Cheapside’s Triumphs and Chyron’s Cross’s Lamentation
Part I
[Printer’s ornament]
Cheapſides Triumphs, and Chyrones Croſſes Lamentation.
To the tune of the Building.
[Woodcut image of London showing Cheapside Cross]
SEe the guilding
Of Cheapſides famous building
the glorious Croſſe,
Trimd vp moſt fairly,
With gold moſt rarely,
refin’d from droſſe:
A pleaſing proſpect to all beholders,
that ſhall but view it,
and lately knew it
Defac’d of beauty,
but now a ſumptuous thing:
Whoſe praiſe and wonder
Fame abroad doth ring.
Tricked moſt neatly
With coſt compleatly
adorn’d moſt rare,
Whoſe ſhining beauty,
ſhowes the Cities duty
and tender care:
To preſerue their rich & ſumptuous buildings,
in ſtately manner,
ſuch coſt vpon her
they beſtow with honour,
Such is the loue they beare
which now is ſeene
By Cheapſide gliſtering faire.
The Croſſe there placed,
Is now much graced,
that it may be knowne,
How well the Citie,
With care and pitie,
reſpects her owne:
Braue Citizens of worthy London,
ſuch loue they owe it,
and now they ſhow it,
freely beſtow it
Upon their City faire,
with Cheapſide Croſſe
There’s none can make compare.
Search
England
ouer,
From hence to
Douer
,
and ſo about,
The like to Cheapſide,
Faire
Londons
chiefe pride,
you’l not find out:
Newly beautifi’d moſt neat and fairly,
all may admire,
and ſtill deſire,
to gaze vp higher,
To ſee the glorious ſtate
of this rare building,
O ſight moſt bleſſed,
To ſée Cheapſide dreſſed,
in ſtately manner:
May you perſeuer
In loue foreuer,
tis for your honor,
To ſee your Croſſe excell in ſhining
all CroſſThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)e2s elſewhere,
to this comes not neere,
now trimmed moſt rare:
And glorious to behold,
whoſe ſhining brauery
Gliſtereth all of gold.
This golden ſplendor
Makes all men wonder,
to ſée Cheapſide:
In ſumptuous manner
For Londons honor,
and This text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on an external source. (JJ)state3 beſide:
Put downe fThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)a4ire
Oxfordſhires
chiefe beauty
AbingThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)t5ons
faire Croſſe
was neuer grac’t thus,
as is bright Cheaps
Croſſe,
Now ſhining faire and bright,
whoſe excellent ſplendor
Giues the city light.
The ſecond part, To the ſame tuné.
[Woodcut image of a house framed by two pillars and two human
figures (a courtier to the left and a king to the right]
KInd frThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)i6ends pray turne ye,
With griefe now mourne ye,
to behold and ſée
An ancient building
Now downwards yeelding,
ah woe is me:
The prouerb here is verified truly,
old things are worth nought,
but that’s a bad thought,
for to forget ought
Once eſteemed deare,
In lamentation,
I make my ſupplication
to great and ſmall,
That erſt haue view’d me,
And now peruſ’d me,
then iudge withall,
That ancient things in theſe dayes are
more is the pity
that ſuch a city,
ſo wiſe and witty,
ſhould not regard their fame,
cenſure This text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on an external source. (JJ)a9right,
Then tell me where’s the blame.
I long haue ſtood hThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)e10re,
Mary bad and good yeare,
pining away,
Expecting euer,
But I feare neuer
to ſee the day
Wherein my ſtate againe ſhThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)a11ll be aduanced,
and all things made good,
of ſtone or elſe wood,
where I hThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)a12ue long ſtood,
Expecting This text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)e13uery day
I ſhould be once againe
Made neat and gay.
Thou wert a deare one,
Old noble Chyron,14
that plac’t me here,
My firſt ſupporter
Of ſtone and morter,
was ſeated This text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (NAP)r15are:
But now you ſée my top is downward bending
my ſtate is reeling,
none hath a féelThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on an external source. (NAP)i16ng
to my appealing,
That now in ſad diſtreſſe
to court and city
ſome honeſt Courtier
Be my ſupporter,
I now intreate,
ſome Lord or Barrone,
Pitty old Chyrone,
ere it be tThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (NAP)o18o late,
For now my ſtate you ſée is down declining
my ancient building,
is downward yeelding,
In wofull manner
I waile my wretched ſtate,
Oh pity ſoone, for feare it be too late,
In time I craue it,
And faine would haue it,
for mercies ſake,
Take thou ſome pitie,
Faire London Citie,
my foundation make,
Aged Pauls and I may waile together
and pray to heauen
all may be eauen,
and gifts be giuen
By charitable men,
to beautifie
Our buildings faire agen.
F I N I S.
