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                <title>A Remembrance of the Worthy Show and Shooting by the Duke of Shoreditch</title>
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                    <resp ref="#aut">Author<date when-custom="1682" datingMethod="#julianSic"><date exclude="#d158238e16_julianMar" xml:id="d158238e16_julianJan" notBefore="1682-01-11" notAfter="1683-01-10"/><date exclude="#d158238e16_julianJan" xml:id="d158238e16_julianMar" notBefore="1682-04-04" notAfter="1683-04-03"/></date></resp>
                    <name ref="#WOOD44">Sir William Wood</name>
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                    <name ref="#GOUG3">Edward Gough</name>
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                    <resp ref="#trc">Transcriber<date when="2016"/></resp>
                    <name ref="#JENS1">Janelle Jenstad</name>
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                <publisher><title level="m">The Map of Early Modern London</title></publisher><idno type="URL">http://mapoflondon.uvic.ca/includes.xml</idno><pubPlace>Victoria, BC, Canada</pubPlace><address>
        <addrLine>Department of English</addrLine>
        <addrLine>P.O.Box 3070 STNC CSC</addrLine>
        <addrLine>University of Victoria</addrLine>
        <addrLine>Victoria, BC</addrLine>
        <addrLine>Canada</addrLine>
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          <name ref="#JENS1">Janelle Jenstad</name>
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            <p>Copyright held by <title level="m">The Map of Early Modern London</title> on behalf of the contributors.</p>
            <licence target="http://creativecommons.org/licenses/by-sa/4.0/">
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              information, contact the project director, <name ref="#JENS1">Janelle Jenstad</name>, for
              specific information on the availability and licensing of content
              found in files on this site.</p>
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        <notesStmt><note xml:id="REME2_citationsByStyle"><listBibl>
<bibl type="ris"><code>Provider: University of Victoria
Database: The Map of Early Modern London
Content: text/plain; charset="utf-8"

TY  - ELEC
A1  - Wood, William
ED  - Jenstad, Janelle
T1  - A Remembrance of the Worthy Show and Shooting by the Duke of Shoreditch
T2  - The Map of Early Modern London
ET  - 7.0
PY  - 2022
DA  - 2022/05/05
CY  - Victoria
PB  - University of Victoria
LA  - English
UR  - https://mapoflondon.uvic.ca/edition/7.0/REME2.htm
UR  - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/REME2.xml
ER  - </code></bibl>
<bibl type="mla"><author><name ref="#WOOD44"><surname>Wood</surname>, <forename>William</forename></name></author>. <title level="a">A Remembrance of the Worthy Show and Shooting by the Duke of Shoreditch</title>. <title level="m">The Map of Early Modern London</title>, Edition <edition>7.0</edition>, edited by <editor><name ref="#JENS1"><forename>Janelle</forename> <surname>Jenstad</surname></name></editor>, <publisher>U of Victoria</publisher>, <date when="2022-05-05">05 May 2022</date>, <ref target="https://mapoflondon.uvic.ca/edition/7.0/REME2.htm">mapoflondon.uvic.ca/edition/7.0/REME2.htm</ref>.</bibl>
<bibl type="chicago"><author><name ref="#WOOD44"><surname>Wood</surname>, <forename>William</forename></name></author>. <title level="a">A Remembrance of the Worthy Show and Shooting by the Duke of Shoreditch</title>. <title level="m">The Map of Early Modern London</title>, Edition <edition>7.0</edition>. Ed. <editor><name ref="#JENS1"><forename>Janelle</forename> <surname>Jenstad</surname></name></editor>. <pubPlace>Victoria</pubPlace>: <publisher>University of Victoria</publisher>. Accessed <date when="2022-05-05">May 05, 2022</date>. <ref target="https://mapoflondon.uvic.ca/edition/7.0/REME2.htm">mapoflondon.uvic.ca/edition/7.0/REME2.htm</ref>.</bibl>
<bibl type="apa"><author><name><surname>Wood</surname>, <forename>W.</forename></name></author> <date when="2022-05-05">2022</date>. <title>A Remembrance of the Worthy Show and Shooting by the Duke of Shoreditch</title>. In <editor><name ref="#JENS1"><forename>J.</forename> <surname>Jenstad</surname></name></editor> (Ed), <title level="m">The Map of Early Modern London</title> (Edition <edition>7.0</edition>). <pubPlace>Victoria</pubPlace>: <publisher>University of Victoria</publisher>. Retrieved  from <ref target="https://mapoflondon.uvic.ca/edition/7.0/REME2.htm">https://mapoflondon.uvic.ca/editions/7.0/REME2.htm</ref>.</bibl>
</listBibl></note></notesStmt><sourceDesc><bibl>Source: <name ref="#WOOD44">Wood, Sir William</name>. <title level="m">The bow-mans glory, or, Archery revived</title>. London: Printed by S.R. for <name ref="#GOUG3">Edward Gough</name>, <date calendar="#julianSic" when-custom="1682" datingMethod="#julianSic"><date exclude="#d158238e236_julianMar" xml:id="d158238e236_julianJan" notBefore="1682-01-11" notAfter="1683-01-10"/><date exclude="#d158238e236_julianJan" xml:id="d158238e236_julianMar" notBefore="1682-04-04" notAfter="1683-04-03"/>1682</date>. Wing <idno type="Wing">W3416</idno>.</bibl>
<listBibl>
<bibl xml:id="WOOD46" type="prim">
            <author><name ref="#WOOD44">Wood, Sir William</name></author>. <title level="m">The bow-mans glory, or, Archery revived Giving an account of the many signal favours vouchsafed to archers and archery by those renowned monarchs, King Henry VIII James I. and Charles I. As by their several gracious commissions here recited may appear. With a brief relation of the manner of the archers marching on several days of solemnity. Published by WIlliam Wood, Marshall to the Regiment of Archers</title>. London: George Larkin, <date when-custom="1691" calendar="#julianSic" datingMethod="#julianSic"><date exclude="#d158238e254_julianMar" xml:id="d158238e254_julianJan" notBefore="1691-01-11" notAfter="1692-01-10"/><date exclude="#d158238e254_julianJan" xml:id="d158238e254_julianMar" notBefore="1691-04-04" notAfter="1692-04-03"/>1691</date>. Wing <idno type="Wing">W3417</idno>.</bibl>
</listBibl>

<listPlace>
<place xml:id="LOND5">
<placeName>London</placeName>
<note>
<p>The city of London, not to be confused with the allegorical character (<name ref="PERS1.xml#LOND6">London</name>).</p>
<lb/>(<ref target="LOND5.xml">LOND5.xml</ref>)
</note>
</place>

<place xml:id="SHOR1" type="Neighbourhood">
<placeName>Shoreditch</placeName>
<note>

      <p>A suburban neighbourhood located just north of <ref target="MOOR1.xml">Moorfields</ref> and outside <ref target="#LOND5">London</ref>ʼs <ref target="WALL2.xml">City Wall</ref>, <ref target="#SHOR1">Shoreditch</ref> was a focal point of early modern theatrical culture. Following a boom in <ref target="#LOND5">London</ref>ʼs population <date notBefore-custom="1550" notAfter-custom="1600" datingMethod="#julianSic" calendar="#julianSic"><date exclude="#d158238e309_julianMar" xml:id="d158238e309_julianJan" notBefore="1550-01-11" notAfter="1601-01-10"/><date exclude="#d158238e309_julianJan" xml:id="d158238e309_julianMar" notBefore="1550-04-04" notAfter="1601-04-03"/>from 1550 to 1600</date>, the neighbourhood became a prime target for development. The building of the <ref target="THEA2.xml">Theatre</ref> in <date datingMethod="#julianSic" calendar="#julianSic" when-custom="1576"><date exclude="#d158238e315_julianMar" xml:id="d158238e315_julianJan" notBefore="1576-01-11" notAfter="1577-01-10"/><date exclude="#d158238e315_julianJan" xml:id="d158238e315_julianMar" notBefore="1576-04-04" notAfter="1577-04-03"/>1576</date> and the <ref target="CURT1.xml">Curtain</ref> in the following year established <ref target="#SHOR1">Shoreditch</ref>ʼs reputation as <ref target="#LOND5">London</ref>ʼs premier entertainment district, and the neigbourhood also featured a growing number of taverns, alehouses, and brothels. These latter establishments were often frequented by local players, of whom many prominent members were buried on the grounds of nearby <ref target="#STLE1">St. Leonardʼs Church</ref>. Today, <ref target="#SHOR1">Shoreditch</ref> faces the potential revival of its early modern theatrical culture through the efforts of the Museum of London Archaeology and the Tower Hamlets Theatre Company.</p>
  
