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            <title>The Agas Map</title>
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               <resp ref="#aut">Author<date/></resp>
               <name ref="#JENS1">Janelle Jenstad</name>
            </respStmt>
            <respStmt>
               <name ref="#HOLM3">Martin Holmes</name>
               <resp ref="#mrk">Encoder<date>2015-04-19</date></resp>
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<respStmt>
               <resp ref="#prg">Programmer<date/></resp>
               <name ref="#TAKE1">Joey Takeda</name>
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            <respStmt>
               <resp ref="#prg">Programmer<date/></resp>
               <name ref="#HOLM3">Martin Holmes</name>
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               <name ref="#JENS1">Janelle Jenstad</name>
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      <publisher><title level="m">The Map of Early Modern London</title></publisher><idno type="URL">http://mapoflondon.uvic.ca/includes.xml</idno><pubPlace>Victoria, BC, Canada</pubPlace><address>
        <addrLine>Department of English</addrLine>
        <addrLine>P.O.Box 3070 STNC CSC</addrLine>
        <addrLine>University of Victoria</addrLine>
        <addrLine>Victoria, BC</addrLine>
        <addrLine>Canada</addrLine>
        <addrLine>V8W 3W1</addrLine>
    </address><date>2016</date><distributor>University of Victoria</distributor><idno type="ISBN">978-1-55058-519-3</idno><authority>
          <name ref="#JENS1">Janelle Jenstad</name>
          <ref target="mailto:london@uvic.ca">london@uvic.ca</ref>
        </authority><availability>
            <p>Copyright held by <title level="m">The Map of Early Modern London</title> on behalf of the contributors.</p>
            <licence target="http://creativecommons.org/licenses/by-sa/4.0/">
              <p>This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. </p>
            </licence>
            <p>Further details of licences are available from our
              <ref target="licence.xml">Licences</ref> page. For more
              information, contact the project director, <name ref="#JENS1">Janelle Jenstad</name>, for
              specific information on the availability and licensing of content
              found in files on this site.</p>
        </availability>
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      <notesStmt><note xml:id="map_citationsByStyle"><listBibl>
<bibl type="ris"><code>Provider: University of Victoria
Database: The Map of Early Modern London
Content: text/plain; charset="utf-8"

