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Copyright University of Victoria.
$Date: 2022-04-20 10:46:54 -0700 (Wed., 20 Apr. 2022) $
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                <title>Fleet Street</title>
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        <addrLine>Department of English</addrLine>
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        <addrLine>University of Victoria</addrLine>
        <addrLine>Victoria, BC</addrLine>
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          <abstract><p><ref target="mol:FLEE6">Fleet Street</ref> runs east-west from <ref target="mol:TEMP1">Temple Bar</ref> to <ref target="mol:FLEE2">Fleet Hill</ref> or <ref target="mol:FLEE2">Ludgate Hill</ref>, and is named for the <ref target="mol:FLEE1">Fleet River</ref>. The road has existed since at least the <date notBefore-custom="1100" notAfter-custom="1199" calendar="mol:julianSic" datingMethod="mol:julianSic">twelfth century</date> (<ref type="bibl" target="mol:SUGD1">Sugden 195</ref>) and known since the <date notBefore-custom="1300" notAfter-custom="1399" calendar="mol:julianSic" datingMethod="mol:julianSic">fourteenth century</date> as <ref target="mol:FLEE6">Fleet Street</ref> (<ref type="bibl" target="mol:BERE1">Beresford 26</ref>). It was the location of numerous taverns including the <ref target="mol:MITR3">Mitre</ref> and the <ref target="mol:STAR4">Star and the Ram</ref>.</p></abstract>
  
  
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            <titlePart type="main">Fleet Street</titlePart>
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            <div><p>Imagine you are a flaneur walking down early modern <ref target="mol:FLEE6">Fleetstreet</ref>, which climbs from the
                <ref target="mol:WALL2">London Wall</ref>’s eastern end to <ref target="mol:TEMP1">Temple Bar</ref>: perhaps
                you are on your way to <ref target="mol:STBR1">St Bride’s Church</ref>, 
                <ref target="mol:STDU3">St Dunstan’s in the West</ref>, or the <ref target="mol:TEMP4">Temple Church</ref>; 
                or you might be seeking out a man of law in any of the four <ref target="mol:INNS1">Inns of Court</ref> 
                within easy distance (<ref target="mol:BUCH1" type="bibl">Bucholz and Ward 54</ref>). In any case, you would  be aware 
                that it is an important access route linking the jostling world of <ref target="mol:LOND5">London</ref> commerce to the seat 
                of power in <ref target="mol:WEST6">Westminster</ref>.</p> 
                <p>The street takes its name from one of the largest <soCalled>lost</soCalled> rivers in <ref target="mol:LOND5">London</ref>,
                    the <ref target="mol:FLEE1">Fleet</ref>, which is today entirely underground. The common assumption that <soCalled>fleet</soCalled> 
                    alluded to the <soCalled>swiftness</soCalled> of the river has been challenged, and most scholars now trace it back to the
                    Anglo-Saxon word <foreign xml:lang="ang">fléot</foreign> for <quote>a tidal inlet</quote> 
                    (<ref target="mol:WHEA3" type="bibl">Wheatley 52</ref>). As an early modern flaneur, you would have 
                    no illusions: the street was essentially an open sewer oozing along at the eastern end of the street by the
                    city wall. The <soCalled>Fleet Privies,</soCalled> latrines that had overhung <ref target="mol:FLEE1">Fleet Ditch</ref> 
                    since the Middle Ages, were not removed until <date calendar="mol:julianSic" datingMethod="mol:julianSic" when-custom="1652">1652</date>.