<lb/>(<ref target="SHOR1.xml">SHOR1.xml</ref>)
</note>
</place>

<place xml:id="MILE2" type="Neighbourhood">
<placeName>Mile End</placeName>
<note>
<p><ref target="#MILE2">Mile End</ref> was a hamlet located on the eastern edge of <ref target="#LOND5">London</ref>, east of <ref target="WHIT2.xml">Whitechapel</ref> and exactly a mile east of <ref target="ALDG1.xml">Aldgate</ref> (<ref type="bibl" target="BIBL1.xml#SUGD1">Sugden</ref>). <name ref="PERS1.xml#STOW6">Stow</name> often describes the area in terms which suggest the place was considered a part of the city’s easternmost extremity. It is likely beyond the bounds of the Agas map.</p>
<lb/>(<ref target="MILE2.xml">MILE2.xml</ref>)
</note>
</place>

<place xml:id="SMIT1" type="Site">
<placeName>Smithfield</placeName>
<note>
<p><ref target="#SMIT1">Smithfield</ref> was an open, grassy area located outside the <ref target="WALL2.xml">Wall</ref>. Because of its location close to the city centre, <ref target="#SMIT1">Smithfield</ref> was used as a site for markets, tournaments, and public executions. From <date calendar="#julianSic" datingMethod="#julianSic" from-custom="1123" to-custom="1855"><date exclude="#d158238e393_julianMar" xml:id="d158238e393_julianJan" notBefore="1123-01-08" notAfter="1856-01-12"/><date exclude="#d158238e393_julianJan" xml:id="d158238e393_julianMar" notBefore="1123-04-01" notAfter="1856-04-05"/>1123 to 1855</date>, the Bartholomew’s Fair took place at <ref target="#SMIT1">Smithfield</ref> (<ref type="bibl" target="BIBL1.xml#WEIN2">Weinreb, Hibbert, Keay, and Keay 842</ref>).</p>
<lb/>(<ref target="SMIT1.xml">SMIT1.xml</ref>)
</note>
</place>

<place xml:id="MERC2" type="Hall">
<placeName>Merchant Taylors’ Hall</placeName>
<note>
Information is not yet available.
<lb/>(<ref target="MERC2.xml">MERC2.xml</ref>)
</note>
</place>

<place xml:id="BROA2" type="Street">
<placeName>Broad Street</placeName>
<note>
<p>
            <ref target="#BROA2">Broad Street</ref> ran north-south from <ref target="ALLH1.xml">All Hallows, London Wall</ref> to <ref target="THRE1.xml">Threadneedle Street</ref> and <quote>to a Pumpe ouer against <ref target="STBE2.xml">Saint Bennets church</ref></quote> (<ref type="bibl" target="BIBL1.xml#STOW15">Stow</ref>). <ref target="#BROA2">Broad Street</ref>, labelled <quote><ref target="#BROA2">Brode Streat</ref></quote> on the Agas map, was entirely in
            <ref target="BROA3.xml">Broad Street Ward</ref>. The street’s name was a
            reference to its width and importance (<ref type="bibl" target="BIBL1.xml#HARB1">Harben</ref>).</p>
  
<lb/>(<ref target="BROA2.xml">BROA2.xml</ref>)
</note>
</place>

<place xml:id="MOOR2" type="Gate">
<placeName>Moorgate</placeName>
<note>
<p><ref target="#MOOR2">Moorgate</ref> was one of the major gates in the <ref target="WALL2.xml">Wall of London</ref> (<ref type="bibl" target="BIBL1.xml#SUGD1">Sugden</ref>). It was situated in the northern part of the <ref target="WALL2.xml">Wall</ref>, flanked by <ref target="#CRIP1">Cripplegate</ref> and <ref target="#BISH2">Bishopsgate</ref>. Clearly labelled as <quote>More Gate</quote> on the Agas map, it stood near the intersection of <ref target="LOND3.xml">London Wall street</ref> and <ref target="COLE1.xml">Coleman Street</ref> (<ref type="bibl" target="BIBL1.xml#SUGD1">Sugden</ref>; <ref target="stow_1598_gates.xml#stow_1598_gates_sig_C6v" type="mol:bibl">Stow 1598, sig. C6v</ref>). It adjoined <ref target="BETH1.xml">Bethlehem Hospital</ref>, and the road through it led into <ref target="#FINS2">Finsbury Field</ref> (<ref type="bibl" target="BIBL1.xml#ROCQ1">Rocque</ref>) and <ref target="MALL1.xml">Mallow Field</ref>.</p>
<lb/>(<ref target="MOOR2.xml">MOOR2.xml</ref>)
</note>
</place>

<place xml:id="FINS2" type="Site">
<placeName>Finsbury Field</placeName>
<note>
<p><ref target="#FINS2">Finsbury Field</ref> is located in northen <ref target="#LOND5">London</ref> outside the <ref target="WALL2.xml">London Wall</ref>. Note that MoEML correctly locates <ref target="#FINS2">Finsbury Field</ref>, which the label on the Agas map confuses with <ref target="MALL1.xml">Mallow Field</ref> (<ref type="bibl" target="BIBL1.xml#PROC1">Prockter 40</ref>). Located nearby is <ref target="FINS1.xml">Finsbury Court</ref>. <ref target="#FINS2">Finsbury
                Field</ref> is outside of the city wards within the borough of <ref target="#ISLI1">Islington</ref> (<ref target="BIBL1.xml#MILL6" type="bibl">Mills 81</ref>).</p>
<lb/>(<ref target="FINS2.xml">FINS2.xml</ref>)
</note>
</place>

<place xml:id="HOLB1" type="Street">
<placeName>Holborn</placeName>
<note>

      <p><ref target="#HOLB1">Holborn</ref> ran east-west from the junction of <ref target="HOSI3.xml">Hosier Lane</ref>, <ref target="COCK1.xml">Cock Lane</ref> and <ref target="SNOW2.xml">Snow Hill</ref> to <ref target="STGI1.xml">St. Giles High Street</ref>, and passed through <ref target="FARR2.xml">Farringdon Without Ward</ref> and <ref target="WEST6.xml">Westminster</ref>.</p>
  
<lb/>(<ref target="HOLB1.xml">HOLB1.xml</ref>)
</note>
</place>

<place xml:id="TOWE5" type="Prison">
<placeName>Tower of London</placeName>
<note>
Information is not yet available.
<lb/>(<ref target="TOWE5.xml">TOWE5.xml</ref>)
</note>
</place>