TY  - ELEC
A1  - Jenstad, Janelle
ED  - Jenstad, Janelle
T1  - The Agas Map
T2  - The Map of Early Modern London
ET  - 7.0
PY  - 2022
DA  - 2022/05/05
CY  - Victoria
PB  - University of Victoria
LA  - English
UR  - https://mapoflondon.uvic.ca/edition/7.0/map.htm
UR  - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/map.xml
ER  - </code></bibl>
<bibl type="mla"><author><name ref="#JENS1"><name type="surname">Jenstad</name>, <name type="forename">Janelle</name></name></author>. <title level="a">The Agas Map</title>. <title level="m">The Map of Early Modern London</title>, Edition <edition>7.0</edition>, edited by <editor><name ref="#JENS1"><name type="forename">Janelle</name> <name type="surname">Jenstad</name></name></editor>, <publisher>U of Victoria</publisher>, <date>05 May 2022</date>, <ref target="https://mapoflondon.uvic.ca/edition/7.0/map.htm">mapoflondon.uvic.ca/edition/7.0/map.htm</ref>.</bibl>
<bibl type="chicago"><author><name ref="#JENS1"><name type="surname">Jenstad</name>, <name type="forename">Janelle</name></name></author>. <title level="a">The Agas Map</title>. <title level="m">The Map of Early Modern London</title>, Edition <edition>7.0</edition>. Ed. <editor><name ref="#JENS1"><name type="forename">Janelle</name> <name type="surname">Jenstad</name></name></editor>. <pubPlace>Victoria</pubPlace>: <publisher>University of Victoria</publisher>. Accessed <date>May 05, 2022</date>. <ref target="https://mapoflondon.uvic.ca/edition/7.0/map.htm">mapoflondon.uvic.ca/edition/7.0/map.htm</ref>.</bibl>
<bibl type="apa"><author><name><name type="surname">Jenstad</name>, <name type="forename">J.</name></name></author> <date>2022</date>. <title>The Agas Map</title>. In <editor><name ref="#JENS1"><name type="forename">J.</name> <name type="surname">Jenstad</name></name></editor> (Ed), <title level="m">The Map of Early Modern London</title> (Edition <edition>7.0</edition>). <pubPlace>Victoria</pubPlace>: <publisher>University of Victoria</publisher>. Retrieved  from <ref target="https://mapoflondon.uvic.ca/edition/7.0/map.htm">https://mapoflondon.uvic.ca/editions/7.0/map.htm</ref>.</bibl>
</listBibl></note><note n="personography"><list type="person"><item xml:id="ELHA1">
      <name type="person">
       <reg>Tracey El Hajj</reg>
       <name type="forename">Tracey</name>
       <name type="surname">El Hajj</name>
       <abbr>TEH</abbr>
      </name>
      <note>
       <p>Junior Programmer 2018-2020. Research Associate 2020-2021. Tracey received her PhD from the Department of English at the University of Victoria in the field of Science and Technology Studies. Her research focuses on the <term>algorhythmics</term> of networked communications. She was a 2019-20 President’s Fellow in Research-Enriched Teaching at UVic, where she taught an advanced course on <title level="a">Artificial Intelligence and Everyday Life.</title> Tracey was also a member of the <title level="m">Linked Early Modern Drama Online</title> team, between 2019 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.</p>
      </note>
     </item><item xml:id="TAKE1">
      <name type="person">
       <reg>Joey Takeda</reg>
       <name type="forename">Joey</name>
       <name type="surname">Takeda</name>
       <abbr>JT</abbr>
      </name>
      <note>
       <p>Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017.
        Joey Takeda was a graduate student at the University of British Columbia in the Department
        of English (Science and Technology research stream). He completed his BA honours in English
        (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary
        research interests included diasporic and indigenous Canadian and American literature,
        critical theory, cultural studies, and the digital humanities.</p>
      </note>
     </item><item xml:id="LAND2">
      <name type="person">
       <reg>Tye Landels-Gruenewald</reg>
       <name type="forename">Tye</name>
       <name type="surname">Landels-Gruenewald</name>
       <abbr>TLG</abbr>
      </name>
      <note>
       <p>Data Manager, 2015-2016. Research Assistant, 2013-2015. Tye completed his undergraduate
        honours degree in English at the University of Victoria in 2015.</p>
      </note>
     </item><item xml:id="JENS1">
      <name type="person">
       <reg>Janelle Jenstad</reg>
       <name type="forename">Janelle</name>
