A Balade declaryng how neybourhed loue, and trew dealyng is gone.
            
            NOw ſtraunge it is, to men of age
               the which they ſe, before their face.
               This world to be, in ſuch outrage,
               It was neuer ſene, in ſo bad case,
               Neibourhed nor loue is none
               trew dealyng now is fled & gone
               ℂ Where ſhall one fynde, a man to truſt,
               Alwaye to ſtande, in tyme of neede.
               The moſt parte now, they are vniuſt
               Fayre in wordes, but falſe in deede:
               Neybourhed. nor loue is none
               True dealyng now is fled and gone.
               ℂ who can flatter, now beſt ſhall ſpeede,
               who can deceyue, is gaynes well won
               Of deceytfull tongues, who can take hede
               Many a man, they haue vndone,
               Neibourhed, nor loue is none, &c,
               ℂ The wickedneſſe, that doth abounde,
               More then I can, with tongue expreſſe,
               To ſee vnfaithfull men are founde,
               of frendſhip there was neuer leſſe:
               Neiborhed, nor loue is none. &c.
               ℂ On couetouſneſſe, moſt men deſyre,
               Their neibours houſe, ſome doth procure.
               And ouer his hed, they wyll it hyre,
               Or bye a leace, to make it ſure,
               Neiborhed, nor loue is none. &c.
               ℂ To pourchace and bye, for lucre & gaine
               Both leace & houſe, both wood & grounde,
               Thei double the rent, to poore mens payne
               of landlordes nowe, fewe good are founde
               Neiborhed, nor loue is none. &c.
               ℂ This is vſed now euery where,
               And wyll be tyll we haue redresse,
               with them I thought, the Lorde dyd fere
               Because his worde they doo professe:
               neiborhed, nor loue is none. &c.
               ℂ what neiborhed is this you call,
               That one another doth backbite
               And daily wyll both skolde and brall,
               with slaunderous wordes, in most despite:
               neyborhed, nor loue is none. &c.
               ℂ For matters small, some suffre wronge,
               Upon displeasure, in prison cast,
               And there shall lye, without pitie long
               tyll that his goodes are spent and wast:
               neyborhed nor loue is none. &c,
               ℂ Thungodly riche, the poore opppresse
               On them few haue compassion,
               Their cause is here, remedilesse
               without all consolacion:
               neyborhed nor loue is none. &c.
               If any membre be hurte in man,
               The whole body lamentes therfore:
               the poore opprest who cureth than
               Or helpes him for to salue his sore:
               neiborhed nor loue is none, &c,
               ℂ The percialnesse that now doth raigne
               with some that haue, suche cause in hande
               The riche men doth, the poore disdayne
               And sekes the meanes, to make them band
               neyborhed nor loue is none, &c.
               ℂ Truly to deale one with another,
               In these dayes now ar very fewe,
               the Sister wyll begyle the brother,
               the brother agayne, deceyte wyll shewe
               neyborhed nor loue is none. &c.
               ℂ The father wyll deceyue the chylde,
               the chylde the father likewise agayne,
               thus one another dothe begylde
               By false deceyt, that now doth raigne:
               neyborhed nor loue is none. &c.
               ℂ To speake somwhat of vsurye,
               the whiche the Lorde doth daily curse
               yet some doo vse it priuely 
               to fyll their vncontented purse,
               neyborhed nor loue is none. &c.
               To striue or speake, it is no boote,
               In couetousnesse, there is no order
               of mischiefe it is the very roote,
               All thinges it spoyles, in euery border:
               neyborhed nor loue is none. &c.
               Our Preachers with gods word doth cry
               on couetousmen, that wyll not cesse,
               their wordes are herde, with yeres so slye,
               their filthy gaynes, they styll encresse:
               neybourhed nor loue is none. &c.
               How many doth their rentes abate,
               or now a dayes their tenentes ease,
               they set their rentes, at a new rate
               Both fines and leasses, they daily rease.
               Neybourhed nor loue is none. &c.
               Couetousnesse hathe now the way
               wronge & briberye dothe not refrayne,
               In euery cost, pride bereth the sway,
               Amonges the whole. now it doth raygne
               Neybourhed nor loue is none. &c.
               What is the cause, neibourhed is gone,
               which here hath reigned many a daye
               I heare the poore men make great mone,
               And sayth hit is, falne in decaye:
               Neibourhed nor loue is none, &c,
               True dealyng dare not once appeare
               Deceit hath put him out of place,
               Euery where both farre and nere,
               He raigneth now in most mens face:
               Neibourhed nor loue is none. &c.
               Graunt oh God, for thy mercyes sake
               That neigbourhed, and dealyng trewe
               May once agayne, our sprites awake,
               That we our lyues may chaunge a new
               that neybourhed and loue a lone
               may come agayne to euery one.
            qd. Ihon Barker.
            
