MoEML: A Pæan Triumphal

A PÆAN TRI-1
VMPHALL. COMPOSED FOR THE SOCIETIE OF2
the Goldſmiths of London: congratulating his High
nes magnificent entring the Citie.
To the Maiestie of the King.

By MICHAEL DRAYTON.

Dicite io pæan, io bis dicite pæan.

Woodcut block with oval inset of sun and flowers, with motto LICET EXIGVIS NON in a banner.

LONDON
Printed for IOHN FLASKET, and are to be ſold at his ſhop in3
Pauls Churchyard at the ſigne of the black Beare.1604.

Printer’s Ornament

A Pæan Triumphall.

TO the vaſte ſkies whilſt ſhoutes and cries rebound,

And buildings eccho with reuerberate ſound,

Strugling to thruſt out of the peopled throng,

Panting for breath flies our elaborate ſong.

That time the day brake from her wonted guiſe,

The Sunne in haſte before his houre did riſe,

And draue the fleet-foote poſting houres ſo faſt,

Which were afeard young Phaeton that was caſt

From his Siers 4 Chariot, reobtain’d the Carre,

To ſet the neighboring Elements at warre.

But whilſt ſweete Zephyre gently ſpreads his wings,

Curles the ſleeke boſomes of th’enamoured ſprings.

With Baulmie ſpices ſo perfumes each place,

Breathing ſuch odors in the mornings face,

That the day ſeem’d all former daies to ſcorne,

And (to compare it) euer ſhould be borne.

Thruſt

Printer’s ornament

Saturne whoſe grim face clad in Icie haire,

Thruſt his bleake viſage through the Northerne aire,

That long had low’rd vpon the drouping ſpring,

With Froſts, Hailes, Snowes and Tempeſts minacing,

Suddenly calm’d, and his harſh rage reſignes

To ſmooth Fauonius and milde Libick windes,

The ſouth
and ſouth
weſt wind.

Whil’ſt Temples ſtand euen trembling as afeard,

To ſee proud Pageants on their Arches reard

Aboue their Turrets, whileſt the concourſe meete,

Like boyſterous tides in euery publike ſtreete.

Windowes of eyes, the houſes ſcorn’d their glaſſe,

On euery ſide their Maieſties ſhould paſſe:

Roomes with rich beauties furniſhed about,

Arras but ſerues to hang the walles without.

Who lou’d in works of ancient times to prie,

Hangings compleate with curious Imagrie,

Glutting his eyes here liuely might behold,

Faces whoſe numbers figures neuer told,

Walling the houſes, in whoſe ſeuerall eyes

Ioye ſhewes it ſelfe in more varieties,

Then

Printer’s ornament

Then be their mindes, the obiects that they ſee,

Which are as various as their features bee.

The hie-reard ſpires ſhake with the peoples crie,

Bending their tops ſeeme wondring to eſpie

Streets pau’d with heads, for ſuch the numbers bee,

The loftieſt Tower no ground at all can ſee.

Banners, Flags, Streamers, in ſuch numbers borne,

And ſtood ſo thick that one might ſoone haue ſworne,

Nature of late ſome noueltie had brought,

Groaues leau’d with ſilke in curious manner wrought,

Bearing ſuch fruite th’ Atlantides did keepe,

The daugh
ters of Atlas

By that fierce Dragon that did neuer ſleepe.

When now approched glor5ious Maieſtie,

Vnder a gold-wrought ſumptuous Canopie.

Before him went his goodly glittering traine,

Which though as late waſh’d in a golden raine.

All ſo embraudered that to thoſe behold,

Horſes as men, ſeem’d to be made of Gold:

With the faire Prince, in whom appear’d in glory,

As in th’abridgement of ſome famous ſtory,

Eu’ry

Printer’s ornament

Eu’ry rare vertue of each famous King

Since Norman VVilliams happie conquering:

Where might be ſeene in his freſh blooming hopes,

Henry the fifth leading his warlike troupes,

When the proud French fell on that conquered land,

As the full Corne before the labourers hand.

Vſhering ſo bright and Angellike a Queene,

Whoſe gallant carridge had but Cynthia ſeene,

She might haue learnd her ſiluer brow to beare,

And to haue ſhin’d and ſparckl’d in her ſpheare,

Leading her Ladies on their milkie Steedes,

With ſuch aſpect that each beholder feedes,

As though the lights and beauties of the skies,

Tranſcending dwelt and twinckled in their eies.

Here might you ſee what paſſion wonder wrought,

As it inuades the temper of the thought:

One weepes for ioy, he laughs and claps his hands,

Another ſtill and looking ſadly ſtands:

Others that ſeemed to be moued leſſe,

Shew’d more then theſe in action could expreſſe.