                    As a consequence of this, the river carried endemic diseases and attracted squalor and crime. Peter Ackroyd suggests that
                    if you were a local you might have been able to pick out specific smells associated with different trades and localities
                    in its confluence: by the time it reached <ref target="mol:FLEE6">Fleet Street</ref>, <quote>[the river] carried the 
                        savour of each [<ref target="mol:LOND5">London</ref>] street, readily identifiable; it was full of dung and dead
                        things <gap reason="editorial" resp="mol:HORN6"/> the dumping ground of bodies slain or robbed when dead</quote>
                    (<ref target="mol:ACKR1" type="bibl">Ackroyd 567</ref>). Ackroyd echoes an idea found in <name ref="mol:SWIF1">Jonathan 
                        Swift</name>’s poem <title level="m">Describing a City Shower</title>, which reflects on how a downpour of rain
                    could bring out the particular colours and smells of the river:</p>
                
                <cit><quote><lg><l>Filth of all hues and odours seem to tell</l>
                <l>What street they sail’d from, by their sight and smell.</l>
                <l>They, as each torrent drives with rapid force,</l>
                <l>From <ref target="mol:SMIT1">Smithfield</ref>, or <ref target="mol:STSE2">St. ’Pulchre’s</ref> shape their course,</l>
                <l>And in huge cofluent join’d at <ref target="mol:SNOW2">Snow Hill</ref> ridge,</l>
                <l>Fall from the <ref target="mol:HOLB4">Conduit</ref> prone to <ref target="mol:HOLB3">Holborn-bridge</ref>.</l>
                <l>Sweepings from butchers’ stalls, dung, guts and blood,</l>
                <l>Drown’d puppies, stinking sprats, all drenched in mud,</l>
                <l>Dead cats, and turnip-tops come tumbling down the flood</l></lg></quote>
                    <bibl><ref type="bibl" target="mol:SWIF3">Swift 257</ref></bibl></cit>
                
                <p>In <title level="m">The Dunciad</title>, <name ref="mol:POPE1">Alexander Pope</name> suggests that
                    <ref target="mol:FLEE1">Fleet Ditch</ref> could sometimes seem so clogged with animal carcasses
                    that they might as well be hecatombs of animals sacrificed to Father <name ref="mol:THAM3">Thames</name>:</p>
                
                <cit><quote><lg><l>This labour paſt, by <ref target="mol:BRID2">Bridewell</ref> all deſcend</l>
                <l>(As morning prayer and flagellation end)</l>
                    <l>To where <ref target="mol:FLEE1">Fleet Ditch</ref> with diſemboguing ſtreams,</l>
                <l>Rolls the large tribute of dead dogs to <ref target="mol:THAM2">Thames</ref>.</l></lg></quote>
                    <bibl><ref target="mol:POPE10" type="bibl">Pope 28</ref></bibl></cit>
                
                <p>As a traveller in this early modern street, you may be offered oysters gathered from the
                    waters as a cheap and popular snack (<ref target="mol:WHEA3" type="bibl">Wheatley 52</ref>).
                    But you might also feel a presence of death in the air. In 
                    <date when-custom="1560" datingMethod="mol:julianSic" calendar="mol:julianSic">1560</date>, 
                    one <name ref="mol:JONE8">Dr. Jones</name> commented that <quote>in its stinking lanes, there
                        died most in <ref target="mol:LOND5">London</ref></quote>
                    (<ref target="mol:BART20" type="bibl">Barton 107</ref>). Infection and contamination were still a 
                    major problem in <date calendar="mol:julianSic" datingMethod="mol:julianSic" when-custom="1652">1652</date>,
                    embodied by an order for the cleaning of the river which describes how it had been rendered impassable by the 
                    <quote>keeping of hogs and swine therein and elsewhere near it, the throwing in of offal and other garbage
                        by butchers <gap reason="editorial" resp="mol:HORN6"/> and by reason of the many houses of office [privies]
                        over and upon it</quote> (<ref target="mol:WHEA3" type="bibl">Wheatley 52</ref>).</p>
                <p>Your walk through early modern <ref target="mol:FLEE6">Fleet Street</ref> might begin
