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Excerpts from Epicene, or the Silent Woman

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The following extracts are taken to provide toponymic variants for the MoEML Gazetteer; they are not meant to be diplomatic transcriptions of a primary source.
Quotation Citation
The Poet prays you, then, with better thought
To sit; and when his cates are all in brought,
Though there be none far-fet, there will dear-bought
Be fit for ladies; some for lords, knights, squires,
Some for your waiting-wench and city-wires,
Some for your men and daughters of Whitefriars.

 Prologue 19-24
Truewit
Gap in transcription. Reason: Editorial omission for reasons of length or relevance. Use only in quotations in born-digital documents.[…] You see gilders will not work but enclosed. They must not discover how little serves with the help of art to adorn a great deal. How long did the canvas hang afore Aldgate? Were the people suffered to see the city’s Love and Charity while they were rude stone, before they were painted and burnished? No. No more should servants approach their mistresses but when they are complete and finished.

1.1.116–23
Truewit
’Slid, I would be the author of more to vex him; that purpose deserves it: it gives thee law of plaguing him. I’ll tell thee what I would do. I would make a false almanac, get it printed, and then ha’ him drawn out on a coronation day to the Tower-wharf, and kill him with the noise of the ordnance.

1.2.11–16
Clerimont
Gap in transcription. Reason: Editorial omission for reasons of length or relevance. Use only in quotations in born-digital documents.[…] He is one of the Braveries, though he be none o’ the Wits. He will salute a judge upon the bench and a bishop in the pulpit, a lawyer when he is pleading at the bar, and a lady when she is dancing in a masque, and put her out. He does give plays and suppers, and invites his guests to ’em aloud out of his window as they ride by in coaches. He has a lodging in the Strand for the purpose, or to watch when ladies are gone to the china-houses or theExchange, that he may meet ’em by chance and give ’em presents, some two or three hundred pounds’ worth of toys, to be laughed at. He is never witout a spare banquet or sweetmeats in his chanber, for their women to alight at and come up to, for a bait.

1.3.30–42
Clerimont
Sir Amorous! You have very much honested my lodging with your presence.
La Foole
Good faith, it is a fine lodging, almost as delicate a lodging as mine.
Clerimont
Not so, sir.
La Foole.
Excuse me, sir, if it were i’ the Strand, I assure you.

1.4.3–8
Truewit
Marry, your friends do wonder, sir, the Thames being so near, wherein you may drown so handsomely; or London Bridge at a low fall with a fine leap, to hurry you down the stream; or such a delicate steeple i’t he town as Bow, to vault from; or a braver height as Paul’s; or if you affected to do it nearer home and a shorter way, an excellent garret window into the street; or a beam in the said garret, with this halter
(He shows him a halter)
which they have sent, and desire that you would sooner commit your grave head to this knot than to the wedlock noose; or take a little sublimate and go out of the world like a rat, or a fly (as one said) wiht a straw i’ your arse: any way rather than to follow this goblin matrimony.

2.2.20–32
Morose
Gap in transcription. Reason: Editorial omission for reasons of length or relevance. Use only in quotations in born-digital documents.[…] Your knighthood itself shall come on its knees, and it shall be rejected; it shall be sued forits fees to execution, and not be redeemed; it shall cheat at the twelvepenny ordinary, it knightood, for its diet all the term time, and tell teales for it in the vacation, to the hostess; or it knighthood shall do worse, take sanctuary in Coleharbour, and fast. It shall fright all it friends with borrowing letters, and when one of the four-score hath brought it knighthood ten shillings, it knighthood shall go to the Cranes or the Bear at the Bridge-foot and be drunk in fear; it shall not have money to discharge one tavern-reckoning, to invite the old creditors to forbear it knighthood, or the new that should be, to trust it knighthood.

2.5.108–21
Truewit
Why, sir, he has been a great man at the Bear Garden in his time, and from that subtle sport has ta’en the witty denomination of his chief carousing cups. One he calls his bull, another his bear, another his horse.

2.6.59–62
Otter
Gap in transcription. Reason: Editorial omission for reasons of length or relevance. Use only in quotations in born-digital documents.[…] Tom Otter’s bull, bear and horse is known all over England, in rerum natura.
Mistress Otter
’Fore me, I will ’na-ture’ ’em over to Paris Garden and ’na-ture’ you thither too, if you pronounce ’em again. Is a bear a fit beast, or a bull, to mix in society with great ladies? Think i’ your discretion, in any good polity?
Otter
The horse then, good princess.
Mistress Otter
Well, I am contented for the horse; they love to be well horsed, I know. I love it myself.
Otter
And it is a delicate fine horse this. Poetarum Pegasus. Under correction, princess, Jupiter did turn himself into a -- taurus, or bull, under correction, good princess.
Mistress Otter
By my integrity, I’ll send you over to the Bankside, I’ll commit you to the Master of the Garden, if I hear but a syllable more.

3.1.13–28
Clerimont
Ay, she must hear argument. Did not Pasiphae, who was a queen, love a bull? And was not Calisto, the mother of Arcas, turned into a bear and made a star, Mistress Ursula, i’ the heavens?
Otter
Oh, God, that I could ha’ said as much! I will have these stories painted i’ the Bear Garden, ex Ovidii Metamorphosi.

3.3.123–29
Morose
You can speak then!
Epicene
Yes, sir.
Morose
Speak out, I mean.
Epicene
Ay, sir. Why, did you think you had married a statue? or a motion only? one of the French puppets with the eyes turned with a wire? or some innocent out of the hospital, that would stand with her hands thus, and a plaicemouth, and look upon you?

