Cockpit Alley (Pitt Court)
Cockpit Alley, later called Pitt Court, was one of a series of narrow alleys that ran southwest to northeast between Drury Lane in the west and Great Wild Street (now just Wild Street) in the east. It took its name from the Cockpit Theatre which was located in the alley or very nearby. It is not labelled in the Agas Map,
but appears clearly on the Rocque map of 1746.
Cite this page
MLA citation
McLean-Fiander, Kim.
Cockpit Alley (Pitt Court).The Map of Early Modern London, edited by Janelle Jenstad, U of Victoria, 26 Jun. 2020, mapoflondon.uvic.ca/COCK6.htm.
Chicago citation
McLean-Fiander, Kim.
Cockpit Alley (Pitt Court).The Map of Early Modern London. Ed. Janelle Jenstad. Victoria: University of Victoria. Accessed June 26, 2020. https://mapoflondon.uvic.ca/COCK6.htm.
APA citation
McLean-Fiander, K. 2020. Cockpit Alley (Pitt Court). In J. Jenstad (Ed), The Map of Early Modern London. Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/COCK6.htm.
RIS file (for RefMan, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - McLean-Fiander, Kim ED - Jenstad, Janelle T1 - Cockpit Alley (Pitt Court) T2 - The Map of Early Modern London PY - 2020 DA - 2020/06/26 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/COCK6.htm UR - https://mapoflondon.uvic.ca/xml/standalone/COCK6.xml ER -
RefWorks
RT Web Page SR Electronic(1) A1 McLean-Fiander, Kim A6 Jenstad, Janelle T1 Cockpit Alley (Pitt Court) T2 The Map of Early Modern London WP 2020 FD 2020/06/26 RD 2020/06/26 PP Victoria PB University of Victoria LA English OL English LK https://mapoflondon.uvic.ca/COCK6.htm
TEI citation
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<date when="2020-06-26">26 Jun. 2020</date>, <ref target="https://mapoflondon.uvic.ca/COCK6.htm">mapoflondon.uvic.ca/COCK6.htm</ref>.</bibl>
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Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
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Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
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The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
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Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
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Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
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Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
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Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
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Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
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Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. Open.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed. Web.
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Locations
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Drury Lane is mentioned in the following documents:
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Great Wild Street is mentioned in the following documents:
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The Cockpit
The Cockpit, also known as the Phoenix, was an indoor commercial playhouse planned and built by the theatre entrepreneur and actor Christopher Beeston. The title pages of plays performed at the Cockpit usually refer to its locationin Drury Lane,
but G. E. Bentley offers a more precise description:Beeston’s property lay between Drury Lane and Great Wild Street, north-west of Princes’ Street in the parish of St Giles in the Fields
(Bentley vi 49). Herbert Berry adds that the playhouse wasthree-eights of a mile west of the western boundary of the City of London at Temple Bar
(Berry 624), and Frances Teague notes that it wason the east side of Drury Lane
and that[t]he site was long preserved by the name of Cockpit Alley, afterwards Pitt Court
(Teague 243).The Cockpit is mentioned in the following documents:
Variant spellings
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Documents using the spelling
Cockpit Alley
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Documents using the spelling
Pitt Court