                    as you wander down from <ref target="mol:LUDG1">Ludgate</ref> onto 
                    <ref target="mol:FLEE7">Fleetbridge</ref>, one of the four bridges over the
                    <ref target="mol:FLEE1">Fleet</ref>. Here in the <date datingMethod="mol:julianSic" calendar="mol:julianSic" notBefore-custom="1580" notAfter-custom="1589">1580s</date>,
                    you could have paused to watch the <soCalled>new motion,</soCalled> a puppet show you may have
                    seen promoted in a <soCalled>picture</soCalled> or advertisement
                    (<ref type="bibl" target="mol:JONS17">Jonson 185</ref>). It would most likely
                    have been a parody of a biblical or Roman play from one of the <ref target="mol:LOND5">London</ref>
                    playhouses (for example, <title level="m">Jonah and the Whale</title> or the slapstick murder of
                    <name ref="mol:CAES1">Julius Caesar</name>). You can purchase nuts, gingerbread, oranges
                    or oysters from any one of the wheeled stalls <quote>often tended by disreputable-looking vendors</quote>
                    (<ref type="bibl" target="mol:CHAL1">Chalfant 80</ref>). You might want to linger in this vibrant 
                    place or feel forced to press onwards from the noxious smell of <ref target="mol:FLEE1">Fleet
                        Ditch</ref>. In <date calendar="mol:julianSic" datingMethod="mol:julianSic" when-custom="1589">1589</date>,
                    <name ref="mol:STOW6">Stow</name> writes how a government initiative to clean <ref target="mol:FLEE1">Fleet
                        Ditch</ref> made a collection of a thousand marks: <quote>but much mony being therein spent, y<g ref="#FLEE6_superscript_e">ᵉ</g> effect 
                            fayled, so that the brooke by meanes of continuall incrochments upon the banks getting over the water,
                            and casting of soylage into the streame, is now become woorse cloyed and choken then ever it was 
                            before</quote> (<ref target="mol:STOW1" type="bibl">Stow 1:13</ref>).</p>
                <p>On the south side of the street, through some iron gates, you might catch a glimpse of the mouldering
                    towers and battlements of <ref target="mol:BRID2">Bridewell</ref>. Here <name ref="mol:HENR1">Henry VIII</name>
                    made his palace after the <date when-custom="1512" datingMethod="mol:julianSic" calendar="mol:julianSic">1512</date>
                    fire left <ref target="mol:WEST5">Westminster</ref> uninhabitable. His son <name ref="mol:EDWA4">Edward VI</name>
                    later gave <ref target="mol:BRID2">Bridewell</ref> to the city and it became a prison. The association of the
                    <ref target="mol:FLEE1">Fleet</ref> with prisons goes back to Norman times, and the <ref target="mol:FLEE4">Fleet
                        Prison</ref>, which was east of <ref target="mol:FLEE1">Fleet Ditch</ref> and North of
                    <ref target="mol:FLEE2">Ludgate Hill</ref>, features in <title level="m">Henry IV, Part 2</title> when <name ref="mol:SHAK1">Shakespeare</name>’s most profligate character is condemned to languish in
                    its stinking cells: <quote>Go carry <name ref="mol:FALS1">Sir John Falstaff</name> to the 
                        <ref target="mol:FLEE4">Fleet</ref></quote> (<ref type="bibl" target="mol:SHAK15">Shakespeare 5.5.92</ref>).
                    This prison also held <name ref="mol:HOWA15">Henry Howard</name>, <name ref="mol:NASH1">Thomas Nashe</name>,
                    <name ref="mol:DONN1">John Donne</name>, and <name ref="mol:DEKK1">Thomas Dekker</name>.</p> 
                <p>An early modern account of these prisons complains <quote>how miserably they handle thy 
                    bond-servants <gap reason="editorial" resp="mol:HORN6"/> the prisoners 
                    of the king’s bench, <ref target="mol:MARS5">Marshalsea</ref>,
                    <ref target="mol:FLEE4">Fleet</ref>, <ref target="mol:NEWG1">Newgate</ref> and many other
                    places <gap reason="editorial" resp="mol:HORN6"/> doth presently to all the world cry out</quote>
                    (<ref target="mol:CHAL1" type="bibl">Chalfant 80</ref>). 
