Middleton: The Collected Works. By Thomas Middleton. Oxford: Oxford UP, 2007. The Oxford Middleton. Print.
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Sir John Milborne
Sir John Milborne Sheriff Mayor
(d. 1535)Sheriff of London 1510-1511. Mayor 1521-1522. Member of the Drapers’ Company. Husband of Dame Joanne Milborne and Dame Margaret Milborne. Buried at St. Edmund, Lombard Street.Sir John Milborne is mentioned in the following documents:
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Sir John Norman
Sir John Norman Sheriff Mayor
(fl. 1461-68)Sheriff of London 1443-1444. Mayor 1453-1454. Member of the Drapers’ Company. Not to be confused with John Norman.Sir John Norman is mentioned in the following documents:
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Nicholas Okes is mentioned in the following documents:
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Piety
Personification of piety. Appears as an allegorical character in mayoral shows.Piety is mentioned in the following documents:
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Truth
Personification of truth. Appears as an allegorical character in mayoral shows and Survey of London.Truth is mentioned in the following documents:
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Sir Richard Champion
Sir Richard Champion Sheriff Mayor
Sheriff of London 1558-1559. Mayor 1565-1566. Member of the Drapers’ Company. Monument at St. Dunstan in the East.Sir Richard Champion is mentioned in the following documents:
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Charity
Personification of charity. Appears as an allegorical character in mayoral shows and Survey of London.Charity is mentioned in the following documents:
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Gerard Christmas is mentioned in the following documents:
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Faith
Personification of faith. Appears as an allegorical character in mayoral shows.Faith is mentioned in the following documents:
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Hope
Personification of hope. Appears as an allegorical character in mayoral shows.Hope is mentioned in the following documents:
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Sir John de Pulteney
Sir John de Pulteney Mayor
(d. 8 June 1349)Mayor of London 1330-1334 and 1336-1337. Member of the Drapers’ Company. Husband of Margaret de Pulteney. Father of William de Pulteney. Son of Adam de Pulteney and Margaret de Pulteney. Donated funds to the prisoners of Newgate in 1337.Sir John de Pulteney is mentioned in the following documents:
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Integrity
Personification of integrity. Appears as an allegorical character in mayoral shows.Integrity is mentioned in the following documents:
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Viriathus
(d. 139)Leader of the Lusitanians in their resistance against the expansion of the Roman Empire.Viriathus is mentioned in the following documents:
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Arsaces I of Parthia
Arsaces This numeral is a Roman numeral. The Arabic equivalent is 1I King of the Arsacid dynasty
King of the Arsacid dynasty 247–217 BC.Arsaces I of Parthia is mentioned in the following documents:
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Pertinax
Pertinax Emperor of the Roman Empire Publius Helvius Pertinax
(b. 126, d. 193)Emperor of the Roman Empire 193.Pertinax is mentioned in the following documents:
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Amir Timur
(b. 1336, d. 1405)Founder of the Timurid Empire. Famously represented in Christopher Marlowe’s Tamburlaine the Great.Amir Timur is mentioned in the following documents:
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Power
Personification of power. Appears as an allegorical character in mayoral shows.Power is mentioned in the following documents:
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Sir Thomas Moulson
Sir Thomas Moulson Sheriff
Sheriff of London 1623-1624. Mayor 1633-1634 after Ralph Freeman died in office. Member of the Grocers’ Company. Knighted on 1 June 1634.Sir Thomas Moulson is mentioned in the following documents:
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Ralph Freeman
Ralph Freeman Sheriff Mayor
(d. 1634)Sheriff of London 1623-1624. Mayor 1633-1634. Member of the Clotherworkers’ Company. Died in office.Ralph Freeman is mentioned in the following documents:
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Přemysl the Ploughman is mentioned in the following documents:
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Victory
Personification of victory. Appears as an allegorical character in mayoral shows.Victory is mentioned in the following documents:
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Munificence
Munificence Bounty
Personification of generosity. Appears as an allegorical character in mayoral shows.Munificence is mentioned in the following documents:
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Equity
Personification of equity or fairness. Appears as an allegorical character in mayoral shows.Equity is mentioned in the following documents:
Locations
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London is mentioned in the following documents:
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Westminster is mentioned in the following documents:
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Foster Lane
Foster Lane ran north-south between Cheapside in the south and Oat Lane in the north. It crossed Lily Pot Lane, St. Anne’s Lane, Maiden Lane, and Carey Lane. It sat between St. Martin’s Lane to the west and Gutter Lane to the east. Foster Lane is drawn on the Agas Map in the correct position, labelled asForster Lane.
