Bishopsgate Ward Conceptor2004 Janelle Jenstad Abstract Author2021 Jamie Zabel Transcriber Melanie Chernyk Data Manager Tye Landels Junior Programmer Joey Takeda Programmer Martin Holmes Associate Project Director Kim McLean-Fiander Project Director Janelle Jenstad The Map of Early Modern Londonhttp://mapoflondon.uvic.ca/includes.xmlVictoria, BC, Canada
Department of English P.O.Box 3070 STNC CSC University of Victoria Victoria, BC Canada V8W 3W1
2016University of Victoria978-1-55058-519-3 Janelle Jenstad london@uvic.ca

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 Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Zabel, Jamie ED - Jenstad, Janelle T1 - Bishopsgate Ward T2 - The Map of Early Modern London ET - 7.0 PY - 2022 DA - 2022/05/05 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/7.0/BISH1.htm UR - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/BISH1.xml ER - Zabel, Jamie. Bishopsgate Ward. The Map of Early Modern London, Edition 7.0, edited by Janelle Jenstad, U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/BISH1.htm. Zabel, Jamie. Bishopsgate Ward. The Map of Early Modern London, Edition 7.0. Ed. Janelle Jenstad. Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/BISH1.htm. Zabel, J. 2022. Bishopsgate Ward. In J. Jenstad (Ed), The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/7.0/BISH1.htm.

Bishopsgate Ward shares its western boundary with the eastern boundaries of Shoreditch and Broad Street Ward and, thus, encompasses area both inside and outside the Wall. The ward and its main street, Bishopsgate Street, are named after Bishopsgate.

 Jamie Zabel Jamie Zabel JZ

Research Assistant, 2020-2021. Managing Encoder, 2020-2021. Jamie Zabel was an MA student at the University of Victoria in the Department of English. She completed her BA in English at the University of British Columbia in 2017. She published a paper in University College London’s graduate publication Moveable Type (2020) and presented at the University of Victoria’s 2021 Digital Humanities Summer Institute. During her time at MoEML, she made significant contributions to the 1598 and 1633 editions of Stow’s Survey as proofreader, editor, and encoder, coordinated the encoding of the 1633 edition, and researched and authored a number of encyclopedia articles and geo-coordinates to supplement both editions. She also played a key role in managing the correction process of MoEML’s Gazetteer.

 Joey Takeda Joey Takeda JT

Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.

 Tye Landels-Gruenewald Tye Landels-Gruenewald TLG

Data Manager, 2015-2016. Research Assistant, 2013-2015. Tye completed his undergraduate honours degree in English at the University of Victoria in 2015.

 Melanie Chernyk Melanie Chernyk MJC

Research Assistant, 2004–2008. BA honours, 2006. MA English, University of Victoria, 2007. Melanie Chernyk went on to work at the Electronic Textual Cultures Lab at the University of Victoria and now manages Talisman Books and Gallery on Pender Island, BC. She also has her own editing business at http://26letters.ca.

 Kim McLean-Fiander Kim McLean-Fiander KMF

Director of Pedagogy and Outreach, 2015–2020. Associate Project Director, 2015. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.

 Janelle Jenstad Janelle Jenstad JJ

Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).

 Martin D. Holmes Martin D. Holmes MDH

Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.

 Born digital. Contains information about the ward and links to other parts of the project. 1603 transcription from Stow. Stow, John. A Survey of London. Reprinted from the Text of 1603. Ed. Charles Lethbridge Kingsford. 2 vols. Oxford: Clarendon, 1908. See also the digital transcription of this edition at British History Online. Stow, John. A suruay of London· Conteyning the originall, antiquity, increase, moderne estate, and description of that city, written in the yeare 1598. by Iohn Stow citizen of London. Since by the same author increased, with diuers rare notes of antiquity, and published in the yeare, 1603. Also an apologie (or defence) against the opinion of some men, concerning that citie, the greatnesse thereof. VVith an appendix, contayning in Latine Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. London: John Windet, 1603. STC 23343. U of Illinois (Urbana-Champaign Campus) copy. Stow, John. A Survey of London. Reprinted from the Text of 1603. Ed. Charles Lethbridge Kingsford. 2 vols. Oxford: Clarendon, 1908. Remediated by British History Online. [Kingsford edition, courtesy of The Centre for Metropolitan History. Articles written after 2011 cite from this searchable transcription.] Shoreditch

A suburban neighbourhood located just north of Moorfields and outside Londonʼs City Wall, Shoreditch was a focal point of early modern theatrical culture. Following a boom in Londonʼs population from 1550 to 1600, the neighbourhood became a prime target for development. The building of the Theatre in 1576 and the Curtain in the following year established Shoreditchʼs reputation as Londonʼs premier entertainment district, and the neigbourhood also featured a growing number of taverns, alehouses, and brothels. These latter establishments were often frequented by local players, of whom many prominent members were buried on the grounds of nearby St. Leonardʼs Church. Today, Shoreditch faces the potential revival of its early modern theatrical culture through the efforts of the Museum of London Archaeology and the Tower Hamlets Theatre Company.