                    The sounds of inmates would have been thick in the air around <ref target="mol:BRID2">Bridewell</ref> too.
                    Later it was to become the original workhouse, 
                    where the <ref target="mol:LOND5">London</ref> indigent poor were allotted futile tasks and
                    punishment for their perceived idleness. As you walk by this area in early modern 
                    <ref target="mol:LOND5">London</ref>, 
                    you might  notice that many of the wooden buildings are ancient, while some have been built more
                    recently on land confiscated from the church during the 
                    dissolution of the monasteries. One such place is <ref target="mol:WHIT17">Whitefriars</ref>, 
                    close to <ref target="mol:BRID2">Bridewell</ref> on the south side of the street. Once a Carmelite monastery, it was pulled down and transformed into the site of a playhouse for 
                    a company of boy actors. It is here that such plays as <name ref="mol:JONS1">Jonson</name>’s <title level="m">Epicoene</title> were first performed 
                    (<ref type="bibl" target="mol:MUNR5">Munroe 117</ref>).
                    You might have seen signs of a recent initiative to build houses for noblemen. These have been abandoned,
                    neglected until the sky was entering in through the roofs, and finally claimed for more shadowy
                    purposes. Bell writes that the <quote>larger houses, abandoned to decay, were divided each into as many 
                        as twenty and thirty tenements, fulfilling their part in the medley of dirty lodgings,
                        dram-shops, brothels which made [this district] all that was
                        evil</quote> (<ref target="mol:BELL27" type="bibl">Bell 152–153</ref>).</p>
                <p>You hurry by the dingy rookeries and dens of thieves, pass <ref target="mol:HANG2">Hanging Sword
                    Alley</ref>, <ref target="mol:MAGP1">Magpie Alley</ref>, and <ref target="mol:PRIM2">Primrose Hill</ref>—which
                    was the site of a grisly murder seized upon by anti-Catholic fear-mongers in 
                    <date when-custom="1678" datingMethod="mol:julianSic" calendar="mol:julianSic">1678</date>. 
                    It might occur to you that state-endorsed acts of anti-Catholicism have also taken place near 
                    this spot. In <date calendar="mol:julianSic" datingMethod="mol:julianSic" when-custom="1588">1588</date>, 
                    the Jesuit <name ref="mol:BALE3">Christopher Bales</name> was imprisoned and tortured in 
                    <ref target="mol:BRID2">Bridewell</ref> by <name ref="mol:TOPC1">Richard Topcliffe</name>. On 
                    Ash Wednesday, <name ref="mol:BALE3">Bales</name> was hanged, drawn, and quartered before a crowd 
                    in <ref target="mol:FLEE6">Fleet Street</ref>, opposite <ref target="mol:FETT1">Fetter Lane</ref>. 
                    The hanging stage bore the words, <quote>For treason and favouring foreign invasion.</quote> Typically,
                    the placard was silent on the religious debate that would see the man hailed as a Catholic martyr after
                    his death (<ref target="mol:WHEA3" type="bibl">Wheatley 8</ref>).</p>
                <p>By now you are emerging into the thick of <ref target="mol:FLEE6">Fleet Street</ref> and are
                    confronted with <quote>horses, carts, mud, pick-pockets, drunks, brawls, beggars, barrels being
                        rolled into taverns, porters bearing heavy loads, craftsmen working at their benches, criers and
                        urchins hawking everything from broadsides to brooms, and housewives standing arms akimbo on their
                        doorsteps judging—and sometimes insulting—all who [dare] to enter their neighbourhood</quote>
                    (<ref type="bibl" target="mol:BUCH1">Bucholz and Ward 53</ref>). Perhaps you might feel threatened 
                    by swarming gangs of youths. When <name ref="mol:FRED4">Frederick, Duke of Wirtemberg</name> visited
                    <ref target="mol:FLEE6">Fleet Street</ref> in <date calendar="mol:julianSic" datingMethod="mol:julianSic" when-custom="1592">1592</date>
                    he noted that the <quote>street-boys and apprentices collect together in immense crowds and strike to the right and
                        left unmercilessly without regard to person; and because they are the strongest one is obliged to put up with
                        the insult as well as the injury</quote> (<ref target="mol:BUCH1" type="bibl">Bucholz and Ward 53</ref>).