None

Printer’s ornament

None ther’s 6could iudge a witneſſe of this ſight,

Whether of two did take the more delight,

They that in triumph rode or they that ſtand,

To view the pompe and glorie of the land,

Each vnto other ſuch reflection ſent,

Either ſo ſumptuous, ſo magnificent:

Nor are the duties that thy ſubiects owe,

Only compriz’d in this externall ſhow.

For harts are heap’d with thoſe innumered hoords,

That tongues by vttrance cannot vent in words:

Nor is it all Inuention here deuiſes,

That thy hie worth and Maieſtie comprizes,

And we not laſt of thoſe glad harts that proue,

To ſhew our Soueraigne our vnſpotted loue.

The firſt a Maiors name worthely did grace,

John Stow
Survay

Marrying that title and Pretorian place,

Was of our freedome, purchaſing thereby

That primate honor to our Liuery.

Natiue our loue as needfull is our trade,

By which no kingdome euer was decaide,

Printer’s ornament

To bring ſleight gauds and womaniſh deuices,

Of little vſe and of exceſſiue prices.

Good home-made things with trifles to ſuppreſſe,

To feede luxurious riot, and exceſſe,

Sound-Bullion is our ſubiect, whoſe ſure rate

Seal’d by his ſelfeworth, ſuch the Goldſmiths ſtate,

Which peace and happie gouernment doth nouriſh,

And with a kingdome doth both fade and floriſh.

Natures perfection, that great wonder Gold,

Of which the firſt note of our name we hold,

Phoebus his God that triply doth implie,

To medicen, Muſicke, and ſweete Poeſie,

To vs his hie diuinitie imparts,

As he is knowne and glorified in Arts:

For that inuention ſtudie doth befit,

That is the crowne and puritie of wit,

What doth belong and’s proper to the muſe,

We of all other myſteries doe vſe,

Moulds and inſculpturs framing by the head,

Formes and proportions ſtrangely varied.

The

Printer’s ornament

The lumpe as likes the workman beſt to frame,

To wedge, to ingot, or what other name,

That by the ſight and knowledge of our trade,

Into rich Plate, and Vtenſils is made

Within thy land, for ornament doth ſtay,

Angels haue wings and fleeting ſtill away,

And by eſchanging virtuouſly doth flie

That cankerd, baſe, and idle Vſurie:

For when the banck once ſubtilie is plac’d,

Th’exacted vſe comes hourely in ſo faſt,

That whil’ſt the lender on the borrower praies,

Good and induſtrious facultie decaies.

Foule Auarice that triple Dog of Hell,

That when Ioues ſonne emperiouſly did quell,

And from his hand receiu’d that fatall wound,

His poyſoned foame he driu’ld on the ground,

From which they ſay as in the earths deſpite,

Did ſpring that black and poyſoned Aconite:

For they by fire that mettals vſe to trie,

And finde wiſe Natures ſecreſies thereby,

When

Printer’s ornament

When they prepare induſtriouſly to ſhed

Siluer, diſpoſ’d adulteratly with lead,

Proue this baſe Courſer from the other fine,

Being ſo cleere and aptly femenine,

ſteales from her purenes in his boyſtrous fixure,

By the corruption of his earthly mixure,

Which if Gold helping her infeebled might,

As a kind brother in his ſiſters right,

By him her ſpirit is perfect and compacted,

Which that groſſe body enuiouſly detracted.

Conſcience like Gold which Hell cannot intice,

Nor winne from weake man by his auarice:

Which if infuſ’d ſuch vertue doth impart,

As doth conforme and rectifie the hart.

For as the Indians by experience know,

That like a Tree it in the ground doth grow,

And as it ſtill approcheth to the day,

His curled branches brauely doth diſplay,

Then in the bulke and body of the mine,

More neat, contracted, rarifi’d, and fine:

Printer’s ornament

So truth from darknes ſpreading doth appeare,

And ſhewes it ſelfe more luculent and cleere.

Dunſtan our Patron that religious man,

In Catol.7
Epiſcop.8

(That great and famous Metropolitan,

That in his time aſcended by degrees,

To VVorster, London, Canturburies Sees,

That was in ancient Glastenbury bred,

Foure Saxons raignes that liuing flouriſhed,

Whoſe deeds the world vnto this time containeth,

And ſainted in our Kalenders remaineth

Gaue) what not time our Brotherhood denies,

Ancient endowments and immunities:

And for our ſtation and our generall heape,

Recides in Lombard or in goodly Cheape.

