The Triumphs of Honour and Virtue Author Thomas Middleton Printer Nicholas Okes Editor Mark Kaethler Editor Janelle Jenstad Transcriber Quinn MacDonald Encoder Quinn MacDonald Encoder Chase Templet Markup Editor Kate LeBere Markup Editor Lucas Simpson CSS Editor Chase Templet CSS Editor Chris Horne Transcription Proofreader Lucas Simpson Data Manager Tye Landels Junior Programmer Joey Takeda Programmer Martin Holmes Associate Project Director Kim McLean-Fiander Project Director Janelle Jenstad The Map of Early Modern Londonhttp://mapoflondon.uvic.ca/includes.xmlVictoria, BC, Canada
Department of English P.O.Box 3070 STNC CSC University of Victoria Victoria, BC Canada V8W 3W1
2016University of Victoria978-1-55058-519-3 Janelle Jenstad london@uvic.ca

Copyright held by The Map of Early Modern London on behalf of the contributors.

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Further details of licences are available from our Licences page. For more information, contact the project director, Janelle Jenstad, for specific information on the availability and licensing of content found in files on this site.

 Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Middleton, Thomas ED - Jenstad, Janelle T1 - The Triumphs of Honour and Virtue T2 - The Map of Early Modern London ET - 7.0 PY - 2022 DA - 2022/05/05 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/7.0/VERT2.htm UR - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/VERT2.xml TY - UNP ER - Middleton, Thomas. The Triumphs of Honour and Virtue. The Map of Early Modern London, Edition 7.0, edited by Janelle Jenstad, U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/VERT2.htm. Draft. Middleton, Thomas. The Triumphs of Honour and Virtue. The Map of Early Modern London, Edition 7.0. Ed. Janelle Jenstad. Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/VERT2.htm. Draft. Middleton, T. 2022. The Triumphs of Honour and Virtue. In J. Jenstad (Ed), The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/7.0/VERT2.htm. Draft. Original transcription from EEBO-TCP, STC 17900; new transcription by Quinn MacDonald. DEEP 705. EEBO-TCP (EEBO Text Creation Partnership). [The Text Creation Partnership offers searchable diplomatic transcriptions of many EEBO items.] Early English Books Online (EEBO). Proquest LLC. London

The city of London, not to be confused with the allegorical character (London).

(LOND5.xml) Westminster Information is not yet available. (WEST6.xml) St. Paul’s Churchyard

Surrounding St. Paul’s Cathedral, St. Paul’s Churchyard has had a multi-faceted history in use and function, being the location of burial, crime, public gathering, and celebration. Before its destruction during the civil war, St. Paul’s Cross was located in the middle of the churchyard, providing a place for preaching and the delivery of Papal edicts (Thornbury).

(STPA3.xml) Little Conduit (Cheapside)

The Little Conduit (Cheapside), also known as the Pissing Conduit, stood at the western end of Cheapside Street outside the north corner of Paul’s Churchyard. On the Agas map, one can see two water cans on the ground just to the right of the conduit.

(LITT2.xml) Guildhall Information is not yet available. (GUIL1.xml) St. Anthony’s Hospital

St. Anthony’s Hospital was associated with the Parish of St. Benet (Fink) and was on the opposite side of Threadneedle Street from the church of the parish, St. Benet Fink. According to Stow, Henry III granted the construction of a synagogue in this space. The building was constructed for that purpose in 1231, but, as Stow writes, the christians obtayned of the king that it should be dedicated to our blessed Lady, and since an Hospital being there builded, was called S. Anthonies in London (Stow 1598, sig. K8v). The hospital consisted of a church, almsnouse, and school.

(STAN10.xml) St. Laurence Lane Information is not yet available. (STLA2.xml) St. Paul’s Cathedral

St. Paul’s Cathedral was—and remains—an important church in London. In 962, while London was occupied by the Danes, St. Paul’s monastery was burnt and raised anew. The church survived the Norman conquest of 1066, but in 1087 it was burnt again. An ambitious Bishop named Maurice took the opportunity to build a new St. Paul’s, even petitioning the king to offer a piece of land belonging to one of his castles (Times 115). The building Maurice initiated would become the cathedral of St. Paul’s which survived until the Great Fire of London.

(STPA2.xml) Soper Lane

Soper Lane was located in the Cordwainers Street Ward just west of Walbrook Street and south of Cheapside Street. Soper Lane was home to many of the soap makers and shoemakers of the city (Stow 1:251). Soper Lane was on the processional route for the lord mayor’s shows.

(SOPE1.xml)

Commemorative pageant book prepared for the inauguration of Sir Peter Proby as Lord Mayor of London on October 29, 1622. Pageants coordinated by Thomas Middleton on behalf of the Worshipful Company of the Grocers. Book printed by Nicholas Okes. Diplomatic transcription prepared by the MoEML Team. See https://mapoflondon.uvic.ca/VERT2.htm for full credits and editorial procedures.

The Julian calendar, in use in the British Empire until September 1752. This calendar is used for dates where the date of the beginning of the year is ambigious.

The Julian calendar with the calendar year regularized to beginning on 1 January.

The Julian calendar with the calendar year beginning on 25 March. This was the calendar used in the British Empire until September 1752.

The Gregorian calendar, used in the British Empire from September 1752. Sometimes referred to as New Style (NS). Years run from January 1 through December 31.

The Anno Mundi (year of the world) calendar is based on the supposed date of the creation of the world, which is calculated from Biblical sources. At least two different creation dates are in common use. See Anno Mundi (Wikipedia).

Regnal dates are given as the number of years into the reign of a particular monarch. Our practice is to tag such dates with calendar=regnal, and provide an equivalent date using a more systematic calendar (usually Julian) in a custom dating attribute.

 Lucas Simpson Lucas Simpson LS

Research Assistant, 2018-2021. Lucas Simpson was a student at the University of Victoria.

 Chris Horne Chris Horne CH

Research Assistant, 2018-2020. Chris Horne was an honours student in the Department of English at the University of Victoria. His primary research interests included American modernism, affect studies, cultural studies, and digital humanities.