            
            
            Cite this page
MLA citation
. 
               A Ballad Declaring How Neighbourhood Love and True Dealing is Gone.The Map of Early Modern London, Edition 7.0, edited by , U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/NEYB1.htm.
Chicago citation
. 
               A Ballad Declaring How Neighbourhood Love and True Dealing is Gone.The Map of Early Modern London, Edition 7.0. Ed. . Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/NEYB1.htm.
APA citation
 2022. A Ballad Declaring How Neighbourhood Love and True Dealing is Gone. In  (Ed), The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved  from https://mapoflondon.uvic.ca/editions/7.0/NEYB1.htm.
               RIS file (for RefMan, RefWorks, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Barker, John ED - Jenstad, Janelle T1 - A Ballad Declaring How Neighbourhood Love and True Dealing is Gone T2 - The Map of Early Modern London ET - 7.0 PY - 2022 DA - 2022/05/05 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/7.0/NEYB1.htm UR - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/NEYB1.xml ER -
TEI citation
<bibl type="mla"><author><name ref="#BARK6"><surname>Barker</surname>, <forename>John</forename></name></author>.
                     <title level="a">A Ballad Declaring How Neighbourhood Love and True Dealing is Gone</title>.
                     <title level="m">The Map of Early Modern London</title>, Edition <edition>7.0</edition>,
                     edited by <editor><name ref="#JENS1"><forename>Janelle</forename> <surname>Jenstad</surname></name></editor>,
                     <publisher>U of Victoria</publisher>, <date when="2022-05-05">05 May 2022</date>,
                     <ref target="https://mapoflondon.uvic.ca/edition/7.0/NEYB1.htm">mapoflondon.uvic.ca/edition/7.0/NEYB1.htm</ref>.</bibl>
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                     Jamie ZabelJZResearch Assistant, 2020-2021. Managing Encoder, 2020-2021. Jamie Zabel was an MA student at the University of Victoria in the Department of English. She completed her BA in English at the University of British Columbia in 2017. She published a paper in University College London’s graduate publication Moveable Type (2020) and presented at the University of Victoria’s 2021 Digital Humanities Summer Institute. During her time at MoEML, she made significant contributions to the 1598 and 1633 editions of Stow’s Survey as proofreader, editor, and encoder, coordinated the encoding of the 1633 edition, and researched and authored a number of encyclopedia articles and geo-coordinates to supplement both editions. She also played a key role in managing the correction process of MoEML’s Gazetteer.Roles played in the project- 
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                     Kate LeBereKLProject Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s Survey of London, old-spelling anthology of mayoral shows, and old-spelling library texts. She authored the MoEML’s first Project Management Manual andquickstart guidelines for new employees and helped standardize the Personography and Bibliography. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.Roles played in the project- 
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                     Tracey El HajjTEHJunior Programmer 2018-2020. Research Associate 2020-2021. Tracey received her PhD from the Department of English at the University of Victoria in the field of Science and Technology Studies. Her research focuses on the algorhythmics of networked communications. She was a 2019-20 President’s Fellow in Research-Enriched Teaching at UVic, where she taught an advanced course onArtificial Intelligence and Everyday Life. Tracey was also a member of the Linked Early Modern Drama Online team, between 2019 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.Roles played in the project- 
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                     Joey TakedaJTProgrammer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.Roles played in the project- 
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 Contributions by this authorJoey Takeda is a member of the following organizations and/or groups:Joey Takeda is mentioned in the following documents:Joey Takeda authored or edited the following items in MoEML’s bibliography:- 
                                    Jenstad, Janelle and Joseph Takeda.Making the RA Matter: Pedagogy, Interface, and Practices. Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
 
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                     Tye Landels-GruenewaldTLGData Manager, 2015-2016. Research Assistant, 2013-2015. Tye completed his undergraduate honours degree in English at the University of Victoria in 2015.Roles played in the project- 
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                     Kim McLean-FianderKMFDirector of Pedagogy and Outreach, 2015–2020. Associate Project Director, 2015. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project- 
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                     Janelle JenstadJJJanelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project- 
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 Contributions by this authorJanelle Jenstad is a member of the following organizations and/or groups:Janelle Jenstad is mentioned in the following documents:Janelle Jenstad authored or edited the following items in MoEML’s bibliography:- 
                                    Jenstad, Janelle and Joseph Takeda.Making the RA Matter: Pedagogy, Interface, and Practices. Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
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                                    Jenstad, Janelle.Building a Gazetteer for Early Modern London, 1550-1650. Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145.
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                                    Jenstad, Janelle.The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody. The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print.
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                                    Jenstad, Janelle.
 Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You : Social Conversion in the Goldsmith’s Shop.
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                                    Jenstad, Janelle.
 The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse : Early Evidence for Specialisation.
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                                    Jenstad, Janelle.Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside. Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373.
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                                    Jenstad, Janelle.Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment. Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print.
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                                    Jenstad, Janelle.Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage. Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print.
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                                    Jenstad, Janelle.Using Early Modern Maps in Literary Studies: Views and Caveats from London. GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print.
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                                    Jenstad, Janelle.Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?. Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/.
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                                    Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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                                    Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
 
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                     Martin D. HolmesMDHProgrammer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project- 
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                     John BarkerBallad writer. Not to be confused with John Barker.John Barker is mentioned in the following documents:John Barker authored or edited the following items in MoEML’s bibliography:- 
                                    Barker, John. A balade declaryng how neybourhed lone, and trew dealyng is gone. London: Richard Lant, 1561. STC 1419.
 
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