VVe haue an Adage which though very old,

Tis not the worſe that it hath oft been told,

(Though the deſpiſing ancient things and holie,

Too much betraies our ignorance and follie)

That England yeelds to goodly London this,

That ſhe her chiefe and ſoueraine Citie is:

London9

Printer’s ornament

L10ondon will graunt her goodly Cheape the grace,

T11o be her firſt and and abſoluteſt place:

D12are I proclaime then with a conſtant hand,

C13 heape is the Starre and Iewell of thy land.

T14he Trophie that we reare vnto thy praiſe,

T15his gold-drop’d Lawrell, this life-giuing bayes,

N16o power lends immortalitie to men,

L17ike the hie ſpirit of an induſtrious pen,

W18hich ſtems times tumults with a full-ſpread ſaile,

W19hen proud reard piles and monuments doe faile,

A20nd in their cinders when great Courts doe lie,

T21hat ſhall confront and iuſtle 22 with the skie:

L23iue euer mightie, happely, and long,

L24iuing admir’d, and dead be highly ſong.

FINIS

Notes

Page cropped in original. (JJ)↑
Page cropped in original. (JJ)↑
Page cropped in original; proofed against Hebel 1961. (JJ)↑
I.e., Sire’s↑
Uninked type in Folger Shakespeare Library copy filmed for EEBO. (JJ)↑
I.e., None there is that↑
Page cropped in original; proofed against Hebel 1961. (JJ)↑
Page cropped in original; proofed against Hebel 1961. (JJ)↑
Page cropped. (JJ)↑
Page cropped in original; proofed against Hebel 1961. (JJ)↑
Page cropped in original; proofed against Hebel 1961. (JJ)↑
Page cropped in original; proofed against Hebel 1961. (JJ)↑
Page cropped in original; proofed against Hebel 1961. (JJ)↑
Page cropped in original; proofed against Hebel 1961. (JJ)↑
Page cropped in original; proofed against Hebel 1961. (JJ)↑
Page cropped in original; proofed against Hebel 1961. (JJ)↑
Page cropped in original; proofed against Hebel 1961. (JJ)↑
Page cropped in original; proofed against Hebel 1961. (JJ)↑
Page cropped in original; proofed against Hebel 1961. (JJ)↑
Page cropped in original; proofed against Hebel 1961. (JJ)↑
Page cropped in original; proofed against Hebel 1961. (JJ)↑
I.e., jostle↑
Page cropped in original; proofed against Hebel 1961. (JJ)↑
Page cropped in original; proofed against Hebel 1961. (JJ)↑

References

Citation
Hebel, William J.. The Works of Michael Drayton. 5 vols. Ed. Kathleen Tillotson and Bernard H. Newdigate. Oxford: Head P, 1961. Print.
This item is cited in the following documents:
- A Pæan Triumphal
- Introduction to A Paean Trivmphall
Citation
Stow, John. A Survey of London. Reprinted from the Text of 1603. Ed. Charles Lethbridge Kingsford. 2 vols. Oxford: Clarendon, 1908. Remediated by British History Online.
This item is cited in the following documents:

Cite this page

MLA citation

Drayton, Michael. A Pæan Triumphal. The Map of Early Modern London, edited by Janelle Jenstad, U of Victoria, 15 Sep. 2020, mapoflondon.uvic.ca/PAEA1.htm.

Chicago citation

Drayton, Michael. A Pæan Triumphal. The Map of Early Modern London. Ed. Janelle Jenstad. Victoria: University of Victoria. Accessed September 15, 2020. https://mapoflondon.uvic.ca/PAEA1.htm.

APA citation

Drayton, M. 2020. A Pæan Triumphal. In J. Jenstad (Ed), The Map of Early Modern London. Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/PAEA1.htm.

RIS file (for RefMan, EndNote etc.)

Provider: University of Victoria
Database: The Map of Early Modern London
Content: text/plain; charset="utf-8"

TY  - ELEC
A1  - Drayton, Michael
ED  - Jenstad, Janelle
T1  - A Pæan Triumphal
T2  - The Map of Early Modern London
PY  - 2020
DA  - 2020/09/15
CY  - Victoria
PB  - University of Victoria
LA  - English
UR  - https://mapoflondon.uvic.ca/PAEA1.htm
UR  - https://mapoflondon.uvic.ca/xml/standalone/PAEA1.xml
ER  -

RefWorks

RT Web Page
SR Electronic(1)
A1 Drayton, Michael
A6 Jenstad, Janelle
T1 A Pæan Triumphal
T2 The Map of Early Modern London
WP 2020
FD 2020/09/15
RD 2020/09/15
PP Victoria
PB University of Victoria
LA English
OL English
LK https://mapoflondon.uvic.ca/PAEA1.htm