                    Even if you manage to avoid the pickpockets you might, as <name ref="mol:PEPY1">Samuel Pepys</name> notes in
                    his diary entry on <date when-custom="1659-02-07" calendar="mol:julianSic" datingMethod="mol:julianSic">7 February 1659</date>,
                    <quote>receive a great jostle</quote> from someone who might believe they have more right to <quote>take the wall</quote> (<ref target="mol:PEPY4" type="bibl">Pepys</ref>) than you. The channel of waste lying in the middle of the street
                    is best avoided by keeping as close to the edge of the street as possible, and social hierarchies can be roughly
                    negotiated to determine who has the right to avoid the contamination. A gentleman might expect
                    to get the wall, but if it is night or he is obviously tipsy he might be shoved aside.</p> 
                <p>There were plenty of places to go for a drink or to dine. If you enter an early modern <ref target="mol:FLEE6">Fleet Street</ref>
                    Tavern for a porringer of soup, a goodly capon or loin of pork, or cates and lavish cupfuls of canary wine,
                    your nostrils might be intrigued by the whiff of tobacco recently introduced from Virginia (or else disgusted
                    at the spitting of it onto the reed-lined floor). <name ref="mol:JONS1">Jonson</name> describes two characters
                    experimenting with this weed at the <ref target="mol:HORN9">Horn on the Hoop</ref>: <quote>they have hired a
                        chamber and all private to practice in the making of the Petun</quote>
                    (<ref target="mol:JONS17" type="bibl">Jonson 281</ref>). Alternatively, you might talk of politics and find
                    yourself in the middle of a heated argument. In his diary entry on 
                    <date when-custom="1663-10-26" datingMethod="mol:julianSic" calendar="mol:julianSic">26 October 1663</date>,
                    <name ref="mol:PEPY1">Pepys</name> describes a conversation that was interrupted in the <ref target="mol:GLOB3">Globe
                        Tavern</ref> by an anti-monarchist who slandered the <name ref="mol:LEOP1">Emperor Leopold</name>, calling him
                    <quote>a sot.</quote> <name ref="mol:PEPY1">Pepys</name>’ companions were quick to take the royalist view: <quote>It
                        is not a thing to be said of any Soveraigne Prince, be his weaknesses what they will, to be called a sot.</quote>
                    (<ref target="mol:PEPY4" type="bibl">Pepys</ref>).</p> 
                <p>If you do not venture into the taverns, you might still be struck by their colourful signs creaking above the street.