<place xml:id="CHAN1" type="Street">
<placeName>Chancery Lane</placeName>
<note>
<p><ref target="#CHAN1">Chancery Lane</ref> was built sometime
            around <date calendar="#julianSic" datingMethod="#julianSic" when-custom="1160"><date exclude="#d158238e646_julianMar" xml:id="d158238e646_julianJan" notBefore="1160-01-08" notAfter="1161-01-07"/><date exclude="#d158238e646_julianJan" xml:id="d158238e646_julianMar" notBefore="1160-04-01" notAfter="1161-03-31"/>1160</date> by the <name ref="ORGS1.xml#TEMP10" type="org">Knights
            Templar</name> on land they owned. It ran north-south between <ref target="#FLEE6">Fleet Street</ref> at the south end to <ref target="#HOLB1">Holborn</ref> in the North, and was originally called
            <ref target="#CHAN1">New Street</ref>. The current name<!--This is unclear. Name now or name in early modern London?-->
            dates from the time of <name ref="PERS1.xml#NEVI1">Ralph Neville</name>,
            who was Bishop of Chichester and Lord Chancellor of <ref target="ENGL2.xml">England</ref> (<ref type="bibl" target="BIBL1.xml#BEBB1">Bebbington 78</ref>). The area around the
            street came into his possession when <quote>in <date calendar="#julianSic" datingMethod="#julianSic" when-custom="1227"><date exclude="#d158238e675_julianMar" xml:id="d158238e675_julianJan" notBefore="1227-01-08" notAfter="1228-01-07"/><date exclude="#d158238e675_julianJan" xml:id="d158238e675_julianMar" notBefore="1227-04-01" notAfter="1228-03-31"/>1227</date>
            <name ref="PERS1.xml#HENR7">Henry III</name> gave him land for a palace
            in this lane: hence Bishop’s Court and Chichester Rents, small turnings out
            of <ref target="#CHAN1">Chancery Lane</ref></quote> (<ref type="bibl" target="BIBL1.xml#BEBB1">Bebbington 78</ref>).</p>
<lb/>(<ref target="CHAN1.xml">CHAN1.xml</ref>)
</note>
</place>

<place xml:id="FLEE6" type="Street">
<placeName>Fleet Street</placeName>
<note>
<p><ref target="#FLEE6">Fleet Street</ref> runs east-west from <ref target="#TEMP1">Temple Bar</ref> to <ref target="FLEE2.xml">Fleet Hill</ref> or <ref target="FLEE2.xml">Ludgate Hill</ref>, and is named for the <ref target="FLEE1.xml">Fleet River</ref>. The road has existed since at least the <date notBefore-custom="1100" notAfter-custom="1199" calendar="#julianSic" datingMethod="#julianSic"><date exclude="#d158238e719_julianMar" xml:id="d158238e719_julianJan" notBefore="1100-01-07" notAfter="1200-01-07"/><date exclude="#d158238e719_julianJan" xml:id="d158238e719_julianMar" notBefore="1100-03-31" notAfter="1200-03-31"/>twelfth century</date> (<ref type="bibl" target="BIBL1.xml#SUGD1">Sugden 195</ref>) and known since the <date notBefore-custom="1300" notAfter-custom="1399" calendar="#julianSic" datingMethod="#julianSic"><date exclude="#d158238e726_julianMar" xml:id="d158238e726_julianJan" notBefore="1300-01-08" notAfter="1400-01-08"/><date exclude="#d158238e726_julianJan" xml:id="d158238e726_julianMar" notBefore="1300-04-01" notAfter="1400-04-01"/>fourteenth century</date> as <ref target="#FLEE6">Fleet Street</ref> (<ref type="bibl" target="BIBL1.xml#BERE1">Beresford 26</ref>). It was the location of numerous taverns including the <ref target="MITR3.xml">Mitre</ref> and the <ref target="STAR4.xml">Star and the Ram</ref>.</p>
<lb/>(<ref target="FLEE6.xml">FLEE6.xml</ref>)
</note>
</place>

<place xml:id="LUDG1" type="Gate|Prison">
<placeName>Ludgate</placeName>
<note>
<p>Located in <ref target="FARR1.xml">Farringdon Within Ward</ref>, <ref target="#LUDG1">Ludgate</ref> was a gate built by the Romans (<ref target="carlin_belcher.xml">Carlin and Belcher 80</ref>). <name ref="PERS1.xml#STOW6">Stow</name> asserts that <ref target="#LUDG1">Ludgate</ref> was constructed by <name ref="PERS1.xml#KLUD1">King Lud</name> who named the gate after himself <quote>for his owne honor</quote> (<ref type="bibl" target="BIBL1.xml#STOW1">Stow 1:1</ref>).</p>
<lb/>(<ref target="LUDG1.xml">LUDG1.xml</ref>)
</note>
</place>

<place xml:id="STPA4" type="Site">
<placeName>St. Paul’s School</placeName>
<note>
<p><ref target="#STPA4">St. Paul’s School</ref> was located on the eastern side of <ref target="#STPA3">St. Paul’s Churchyard</ref>, west of the <ref target="OLDC1.xml">Old Change</ref> (<ref type="bibl" target="BIBL1.xml#HARB1">Harben</ref>). It was founded by <name ref="PERS1.xml#COLE12">John Colet</name> in <date when-custom="1512" datingMethod="#julianSic" calendar="#julianSic"><date exclude="#d158238e814_julianMar" xml:id="d158238e814_julianJan" notBefore="1512-01-11" notAfter="1513-01-10"/><date exclude="#d158238e814_julianJan" xml:id="d158238e814_julianMar" notBefore="1512-04-04" notAfter="1513-04-03"/>1512</date> and left to the <name type="org" ref="ORGS1.xml#MERC3">Mercers’ Company</name> (<ref type="mol:bibl" target="stow_1633_FARR1.xml#stow_1633_FARR1_sig_2H4v">Stow 1633, sig. 2H4v</ref>; <ref type="bibl" target="BIBL1.xml#HARB1">Harben</ref>).</p>
<lb/>(<ref target="STPA4.xml">STPA4.xml</ref>)
</note>
</place>

<place xml:id="STPA3" type="Church">
<placeName>St. Paul’s Churchyard</placeName>
<note>

              <p>Surrounding <ref target="STPA2.xml">St. Paul’s Cathedral</ref>, <ref target="#STPA3">St. Paul’s Churchyard</ref> has had a multi-faceted history in use and function, being the location of burial, crime, public gathering, and celebration. Before its destruction during the civil war, <ref target="STPA6.xml">St. Paul’s Cross</ref> was located in the middle of the churchyard, providing a place for preaching and the delivery of Papal edicts (<ref target="BIBL1.xml#THOR8" type="bibl">Thornbury</ref>).</p>
          
<lb/>(<ref target="STPA3.xml">STPA3.xml</ref>)
</note>
</place>

<place xml:id="CHEA2" type="Street">
<placeName>Cheapside Street</placeName>
<note>
<p><ref target="#CHEA2">Cheapside Street</ref>, one of the most important streets in early modern <ref target="#LOND5">London</ref>, ran east-west between the <ref target="GREA1.xml">Great Conduit</ref> at the foot of <ref target="OLDJ1.xml">Old Jewry</ref> to the <ref target="LITT2.xml">Little Conduit</ref> by <ref target="#STPA3">St. Paul’s churchyard</ref>. The terminus of all the northbound streets from the river, the broad expanse of <ref target="#CHEA2">Cheapside Street</ref> separated the northern wards from the southern wards. It was lined with buildings three, four, and even five stories tall, whose shopfronts were open to the light and set out with attractive displays of luxury commodities (<ref target="BIBL1.xml#WEIN1" type="bibl">Weinreb and Hibbert 148</ref>). <ref target="CHEA5.xml">Cheapside Street</ref> was the centre of <ref target="#LOND5">London</ref>’s wealth, with many <name ref="ORGS1.xml#MERC3" type="org">mercers</name>’ and <name ref="#GOLD3" type="org">goldsmiths</name>’ shops located there. It was also the most sacred stretch of the processional route, being traced both by the linear east-west route of a royal entry and by the circular route of the annual mayoral procession.</p>
<lb/>(<ref target="CHEA2.xml">CHEA2.xml</ref>)
</note>
</place>