 Kate LeBere Kate LeBere KL

Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s Survey of London, old-spelling anthology of mayoral shows, and old-spelling library texts. She authored the MoEML’s first Project Management Manual and quickstart guidelines for new employees and helped standardize the Personography and Bibliography. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.

 Tracey El Hajj Tracey El Hajj TEH

Junior Programmer 2018-2020. Research Associate 2020-2021. Tracey received her PhD from the Department of English at the University of Victoria in the field of Science and Technology Studies. Her research focuses on the algorhythmics of networked communications. She was a 2019-20 President’s Fellow in Research-Enriched Teaching at UVic, where she taught an advanced course on Artificial Intelligence and Everyday Life. Tracey was also a member of the Linked Early Modern Drama Online team, between 2019 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.

 Joey Takeda Joey Takeda JT

Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.

 Chase Templet Chase Templet CT

Research Assistant, 2017-2019. Chase Templet was a graduate student at the University of Victoria in the Medieval and Early Modern Studies (MEMS) stream. He was specifically focused on early modern repertory studies and non-Shakespearean early modern drama, particularly the works of Thomas Middleton.

 Tye Landels-Gruenewald Tye Landels-Gruenewald TLG

Data Manager, 2015-2016. Research Assistant, 2013-2015. Tye completed his undergraduate honours degree in English at the University of Victoria in 2015.

 Cameron Butt Cameron Butt CB

Research Assistant, 2012–2013. Cameron Butt completed his undergraduate honours degree in English at the University of Victoria in 2013. He minored in French and has a keen interest in Shakespeare, film, media studies, popular culture, and the geohumanities.

 Quinn MacDonald Quinn MacDonald QM

Research Assistant, 2013. Quinn MacDonald was a fourth-year honours English student at the University of Victoria. Her areas of interest included postcolonial theory and texts, urban agriculture, journalism that isn’t lazy, fine writing, and roller derby. She was the director of community relations for The Warren Undergraduate Review and senior editor of Concrete Garden magazine.

 Kim McLean-Fiander Kim McLean-Fiander KMF

Director of Pedagogy and Outreach, 2015–2020. Associate Project Director, 2015. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.

 Mark Kaethler Mark Kaethler MK

Mark Kaethler is Department Chair, Arts, at Medicine Hat College; Assistant Director, Mayoral Shows, with MoEML; and Assistant Director for LEMDO. They are the author of Thomas Middleton and the Plural Politics of Jacobean Drama (De Gruyter, 2021) and a co-editor with Jennifer Roberts-Smith and Janelle Jenstad of Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge, 2018). Their work has appeared in The London Journal, Early Theatre, Literature Compass, Digital Studies/Le Champe Numérique, and Journal of the Text Encoding Initiative, as well as in several edited collections. Mark’s research interests include digital media and humanities; textual editing; game studies; and early modern drama.

 Janelle Jenstad Janelle Jenstad JJ

Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).

 Martin D. Holmes Martin D. Holmes MDH

Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.

 Antiquity Antiquity

Personification of antiquity. Appears as an allegorical character in mayoral shows. See also Philoponia.

 Authority Authority

Personification of authority. Appears as an allegorical character in mayoral shows.

 Sir Robert Chichele Sir Robert Chichele Sheriff Mayor

Sheriff of London 1402-1403. Mayor 1411-1412 and 1421-1422. Member of the Grocers’ Company. Brother of Henry Chichele and William Chichele. Cousin of Dr. William Chichele.

HPO MASL Wikipedia Elizabeth I Elizabeth I Queen of England Queen of Ireland Gloriana Good Queen Bess

Queen of England and Ireland 1558-1603.

ODNB EB Wikipedia Fame Fame

Personification of fame. Appears as an allegorical character in mayoral shows, Richard Johnson’s Nine Worthies of London and John Stow’s Survey of London.

 Virtue Virtue

Personification of virtue. Appears as an allegorical character in mayoral shows, Richard Johnson’s Nine Worthies of London and John Stow’s Survey of London. See also Arete.

 Andrew Bukerel Andrew Bukerel Sheriff Mayor

Sheriff of London 1223-1225. Mayor 1231-1238. Member of the Pepperers’ Company.

MASL Stephen Broun Stephen Broun Sheriff Mayor

Sheriff of London 1431-1432. Mayor 1438-1439 and 1448-1449. Member of the Grocers’ Company.

MASL Justice Justice

Personification of lawfulness and fairness. Appears as an allegorical character in mayoral shows and Richard Johnson’s Nine Worthies of London.

 Wisdom Wisdom

Personification of wisdom. Appears as an allegorical character in mayoral shows.

 Henry III Henry III King of England

King of England, Lord of Ireland, and Duke of Aquitaine 1216-1272. Buried at Westminster Abbey.

ODNB Wikipedia Honour Honour

Personification of honour. Appears as an allegorical character in mayoral shows and Richard Johnson’s Nine Worthies of London and John Stow’s Survey of London.

 India India

Personification of the geographic area and culture of India. Appears as an allegorical character in mayoral shows.

 James VI and I James VI I King of Scotland King of England King of Ireland

King of Scotland 1567-1625. King of England and Ireland 1603-1625.

ODNB Wikipedia Sir Thomis Knolles Sir Thomas Knolles Sheriff Mayor

Sheriff of London 1394-1395. Mayor 1399-1400. Member of the Grocers’ Company.

ODNB MASL Thomas Middleton Thomas Middleton

Playwright.

MoEML EB ODNB Wikipedia Nicholas Okes Nicholas Okes

Printer. Member of the Stationers’ Company. Business partner of John Norton. Father of John Okes.

BBTI Wikipedia Time Time

Personification of time. Appears as an allegorical character in mayoral shows and John Stow’s Survey of London.

 Traffic Traffic

Personification of traffic and merchandise. Appears as an allegorical character in mayoral shows.

 Alan de la Zouche Alan de la Zouch

Administrator and soldier. Warden of London 1267-1268 and possibly 1266-1267.