(SHOR1.xml) Broad Street Ward

Broad Street Ward is west of Bishopsgate Ward. It is named after its principle street, Broad Street.

(BROA3.xml) The Wall

Originally built as a Roman fortification for the provincial city of Londinium in the second century C.E., the London Wall remained a material and spatial boundary for the city throughout the early modern period. Described by Stow as high and great (Stow 1:8), the London Wall dominated the cityscape and spatial imaginations of Londoners for centuries. Increasingly, the eighteen-foot high wall created a pressurized constraint on the growing city; the various gates functioned as relief valves where development spilled out to occupy spaces outside the wall.

(WALL2.xml) Bishopsgate Street

Bishopsgate Street ran north from Cornhill Street to the southern end of Shoreditch Street at the city boundary. South of Cornhill, the road became Gracechurch Street, and the two streets formed a major north-south artery in the eastern end of the walled city of London, from London Bridge to Shoreditch. Important sites included: Bethlehem Hospital, a mental hospital, and Bull Inn, a place where plays were performed before Shakespeare’s time (Weinreb and Hibbert 67).

(BISH3.xml) Bishopsgate Information is not yet available. (BISH2.xml) St. Mary Spital

St. Mary Spital was an Augustinian Priory and Hospital on the east side of Bishopsgate Street. The Priory dates from 1197. The old precinct of St. Mary Spital is visible on the Agas map. The church itself was demolished after the Dissolution of the Monasteries in 1539. By the time the Agas map was drawn, many of the priory buildings had been removed and the area appears sparse.

(STMA12.xml) Houndsditch Street

Running southeast from Bishopsgate Street to Aldgate Street outside the city wall, Houndsditch Street passed through Bishopsgate Ward and Portsoken Ward. It was first paved in 1603 (Harben 311). Houndsditch Street took its name from nearby Houndsditch. Stow refers to the neighbourhood surrounding Houndsditch Street as Houndsditch: (within the limits of Hounds-ditch) dwell many a good and honest Citizen (Stow 1633, sig. M1v).

(HOUN1.xml) St. Martin Outwich Information is not yet available. (STMA21.xml) Leadenhall Information is not yet available. (LEAD1.xml) Gracechurch Street

Gracechurch Street ran north-south from Cornhill Street near Leadenhall Market to the bridge. At the southern end, it was called New Fish Street. North of Cornhill, Gracechurch continued as Bishopsgate Street, leading through Bishop’s Gate out of the walled city into the suburb of Shoreditch.

(GRAC1.xml) St. Benet Gracechurch Information is not yet available. (STBE3.xml)

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Bishopsgate Ward Bishopsgate Ward

Location:

Introduction

Bishopsgate Ward shares its western boundary with the eastern boundaries of Shoreditch and Broad Street Ward and, thus, encompasses area both inside and outside the Wall. The ward and its main street, Bishopsgate Street, are named after Bishopsgate.

1720: Blome’s Map of Bishopsgate Ward. Image courtesy of British Library Crace Collection. © British Library Board; Maps Crace Port. 8.8
Links to Chapters in the Survey of London 1598 1603 (see below for excerpt) 1618 (forthcoming) 1633
1603 Description of Ward Boundaries

The following diplomatic transcription of the opening paragraph(s) of the 1603 chapter on this ward will eventually be subsumed into the MoEML edition of the 1603 Survey.The 1603 Survey is widely available in reprints of C.L. Kingsford’s two-volume 1908 edition (Kingsford) and also in the British History Online transcription of the Kingsford edition (BHO). MoEML is completing its editions of all four texts in the following order: 1598, 1633, 1618, and 1603. Each ward chapter opens with a narrative circumnavigation of the ward—a verbal beating of the bounds that MoEML first transcribed in 2004 and later used to facilitate the drawing of approximate ward boundaries on our edition of the Agas map. Source: John Stow, A Survey of London (London, 1603; STC #23343).

The next is Biſhopſgate warde, whereof a parte is without the gate and of the ſuburbes from the barres, by S. Mary Spittle, to Biſhopſgate, and a part of Hounds ditch, almoſt halfe thereof, alſo without the wall is of the ſame Warde. Then within the gate is Biſhopſgate ſtreete, ſo called of the gate, to a Pumpe, where ſometime was a fayre wel with two buckets by the Eaſt ende of the parriſh Church of S. Martin Otoſwich, and then winding by the Weſt corner of Leaden hall down Graſſe ſtreet to the corner ouer againſt Graſſe Church, and this is the boundes of that Warde.

Note on Ward boundaries on Agas Map

Ward boundaries drawn on the Agas map are approximate. The Agas map does not lend itself well to georeferencing or georectification, which means that we have not been able to import the raster-based or vector-based shapes that have been generously offered to us by other projects. We have therefore used our drawing tools to draw polygons on the map surface that follow the lines traced verbally in the opening paragraph(s) of each ward chapter in the Survey. Read more about the cartographic genres of the Agas map.