Notes
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- Gap in inking: missing letter obvious from context. (JJ)↑
- Gap in inking: proofed against EBBA facsimile. (JJ)↑
- Gap in inking: proofed against EBBA facsimile. (JJ)↑
- Gap in inking: proofed against EBBA facsimile. (JJ)↑
- Gap in inking: missing letter obvious from context. (JJ)↑
- Gap in inking: missing letter obvious from context. (JJ)↑
- Gap in inking: missing letter obvious from context. (JJ)↑
- Gap in inking: missing letter obvious from context. (JJ)↑
- We have been unable to determine the identity of Chyron. Please contact the MoEML team if you can provide information. (JJ)↑
- Gap in inking: missing letter obvious from context. (NAP)↑
- Gap in inking: proofed against EBBA facsimile. (NAP)↑
- Gap in inking: missing letter obvious from context. (NAP)↑
- Gap in inking: missing letter obvious from context. (NAP)↑
References
-
, and .
Survey of London: Farringdon Ward Without.
The Map of Early Modern London, edited by , U of Victoria, 26 Jun. 2020, mapoflondon.uvic.ca/stow_1598_FARR2.htm.
Cite this page
MLA citation
Cheapside’s Triumphs and Chyron’s Cross’s Lamentation.The Map of Early Modern London, edited by , U of Victoria, 26 Jun. 2020, mapoflondon.uvic.ca/CHEA4.htm.
Chicago citation
Cheapside’s Triumphs and Chyron’s Cross’s Lamentation.The Map of Early Modern London. Ed. . Victoria: University of Victoria. Accessed June 26, 2020. https://mapoflondon.uvic.ca/CHEA4.htm.
APA citation
The Map of Early Modern London. Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/CHEA4.htm.
. 2020. Cheapside’s Triumphs and Chyron’s Cross’s Lamentation. In (Ed), RIS file (for RefMan, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - , ED - Jenstad, Janelle T1 - Cheapside’s Triumphs and Chyron’s Cross’s Lamentation T2 - The Map of Early Modern London PY - 2020 DA - 2020/06/26 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/CHEA4.htm UR - https://mapoflondon.uvic.ca/xml/standalone/CHEA4.xml ER -
RefWorks
RT Web Page SR Electronic(1) A1 , A6 Jenstad, Janelle T1 Cheapside’s Triumphs and Chyron’s Cross’s Lamentation T2 The Map of Early Modern London WP 2020 FD 2020/06/26 RD 2020/06/26 PP Victoria PB University of Victoria LA English OL English LK https://mapoflondon.uvic.ca/CHEA4.htm
TEI citation
<bibl type="mla"><author><name ref="#ANON2"><name ref="#ANON2">Anonymous</name></name></author>.
<title level="a">Cheapside’s Triumphs and Chyron’s Cross’s Lamentation</title>. <title
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<date when="2020-06-26">26 Jun. 2020</date>, <ref target="https://mapoflondon.uvic.ca/CHEA4.htm">mapoflondon.uvic.ca/CHEA4.htm</ref>.</bibl>
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Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
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The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
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Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
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The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
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Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
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Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
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Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
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Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. Open.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed. Web.
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Locations
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Cheapside Street
Cheapside, one of the most important streets in early modern London, ran east-west between the Great Conduit at the foot of Old Jewry to the Little Conduit by St. Paul’s churchyard. The terminus of all the northbound streets from the river, the broad expanse of Cheapside separated the northern wards from the southern wards. It was lined with buildings three, four, and even five stories tall, whose shopfronts were open to the light and set out with attractive displays of luxury commodities (Weinreb and Hibbert 148). Cheapside was the centre of London’s wealth, with many mercers’ and goldsmiths’ shops located there. It was also the most sacred stretch of the processional route, being traced both by the linear east-west route of a royal entry and by the circular route of the annual mayoral procession.Cheapside Street is mentioned in the following documents:
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Cheapside Cross (Eleanor Cross)
If monuments could speak, the Cheapside Cross would have told a tale of kingly love, civic pride, and sectarian violence. The Cross, pictured but not labelled on the Agas map, stood in Cheapside between Friday Street and Wood Street. St. Peter Westcheap lay to its west, on the north side of Cheapside. The prestigious shops of Goldsmiths’ Row were located to the east of the Cross, on the south side of Cheapside. The Standard in Cheapside (also known as the Cheap Standard), a square pillar/conduit that was also a ceremonial site, lay further to the east (Brissenden xi).Cheapside Cross (Eleanor Cross) is mentioned in the following documents:
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St. Paul’s Cathedral
St. Paul’s Cathedral was—and remains—an important church in London. In 962, while London was occupied by the Danes, St. Paul’s monastery was burnt and raised anew. The church survived the Norman conquest of 1066, but in 1087 it was burnt again. An ambitious Bishop named Maurice took the opportunity to build a new St. Paul’s, even petitioning the king to offer a piece of land belonging to one of his castles (Times 115). The building Maurice initiated would become the cathedral of St. Paul’s which survived until the Great Fire of London.St. Paul’s Cathedral is mentioned in the following documents:
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Old Bailey
The Old Bailey ran along the outside of the London Wall near Newgate (Stow 304). It is labelled on the Agas map asOlde baily.
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