                    There are fabulous monsters, a green dragon and a phoenix, metonymic headwear like the mitre and the crown,
                    and things celestial, a rainbow and a sun. At this last sign, close to <ref target="mol:DUNS1">St. Dunstan’s
                        Church</ref> and opposite the conduit, the first printing press was established in
                    <date when-custom="1500" datingMethod="mol:julianSic" calendar="mol:julianSic">1500</date>
                    by <name ref="mol:WORD1">Wynkyn de Worde</name>. This gave <ref target="mol:FLEE6">Fleet Street</ref>
                    its lasting reputation as a publishing centre. <name ref="mol:CAXT2">Caxton</name> had published courtly
                    books like <name ref="mol:MALO1">Malory</name>’s <title level="m">Morte D’Arthur</title>, but when
                    <name ref="mol:WORD1">Wynkyn</name> moved the business to <ref target="mol:FLEE6">Fleet Street</ref>, 
                    he adapted his publishing policy to the taste of the neighbourhood, publishing sermons for pious merchants 
                    and law books, grammars, and poetry for law students. Another publisher who was to make <ref target="mol:FLEE6">Fleet 
                        Street</ref> his base was <name ref="mol:TOTT3">Richard Tottell</name>. He spent the whole of his publishing 
                    career at the Hand and Star<!-- Unknown location. CH --> between the two temple gates at <ref target="mol:TEMP1">Temple
                        Bar</ref>, specializing in printing law books. Perhaps you bump into a bookseller under one of the inn signs
                    and decide to rifle through his wares. As you suspected, they are all law books: Plowden, Dyer, Brooke and
                    Fitzherbert (<ref type="bibl" target="mol:JONS17">Jonson 187</ref>). Suddenly, you might be distracted by 
                    the doleful tapping of a hammer as people nail up the plague bills detailing those who have been claimed
                    by the distemper. These are anxious times, but by the time you reach <ref target="mol:DUNS1">St. Dunstan</ref>’s,
                    the noise of singing might bring you comfort: <quote>Thou shalt not be afraid for the terror by night; nor the
                        arrow that flieth by day; nor for the pestilence that walketh in darkness</quote> 
                    (<ref target="mol:BKJV1" type="bibl">King James Bible, Ps. 91.5–91.6</ref>).</p>
                <p><ref target="mol:DUNS1">St. Dunstan’s</ref> was lucky to survive the <ref target="mol:FIRE1">fire of
                    London</ref>. According to Bucholz and Ward, the <quote>Dean of Westminster drafted the boys of 
                        <ref target="mol:WEST3">Westminster school</ref> to form a bucket brigade</quote> 
                    (<ref type="bibl" target="mol:BUCH1">Bucholz and Ward 344</ref>). Most of <ref target="mol:FLEE6">Fleet 
                        Street</ref> was not so lucky. It had survived large fires before in the 
                    <date calendar="mol:julianSic" datingMethod="mol:julianSic" notBefore-custom="1650" notAfter-custom="1659">1650s</date>
                    but the <ref target="mol:FIRE1">Great Fire of London</ref> left it utterly devastated as far as 
                    <ref target="mol:FETT1">Fetter Lane</ref>. Bell points out that one of the reasons that the fire was 
                    able to claim so much of the street is because <quote>from <ref target="mol:FLEE1">Fleet Ditch</ref> 
                        to <ref target="mol:MIDD21">Middle Temple Gate</ref> there was not a single wide side street</quote> 
                    (<ref target="mol:BELL27" type="bibl">Bell 177</ref>). Another reason was that since the season was over 
                    at <ref target="mol:LOND5">London</ref>, the lodgings of law students were empty, and many noblemen could 
                    only wait helplessly in the country for news of their losses. Those who were there did not fare any better: 
                    the poet <name ref="mol:SHIR5">James Shirley</name> and his wife escaped from their house in 
                    <ref target="mol:FLEE6">Fleet Street</ref>, near <ref target="mol:SERJ1">Sergeant’s Inn</ref>, only 
                    to die of cold at <ref target="mol:STGI2">St-Giles-in-the-Fields</ref> 
                    (<ref target="mol:BELL27" type="bibl">Bell 177</ref>). Much of the <ref target="mol:INNE1">Inner 
                        Temple</ref> was gutted by fire, as were the buildings along <ref target="mol:FLEE6">Fleet Street</ref>, 
                    to within a few houses of <ref target="mol:DUNS1">St. Dunstan’s Church</ref> on the north side 
                    (<ref type="bibl" target="mol:PORT3">Porter 38</ref>). After the fire, <ref target="mol:FLEE6">Fleet 
                        Street</ref> was considerably broadened, and <ref target="mol:FLEE7">Fleet Bridge</ref> was entirely
                    rebuilt so that, as you were crossing over it, you could pause to marvel at the stone-lanterns in the shape 
                    of pineapples (<ref target="mol:PORT3" type="bibl">Porter 216</ref>;
                    <ref target="mol:STOW1" type="bibl">Stow 1:46</ref>).</p>
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