       <name type="surname">Jenstad</name>
       <abbr>JJ</abbr>
      </name>
      <note>
       <p>Janelle Jenstad is Associate Professor of English at the University of Victoria, Director
        of <title level="m">The Map of Early Modern London</title>, and PI of <title level="m">Linked Early Modern Drama Online</title>. She has taught at Queen’s University, the Summer
        Academy at the Stratford Festival, the University of Windsor, and the University of
        Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited <title level="m">Shakespeare’s Language in Digital Media</title> (<ref target="https://www.routledge.com/Shakespeares-Language-in-Digital-Media-Old-Words-New-Tools/Jenstad-Kaethler-Roberts-Smith/p/book/9781472427977">Routledge</ref>). She has prepared a documentary edition of John Stow’s <title level="m">A
         Survey of London</title> (1598 text) for MoEML and is currently editing <title level="m">The Merchant of Venice</title> (with Stephen Wittek) and Heywood’s <title level="m">2 If
         You Know Not Me You Know Nobody</title> for DRE. Her articles have appeared in <title level="j">Digital Humanities Quarterly</title>, <title level="j">Renaissance and
         Reformation</title>,<title level="j">Journal of Medieval and Early Modern Studies</title>,
         <title level="j">Early Modern Literary Studies</title>, <title level="j">Elizabethan
         Theatre</title>, <title level="j">Shakespeare Bulletin: A Journal of Performance
         Criticism</title>, and <title level="j">The Silver Society Journal</title>. Her book
        chapters have appeared (or will appear) in <title level="m">Institutional Culture in Early
         Modern Society</title> (Brill, 2004), <title level="m">Shakespeare, Language and the Stage,
         The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre
         Studies</title> (Arden/Thomson Learning, 2005), <title level="m">Approaches to Teaching
         Othello</title> (Modern Language Association, 2005), <title level="m">Performing Maternity
         in Early Modern England</title> (Ashgate, 2007), <title level="m">New Directions in the
         Geohumanities: Art, Text, and History at the Edge of Place</title> (Routledge, 2011), Early
        Modern Studies and the Digital Turn (Iter, 2016), <title level="m">Teaching Early Modern
         English Literature from the Archives</title> (MLA, 2015), <title level="m">Placing Names:
         Enriching and Integrating Gazetteers</title> (Indiana, 2016), <title level="m">Making
         Things and Drawing Boundaries</title> (Minnesota, 2017), and <title level="m">Rethinking
         Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies</title>
        (Routledge, 2018).</p>
      </note>
     </item><item xml:id="HOLM3">
      <name type="person">
       <reg>Martin D. Holmes</reg>
       <name type="forename">Martin</name>
       <name type="forename">D.</name>
       <name type="surname">Holmes</name>
       <abbr>MDH</abbr>
      </name>
      <note>
       <p>Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC).
        Martin ported the MOL project from its original PHP incarnation to a pure eXist database
        implementation in the fall of 2011. Since then, he has been lead programmer on the project
        and has also been responsible for maintaining the project schemas. He was a co-applicant on
        MoEML’s 2012 SSHRC Insight Grant.</p>
      </note>
     </item><item xml:id="AGAS1">
      <name type="person">
       <reg>Ralph Agas</reg>
       <name type="forename">Ralph</name>
       <name type="surname">Agas</name>
      </name>
      <note>
       <p>Land surveyor. Known as the maker of the <soCalled>Agas</soCalled> map of <ref target="#LOND5">London</ref>.</p>
       <list type="links">
        <item><ref target="https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-207"><title level="m">ODNB</title></ref></item>
        <item><ref target="https://en.wikipedia.org/wiki/Ralph_Agas"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </item></list></note></notesStmt><sourceDesc><bibl>Born digital.</bibl>
<list type="place">
<item xml:id="LOND5">
<name type="place">London</name>
<note>
<p>The city of London, not to be confused with the allegorical character (<name ref="PERS1.xml#LOND6">London</name>).</p>
<lb/>(<ref target="LOND5.xml">LOND5.xml</ref>)
</note>
</item>