MASL ODNB Wikipedia Gerard Christmas Gerard Christmas

Carver and sculptor. Artificer of mayoral shows.

ODNB Wikipedia Fortitude Fortitude

Personification of fortitude. Appears as an allegorical character in mayoral shows.

 Providence Providence

Personification of providence. Appears as an allegorical character in mayoral shows.

 Zeale Zeale

Personification of zeal. Appears as an allegorical character in mayoral shows.

 Francis Bowyer Francis Bowyer Sheriff

Sheriff of London 1577-1578. Member of the Grocers’ Company. Husband of Elizabeth Bowyer. Father of William Bowyer, Robert Bowyer, Francis Bowyer, John Bowyer, Joane Bowyer, Margaret Bowyer, and Elizabeth Bowyer. Son of Robert Bowyer and Margaret Bowyer. Brother of Robert Bowyer, William Bowyer, Henry Bowyer, and Peter Bowyer. Buried at St. Nicholas Acon.

MASL Knowledge Knowledge

Personification of knowledge. Appears as an allegorical character in mayoral shows.

 Innocence Innocence

Personification of innocence. Appears as an allegorical character in mayoral shows.

 Mercy Mercy

Personification of mercy. Appears as an allegorical character in mayoral shows.

 Integrity Integrity

Personification of integrity. Appears as an allegorical character in mayoral shows.

 Nicholas Backhouse Nicholas Backhouse Sheriff

Sheriff of London 1576-1577. Member of the Grocers’ Company. Buried at St. Michael Bassishaw.

MASL Sir Henry Kebyll Sir Henry Kebyll Sheriff Mayor

Sheriff of London 1502-1503. Mayor 1510-1511. Member of the Grocers’ Company. Benefator and principal founder of St. Mary Aldermary. Father of Alice Blunt. Buried at St. Mary Aldermary.

MASL Wikipedia Sir William Laxton Sir William Laxton Sheriff Mayor

Sheriff of London 1540-1541. Mayor 1544-1545. Member of the Grocers’ Company. Buried at St. Mary Aldermary.

MASL ODNB Wikipedia Sir William Sevenoke Sir William Sevenoke Sheriff Mayor

Sheriff of London 1412-1413. Mayor 1418-1419. Member of the Grocers’ Company. Appears in Richard Johnson’s Nine Worthies of London.

MASL ODNB Wikipedia Sir Thomas Ramsey Sir Thomas Ramsey Sheriff Mayor

Sheriff of London 1567-1568. Mayor 1577-1578. Member of the Grocers’ Company. Husband of Dame Mary Ramsey and Dame Alice Ramsey. Buried at St. Nicholas Acon.

MASL Temperance Temperance

Personification of temperance. Appears as an allegorical character in mayoral shows.

 Watchfulness Watchfulness

Personification of watchfulness. Appears as an allegorical character in mayoral shows.

 Equality Equality

Personification of equality. Appears as an allegorical character in mayoral shows.

 Sir Peter Probie Sir Peter Probie Sheriff Mayor

Sheriff of London 1614-1615. Mayor 1622-1623. Member of the Grocers’ Company. Knighted on 8 June 1623.

MASL Wikipedia Commerce Commerce

Personification of commerce. Appears as an allegorical character in mayoral shows.

 Adventure Adventure

Personification of adventure. Appears as an allegorical character in mayoral shows.

 John Hodges John Hodges Sheriff

Sheriff of London 1622-1623. Member of the Grocers’ Company.

MASL Sir Humphrey Handford Sir Humphrey Handford Sheriff

Sheriff of London 1622-1623. Member of the Grocers’ Company. Knighted on 14 July 1622.

MASL Magistracy Magistracy

Personification of magistracy. Appears as an allegorical character in mayoral shows.

 Clear Conscience Clear Conscience

Personification of clear conscience. Appears as an allegorical character in mayoral shows.

 Divine Speculation Divine Speculation

Personification of divine speculation. Appears as an allegorical character in mayoral shows.

 Peace of Heart Peace of Heart

Personification of peace of heart. Appears as an allegorical character in mayoral shows.

 Impartiality Impartiality

Personification of impartiality. Appears as an allegorical character in mayoral shows.

 Mammon Mammon

Personification of wealth and greed in the Bible.

Wikipedia Worshipful Company of GrocersGrocers’ Company

The Grocers’ Company (previously the Pepperers’ Company) was one of the twelve great companies of London. The Grocers were second in the order of precedence established in 1515. The Worshipful Company of Grocers is still active and maintains a website at https://grocershall.co.uk/ that includes a history of the company.

The coat of arms of the Grocers’ Company, from Stow (1633). [Full size image]
padding-left: 5em; padding-right: 5em; width: 35em; display: block; letter-spacing: 0.2em; padding-bottom: 1rem; text-align: center; font-size: 200%; font-size: 300%; font-size: 150%; letter-spacing: normal; line-height: 90%; font-style: italic; letter-spacing: normal; display: block; padding-bottom: .5rem; text-align: center; font-size: 110%; letter-spacing: .1em; font-size: 113%; font-style: italic; word-spacing: .1em; font-size: 105%; word-spacing: .3em; font-style: italic; font-size: 90%; font-variant: small-caps; letter-spacing: .1em; font-size: 80%; display: block; padding-bottom: 1rem; text-align: center; font-style: normal; font-size: 90%; font-style: normal; font-style: normal; letter-spacing: .15em; display: block; font-size: 110%; padding-bottom: 1rem; text-align: center; font-variant: small-caps; letter-spacing: .2rem; padding-bottom: 3rem; padding-top: 3rem; padding-bottom: 1rem; display: block; text-align: center; font-size: 110%; font-style: italic; letter-spacing: .25em; font-size: 90%; font-variant: small-caps; letter-spacing: .2em; font-size: 90%; letter-spacing: .2rem; padding-bottom: 1rem; padding-top: 1rem; letter-spacing: .3em; font-size: 125%; word-spacing: .15em; font-size: 125%; font-size: 100%; font-style: italic; word-spacing: .2em; display: inline-block; font-size: 90%; line-height: 90%; font-variant: small-caps; letter-spacing: .2em; font-size: 120%; font-style: italic; margin-left: 5.5em; padding-bottom: 4rem; text-align: left; border: solid .5pt black; float: left; font-size: 175%; font-style: normal; line-height: 120%; margin-right: 0.1em; margin-top: .15rem; padding-bottom: 0em; padding-left: .3em; padding-right: .3em; padding-top: 0em; display: block; margin-right: 5.5em; padding-bottom: 5rem; text-align: right; padding-bottom: 2rem; padding-top: 2rem; padding-bottom: 1rem; text-align: center; font-size: 150%; letter-spacing: .3rem; word-spacing: .25rem; font-size: 120%; line-height: 120%; margin-left: 6em; border: solid 2pt black; display: inline-block; float: left; font-size: 700%; font-style: normal; line-height: 60%; margin-right: 0.1em; margin-top: .2rem; padding-bottom: .15em; padding-left: .35em; padding-right: .35em; padding-top: .15em; margin-left: 6em; text-indent: 1em; font-style: normal; text-align: center; margin-right: 7.5rem; margin-top: -1.2rem; text-align: right; font-size: 125%; font-style: italic; padding-bottom: .5rem; text-align: center; margin-left: 6rem; padding-bottom: .5rem; word-spacing: -.1rem; font-size: 125%; padding-bottom: 1rem; text-align: center; font-style: italic; margin-left: 6rem; float: left; font-size: 300%; font-style: normal; line-height: 90%; margin-right: 0.1em; padding: 0; font-style: italic; margin-right: 6rem; text-align: right; letter-spacing: -.01rem; letter-spacing: .25rem; text-align: center; font-style: italic; margin-right: 5rem; margin-right: 6rem; margin-top: -1.2rem; text-align: right; font-style: italic; margin-left: 6rem; padding-bottom: 1rem; margin-left: 6rem; text-indent: 1em; margin-right: 5rem; margin-right: 6rem; text-align: right; margin-left: 6rem; margin-left: 6rem; padding-bottom: 1.5rem; text-indent: 1em; font-size: 125%; padding-bottom: 1.5rem; text-align: center; float: left; font-size: 300%; font-style: normal; line-height: 90%; margin-right: 0.05em; padding: 0; font-style: italic; margin-right: 6rem; margin-top: -1.2rem; text-align: right; font-style: italic; margin-right: 4.5rem; margin-right: 5rem; text-align: right; font-style: italic; margin-right: 7rem; text-align: right; font-size: 90%; font-style: italic; margin-left: 6em; padding-bottom: .5rem; text-indent: 1em; font-size: 125%; padding-bottom: .5rem; text-align: center; float: left; font-size: 300%; font-style: normal; line-height: 100%; margin-right: 0.05em; margin-top: -.3rem; padding: .1em; font-style: italic; text-align: center; font-style: italic; margin-right: 4.5rem; margin-top: -1.2rem; text-align: right; margin-right: 7rem; text-align: right; letter-spacing: .25rem; margin-top: -1rem; text-align: center; margin-right: 7rem; margin-top: -1.2rem; text-align: right; font-size: 125%; font-style: italic; padding-bottom: 1.5rem; text-align: center; padding-bottom: .75rem; text-align: center; font-size: 125%; font-style: italic; word-spacing: 0.2em; font-size: 125%; font-style: normal; word-spacing: 0.2em; font-size: 100%; font-size: 100%; font-style: italic; float: left; font-size: 300%; font-style: normal; line-height: 90%; margin-right: 0.05em; padding-bottom: .2em; position: relative; font-style: italic; margin-right: 5rem; text-align: right; margin-left: 6rem; padding-bottom: 3rem; float: left; font-size: 200%; font-style: normal; line-height: 90%; margin-right: 0.05em; padding: 0; position: relative; font-size: 150%; font-style: italic; padding-bottom: 4rem; text-align: center;

Most MoEML documents, or significant fragments with xml:id attributes, can be addressed using the mol: prefix and accessed through the web application with their id + .xml.

The molagas prefix points to the shape representation of a location on MoEML’s OpenLayers3-based rendering of the Agas Map.

Links to page-images in the Chadwyck-Healey Early English Books Online (EEBO) repository. Note that this is a subscription service, and may not be accessible to those accessing it from locations outside member institutions.

Links to page-images in the English Broadside Ballad Archive (EBBA).

The mdt (MoEML Document Type) prefix used on catRef/target points to a central taxonomy in the includes file.

The mdtlist (MoEML Document Type listing) prefix used in linking attributes points to a listings page constructed from a category in the central MDT taxonomy in the includes file. There are two variants, one with the plain xml:id of the category, meaning all documents in the specified category, and one with the suffix _subcategories, meaning all subcategories of the category.

The molgls (MoEML gloss) prefix used on term/corresp points to a a glossary entry in the GLOSS1.xml file.

This molvariant prefix is used on ref/target attributes during automated generation of gazetteer index files. It points to an element in the generated variant spellings listing file which lists all documents which contain a particular spelling variant for a location.

This molajax prefix is used on ref/target attributes during the static build process, to specify links which point to MoEML resources which should not be loaded into the source page during standalone processing; instead, these should be turned into links to the XML source documents, and at HTML page load time, these should be turned into AJAX calls. This is to handle the scenario in which a page such as an A-Z index of the whole site would end up containing virtually the whole site inside itself.

The molstow prefix is used on facs attributes to link to the HCMC verison of the Stow facsimiles. Usually the first group is the year (1633) and then last is the image number (0001).

The molshows prefix is used on facs attributes to link to the copies of page-images from mayoral shows stored in the london account on the HCMC server. The first group is the year (1633), the second is the source repository, and then last is the image file name.

The sb prefix is used on ref/target attributes to link to Stow’s Books URLs at UToronto.

These digital editions are diplomatic transcriptions. Our goal has been to provide clean, readable TEI transcriptions of all the extant mayoral shows from 1585 to 1639. Because this corpus has never before been made available in one place, we provide XML base texts that other scholars can repurpose according to our Creative Commons Licence.

MoEML transcriptions of the mayoral shows are based intially on the EEBO-TCP transcriptions. A MoEML research assistant or contributing scholar has carefully checked the TCP transcription at least once against the EEBO images (and sometimes against the Early English Books I microfilms when the film is clearer). We silently correct errors in TCP transcriptions and fill in many of the gaps left by TCP transcribers. When we make surmises about characters or supply characters in places where the text has been cropped, damaged, overinked, or underinked, we record our supplied values using supplied. The transcription is checked again by another MoEML research assistant, and finally by the Project Director or Assistant Project Director. Users may report transcription errors via the Send Feedback link on each page.

We treat title pages, dedications, and prefaces as front matter, encoded with the front element. We treat speeches, narrative descriptions, and interpretations as the body of the text, encoded with the body element. We treat colophons and concluding statements, including the word Finis, as back matter, encoded with the back element.

Our practice has been to preserve most of the typographical, orthographical, and compositorial features of the original text. We use CSS styling to describe the peculiarities of font and justification. We also include links to the page images on EEBO; users who subscribe to EEBO may thus view the pages at any point and judge our transcription thereof for themselves.

Our encoders follow these rules for preserving or regularizing the text: Textual Component Rule Long ſ

TCP transcriptions do not preserve the long ſ. We have restored the long ſ through a series of find-and-replace functions based on typical early modern printing house habits, followed by a careful human checking against the digital images of the original.

 Capitalization

We preserve the capitalization of the source, including the second upper-case letter after a woodblock dropped capital.

 Italicization

We preserve the italicization of words by tagging them with a hi element with a style value of font-style: italic;. We consider italicization to be a bibliographic code rather than a linguistic code.

 Interchangeable Characters

We retain the interchangeable u/v and i/j and the use of vv for w. These are not marked up with any encoding.

 Ligatures

We retain the vowel digraphs using the appropriate Unicode characters (e.g., æ). Typographical ligatures (e.g., fl) have been silently expanded.

 Nasal Tildes

We retain the nasal tilde over vowels (e.g., õ) using the appropriate Unicode characters.

 Spacing Within Lines

MoEML closes up extra spaces between words and punctuation marks. However, we retain the spacing in authorial initials, such as A. M. (for Anthony Munday). We have added a single space after a comma when the comma has been used to separate two words.

 Lineation

MoEML preserves the line breaks in verse sections and the line wrapping in prose sections of mayoral shows. Prose line breaks have been encoded with a self-closing lb element. All line breaks in verse are produced by the use of l elements contained by lg elements.

 Hyphenation

MoEML transcriptions of mayoral shows preserve the hyphenation of words, both within and at the end of lines.

 Quotation Marks

All quotation marks are retained in the text and are represented by appropriate Unicode characters. We do not use the quote element for quotations in primary-source texts. MoEML practice calls for curly apostrophes and straight double quotation marks in both transcriptions and born-digital texts.

We have interpreted and encoded toponyms, names, and dates. The encoding of toponyms requires some research to point the toponym to the right location file (and thence to the map), but the relative stability of the processional route has meant that we have high confidence in our encoding of toponyms in the mayoral shows. When our encoding has veered into interpretation, such as in our decision to encode abstract nouns as allegorical characters even when it is not completely clear that the abstraction is embodied by an actor, we have encoded with the goal of building analytical capacity into our texts, such as the capacity for users to search for characters like Time across the corpus of mayoral shows. For our treatment of early modern dates, see our encoding instructions at Encode Dates. Other than toponyms, names, and dates, we have undertaken no interpretative encoding.

Our editorial and encoding practices are documented in detail in the Praxis section of our website.

Author A person or organization chiefly responsible for the intellectual or artistic content of a work, usually printed text. This term may also be used when more than one person or body bears such responsibility. MoEML uses the term author to designate a contributor who is wholly or partly responsible for the original content of either a born-digital document, such as an encyclopedia entry, or a primary source document, such as a MoEML Library text. Data manager A person or organization responsible for managing databases or other data sources. MoEML uses the term data manager to designate contributors who maintain and manage our databases. They add and update the data sent to us by external contributors or found by MoEML team members. They also monitor journals and sources regularly to ensure that our databases are current. Editor A person or organization who prepares for publication a work not primarily their own, such as by elucidating text, adding introductory or other critical matter, or technically directing an editorial staff. MoEML uses the term editor to designate a person who creates a modern edition of a work based on one of our encoded diplomatic transcriptions of a primary source. We use the term commentator to designate a person who adds editorial or explanatory notes to one of our diplomatic transcriptions. Markup editor A person or organization performing the coding of SGML, HTML, or XML markup of metadata, text, etc. MoEML uses the code mrk both for the primary encoder(s) and for the person who edits the encoding. MoEML’s normal workflow includes a step whereby encoders check each other’s work. We use the term encoder to designate the principal encoder, and markup editor to designate the person who checks the encoding. Project director A person or organization with primary responsibility for all essential aspects of a project, or that manages a very large project that demands senior level responsibility, or that has overall responsibility for managing projects, or provides overall direction to a project manager. MoEML’s Project Director directs the intellectual and scholarly aspects of the project, consults with the Advisory and Editorial Boards, and ensures the ongoing funding of the project. Proofreader A person who corrects printed matter. MoEML uses the term proofreader to designate a contributor who checks a transcription against an original document, or a person who corrects formatting and typographical errors in a born-digital article. Note that we use the term markup editor to designate a person who proofreads and corrects encoding. Programmer A person or organization responsible for the creation and/or maintenance of computer program design documents, source code, and machine-executable digital files and supporting documentation. MoEML uses the term programmer to designate a person or organization responsible for the creation and/or maintenance of computer program design documents, source code, and machine-executable digital files and supporting documentation. Printer A person or organization who prints texts, whether from type or plates. MoEML uses the term printer to designate the person named as the printer on the title page of a primary source text, or the person identified by scholars as the printer (e.g., in the English Short Title Catalogue database). In early modern printing practice, the roles of printer, bookseller, and publisher might coincide in one person, or be performed by different people. Research team head A person who directed or managed a research project. MoEML uses the terms research term head and assistant project manager interchangeably. Transcriber A person who prepares a handwritten or typewritten copy from original material, including from dictated or orally recorded material. MoEML uses the term transcriber to designate the person or organization that transcribes a primary source. In the case of EEBO-TCP transcribers, we do not know the names of the transcribers. Acceptable names for this role are transcriber, first transcriber (often the EEBO-TCP transcriber), or MoEML transcriber. CSS editor MoEML uses the term CSS Editor for a person who adds CSS styling to the transcription of a primary source. We use CSS styling to describe the bibliographic features of the texts we transcribe. For further information, see our page on CSS styling. Added xml:ids to pb elements using utilities/add_sig_ids_to_shows.xsl. Began implementing show into new template. Collapsed element rendition using XSLT. Collapsed element rendition using XSLT. Changed calendar value from "julian" to "julianSic" using XSLT. Standardized respStmts for JENS1, MCFI1, and HOLM3 and added TAKE1 as Junior Programmer. Added XInclude for listPrefixDef in the header. Added global publicationStmt through XInclude. Eliminated superfluous catRef elements from the header. Began encoding pageant Put change elements inside revisionDesc into the correct (latest first) order. Added profileDesc containing document type information expressed in catRef elements. Created document THE TRIVMPHS OFHonor and Vertue. A Noble Solemnitie, performed through the City, at the ſole Coſt and Charges of the HonorableFraternitie of Grocers, at the Confirmation andEſtabliſhment of their most worthy Brother, the RightHonorable Peter Proby, in the high Office of his Maieſties Lieutenant, Lord Maior and Chancellor of the famous City of London. Taking beginning at his Lordſhips going, and perfecting it ſelfe after His returne from receiuing the Oath of Maioralty at Weſtminſter, on the Morrow afterSimon and Iudes Day, being the 29. ofOctober, 1622. By Tho. Middleton Gent.
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Printer’s Ornament.
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LONDON. Printed by Nicholas Okes- 1622.
Printer’s Ornament.
TO The Honor of him, to whom the Noble Fraternitie of Grocers, his Worthy Bro thers, haue Dedicated their Loues, in coſtly Triumphs; the Right Honorable, Peter Proby, Lord Maior of this Renowned City. TO be His Seruant, that hath ſeru’d Two Royall Princes, and deſeru’d So Worthily of Both; the Same Call not Seruice, rather Fame. At your Lordſhips Command: Tho. Middleton.
Printer’s Ornament.
THE TRIVMPHS OF Honor and Vertue.

IF forreine Nations haue beeneſtrucke with Admiration at theForme, State, and Splendor ofsome yeerly Triumphs, wherein Arte hath beene but faintlyimitated: There is faire hopethat things where Inuention flouriſhes, cleere Artand her gracefull Proprieties, should receiue fauor and encouragement from the content of the Spectator, which next to the ſeruice of his Honorand honorable Societie, is the principall rewardit lookes for; then not deſpairing of that common fauour, this takes delight to preſent it ſelfe.

And firſt, to beginne with the worthy loue ofhis Noble Fraternity, after his Honors returne from Weſtminſter, hauing receiued ſome ſeruicevpon the Water, by the conduct of two Artfull

B Tri- The Triumphs of

Triumphs. Viz. The Throne of Vertue, and theContinent of Jndia; which alſo by Land attends his Lordſhips moſt wiſhed arriuall, accompaniedwith the whole body of the Triumph, whichneere vpon the time of his Honors approch aredecently and diſtinctly placed; the firſt, bearingthe Title of the Continent of India: A triumph repleniſhed with all manner of Spice-plants, andtrees bearing Odour, attends his Honors arriuallin Paules Church-yard; A blacke Perſonage repreſenting India, call’d for her odours and riches,the Queene of Merchandize, challinging themost eminent Seate, aduanceth her ſelfe vpon a bed of Spices, attended by Indians in Antique habits: Commerce, Aduenture and Traffique, three habited like Merchants, preſenting to her view a bright Figure, bearing the inſcription of Knowledge, a Sunne appearing aboue the trees in brighteſt ſplendor and glory: The blacke Queene before mentioned, lending a voyce to theſe following words:

YOu that haue eyes of Iudgement, and diſcerue Things that the beſt of Man and Life concerne, Draw neere, this blacke is but my natiue dye, But view me with an Intellectuall eye, As Honor and Vertue. As Wiſe men ſhoote their beames forth, you’le then find A change in the complexion of the mind; I’me beauteous in my blacknesse, O yee Sonnes Of Fame and Honor, through my beſt part runnes A Spring of liuing Waters, cleere and true, Found firſt by Knowledge, which came firſt by you, By you, and your examples, bleſt Commerce, That by Exchange ſettles ſuch happineſſe, Of Gummes and fragrant Spices, I confeſſe My Climate Heauen do’s with aboundance bleſſe, And thoſe you haue from me, but what are they Compar’d with Odours whoſe ſent ne’re decay, And thoſe I haue from you, plants of your youth, The Sauour of eternall life ſweet Truth, Exceeding all the odoriferous ſent, That from the beds of Spices euer went: I that command, (being proſp’rouſ’ly poſſeſt) The Riches and the Sweetneſſe of the Eaſt, To that fam’d Mountaine Taurus ſpreading forth My balmy Arme, whoſe height do’s kiſſe the North, And in the Sea Eoum laue this hand, Account my bleſsings not in thoſe to ſtand, Though they be large and fruitfull, but confeſſe All wealth conſiſts in Chriſtian holyneſſe, To ſuch cæleſtiall knowledge I was led; By Engliſh Merchants firſt enlightened, B2 In The Triumphs of In Honor of whoſe memory, onely Three I inſtance here, all of this Brotherhood free, To whoſe Fames the great Honor of this howre Aptly belongs, but to that Man of Power The firſt and chiefeſt, to whoſe worth ſo cleere, Iuſtice hath giuen her Sword vp for a yeere: And as yo’n Sunne his perfect ſplendor ſhowes, Cheering the Plants; and no Cloudes interpoſe His Radiant Comforts; ſo no Earthy part Which makes Eclipſes in a Rulers hart (As in that glorious Planet) muſt come nye The Sunne of Iuſtice, all ſuch myſts muſt flye; You’re in an Orbe of Brightneſſe plac’d and fixt, And with no ſoyle must Honor be commixt. So to your worthy Progreſſe Zeale commends Your Lordſhip, with your Graue and Noble friends.

The Speech being ended, to adde a little more help to the fainter Apprehenſions, the three Mer chants plac’d in the Continent, haue reference to the Lord Maior and Sheriffes, all Three being this yeer Brothers of this Ancient and Honorable Society, which triple or three fold Honor hapned to this Worthy Company in the yeere 1577. Sir Thomas Ramſey being then Lord Maior, and Maſter Ni cholas Backhouſe and Maſter Francis Bowyer, She riffes; hauing cohereunce with this yeeres Honor,

matcht Honor and Vertue.

matcht and paralell’d with theſe Three their asworthy Succeſſors, the right Honorable, Peter Proby, and the generous and Nobly affected, Ma ſter Iohn Hodges, and Sir Humphrey Handford She riffes and Aldermen.

By this time his Lordſhip being gracefully conducted toward the Chariot of Fame, which awaitshis Honors approach neare the little Conduit in Cheape; Antiquitie a graue and reuerend Perſo nage, with a golden Regiſter-booke in his hand, giues life to theſe words:

OBiects of Yeeres and Reuerence greete mine eye, A Sight moſt pleaſing to Antiquitie; I neuer could vnclaſpe this Booke of Fame Where Worthies dwell by a diſtinguiſht Name, At a more comely ſeaſon; I ſhall tell Things ſprung from Truth, neere kin to Miracle; With that of later dayes I firſt begin, So backe into the deeper Times agen: I onely touch Thy memory (which I know In thankefulneſſe can neuer be found ſlowe) With Heauens miraculous Mercy, to Thy Health After ſo long a Sickneſſe, all the wealth B3 Which The Triumphs of Which thou with an vnuſuring hand haſt got Which is not the leaſt wonder worthy note, (Truth makes me ſpeake things frely) cannot be A greater worke then thy recouerie, Nine Brethren-Senators thy Seniors all Whoſe times had beene before thee, Death did call To their eternall Peace, from this degree Leauing their earthly Honor now to thee, Thinke and be thankefull ſtill, this ſeemes the more Another obſeruation kept in ſtore, For ſeuenteene Senators ſince thy time were choſe And to this minute not one dead of thoſe. Thoſe are not vſuall notes, nor here it endes, The Court and City two moſt Noble Friends, Haue made exchange alate, I reade, from hence There ha’s gone ſome moſt worthy Citizens Vp to the Courts aduance; in lieu of that You haue a Courtier now your Magiſtrate, A Seruant to Elizabeth the bleſt, Since to K. Iames that raignes with Salomons breſt. Kept the Records for both, from the Queene tooke Charge of three hundred Horſe, three thouſand Foote, Foure Attributes cleaues to this Man of Men, A Scholler, Souldier, Courtier, Citizen, Theſe are no vſuall touches, to conclude (Like to his life with bleſsings ſo endude) Ha’s Honor and Vertue, Ha’s choſe his Brotherhood, men of that Fame For Bounty, Amity and honored Name The City bounds tranſcend not in their place, And their word makes e’m proſper, God grant grace. Honor they neuer wanted, when wa’ſt ſeene But they had Senators to their Bretheren Nay, one record here to make ioy more glad, I finde ſeuenteene that were in Scarlet clad All at one time of this Fraternitie, Now fiue, for this houres honor brings forth three, Fame triple will make triple vertue ſtriue At whoſe triumphant Throne you next ariue.

For farther Illuſtration there are contained inAntiquities golden Legend, the Names of manyWorthies of ancient Time, by whom this NobleFraternity ha’s receiued much honor, ſuch as werethe worthy and famous Sir Andrew Bockerell, whowas Lord Maior of this City, the ſixteenth yeereof King Henry the third, and continued in theMagiſtracie ſeuen yeeres together, also the NobleAllen de la Zouch, who for his good gouernement in the time of his Maioralty, was by King Henrythe third, created both a Baron of this Realme,and Lord chiefe Iuſtice of England. Alſo thatfamous Worthy, Sir Thomas Knowles, twice Lord Maior of this honorable City, which ſaid Sir Tho

mas Honor and Vertue.

mas beganne at his owne charge that famous building of Guild-Hall in London, and other memorable workes both in the City and in his owneCompany, Reedifying alſo Saint Anthonies Church; with many others that are faire Ornaments to Memory. Viz. Sir William Seuenock, ſirRobert Chichſley, ſir Stephen Browne, ſir Henry Keble,ſir William Laxton, &c. Who by thoſe Vertuesthat they were most addicted vnto in their lifetime, are Illuſtrated by perſons of Brightneſſe in the Throne of Vertue, the next part of Triumphthat preſents it ſelfe: next beneath Antiquitie, ſitsAuthoritie, plac’d between Wiſedome and Innocence,holding a naked Sword, a Serpent woond aboutthe Blade thereof, two Doues ſtanding vpon thecroſſe Barre of the Hilt, and two hands meeting atthe Pummel, intimating Mercy and Iustice, accompanied with Magiſtracie, who holdes in his handa Key of gold, ſignifying both the Key of Knowledge and of Confidence, the City Magiſtrate takinginto his truſt the Cuſtodie of the Kings Chamber, the proper Title of the City; and which Keyof gold alſo ſtands in his Lordſhips Creſt, viz. anEſtridge holding a Key of gold in his Mouth, hisNecke circled with a golden Crowne.

His Honor and Vertue.

His Lordſhip by this time arriuing at the Throneof Vertue, plac’d neere Saint Laurence-Lane end,Receiues this greeting from her Deitie.

I See great Power approach; here makes a Stand, Would it with Vertue ought? for ſome Command Seemes ſo compleate in Selfe-Opinions Eye, It will ſcarce looke on me, but paſſes by; As if the Eſſence of my Deitie Were rais’d by Power, and not Power rais’d by me; But let ſuch Rulers know that ſo command They build the Empire of their Hopes on Sand: Still This remaines, with Eye vpon me fixt As if he ſought to haue His ſplendors mixt With theſe of mine, which makes Authoritie meeke, And I’me ſo ſicke of Loue to thoſe that ſeeke I cannot chooſe but yeeld; nor do’s it wrong Great Power to come to Vertue to be ſtrong, Being but a Woman, mercifull and milde, Therein is Heauen with greater glory ſtilde That makes weake things, as Clemencie, and Right, Sway Power, which would elſe rule all by Might: It maybe ſaid you did but late paſſe by Some part of Triumph that ſpake Vertuouſly, And one ſuch Speech ſuffices; ’tis not ſo In taking of your office, there you goe C From The Triumphs of From Court to Court, before You be confirm’d In this high place, which Prætorſhip is term’d; From Vertue, if to Vertue you reſort, It is but the ſame courſe you haue in Court In ſetling of your Honor; which ſhould bee Redoubled rather, that I hope to ſee: So Power and Vertue when they fill one Seate, The City’s bleſt, the Magiſtrate compleate.

At the cloſe of the Speech, this Throne of Vertue with all her Cæleſtiall Concomitants, and the otherparts of the Triumph, take leaue of his Lordſhipfor that time, and till after the Feaſt at Guild-Hall reſts from Seruice; but the Feaſt ended, the wholeſtate of the Triumph attends vpon his Lordſhip,both to Saint Paules and homeward; and in Soper-Lane two parts of the Triumph stand readyplanted; viz. the Throne of Vertue, and the Globeof Honor, which Globe ſuddenly opening and flying into eight Cants or diſtinct parts, diſcouers ina twinckling, eight bright Perſonages moſt gloriouſly deckt, repreſenting (as it were) the InwardMan, the Intentions of a Vertuous and Worthy Breſt, by the Graces of the Minde and Soule, ſuchas Cleere Conſcience, Diuine Speculation, Peace of Heart, Integritie, Watchfulneſſe, Æqualitie,Prouidence; Impartialitie, each expreſt by Its pro

per Honor and Vertue.

per Illuſtration. And becauſe Mans perfectioncan receiue no conſtant Attribute in this Life, theCloude of Frailty, euer and anon ſhadowing anddarkening our brighteſt Intentions, makes goodthe Morality of thoſe Cants or Parts, when theyfall and cloſe into the full round of a Globe againe,ſhowing, that as the Brighteſt Day ha’s his ouercaſtings; ſo the beſt men in this life haue their Imperfections; and worldly Miſts oftentimes interpoſe the cleereſt Cogitations, and yet that butfor a ſeaſon, turning in the end like the mounting of this Engine, to their euerlaſting Brightneſſe, conuerting it ſelfe to a Canopie of Starres: at thefoure corners below are plac’d the foure CardinallVertues, Wiſedome, Iustice, Fortitude and Temperance, by each of them fixt a little Streamer orBanner, in which are diſplayed, the Armes of thisHonorable City, the Lord Maiors, the Grocers,and the Noble East-India Companies: The outparts of the Globe ſhewing the Worlds Type, inCountries, Seas and Shipping, whereon is depicted or drawne Ships that haue bene fortunate tothis Kingdome, by their happy and ſucceſſefullVoyages; as alſo that proſperous Plantation inthe Colonie of Virginia, and the Bermudaes, withall good wishes to the Gouernors, Traders andAduenturers vnto thoſe Chriſtianly ReformedIſlands.

C2 The The Triumphs of B Y Vertue you came laſt, and who brings home True Honor, muſt by Vertue alwayes come, The right Path you haue tooke then, ſtill proceede, For t’is Continuance crownes each worthy Deede: Behold this Globe of Honor; euery Part It is compos’d of, to a Noble Hart Applyes Inſtruction; when t’is clos’d and round It repreſents the World, and all that’s found Within the labouring Circle of Mans Dayes, Aduentures, Dangers, Cares, and ſteepie Wayes; Which when a Wise-man thinkes on, ſtrait he mounts To Heauenly Cogitations, and accounts The vexing Spirite of Care and Labour vaine: Lifting himſelfe to his full height againe: And as this Engine do’s in eight Parts riſe Diſcouering eight Bright Figures, ſo the Wiſe From this Lifes ſlumber rowz’d, (which Time deludes,) Opens his Heart to eight Beatitudes: And as I (Honor) ouertopping All, Here fixe my Foote on this Orbicular Ball, Ouer Honor and Vertue. Ouer the World expreſsing my Command As I in this Contemptuous Poſture ſtand: So euery good and vnderſtanding Spirit Makes but Vſe onely of this Life, t’inherit An euerlaſting Liuing; making Frends Of Mammons Heapes, got by vnrighteous Ends, Which happy Thou ſtandſt free from, the more white Sits Honor on thee, and the Coſt more bright Thy Noble Brotherhood this Day beſtowes; Expence is grac’d when Subſtance follow Showes, Now to no higher Pitch of Praiſe I’le come, Loue brought thee forth, and Honor brings thee home.

FOr the body of the whole Triumph, with all the proper Graces and Ornaments of Art andWorkemanſhip, the Reputation of thoſe, rightly appertaine to the deſerts of Maſter Garret Criſmas, an Exquiſite Master in his Art, and a Performeraboue his Promiſes.

FINIS.