Painter Stainers’ Hall
The Painter Stainers’ Hall, also known simply as the Painters’ Hall, was located
[o]n the west side of Little Trinity LaneGap in transcription. Reason: Editorial omission for reasons of length or relevance. Use only in quotations in born-digital documents.[…] in Queenhithe ward(Harben 454). Sometimes referred to as Browne’s House because it was the house of John Brown, Sergeant Painter in the reign of Henry VIII, the space became the hall of the Painter Stainers’ Company following Browne’s death in 1532. The structure stood until it was destroyed in The Great Fire of 1666, but was promptly rebuilt in 1668 (Harben 454).
References
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Citation
Harben, Henry A. A Dictionary of London. London: Herbert Jenkins, 1918.This item is cited in the following documents:
Cite this page
MLA citation
Painter Stainers’ Hall.The Map of Early Modern London, edited by , U of Victoria, 26 Jun. 2020, mapoflondon.uvic.ca/PAIN1.htm.
Chicago citation
Painter Stainers’ Hall.The Map of Early Modern London. Ed. . Victoria: University of Victoria. Accessed June 26, 2020. https://mapoflondon.uvic.ca/PAIN1.htm.
APA citation
2020. Painter Stainers’ Hall. In (Ed), The Map of Early Modern London. Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/PAIN1.htm.
RIS file (for RefMan, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC ED - Jenstad, Janelle T1 - Painter Stainers’ Hall T2 - The Map of Early Modern London PY - 2020 DA - 2020/06/26 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/PAIN1.htm UR - https://mapoflondon.uvic.ca/xml/standalone/PAIN1.xml ER -
RefWorks
RT Web Page SR Electronic(1) A6 Jenstad, Janelle T1 Painter Stainers’ Hall T2 The Map of Early Modern London WP 2020 FD 2020/06/26 RD 2020/06/26 PP Victoria PB University of Victoria LA English OL English LK https://mapoflondon.uvic.ca/PAIN1.htm
TEI citation
<bibl type="mla"> <title level="a">Painter Stainers’ Hall</title>. <title level="m">The
Map of Early Modern London</title>, edited by <editor><name ref="#JENS1"><forename>Janelle</forename>
<surname>Jenstad</surname></name></editor>, <publisher>U of Victoria</publisher>,
<date when="2020-06-26">26 Jun. 2020</date>, <ref target="https://mapoflondon.uvic.ca/PAIN1.htm">mapoflondon.uvic.ca/PAIN1.htm</ref>.</bibl>
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Director of Pedagogy and Outreach, 2015–present. Associate Project Director, 2015–present. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. Open.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed. Web.
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Martin D. Holmes
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Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Sir John Brown is mentioned in the following documents:
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Henry VIII
Henry This numeral is a Roman numeral. The Arabic equivalent is 8VIII King of England King of Ireland
(b. 28 June 1491, d. 28 January 1547)King of England and Ireland 1509-1547.Henry VIII is mentioned in the following documents:
Locations
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Trinity Lane
Trinity Lane ran north-south between Old Fish Street (Knightrider Street) and Thames Street, between Garlick Hill and Huggin Lane, entirely in the ward of Queenhithe. On the Agas map, it is labelledTrinitie lane.
Trinity Lane is mentioned in the following documents:
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Queenhithe Ward
MoEML is aware that the ward boundaries are inaccurate for a number of wards. We are working on redrawing the boundaries. This page offers a diplomatic transcription of the opening section of John Stow’s description of this ward from his Survey of London.Queenhithe Ward is mentioned in the following documents:
Organizations
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The Painter-Stainers’ Company
The Worshipful Company of Painter-Stainers
The Painter-Stainers’ Company was one of the lesser livery companies of London. The Worshipful Company of Painter-Stainers is still active and maintains a website at https://painter-stainers.org/ that includes a history of the company.This organization is mentioned in the following documents:
Variant spellings
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Documents using the spelling
Browne’s House
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Documents using the spelling
company hall
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Documents using the spelling
Painter ſtainers Hall
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Documents using the spelling
Painter ſtayners Hall
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Documents using the spelling
Painter-ſtainers Hall
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Documents using the spelling
Painters’ Hall