<item xml:id="ROYA1">
<name type="place">Royal Exchange</name>
<note>
<p>Located in <ref target="BROA3.xml">Broad Street Ward</ref> and <ref target="CORN1.xml">Cornhill Ward</ref>, the <ref target="#ROYA1">Royal Exchange</ref> was opened in <date>1570</date> to make business more convenient for merchants and tradesmen (<ref target="BIBL1.xml#HARB1" type="bibl">Harben 512</ref>). The construction of the <ref target="#ROYA1">Royal Exchange</ref> was largely funded by <name ref="PERS1.xml#GRES2">Sir Thomas Gresham</name> (<ref target="BIBL1.xml#WEIN2" type="bibl">Weinreb, Hibbert, Keay, and Keay 718</ref>).</p>
<lb/>(<ref target="ROYA1.xml">ROYA1.xml</ref>)
</note>
</item>

<item xml:id="THRE1">
<name type="place">Threadneedle Street</name>
<note>
<p>
               <ref target="#THRE1">Threadneedle Street</ref> ran east-west from <ref target="BISH3.xml">Bishopsgate Street</ref> to <ref target="#CORN2">Cornhill</ref> and the <ref target="STOC1.xml">Stocks Market</ref>. It
                    passed the north end of the <ref target="#ROYA1">Royal Exchange</ref> and was
                    entirely in <ref target="BROA3.xml">Broad Street Ward</ref>. <ref target="#THRE1">Threadneedle Street</ref>, also called <mentioned><ref target="#THRE1">Three Needle Street</ref></mentioned>, is clearly visible on the
                    Agas map. It was apparently very well known for its taverns.</p>
<lb/>(<ref target="THRE1.xml">THRE1.xml</ref>)
</note>
</item>

<item xml:id="CORN2">
<name type="place">Cornhill</name>
<note>

                <p><ref target="#CORN2">Cornhill</ref> was a significant thoroughfare and was part of the cityʼs main major east-west thoroughfare that divided the northern half of <ref target="#LOND5">London</ref> from the southern half. The part of this thoroughfare named <ref target="#CORN2">Cornhill</ref> extended from <ref target="STAN8.xml">St. Andrew Undershaft</ref> to the three-way intersection of <ref target="#THRE1">Threadneedle</ref>, <ref target="POUL1.xml">Poultry</ref>, and <ref target="#CORN2">Cornhill</ref> where the <ref target="#ROYA1">Royal Exchange</ref> was built. The name <q><ref target="#CORN2">Cornhill</ref></q> preserves a memory both of the cornmarket that took place in this street, and of the topography of the site upon
                which the Roman city of Londinium was built. </p>
                <p>Note: <ref target="#CORN2">Cornhill</ref> and <ref target="CORN1.xml">Cornhill Ward</ref> are nearly synonymous in terms of location and nomenclature - thus, it can be a challenge to tell one from the other. Topographical decisions have been made to the best of our knowledge and ability.</p>
<lb/>(<ref target="CORN2.xml">CORN2.xml</ref>)
</note>
</item>
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      <p>Our editorial and encoding practices are documented in detail in the <ref target="praxis.xml">Praxis</ref> section of our website.</p>

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       <gloss type="marcRelator" target="http://id.loc.gov/vocabulary/relators/aut.html">A person or
        organization chiefly responsible for the intellectual or artistic content of a work, usually
        printed text. This term may also be used when more than one person or body bears such
        responsibility. </gloss>
       <gloss type="mol">MoEML uses the term <mentioned>author</mentioned> to designate a
        contributor who is wholly or partly responsible for the original content of either a
        born-digital document, such as an encyclopedia entry, or a primary source document, such as
        a MoEML Library text.</gloss>
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       <gloss type="marcRelator">A person or organization performing the coding of SGML, HTML, or
        XML markup of metadata, text, etc.</gloss>
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        encoder(s) and for the person who edits the encoding. MoEML’s normal workflow includes a
        step whereby encoders check each other’s work. We use the term
         <mentioned>encoder</mentioned> to designate the principal encoder, and <mentioned>markup
         editor</mentioned> to designate the person who checks the encoding.</gloss>
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       <gloss type="marcRelator">A person or organization with primary responsibility for all
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        overall direction to a project manager.</gloss>
       <gloss type="mol">MoEML’s Project Director directs the intellectual and scholarly aspects of
        the project, consults with the Advisory and Editorial Boards, and ensures the ongoing
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       <term>Programmer</term>
       <gloss type="marcRelator">A person or organization responsible for the creation and/or
        maintenance of computer program design documents, source code, and machine-executable
        digital files and supporting documentation.</gloss>
       <gloss type="mol">MoEML uses the term <mentioned>programmer</mentioned> to designate a person
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      <!--
        Changes recorded here are only major changes or those resulting from 
        automated processing. Later changes should be placed first. A complete
        record of the history of any of our files is available through the Subversion
        log.
      -->
      <revisionDesc status="published">
        <change who="#ELHA1" when="2019-07-05">Added divGen map_menu_link</change>
        <change who="#LAND2" when="2016-06-09">Added a link to agas_instructions.xml.</change>
         <change who="#TAKE1" when="2015-06-23">Standardized <gi>respStmt</gi>s for JENS1, MCFI1, and HOLM3 and added TAKE1 as Junior Programmer.</change>
         <change who="#HOLM3" when="2015-04-19">Created this file based on the old map page.</change>
      </revisionDesc>
  </teiHeader><text>
    <front>
      <docTitle>
        <titlePart type="main">The Agas Map</titlePart>
      </docTitle>
    </front>
    <body>
      
      <div xml:id="map_whatis">
        <head>What is the Agas map?</head>
        <p><title level="m">Civitas Londinum</title> is a bird’s-eye view of <ref target="#LOND5">London</ref> first printed from woodblocks in about <date>1561</date>. Widely
          known as the <soCalled><name ref="#AGAS1">Agas</name> map</soCalled>, from a spurious attribution to
          surveyor <name ref="#AGAS1">Ralph Agas</name> (c.<date>1540-1621</date>), the map offers a richly
          detailed view both of the buildings and streets of the city and of its environment. No
          copies survive from <date>1561</date>, but a modified version was printed in <date>1633</date>. In the later version
          of the map, the Stuart coat of arms replaces the Elizabethan arms, and the <ref target="#ROYA1">Royal Exchange</ref>, which opened in <date>1571</date>, occupies the triangle
          created by the convergence of <ref target="#THRE1">Threadneedle</ref> and <ref target="#CORN2">Cornhill</ref> Streets.</p>
        
         <p><ref target="agas.htm">View the full map.</ref></p>
        
        <figure type="fullWidth" xml:id="map_agas_fragment">
          <graphic url="graphics/agas_fragment.png"/>
          <figDesc>A small section of the Agas Map. <ref target="agas.htm">View the full map.</ref></figDesc>
        </figure>
        
      </div>
        
        <div xml:id="map_moeml">
          <head>MoEML and the Map</head>
          <p>For MoEML, the map is a Graphical User Interface (GUI) that
          allows us to visualize literary and historical data, a material object with its own
          historical and aesthetic interest, and a text in its own right. Our new version of the
          Agas Map, first released in 2015, has an interface based on the OpenLayers 3 library. The
          map image was freshly scanned by the <ref target="https://www.cityoflondon.gov.uk/things-to-do/london-metropolitan-archives/Pages/default.aspx">London Metropolitan Archives</ref> and then stitched together and edited by the MoEML team to create an ideal text. While we redraw all the streets,
          sites, and boundaries, we continue to develop the interface to provide maximum
          interactivity and drawing capabilities to our users. Our full scholarly edition of the map
          will include critical materials about the genre, accuracy, provenance, preservation, and
          subsequent adaptations of the map.</p>
          
          <p>For instructions on how to navigate the map and use its various features, see <ref target="agas_instructions.xml"><title level="a">How to Use MoEML’s Agas Map</title></ref>.</p>
        </div>
        
      <div xml:id="map_info">
        <p>© The Agas map is used on this website by kind permission of the
          <ref target="https://www.cityoflondon.gov.uk/things-to-do/london-metropolitan-archives/Pages/default.aspx">City of London, London Metropolitan Archives</ref>. Copyright law prohibits further
          reproduction of these images in any form under any circumstances. <ref target="copyright.xml">More information</ref>.</p>
        
        <p> For site identifications, we are particularly indebted to the
          work of Adrian Prockter and Robert Taylor, <title level="m">A to Z of Elizabethan
            London</title> (London: Harry Margary, 1979).</p>
      </div>
    </body>
  </text></TEI>