Shoreditch Street
Shoreditch Street, also called Sewersditch, was a continuation of
Bishopsgate Street, passing
northward from Norton Folgate to the small town of Shoreditch, a suburb of London in the sixteenth and
seventeenth centuries, for which the road was likely named. Shoreditch first appears in
manuscripts in 1148 as Scoreditch, meaning
ditch of Sceorf [or Scorre](Weinreb and Hibbert 807).
There is not much information about the importance of Shoreditch Street itself, though it would have been
a well travelled road, as were all the roads leading in and out of the city
gates. The Shoreditch settlement
that the road leads to has been the site of several important sites and
events. The street was lined
all along a continuall building of small and base tenements, for the most part lately erected(Stow 2:74). The village itself grew at Kingsland Road and Old Street, which dated from Roman times (Weinreb and Hibbert 807).
Shoreditch and the areas immediately
surrounding it were a lightning rod for dramatic activity. Because the area
was outside London’s boundaries, the Lord Mayor had no control over the
activities that took place there. In 1576, James Burbage
founded The Theatre just off Shoreditch; it was London’s first dedicated playhouse. In 1577, The Curtain was erected on
Shoreditch Street. Many actors
lived in the area, and some were buried at St. Leonard’s Church in Shoreditch. In 1598,
playwright Ben Jonson fought a duel
with Gabriel Spencer in Hoxton
Fields, located nearby; Jonson killed
Spencer (Weinreb and Hibbert 807).
Shoreditch is now amalgamated with
Hackney (Weinreb and Hibbert 807).
References
-
Citation
Stow, John. A Survey of London. Reprinted from the Text of 1603. Ed. Charles Lethbridge Kingsford. 2 vols. Oxford: Clarendon, 1908. Remediated by British History Online.This item is cited in the following documents:
-
Citation
Weinreb, Ben, and Christopher Hibbert, eds. The London Encyclopaedia. New York: St. Martin’s P, 1983. Print. [You may also wish to consult the 3rd edition, published in 2008.]This item is cited in the following documents:
Cite this page
MLA citation
Shoreditch Street.The Map of Early Modern London, edited by , U of Victoria, 15 Sep. 2020, mapoflondon.uvic.ca/SHOR2.htm.
Chicago citation
Shoreditch Street.The Map of Early Modern London. Ed. . Victoria: University of Victoria. Accessed September 15, 2020. https://mapoflondon.uvic.ca/SHOR2.htm.
APA citation
The Map of Early Modern London. Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/SHOR2.htm.
2020. Shoreditch Street. In (Ed), RIS file (for RefMan, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Campbell, James ED - Jenstad, Janelle T1 - Shoreditch Street T2 - The Map of Early Modern London PY - 2020 DA - 2020/09/15 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/SHOR2.htm UR - https://mapoflondon.uvic.ca/xml/standalone/SHOR2.xml ER -
RefWorks
RT Web Page SR Electronic(1) A1 Campbell, James A6 Jenstad, Janelle T1 Shoreditch Street T2 The Map of Early Modern London WP 2020 FD 2020/09/15 RD 2020/09/15 PP Victoria PB University of Victoria LA English OL English LK https://mapoflondon.uvic.ca/SHOR2.htm
TEI citation
<bibl type="mla"><author><name ref="#CAMP1"><surname>Campbell</surname>, <forename>James</forename></name></author>.
<title level="a">Shoreditch Street</title>. <title level="m">The Map of Early Modern
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<surname>Jenstad</surname></name></editor>, <publisher>U of Victoria</publisher>,
<date when="2020-09-15">15 Sep. 2020</date>, <ref target="https://mapoflondon.uvic.ca/SHOR2.htm">mapoflondon.uvic.ca/SHOR2.htm</ref>.</bibl>
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Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
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The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
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Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
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Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
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Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
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Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
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Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
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Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. Open.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed. Web.
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Ben Jonson is mentioned in the following documents:
Ben Jonson authored or edited the following items in MoEML’s bibliography:
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Chapman, George, Ben Jonson, and John Marston. Eastward Ho! Ed. R.W. Van Fossen. New York: Manchester UP, 1999. Print.
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Dekker, Thomas, Stephen Harrison, Ben Jonson, and Thomas Middleton. The Whole Royal and Magnificent Entertainment of King James through the City of London, 15 March 1604, with the Arches of Triumph. Ed. R. Malcolm Smuts. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 219–79.
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Gifford, William, ed. The Works of Ben Jonson. By Ben Jonson. Vol. 1. London: Nichol, 1816. Remediated by Internet Archive.
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Jonson, Ben. The Alchemist. London: New Mermaids, 1991. Print.
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Jonson, Ben. Bartholomew Fair. Ed. E.A. Horsman. Manchester: Manchester UP, 1979. Revels Plays. Print.
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Jonson, Ben. Bartholomew Fair. Ed. Suzanne Gossett, based on The Revels Plays edition ed. E.A. Horsman. Manchester: Manchester UP, 2000. Revels Student Editions. Print.
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Jonson, Ben. B. Ion: his part of King Iames his royall and magnificent entertainement through his honorable cittie of London, Thurseday the 15. of March. 1603 so much as was presented in the first and last of their triumphall arch’s. London, 1604. STC 14756. EEBO.
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Jonson, Ben. The Complete Poetry of Ben Jonson. Ed. William B. Hunter. Stuart Edtions. New York: New YorkUP, 1963.
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Jonson, Ben. The Devil is an Ass. Ed. Peter Happé. Manchester and New York: Manchester UP, 1996. Revels Plays. Print.
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Jonson, Ben. Epicene. Ed. Richard Dutton. Revels Plays. Manchester: Manchester UP, 2004. Print.
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Jonson, Ben. Every Man Out of His Humour. Ed. Helen Ostovich. Manchester: Manchester UP, 2001. Print.
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Jonson, Ben. The First, of Blacknesse, Personated at the Court, at White-hall, on the Twelfth Night, 1605. The Characters of Two Royall Masques: The One of Blacknesse, the Other of Beautie. Personated by the Most Magnificent of Queenes Anne Queene of Great Britaine, &c. with her Honorable Ladyes, 1605 and 1608 at White-hall. London : For Thomas Thorp, and are to be Sold at the Signe of the Tigers Head in Paules Church-yard, 1608. Sig. A3r-C2r. STC 14761. Reprint. EEBO. Web.
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Jonson, Ben. Oberon, The Faery Prince. The Workes of Benjamin Jonson. Vol. 1. London: Will Stansby, 1616. Sig. 4N2r-2N6r. Reprint. EEBO. Web.
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Jonson, Ben. The Staple of Newes. The Works. Vol. 2. London: Printed by I.B. for Robert Allot, 1631. Sig. 2A1r-2J2v. Reprint. EEBO. Web.
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Jonson, Ben. The Staple of News. Ed. Anthony Parr. Manchester; New York: Manchester UP, 1999. Revels Plays. Print.
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Jonson, Ben.
To Penshurst.
The Norton Anthology of English Literature. Ed. Stephen Greenblatt, Carol T. Christ, Alfred David, Barbara K. Lewalski, Lawrence Lipking, George M. Logan, Deidre Shauna Lynch, Katharine Eisaman Maus, James Noggle, Jahan Ramazani, Catherine Robson, James Simpson, Jon Stallworthy, Jack Stillinger, and M. H. Abrams. 9th ed. Vol. B. New York: W.W. Norton & Company, 2012. 1547. -
Jonson, Ben. The vvorkes of Beniamin Ionson. Containing these playes, viz. 1 Bartholomew Fayre. 2 The staple of newes. 3 The Divell is an asse. London, 1641. EEBO. Reprint. Subscr. STC 14754.
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Gabriel Spenser is mentioned in the following documents:
Locations
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Bishopsgate Street
Bishopsgate Street ran north from Cornhill Street to the southern end of Shoreditch Street at the city boundary. South of Cornhill, the road became Gracechurch Street, and the two streets formed a major north-south artery in the eastern end of the walled city of London, from London Bridge to Shoreditch. Important sites included: Bethlehem Hospital, a mental hospital, and Bull Inn, a place where plays were performedbefore Shakespeare’s time
(Weinreb and Hibbert 67).Bishopsgate Street is mentioned in the following documents:
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Shoreditch
A suburban neighbourhood located just north of Moorfields and outside Londonʼs City Wall, Shoreditch was a focal point of early modern theatrical culture. Following a boom in Londonʼs population from 1550 to 1600, the neighbourhood became a prime target for development. The building of the Theatre in 1576 and the Curtain in the following year established Shoreditchʼs reputation as Londonʼs premier entertainment district, and the neigbourhood also featured a growing number of taverns, alehouses, and brothels. These latter establishments were often frequented by local players, of whom many prominent members were buried on the grounds of nearby St. Leonardʼs Church. Today, Shoreditch faces the potential revival of its early modern theatrical culture through the efforts of the Museum of London Archaeology and the Tower Hamlets Theatre Company.Shoreditch is mentioned in the following documents:
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Old Street is mentioned in the following documents:
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St. Leonard (Shoreditch)
St. Leonard’s church—also known asThe Actors’ church
—is the burial place of many prominent early modern actors. The Burbages (James Burbage and his sons Richard Burbage and Cuthbert Burbage), Richard Cowley, William Sly, and many others are buried there (ShaLT).St. Leonard (Shoreditch) is mentioned in the following documents:
Variant spellings
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Documents using the spelling
Kingeſland
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Documents using the spelling
Kingſland
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Documents using the spelling
Kingsland Road
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Documents using the spelling
Sewers Ditche
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Documents using the spelling
Sewersditch
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Documents using the spelling
Shoreditch
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Documents using the spelling
Shoreditch Highstreet
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Documents using the spelling
Shoreditch Street
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Documents using the spelling
Sors Ditche