<place xml:id="PATE1" type="Street">
<placeName>Paternoster Row</placeName>
<note>
Information is not yet available.
<lb/>(<ref target="PATE1.xml">PATE1.xml</ref>)
</note>
</place>

<place xml:id="ISLI1" type="Neighbourhood">
<placeName>Islington</placeName>
<note>
Information is not yet available.
<lb/>(<ref target="ISLI1.xml">ISLI1.xml</ref>)
</note>
</place>

<place xml:id="FLEE7" type="Street|Bridge">
<placeName>Fleet Bridge</placeName>
<note>
Information is not yet available.
<lb/>(<ref target="FLEE7.xml">FLEE7.xml</ref>)
</note>
</place>

<place xml:id="TEMP1" type="Bars">
<placeName>Temple Bar</placeName>
<note>
<p><ref target="#TEMP1">Temple Bar</ref> was one of the principle entrances to the city of London, dividing the <ref target="STRA9.xml">Strand</ref> to the west and <ref target="#FLEE6">Fleet Street</ref> to the east. It was an ancient right of way and toll gate. Walter Thornbury dates the wooden gate structure shown in the Agas Map to the early Tudor period, and describes a number of historical pageants that processed through it, including the funeral procession of <name ref="PERS1.xml#HENR8">Henry V</name>, and it was the scene of <name ref="PERS1.xml#JAME1">King James I</name>’s first entry to the city (<ref type="bibl" target="BIBL1.xml#THOR1">Thornbury 1878</ref>). The wooden structure was demolished in 1670 and a stone gate built in its place (<ref type="bibl" target="BIBL1.xml#SUGD1">Sugden 505</ref>).</p>
<lb/>(<ref target="TEMP1.xml">TEMP1.xml</ref>)
</note>
</place>

<place xml:id="STCL103" type="Parish">
<placeName>Parish of St. Clement (Eastcheap)</placeName>
<note>
Information is not yet available.
<lb/>(<ref target="STCL103.xml">STCL103.xml</ref>)
</note>
</place>

<place xml:id="LLLL1">
<placeName>PLACEHOLDER LOCATION</placeName>
<note>
<p>PLACEHOLDER LOCATION ITEM. 
            The purpose of this item is to allow encoders to link to a location
                  item when they cannot add a new location file for some reason.
                  MoEML may still be seeking information regarding this entry. If you
                  have information to contribute, please <ref target="contact.xml">contact the MoEML team</ref>. 
              </p>
<lb/>(<ref target="LLLL1.xml">LLLL1.xml</ref>)
</note>
</place>

<place xml:id="STJA5" type="Church">
<placeName>St. James in the Wall Hermitage</placeName>
<note>
Information is not yet available.
<lb/>(<ref target="STJA5.xml">STJA5.xml</ref>)
</note>
</place>

<place xml:id="ALDE3" type="Gate">
<placeName>Aldersgate</placeName>
<note>
<p><ref target="#ALDE3">Aldersgate</ref> was one of <ref target="#LOND5">London</ref>’s four original gates (<ref target="stow_1598_gates.xml#stow_1598_gates_sig_C7r" type="mol:bibl">Stow 1598, sig. C7r</ref>), labelled <quote>Alders gate</quote> on the Agas map. The gate was likely built into the <ref target="WALL2.xml">Wall of London</ref> during the Roman Conquest, marking the northern entrance into the city.</p>
<lb/>(<ref target="ALDE3.xml">ALDE3.xml</ref>)
</note>
</place>

<place xml:id="CORN2" type="Street">
<placeName>Cornhill</placeName>
<note>

                <p><ref target="#CORN2">Cornhill</ref> was a significant thoroughfare and was part of the cityʼs main major east-west thoroughfare that divided the northern half of <ref target="#LOND5">London</ref> from the southern half. The part of this thoroughfare named <ref target="#CORN2">Cornhill</ref> extended from <ref target="STAN8.xml">St. Andrew Undershaft</ref> to the three-way intersection of <ref target="THRE1.xml">Threadneedle</ref>, <ref target="POUL1.xml">Poultry</ref>, and <ref target="#CORN2">Cornhill</ref> where the <ref target="ROYA1.xml">Royal Exchange</ref> was built. The name <quote><ref target="#CORN2">Cornhill</ref></quote> preserves a memory both of the cornmarket that took place in this street, and of the topography of the site upon
                which the Roman city of Londinium was built. </p>
                <p>Note: <ref target="#CORN2">Cornhill</ref> and <ref target="CORN1.xml">Cornhill Ward</ref> are nearly synonymous in terms of location and nomenclature - thus, it can be a challenge to tell one from the other. Topographical decisions have been made to the best of our knowledge and ability.</p>
<lb/>(<ref target="CORN2.xml">CORN2.xml</ref>)
</note>
</place>

<place xml:id="LEAD1" type="Site">
<placeName>Leadenhall</placeName>
<note>
Information is not yet available.
<lb/>(<ref target="LEAD1.xml">LEAD1.xml</ref>)
</note>
</place>

<place xml:id="BISH2" type="Gate">
<placeName>Bishopsgate</placeName>
<note>
Information is not yet available.
<lb/>(<ref target="BISH2.xml">BISH2.xml</ref>)
</note>
</place>

<place xml:id="HOUN1" type="Street">
<placeName>Houndsditch Street</placeName>
<note>

           <p>Running southeast from <ref target="BISH3.xml">Bishopsgate Street</ref> to <ref target="ALDG4.xml">Aldgate Street</ref> outside the <ref target="WALL2.xml">city wall</ref>,
               <ref target="#HOUN1">Houndsditch Street</ref> passed through <ref target="BISH1.xml">Bishopsgate Ward</ref> and <ref target="PORT1.xml">Portsoken Ward</ref>.
               It was first paved in <date when-custom="1603" datingMethod="#julianSic" calendar="#julianSic"><date exclude="#d158238e1188_julianMar" xml:id="d158238e1188_julianJan" notBefore="1603-01-11" notAfter="1604-01-10"/><date exclude="#d158238e1188_julianJan" xml:id="d158238e1188_julianMar" notBefore="1603-04-04" notAfter="1604-04-03"/>1603</date> (<ref type="bibl" target="BIBL1.xml#HARB1">Harben 311</ref>).
               <ref target="#HOUN1">Houndsditch Street</ref> took its name from nearby <ref target="DITC1.xml">Houndsditch</ref>. <name ref="PERS1.xml#STOW6">Stow</name> refers to the neighbourhood
               surrounding <ref target="#HOUN1">Houndsditch Street</ref> as <soCalled><ref target="#HOUN1">Houndsditch</ref></soCalled>: <quote>(within the limits of <ref target="#HOUN1">Hounds-ditch</ref>)
                   dwell many a good and honest Citizen</quote> (<ref type="mol:bibl" target="stow_1633_PORT1.xml#stow_1633_PORT1_sig_M1v">Stow 1633, sig. M1v</ref>).</p>
       
<lb/>(<ref target="HOUN1.xml">HOUN1.xml</ref>)
</note>
</place>

<place xml:id="STLE1" type="Church">
<placeName>St. Leonard (Shoreditch)</placeName>
<note>
<p><ref target="#STLE1">St. Leonard</ref>’s church—also known as <soCalled>The Actors’ church</soCalled>—is the burial place of many prominent early modern actors. The Burbages (<name ref="PERS1.xml#BURB3">James Burbage</name> and his sons <name ref="PERS1.xml#BURB1">Richard Burbage</name> and <name ref="PERS1.xml#BURB2">Cuthbert Burbage</name>), Richard Cowley, William Sly, and many others are buried there (<ref type="bibl" target="BIBL1.xml#SHLT1"><title level="m">ShaLT</title></ref>).</p>
<lb/>(<ref target="STLE1.xml">STLE1.xml</ref>)
</note>
</place>