Foster Lane is mentioned in the following documents:
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St. Paul’s Churchyard
Surrounding St. Paul’s Cathedral, St. Paul’s Churchyard has had a multi-faceted history in use and function, being the location of burial, crime, public gathering, and celebration. Before its destruction during the civil war, St. Paul’s Cross was located in the middle of the churchyard, providing a place for preaching and the delivery of Papal edicts (Thornbury).St. Paul’s Churchyard is mentioned in the following documents:
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Little Conduit (Cheapside)
The Little Conduit in Cheapside, also known as the Pissing Conduit, stood at the western end of Cheapside outside the north corner of Paul’s Churchyard. On the Agas map, one can see two water cans on the ground just to the right of the conduit.Little Conduit (Cheapside) is mentioned in the following documents:
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Leadenhall is mentioned in the following documents:
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St. Lawrence (Jewry) (Parish) is mentioned in the following documents:
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Candlewick Street
Candlewick, or Candlewright Street as it was sometimes called, ran east-west from Walbrook in the west to the beginning of Eastcheap at its eastern terminus. Candlewick became Eastcheap somewhere around St. Clements Lane, and led into a great meat market (Stow 1 :217). Together with streets such as Budge Row, Watling Street, and Tower Street, which all joined into each other, Candlewick formed the main east-west road through London between Ludgate and Posterngate.Candlewick Street is mentioned in the following documents:
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St. Laurence Lane is mentioned in the following documents:
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St. Paul’s Cathedral
St. Paul’s Cathedral was—and remains—an important church in London. In 962, while London was occupied by the Danes, St. Paul’s monastery was burnt and raised anew. The church survived the Norman conquest of 1066, but in 1087 it was burnt again. An ambitious Bishop named Maurice took the opportunity to build a new St. Paul’s, even petitioning the king to offer a piece of land belonging to one of his castles (Times 115). The building Maurice initiated would become the cathedral of St. Paul’s which survived until the Great Fire of London.St. Paul’s Cathedral is mentioned in the following documents:
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Wood Street
Wood Street ran north-south, connecting at its southernmost end with Cheapside and continuing northward to Little Wood Street, which led directly into Cripplegate. It crossed over Huggin Lane, Lad Lane, Maiden Lane, Love Lane, Addle Lane, and Silver Street, and ran parallel to Milk Street in the east and Gutter Lane in the west. Wood Street lay within Cripplegate Ward. It is labelled asWood Streat
on the Agas map and is drawn in the correct position.Wood Street is mentioned in the following documents:
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Cheapside Cross (Eleanor Cross)
If monuments could speak, the Cheapside Cross would have told a tale of kingly love, civic pride, and sectarian violence. The Cross, pictured but not labelled on the Agas map, stood in Cheapside between Friday Street and Wood Street. St. Peter Westcheap lay to its west, on the north side of Cheapside. The prestigious shops of Goldsmiths’ Row were located to the east of the Cross, on the south side of Cheapside. The Standard in Cheapside (also known as the Cheap Standard), a square pillar/conduit that was also a ceremonial site, lay further to the east (Brissenden xi).Cheapside Cross (Eleanor Cross) is mentioned in the following documents:
Organizations
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Drapers’ Company
Worshipful Company of Drapers
The Drapers’ Company was one of the twelve great companies of London. The Drapers were third in the order of precedence established in 1515. The Worshipful Company of Drapers is still active and maintains a website at http://www.thedrapers.co.uk/ that includes a history of the company and bibliography.This organization is mentioned in the following documents: