Isabella Whitney
Scholars suggest that Isabella Whitney
was the daughter of Geoffrey Whitney from Coole Pilate, Cheshire, and the sister
of Geoffrey Whitney, who wrote
A Choice of Emblemes in 1586. She was most likely
born around 1540, and died sometime after 1580. Much of her biographical
information has been inferred from references about certain people in the will
of the younger Geoffrey, from his
emblem book, and from Isabella’s book
of verses A Sweet Nosgay (Travitsky). Ian
Lancashire notes that she was a lady-in-waiting by occupation, and
Michael Best conjectures that,
because her verses suggest a familiarity with London, she might have lived
there. Best also explains that the
lack of historical record is due to the fact that she was of the middle class,
and was not a noblewoman.
Although there is little factual information about Whitney’s birth and parentage, Travitsky credits her with
the distinction of being the first woman under whose name, or initials, a complete, printed volume of original, secular poetry appeared in English(Travitsky). Best similarly comments that Isabella Whitney
was a pioneering authorbecause she wrote poetry
designed to appeal to public taste at a time when devotional literature and translations of men’s work was considered to be the only proper literary work for women(Best).
She published two works of poetry, The Copy of a Letter lately
written in meeter, by a yonge Gentilwoman: to her unconstant lover
(1566–67), and A Sweet Nosgay (1573). Both volumes were
published in London by the printer Richard
Jones. Her first work of poetry consists of
four jaunty love complaints,two of which have a female speaker, and the other two a male speaker (Travitsky). Wendy Wall suggests that The Copy of a Letter is both
a complaint about sexual infidelity and a warning to maidens about male flattery and deceit(46). In the two poems with female speakers, Whitney likens the male lover to unfaithful men of mythology,
thus giving voice retrospectively to legendary abandoned women(46). The remaining two poems, written in the voice of male speakers, address the infidelity of their female lovers.
Travitsky notes that Whitney’s second publication, A Sweet Nosgay, alters Hugh Plat’s
adages Gap in transcription. Reason: Editorial omission for reasons of length or relevance. Use only in quotations in born-digital documents.[…] on love and friendshipfrom his Floures of Philosophie (1572), and gives them a
proto-feministquality. The work concentrates on the speaker’s sickness and her consequent suffering, which is partially relieved by loving friends and family. The poems tell of a woman’s plight. She comes from a large but not high-class family; she is single and a poetess; and she had been employed by a woman but was let go due to her illness. It is from these possibly autobiographical details that scholars derive their ideas about Whitney’s family and origins. In the final poem—the famous mock
Wyll and Testament—the speaker leaves London and its merciless economics behind.
In summarizing the life and work of this female poet, Linda Gregerson writes that
in a world that measured privilege by the power to withdraw from common public life, Whitney flaunted her immersion in the colour and noise of urban commerce. In a world that measure womanhood by its powers of modulated restraint, Whitney practiced exorbitant indecorums(505). Travitsky describes her as being an unconventional woman for her time, and goes so far as to suggest that she embodies the qualities of the
’Judith Shakespeare’ whom Virginia Woolf posited as an impossibility.Although her use of allusions and poetic forms position her as similar to her male contemporaries, it is Whitney’s gender that makes her unique as a poet of the sixteenth century (Travitsky).
References
-
Citation
Best, Michael.Isabella Whitney.
Shakespeare’s Life and Times. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/SLT/literature/women%20writers/whitney.html.This item is cited in the following documents:
-
Citation
Gregerson, Linda.Isabella Whitney.
Poetry 187 (2006): 502–505.This item is cited in the following documents:
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Citation
Lancashire, Ian.Selected Poetry of Isabella Whitney.
Representative Poetry Online. U of Toronto. http://rpo.library.utoronto.ca/poems/sweet-nosegay-or-pleasant-poesy-containing-hundred-and-ten-philosophical-flowers.This item is cited in the following documents:
-
Citation
Travitsky, Betty.The
English Literary Renaissance 10.1 (1980): 76–94. doi:10.1111/j.1475-6757.1980.tb01411.x.Wyll and Testament
of Isabella Whitney.This item is cited in the following documents:
-
Citation
Wall, Wendy.Isabella Whitney and the Female Legacy.
ELH 58.1 (1991): 35–62. doi:10.2307/2873393.This item is cited in the following documents:
Cite this page
MLA citation
Isabella Whitney.The Map of Early Modern London, edited by , U of Victoria, 26 Jun. 2020, mapoflondon.uvic.ca/WHIT15.htm.
Chicago citation
Isabella Whitney.The Map of Early Modern London. Ed. . Victoria: University of Victoria. Accessed June 26, 2020. https://mapoflondon.uvic.ca/WHIT15.htm.
APA citation
The Map of Early Modern London. Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/WHIT15.htm.
2020. Isabella Whitney. In (Ed), RIS file (for RefMan, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Mann, Paisley ED - Jenstad, Janelle T1 - Isabella Whitney T2 - The Map of Early Modern London PY - 2020 DA - 2020/06/26 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/WHIT15.htm UR - https://mapoflondon.uvic.ca/xml/standalone/WHIT15.xml ER -
RefWorks
RT Web Page SR Electronic(1) A1 Mann, Paisley A6 Jenstad, Janelle T1 Isabella Whitney T2 The Map of Early Modern London WP 2020 FD 2020/06/26 RD 2020/06/26 PP Victoria PB University of Victoria LA English OL English LK https://mapoflondon.uvic.ca/WHIT15.htm
TEI citation
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<date when="2020-06-26">26 Jun. 2020</date>, <ref target="https://mapoflondon.uvic.ca/WHIT15.htm">mapoflondon.uvic.ca/WHIT15.htm</ref>.</bibl>
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Joey Takeda
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Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.Roles played in the project
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Director of Pedagogy and Outreach, 2015–present. Associate Project Director, 2015–present. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Janelle Jenstad
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Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. Open.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed. Web.
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Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Paisley Mann
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Student contributor enrolled in English 520: Representations of London in Early Modern Literature and Culture at the University of Victoria in Summer 2008. Paisley Mann completed her MA at the University of Victoria and went on to doctoral work at the University of British Columbia. Her work on Thomas Heywood’s 2 If You Know Not MeYou Know Nobody began with a term paper on the play’s portrayal of illicit French sexuality, a topic she has also researched for the website Representing France and the French in Early Modern English Drama. This topic interests her, although she specializes in Victorian literature, because she frequently works on how Victorian literature portrays France and French culture. She is also a contributor for Routledge’s online database Annotated Bibliography of English Studies.Roles played in the project
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Richard Jones is mentioned in the following documents:
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Geoffrey Whitney
(b. 1548, d. between 1600 and 1601)Civil servant. Author of A Choice of Emblemes and Other Devises.Geoffrey Whitney is mentioned in the following documents:
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Isabella Whitney is mentioned in the following documents:
Isabella Whitney authored or edited the following items in MoEML’s bibliography:
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Whitney, Isabella.
The Manner of Her Will, and What She Left to London.
Women Writers in Renaissance England. Ed. Randall Martin. London: Longman, 1997. 289–302. -
Whitney, Isabella.
The Manner of Her Will.
The Norton Anthology of English Literature. Ed. M.H. Abrams and Stephen Greenblatt. 7th ed. 2 vols. New York: Norton, 2000. 1.606–14. -
Whitney, Isabella.
The Wyll and Testament of Isabella Whitney.
Renaissance Women Poets: Isabella Whitney, Mary Sidney, and Aemelia Lanyer. Ed. Danielle Clark. London: Penguin, 2000.