<place xml:id="STDU102" type="Parish">
<placeName>Parish of St. Dunstan in the East</placeName>
<note>
Information is not yet available.
<lb/>(<ref target="STDU102.xml">STDU102.xml</ref>)
</note>
</place>

<place xml:id="STBR101" type="Parish">
<placeName>Parish of St. Bride</placeName>
<note>
Information is not yet available.
<lb/>(<ref target="STBR101.xml">STBR101.xml</ref>)
</note>
</place>

<place xml:id="GRUB1" type="Street">
<placeName>Grub Street</placeName>
<note>
<p>
            <ref target="#GRUB1">Grub Street</ref> could be found outside
            the walled City of <ref target="#LOND5">London</ref>. It ran north-south, between <ref target="CHIS1.xml">Everades Well Street</ref> in the north and <ref target="FORE1.xml">Fore Lane</ref> in the south. <ref target="#GRUB1">Grub Street</ref> was partially in <ref target="CRIP2.xml">Cripplegate ward</ref>, and partially
            outside the limits of the City of <ref target="#LOND5">London</ref>.</p>
<lb/>(<ref target="GRUB1.xml">GRUB1.xml</ref>)
</note>
</place>

<place xml:id="CRIP1" type="Gate">
<placeName>Cripplegate</placeName>
<note>
<p> <ref target="#CRIP1">Cripplegate</ref> was one of the original gates in the
                <ref target="WALL2.xml">city wall</ref> (<ref type="bibl" target="BIBL1.xml#WEIN2">Weinreb, Hibbert, Keay, and Keay 221</ref>; <ref type="bibl" target="BIBL1.xml#HARB1">Harben</ref>). It was the northern gate of a large fortress that occupied the
                northwestern corner of the Roman city.</p>
<lb/>(<ref target="CRIP1.xml">CRIP1.xml</ref>)
</note>
</place>

<place xml:id="WOOD1" type="Street">
<placeName>Wood Street</placeName>
<note>
<p><ref target="#WOOD1">Wood Street</ref> ran north-south, connecting at its southernmost end with <ref target="#CHEA2">Cheapside Street</ref> and continuing northward to <ref target="LITT8.xml">Little Wood Street</ref>, which led directly into <ref target="#CRIP1">Cripplegate</ref>. It crossed over <ref target="HUGG1.xml">Huggin Lane</ref>, <ref target="LADL1.xml">Lad Lane</ref>, <ref target="MAID1.xml">Maiden Lane (Wood Street)</ref>, <ref target="LOVE2.xml">Love Lane</ref>, <ref target="ADDL2.xml">Addle Lane</ref>, and <ref target="SILV1.xml">Silver Street</ref>, and ran parallel to <ref target="MILK1.xml">Milk Street</ref> in the east and <ref target="GUTT1.xml">Gutter Lane</ref> in the west. <ref target="#WOOD1">Wood Street</ref> lay within <ref target="CRIP2.xml">Cripplegate Ward</ref>. It is labelled as <quote><ref target="#WOOD1">Wood Streat</ref></quote> on the Agas map and is drawn in the correct position.</p> 
<lb/>(<ref target="WOOD1.xml">WOOD1.xml</ref>)
</note>
</place>

<place xml:id="BISH7" type="Site">
<placeName>Bishop’s Palace</placeName>
<note>

                <p><ref target="#BISH7">Bishop’s Palace</ref> was located on the north-west side of <ref target="STPA2.xml">St. Paul’s Church</ref>. It was bordered on the north by <ref target="#PATE1">Paternoster Row</ref> and on the west by <ref target="AVEM1.xml">Ave Maria Lane</ref>. Agas coordinates are based on coordinates provided by Harben and supplemented by <name ref="PERS1.xml#STOW6">Stow</name>.</p>
            
<lb/>(<ref target="BISH7.xml">BISH7.xml</ref>)
</note>
</place>
</listPlace>
</sourceDesc></fileDesc>
        <profileDesc>
            <textClass>
                <catRef scheme="includes.xml#molDocumentTypes" target="includes.xml#mdtPrimarySourceLibraryOther"/>
                <catRef scheme="includes.xml#molDocumentTypes" target="includes.xml#mdtPrimarySourceSemiDiplomatic"/>
            </textClass>
            
        <calendarDesc>
<!--        JT deleted calendar/@xml:id='julian' April 28, 2018.-->
<!--        
        <calendar xml:id="julian" n="Julian">    
          <p>TO BE DEPRECATED. DO NOT USE: The Julian calendar, in use in the British Empire until September 1752. Sometimes
            referred to as <quote>Old Style</quote> (OS). Years run from March 25 through March 24.</p>
        </calendar>-->
        <!--These are new calendars, whose full rendering is not yet implemented.-->
        <calendar xml:id="julianSic" n="Julian Sic">
          <p>The Julian calendar, in use in the British Empire until September 1752. This calendar is used for
          dates where the date of the beginning of the year is ambigious.</p>
        </calendar>
        <calendar xml:id="julianJan" n="Julian (Regularized to 1 January)">
          <p>The Julian calendar with the calendar year regularized to beginning on 1 January.</p>
        </calendar>
        <calendar xml:id="julianMar" n="Julian (Regularized to 25 March)">
          <p>The Julian calendar with the calendar year beginning on 25 March. This was the
          calendar used in the British Empire until September 1752.</p>
        </calendar>
        <calendar xml:id="gregorian" n="Gregorian">
          <p>The Gregorian calendar, used in the British Empire from September 1752. Sometimes
            referred to as <mentioned>New Style</mentioned> (NS). Years run from January 1 through December 31.</p>
        </calendar>
        <calendar xml:id="annoMundi" n="Anno Mundi">
          <p>The Anno Mundi (<quote>year of the world</quote>) calendar is based on the supposed date of the
            creation of the world, which is calculated from Biblical sources. At least two different
            creation dates are in common use. See <ref target="https://en.wikipedia.org/wiki/Anno_Mundi">Anno Mundi</ref> (Wikipedia).</p>
        </calendar>
        <calendar xml:id="regnal" n="Regnal">
          <p>Regnal dates are given as the number of years into the reign of a particular monarch.
            Our practice is to tag such dates with <att>calendar</att>=<val>regnal</val>, and provide an
            equivalent date using a more systematic calendar (usually Julian) in a custom dating
            attribute.</p>
        </calendar>
      </calendarDesc><particDesc><listPerson><person xml:id="ROTH4">
      <persName type="cont">
       <reg>Molly Rothwell</reg>
       <forename>Molly</forename>
       <surname>Rothwell</surname>
       <abbr>MR</abbr>
      </persName>
      <note>
       <p>Project Manager, 2022-present. Research Assistant, 2020-2022. Molly Rothwell was an undergraduate student at the
        University of Victoria, with a double major in English and History. During her time at MoEML, Molly primarily worked on encoding and transcribing the 1598 and 1633 editions of Stow’s <title level="m">Survey</title>, adding toponyms to MoEML’s Gazetteer, researching England’s early-modern court system, and  standardizing MoEML’s Mapography.</p>
      </note>
     </person><person xml:id="SIMP5">
      <persName type="cont">
       <reg>Lucas Simpson</reg>
       <forename>Lucas</forename>
       <surname>Simpson</surname>
       <abbr>LS</abbr>
      </persName>
      <note><p>Research Assistant, 2018-2021. Lucas Simpson was a student at the University of
        Victoria.</p>
      </note>
     </person><person xml:id="LEBE1">
      <persName type="cont">
       <reg>Kate LeBere</reg>
       <forename>Kate</forename>
       <surname>LeBere</surname>
       <abbr>KL</abbr>
      </persName>
      <note>
       <p>Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in <title level="j">The Corvette</title> (2018), <title level="j">The Albatross</title> (2019), and <title level="j">PLVS VLTRA</title> (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s <title level="m">Survey of London</title>, old-spelling anthology of mayoral shows, and old-spelling library texts. She authored the MoEML’s first Project Management Manual and <soCalled>quickstart</soCalled> guidelines for new employees and helped standardize the Personography and Bibliography. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.</p>
      </note>
     </person><person xml:id="ELHA1">
      <persName type="cont">
       <reg>Tracey El Hajj</reg>
       <forename>Tracey</forename>
       <surname>El Hajj</surname>
       <abbr>TEH</abbr>
      </persName>
      <note>
       <p>Junior Programmer 2018-2020. Research Associate 2020-2021. Tracey received her PhD from the Department of English at the University of Victoria in the field of Science and Technology Studies. Her research focuses on the <term>algorhythmics</term> of networked communications. She was a 2019-20 President’s Fellow in Research-Enriched Teaching at UVic, where she taught an advanced course on <title level="a">Artificial Intelligence and Everyday Life.</title> Tracey was also a member of the <title level="m">Linked Early Modern Drama Online</title> team, between 2019 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.</p>
      </note>
     </person><person xml:id="TAKE1">
      <persName type="cont">
       <reg>Joey Takeda</reg>
       <forename>Joey</forename>
       <surname>Takeda</surname>
       <abbr>JT</abbr>
      </persName>
      <note>
       <p>Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017.
        Joey Takeda was a graduate student at the University of British Columbia in the Department
        of English (Science and Technology research stream). He completed his BA honours in English
        (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary
        research interests included diasporic and indigenous Canadian and American literature,
        critical theory, cultural studies, and the digital humanities.</p>
      </note>
     </person><person xml:id="TANI1">
      <persName type="cont">
       <reg>Katie Tanigawa</reg>
       <forename>Katie</forename>
       <surname>Tanigawa</surname>
       <abbr>KT</abbr>
      </persName>
      <note><p>Project Manager, 2015-2019. Katie Tanigawa was a doctoral candidate at the University
        of Victoria. Her dissertation focused on representations of poverty in Irish modernist
        literature. Her additional research interests included geospatial analyses of modernist
        texts and digital humanities approaches to teaching and analyzing literature.</p></note>
     </person><person xml:id="ROBE6">
      <persName type="cont">
       <reg>Amorena Roberts</reg>
       <forename>Amorena</forename>
       <surname>Roberts</surname>
       <abbr>AR</abbr>
      </persName>
      <note><p>Research Assistant, 2016, 2018. Student contributor enrolled in <title level="m">English 362: Popular Literature in the Renaissance</title> at the University of Victoria
        in Spring 2016, working under the guest editorship of <name ref="#JENS1">Janelle
         Jenstad</name>.</p>
      </note>
     </person><person xml:id="LAND2">
      <persName type="cont">
       <reg>Tye Landels-Gruenewald</reg>
       <forename>Tye</forename>
       <surname>Landels-Gruenewald</surname>
       <abbr>TLG</abbr>
      </persName>
      <note>
       <p>Data Manager, 2015-2016. Research Assistant, 2013-2015. Tye completed his undergraduate
        honours degree in English at the University of Victoria in 2015.</p>
      </note>
     </person><person xml:id="JENS1">
      <persName type="cont">
       <reg>Janelle Jenstad</reg>
       <forename>Janelle</forename>
       <surname>Jenstad</surname>
       <abbr>JJ</abbr>
      </persName>
      <note>
       <p>Janelle Jenstad is Associate Professor of English at the University of Victoria, Director
        of <title level="m">The Map of Early Modern London</title>, and PI of <title level="m">Linked Early Modern Drama Online</title>. She has taught at Queen’s University, the Summer
        Academy at the Stratford Festival, the University of Windsor, and the University of
        Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited <title level="m">Shakespeare’s Language in Digital Media</title> (<ref target="https://www.routledge.com/Shakespeares-Language-in-Digital-Media-Old-Words-New-Tools/Jenstad-Kaethler-Roberts-Smith/p/book/9781472427977">Routledge</ref>). She has prepared a documentary edition of John Stow’s <title level="m">A
         Survey of London</title> (1598 text) for MoEML and is currently editing <title level="m">The Merchant of Venice</title> (with Stephen Wittek) and Heywood’s <title level="m">2 If
         You Know Not Me You Know Nobody</title> for DRE. Her articles have appeared in <title level="j">Digital Humanities Quarterly</title>, <title level="j">Renaissance and
         Reformation</title>,<title level="j">Journal of Medieval and Early Modern Studies</title>,
         <title level="j">Early Modern Literary Studies</title>, <title level="j">Elizabethan
         Theatre</title>, <title level="j">Shakespeare Bulletin: A Journal of Performance
         Criticism</title>, and <title level="j">The Silver Society Journal</title>. Her book
        chapters have appeared (or will appear) in <title level="m">Institutional Culture in Early
         Modern Society</title> (Brill, 2004), <title level="m">Shakespeare, Language and the Stage,
         The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre
         Studies</title> (Arden/Thomson Learning, 2005), <title level="m">Approaches to Teaching
         Othello</title> (Modern Language Association, 2005), <title level="m">Performing Maternity
         in Early Modern England</title> (Ashgate, 2007), <title level="m">New Directions in the
         Geohumanities: Art, Text, and History at the Edge of Place</title> (Routledge, 2011), Early
        Modern Studies and the Digital Turn (Iter, 2016), <title level="m">Teaching Early Modern
         English Literature from the Archives</title> (MLA, 2015), <title level="m">Placing Names:
         Enriching and Integrating Gazetteers</title> (Indiana, 2016), <title level="m">Making
         Things and Drawing Boundaries</title> (Minnesota, 2017), and <title level="m">Rethinking
         Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies</title>
        (Routledge, 2018).</p>
      </note>
     </person><person xml:id="HOLM3">
      <persName type="cont">
       <reg>Martin D. Holmes</reg>
       <forename>Martin</forename>
       <forename>D.</forename>
       <surname>Holmes</surname>
       <abbr>MDH</abbr>
      </persName>
      <note>
       <p>Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC).
        Martin ported the MOL project from its original PHP incarnation to a pure eXist database
        implementation in the fall of 2011. Since then, he has been lead programmer on the project
        and has also been responsible for maintaining the project schemas. He was a co-applicant on
        MoEML’s 2012 SSHRC Insight Grant.</p>
      </note>
     </person><person xml:id="HENR1" sex="1">
      <persName type="hist">
       <reg>Henry VIII</reg>
       <forename>Henry</forename>
       <genName><num type="roman" value="8">VIII</num></genName>
       <roleName>King of England</roleName>
       <roleName>King of Ireland</roleName>
      </persName>
      <birth when-custom="1491-06-28" datingMethod="#julianSic" when="1491-07-07"/>
      <death when-custom="1547-01-28" datingMethod="#julianSic"><date exclude="#d158238e1886_julianMar" xml:id="d158238e1886_julianJan" when="1547-02-07"/><date exclude="#d158238e1886_julianJan" xml:id="d158238e1886_julianMar" when="1548-02-07"/></death>
      <note>
       <p>King of <ref target="ENGL2.xml">England</ref> and Ireland <date from-custom="1509" to-custom="1547" datingMethod="#julianSic"><date exclude="#d158238e1895_julianMar" xml:id="d158238e1895_julianJan" notBefore="1509-01-11" notAfter="1548-01-10"/><date exclude="#d158238e1895_julianJan" xml:id="d158238e1895_julianMar" notBefore="1509-04-04" notAfter="1548-04-03"/>1509-1547</date>.</p>
       <list type="links">
        <item><ref target="https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-12955"><title level="m">ODNB</title></ref></item>
        <item><ref target="https://en.wikipedia.org/wiki/Henry_VIII_of_England"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </person><person xml:id="HEYW5" sex="1">
      <persName type="hist">
       <reg>Sir Rowland Heyward</reg>
       <roleName>Sir</roleName>
       <forename>Rowland</forename>
       <surname>Heyward</surname>
       <roleName>Sheriff</roleName>
       <roleName>Mayor</roleName>
      </persName>
      <birth when-custom="1520" precision="low" datingMethod="#julianSic"><date exclude="#d158238e1938_julianMar" xml:id="d158238e1938_julianJan" notBefore="1520-01-11" notAfter="1521-01-10"/><date exclude="#d158238e1938_julianJan" xml:id="d158238e1938_julianMar" notBefore="1520-04-04" notAfter="1521-04-03"/></birth>
      <death when-custom="1593" precision="high" datingMethod="#julianSic"><date exclude="#d158238e1940_julianMar" xml:id="d158238e1940_julianJan" notBefore="1593-01-11" notAfter="1594-01-10"/><date exclude="#d158238e1940_julianJan" xml:id="d158238e1940_julianMar" notBefore="1593-04-04" notAfter="1594-04-03"/></death>
      <note>
       <p>Sheriff of <ref target="#LOND5">London</ref>
        <date datingMethod="#julianSic" from-custom="1563" to-custom="1564"><date exclude="#d158238e1949_julianMar" xml:id="d158238e1949_julianJan" notBefore="1563-01-11" notAfter="1565-01-10"/><date exclude="#d158238e1949_julianJan" xml:id="d158238e1949_julianMar" notBefore="1563-04-04" notAfter="1565-04-03"/>1563-1564</date>.
        Mayor <date datingMethod="#julianSic" from-custom="1570" to-custom="1571"><date exclude="#d158238e1952_julianMar" xml:id="d158238e1952_julianJan" notBefore="1570-01-11" notAfter="1572-01-10"/><date exclude="#d158238e1952_julianJan" xml:id="d158238e1952_julianMar" notBefore="1570-04-04" notAfter="1572-04-03"/>1570-1571</date> and <date datingMethod="#julianSic" from-custom="1590" to-custom="1591"><date exclude="#d158238e1955_julianMar" xml:id="d158238e1955_julianJan" notBefore="1590-01-11" notAfter="1592-01-10"/><date exclude="#d158238e1955_julianJan" xml:id="d158238e1955_julianMar" notBefore="1590-04-04" notAfter="1592-04-03"/>1590-1591</date>. Member of the <name type="org" ref="ORGS1.xml#CLOT2">Clothworkers’ Company</name>. Husband of <name ref="PERS1.xml#HEYW10">Katherine Heyward</name>.
        Father of <name ref="PERS1.xml#HEYW11">George Heyward</name>, <name ref="PERS1.xml#HEYW12">John
         Heyward</name>, <name ref="PERS1.xml#HEYW13">Alice Heyward</name>, <name ref="PERS1.xml#HEYW14">Katharine Heyward</name>, <name ref="PERS1.xml#HEYW15">Mary Heyward</name>, and <name ref="PERS1.xml#HEYW16">Anne Heyward</name>.</p>
       <list type="links">
        <item><ref target="https://masl.library.utoronto.ca/person/793"><title level="m">MASL</title></ref></item>
        <item><ref target="https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-37526"><title level="m">ODNB</title></ref></item>
        <item><ref target="https://en.wikipedia.org/wiki/Rowland_Hayward"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </person><person xml:id="HOWA5" sex="1">
      <persName type="hist">
       <reg>St. Philip Howard</reg>
       <roleName>Saint</roleName>
       <forename>Philip</forename>
       <surname>Howard</surname>
      </persName>
      <birth precision="high" cert="high" when-custom="1557-06-28" datingMethod="#julianSic" when="1557-07-08"/>
      <death precision="high" cert="high" when-custom="1595-10-19" datingMethod="#julianSic" when="1595-10-29"/>
      <note>
       <p>Thirteenth Earl of Arundel. Nobleman and Catholic Saint.</p>
       <list type="links">
        <item><ref target="https://www.britannica.com/biography/Philip-Howard-1st-or-13th-Earl-of-Arundel"><title level="m">EB</title></ref></item>
        <item><ref target="https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-13929?docPos=1"><title level="m">ODNB</title></ref></item>
        <item><ref target="https://en.wikipedia.org/wiki/Philip_Howard%2C_20th_Earl_of_Arundel"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </person><person xml:id="ARTH1" sex="1">
      <persName type="hist">
       <reg>Arthur Tudor</reg>
       <forename>Arthur</forename>
       <surname>Tudor</surname>
      </persName>
      <birth when-custom="1486" datingMethod="#julianSic"><date exclude="#d158238e2063_julianMar" xml:id="d158238e2063_julianJan" notBefore="1486-01-10" notAfter="1487-01-09"/><date exclude="#d158238e2063_julianJan" xml:id="d158238e2063_julianMar" notBefore="1486-04-03" notAfter="1487-04-02"/></birth>
      <death when-custom="1502" datingMethod="#julianSic"><date exclude="#d158238e2065_julianMar" xml:id="d158238e2065_julianJan" notBefore="1502-01-11" notAfter="1503-01-10"/><date exclude="#d158238e2065_julianJan" xml:id="d158238e2065_julianMar" notBefore="1502-04-04" notAfter="1503-04-03"/></death>
      <note>
       <p>Husband of <name ref="PERS1.xml#ARAG1">Catherine of Aragon</name>. Son of <name ref="PERS1.xml#HENR5">Henry VII</name>. Brother of <name ref="#HENR1">Henry VIII</name>. Buried at <ref target="STOL3.xml">St. Olave, Old Jewry</ref>.</p>
       <list type="links">
        <item><ref target="https://en.wikipedia.org/wiki/Arthur%2C_Prince_of_Wales"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </person><person xml:id="DUDL4" sex="1">
      <persName type="hist">
       <reg>Sir Robert Dudley</reg>
       <roleName>Sir</roleName>
       <forename>Robert</forename>
       <surname>Dudley</surname>
      </persName>