3.4.32–39
Dauphine
Oh, hold me up a little, I shall go away i’ the jest else. He has got on his whole nest of nightcaps, and locked himself up i’ the top o’ the house, as high as ever he can climb from the noise. I peeped in at a cranny and saw him sitting over a cross-beam o’ the roof, like him o’ the saddler’s horse in Fleet Street, upright; and he will sleep there.

4.1.20–26
Truewit
Gap in transcription. Reason: Editorial omission for reasons of length or relevance. Use only in quotations in born-digital documents.[…] Then if she be covetous and craving, do you promise anything, and perform sparingly; so shall you keep her in appetite still. Seem as you would give, but be like a barren field that yields little, or unlucky dice to foolish and hoping gamesters. Let your gifts be slight and dainty, rather than precious. Let cunning be above cost. Give cherries at time of year, or apricots; and say they were sent you out o’ the country, though you bought ’em in Cheapside.

4.1.108–16
Otter
Agreed. Now you shall ha’ the bear, cousin, and Sir John Daw the horse, and I’ll ha’ the bull still. Sound, Tritons o’ the Thames.

4.2.64–66
Otter
A most vile face! And yet she spends me forty pound a year in mercury and hogs’ bones. All her teeth were made i’ the Blackfriars, both her eyebrows i’ the Strand, and her hair in Silver Street. Every part o’ the town owns a piece of her.

4.2.87–90
Morose
Mistress Mary Ambree, your examples are dangerous. -- Rogues, hell-hounds, Stentors, out of my doors, you sons of noise and tumult, begot on an ill May-day, or when the galley-foist is afloat to Westminster! A trumpeter could not be conceived but then!

4.2.118–22
Centaure
Let him allow you your coach and four horses, your woman, your chambermaid, your page, your gentleman-usher, your French cook, and four grooms.
Haughty
And go with us to Bedlam, to the china-houses, and to the Exchange.
Centaure
It will open the gate to your fame.
Haughty
Here’s Centaure has immortalised herself with taming of her wild male.
Mavis
Ay, she has done the miracle of the kingdom.
Epicene
But ladies, do you count it lawful to have such plurality of servants, and do ’em all graces?
Haughty
Why not? Why should women deny their favours to men? Are they poorer, or the worse?
Daw
Is the Thames the less for the dyer’s water, mistress?
La Foole
Or a torch for lighting many torches?

 4.4.20–34
Dauphine
. Marry, God forbid, sir, that you should geld yourself to anger your wife.
Morose
So it would rid me of her! And that I did supererogatory penance, in a belfry, at Westminster Hall, i’ the Cockpit, at the fall of a stag, the Tower Wharf (what place is there else?) London Bridge, Paris Garden, Billingsgate, when the noises are at their height and loudest. Hay, I would sit out a play that were nothing but fights at sea, drum, trumpet and target!

4.4.10–18

References

Cite this page

MLA citation

Jonson, Ben. Excerpts from Epicene, or the Silent Woman. The Map of Early Modern London, edited by Janelle Jenstad, U of Victoria, 26 Jun. 2020, mapoflondon.uvic.ca/EPIC1.htm.

Chicago citation

Jonson, Ben. Excerpts from Epicene, or the Silent Woman. The Map of Early Modern London. Ed. Janelle Jenstad. Victoria: University of Victoria. Accessed June 26, 2020. https://mapoflondon.uvic.ca/EPIC1.htm.

APA citation

Jonson, B. 2020. Excerpts from Epicene, or the Silent Woman. In J. Jenstad (Ed), The Map of Early Modern London. Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/EPIC1.htm.

RIS file (for RefMan, EndNote etc.)

Provider: University of Victoria
Database: The Map of Early Modern London
Content: text/plain; charset="utf-8"

TY  - ELEC
A1  - Jonson, Ben
ED  - Jenstad, Janelle
T1  - Excerpts from Epicene, or the Silent Woman
T2  - The Map of Early Modern London
PY  - 2020
DA  - 2020/06/26
CY  - Victoria
PB  - University of Victoria
LA  - English
UR  - https://mapoflondon.uvic.ca/EPIC1.htm
UR  - https://mapoflondon.uvic.ca/xml/standalone/EPIC1.xml
ER  -

RefWorks

RT Web Page
SR Electronic(1)
A1 Jonson, Ben
A6 Jenstad, Janelle
T1 Excerpts from Epicene, or the Silent Woman
T2 The Map of Early Modern London
WP 2020
FD 2020/06/26
RD 2020/06/26
PP Victoria
PB University of Victoria
LA English
OL English
LK https://mapoflondon.uvic.ca/EPIC1.htm

TEI citation

<bibl type="mla"><author><name ref="#JONS1"><surname>Jonson</surname>, <forename>Ben</forename></name></author>. <title level="a">Excerpts from <title level="m">Epicene, or the Silent Woman</title></title>. <title level="m">The Map of Early Modern London</title>, edited by <editor><name ref="#JENS1"><forename>Janelle</forename> <surname>Jenstad</surname></name></editor>, <publisher>U of Victoria</publisher>, <date when="2020-06-26">26 Jun. 2020</date>, <ref target="https://mapoflondon.uvic.ca/EPIC1.htm">mapoflondon.uvic.ca/EPIC1.htm</ref>.</bibl>

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