TEI citation

<bibl type="mla"><author><name ref="#DRAY3"><surname>Drayton</surname>, <forename>Michael</forename></name></author>. <title level="a">A Pæan Triumphal</title>. <title level="m">The Map of Early Modern London</title>, edited by <editor><name ref="#JENS1"><forename>Janelle</forename> <surname>Jenstad</surname></name></editor>, <publisher>U of Victoria</publisher>, <date when="2020-09-15">15 Sep. 2020</date>, <ref target="https://mapoflondon.uvic.ca/PAEA1.htm">mapoflondon.uvic.ca/PAEA1.htm</ref>.</bibl>

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Director of Pedagogy and Outreach, 2015–present. Associate Project Director, 2015–present. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.
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Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).
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- Jenstad, Janelle. Building a Gazetteer for Early Modern London, 1550-1650. Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145.
- Jenstad, Janelle. The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody. The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print.
- Jenstad, Janelle. The City Cannot Hold You: Social Conversion in the Goldsmith’s Shop. Early Modern Literary Studies 8.2 (2002): 5.1–26..
- Jenstad, Janelle. The Gouldesmythes Storehowse: Early Evidence for Specialisation. The Silver Society Journal 10 (1998): 40–43.
- Jenstad, Janelle. Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside. Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373.
- Jenstad, Janelle. Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment. Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print.
- Jenstad, Janelle. Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage. Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print.
- Jenstad, Janelle. Using Early Modern Maps in Literary Studies: Views and Caveats from London. GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print.
- Jenstad, Janelle. Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?. Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/.
- Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. Open.
- Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed. Web.
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Michael Drayton

(b. 1563, d. 1631)

Poet. Helped establish Whitefriars Theatre.
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- Wikipedia
Michael Drayton is mentioned in the following documents:
Michael Drayton authored or edited the following items in MoEML’s bibliography:
- Drayton, Michael. A paean triumphall Composed for the Societie of the Goldsmiths of London: congratulating his Highnes magnificent entring the citie. To the Maiestie of the King. London: John Flasket, 1604. STC 7215. Subscr. EEBO.
- Drayton, Michael. Poly-Olbion. 1613. The Works of Michael Drayton. Ed. J. William Hebel, Kathleen Tillotson, and Bernard H. Newdigate. Rev. ed. 5 vols. Oxford: Shakespeare Head P, 1961. Vol. 4.
- Drayton, Michael. Poly-Olbion. or A chorographicall description of tracts, riuers, mountaines, forests, and other parts of this renowned isle of Great Britaine with intermixture of the most remarquable stories, antiquities, wonders, rarityes, pleasures, and commodities of the same: digested in a poem by Michael Drayton, Esq. With a table added, for direction to those occurrences of story and antiquitie, whereunto the course of the volume easily leades not. London, 1613. EEBO. Reprint. Subscr. STC 7727
John Flasket

(fl. after 1593d. 1616)

Bookseller.
- BBTI
John Flasket is mentioned in the following documents:
- A Pæan Triumphal
Henry V

Henry This numeral is a Roman numeral. The Arabic equivalent is 5V King of England

(b. 1386, d. 1422)

King of England 1413-1422. Buried at Westminster Abbey.
- ODNB
- Wikipedia
Henry V is mentioned in the following documents:
Dunstan

Dunstan Bishop of Worcester Bishop of London Archbishop of Canterbury

Bishop of Worcester 957–959. Bishop of London 958–959. Archbishop of Canterbury 959–988.
- Wikipedia
Dunstan is mentioned in the following documents:
Felix Kyngston

Felix Kingston

(b. in or before 1598, d. 1653)

Printer.
- BBTI
Felix Kyngston is mentioned in the following documents:
- Bill of Mortality Finding Aid

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EEBO-TCP

Early English Books Online–Text Creation Partnership

The EEBO-TCP is a partnership with ProQuest and with more than 150 libraries to generate highly accurate, fully-searchable, SGML/XML-encoded texts corresponding to books from the Early English Books Online Database. Website.
Roles played in the project
- First Encoders
- First Transcriber
- First Transcribers
- Transcriber
This organization is mentioned in the following documents:
- Complete Orgography

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Michael Drayton is mentioned in the following documents:

Michael Drayton authored or edited the following items in MoEML’s bibliography:

John Flasket is mentioned in the following documents:

Henry This numeral is a Roman numeral. The Arabic equivalent is 5V King of England

Henry V is mentioned in the following documents:

Dunstan Bishop of Worcester Bishop of London Archbishop of Canterbury

Dunstan is mentioned in the following documents:

Felix Kingston

Felix Kyngston is mentioned in the following documents:

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