      <note><p>Earl of Leicester <date from-custom="1564" to-custom="1588" datingMethod="#julianSic" calendar="#julianSic"><date exclude="#d158238e2113_julianMar" xml:id="d158238e2113_julianJan" notBefore="1564-01-11" notAfter="1589-01-10"/><date exclude="#d158238e2113_julianJan" xml:id="d158238e2113_julianMar" notBefore="1564-04-04" notAfter="1589-04-03"/>1564-1588</date>. Courtier and friend of <name ref="PERS1.xml#ELIZ1">Elizabeth
        I</name>.</p>
       <list type="links">
        <item><ref target="https://www.britannica.com/biography/Robert-Dudley-earl-of-Leicester-Baron-Denbigh"><title level="m">EB</title></ref></item>
        <item><ref target="https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-8160?docPos=1"><title level="m">ODNB</title></ref></item>
        <item><ref target="https://en.wikipedia.org/wiki/Robert_Dudley%2C_1st_Earl_of_Leicester"><title level="m">Wikipedia</title></ref></item>
       </list></note>
     </person><person xml:id="HOPT2" sex="1">
      <persName type="hist">
       <reg>Sir Owen Hopton</reg>
       <roleName>Sir</roleName>
       <forename>Owen</forename>
       <surname>Hopton</surname>
      </persName>
      <note>
       <p>Administrator and lieutenant of the <ref target="#TOWE5">Tower of London</ref> during
        the <date when-custom="r_ELIZ1" datingMethod="#regnal" calendar="#regnal" from="1558-11-27" to="1603-04-03">reign of
          <name ref="PERS1.xml#ELIZ1">Elizabeth I</name></date>.</p>
       <list type="links">
        <item><ref target="https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-47136"><title level="m">ODNB</title></ref></item>
       </list>
      </note>
     </person><person xml:id="KNEV1" sex="1">
      <persName type="hist">
       <reg>Thomas Knevet</reg>
       <forename>Thomas</forename>
       <surname>Knevet</surname>
      </persName>
      <birth when-custom="1545" datingMethod="#julianSic"><date exclude="#d158238e2191_julianMar" xml:id="d158238e2191_julianJan" notBefore="1545-01-11" notAfter="1546-01-10"/><date exclude="#d158238e2191_julianJan" xml:id="d158238e2191_julianMar" notBefore="1545-04-04" notAfter="1546-04-03"/></birth>
      <death when-custom="1622-07-27" datingMethod="#julianSic" when="1622-08-06"/>
      <note><p>Courtier and Member of Parliament. Husband of <name ref="PERS1.xml#KNEV2">Elizabeth
         Knevet</name>.</p>
       <list type="links">
        <item><ref target="https://en.wikipedia.org/wiki/Thomas_Knyvet%2C_1st_Baron_Knyvet"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </person><person xml:id="WOOD44" sex="1">
      <persName type="hist">
       <reg>Sir William Wood</reg>
       <forename>William</forename>
       <surname>Wood</surname>
      </persName>
      <note>
       <p>Author. Not to be confused with <name ref="PERS1.xml#WOOD50">William Wood</name>.</p>
      </note>
     </person><person xml:id="GOUG3" sex="1">
      <persName type="hist">
       <reg>Edward Gough</reg>
       <forename>Edward</forename>
       <surname>Gough</surname>
      </persName>
      <note><p>Bookseller.</p>
      </note>
     </person><person xml:id="BEAD3" sex="1">
      <persName type="hist">
       <reg>Mr. Beadel</reg>
       <surname>Beadel</surname>
      </persName>
      <note><p>Ensign of <ref target="#PATE1">Paternoster Row</ref>. Participant in the show recounted in <name ref="#WOOD44">Sir William Wood</name>’s <title level="m">A Remembrance of the Worthy Show and Shooting by the Duke of Shoreditch</title>.</p>
      </note>
     </person><person xml:id="SMIT63" sex="1">
      <persName type="hist">
       <reg>Mr. Smith</reg>
       <surname>Smtth</surname>
      </persName>
      <note><p>Ensign of <ref target="#STPA3">St. Paul’s Churchyard</ref>. Participant in the show recounted in <name ref="#WOOD44">Sir William Wood</name>’s <title level="m">A Remembrance of the Worthy Show and Shooting by the Duke of Shoreditch</title>.</p>
      </note>
     </person><person xml:id="BLAM1" sex="1">
      <persName type="hist">
       <reg>Mr. Blamor</reg>
       <surname>Blamor</surname>
      </persName>
      <note><p>Participant in the show recounted in <name ref="#WOOD44">Sir William Wood</name>’s <title level="m">A Remembrance of the Worthy Show and Shooting by the Duke of Shoreditch</title>.</p>
      </note>
     </person><person xml:id="DAYE2" sex="1">
      <persName type="hist">
       <reg>Mr. Daye</reg>
       <surname>Daye</surname>
      </persName>
      <note><p>Participant in the show recounted in <name ref="#WOOD44">Sir William Wood</name>’s <title level="m">A Remembrance of the Worthy Show and Shooting by the Duke of Shoreditch</title>.</p>
      </note>
     </person><person xml:id="GATE6" sex="1">
      <persName type="hist">
       <reg>Jeffery Gates</reg>
       <forename>Jeffery</forename>
       <surname>Gates</surname>
      </persName>
      <note><p>Participant in the show recounted in <name ref="#WOOD44">Sir William Wood</name>’s <title level="m">A Remembrance of the Worthy Show and Shooting by the Duke of Shoreditch</title>.</p>
      </note>
     </person><person xml:id="WOOD47" sex="1">
      <persName type="hist">
       <reg>Mr. Wood</reg>
       <surname>Wood</surname>
      </persName>
      <note><p>Artificer of the show recounted in <name ref="#WOOD44">Sir William Wood</name>’s <title level="m">A Remembrance of the Worthy Show and Shooting by the Duke of Shoreditch</title>.</p>
      </note>
     </person><person xml:id="CLEM3" sex="1">
      <persName type="hist">
       <reg>Clement I</reg>
       <roleName>Pope</roleName>
       <forename>Clement</forename>
       <genName><num type="roman" value="1">I</num></genName>
      </persName>
      <note><p>Pope <date datingMethod="#julianSic" from-custom="0088" to-custom="0097"><date exclude="#d158238e2416_julianMar" xml:id="d158238e2416_julianJan" notBefore="0087-12-30" notAfter="0097-12-29"/><date exclude="#d158238e2416_julianJan" xml:id="d158238e2416_julianMar" notBefore="0088-03-23" notAfter="0098-03-22"/>88-97</date> or <date datingMethod="#julianSic" from-custom="0092" to-custom="0101"><date exclude="#d158238e2419_julianMar" xml:id="d158238e2419_julianJan" notBefore="0091-12-30" notAfter="0101-12-30"/><date exclude="#d158238e2419_julianJan" xml:id="d158238e2419_julianMar" notBefore="0092-03-23" notAfter="0102-03-23"/>92-101</date>.</p>
       <list type="links">
        <item><ref target="https://www.britannica.com/biography/Saint-Clement-I"><title level="m">EB</title></ref></item>
        <item><ref target="https://en.wikipedia.org/wiki/Pope_Clement_I"><title level="m">Wikipedia</title></ref></item>
       </list></note>
     </person><person xml:id="BARL2" sex="1">
      <persName type="hist">
       <reg>Thomas Covell</reg>
       <forename>Thomas</forename>
       <surname>Covell</surname>
      </persName>
      <note><p>Archer from <ref target="#SHOR1">Shoreditch</ref>. Granted the jocular title <soCalled>Duke of Shoreditch</soCalled> by <name ref="#HENR1">Henry VIII</name> in <name ref="#WOOD44">Sir William Wood</name>’s <title level="m">A Remembrance of the Worthy Show and Shooting by the Duke of Shoreditch</title>.</p>
       <list type="links">
        <item><ref target="https://www.british-history.ac.uk/old-new-london/vol2/pp194-195"><title level="m">BHO</title></ref></item>
       </list>
      </note>
     </person></listPerson><listOrg><org xml:id="GOLD3" type="greater" subtype="R5" n="r_05">
            <orgName>Worshipful Company of Goldsmiths<reg>Goldsmiths’ Company</reg></orgName>
            <note><p>The <name type="org" ref="#GOLD3">Goldsmiths’ Company</name> was one of the
                twelve great companies of <ref target="#LOND5">London</ref>. The <name type="org" ref="#GOLD3">Goldsmiths</name> were fifth in the order of precedence
                established in <date when-custom="1515" datingMethod="#julianSic" calendar="#julianSic"><date exclude="#d158238e2498_julianMar" xml:id="d158238e2498_julianJan" notBefore="1515-01-11" notAfter="1516-01-10"/><date exclude="#d158238e2498_julianJan" xml:id="d158238e2498_julianMar" notBefore="1515-04-04" notAfter="1516-04-03"/>1515</date>. The <name type="org" ref="#GOLD3">Worshipful Company of Goldsmiths</name> is still active and maintains a website
                at <ref target="https://www.thegoldsmiths.co.uk/">https://www.thegoldsmiths.co.uk/</ref> that includes a <ref target="https://www.thegoldsmiths.co.uk/company/">history of the company</ref> and
                explains the company’s role in the annual <ref target="https://www.thegoldsmiths.co.uk/company/today/trial-pyx/">Trial of the
                  Pyx.</ref></p>
              <figure type="halfWidth">
                <graphic url="graphics/livery_company_crests/Goldsmiths_sm.jpg"/>
                <figDesc>The coat of arms of the <name type="org" ref="#GOLD3">Goldsmiths’
                    Company</name>, from <ref type="bibl" target="BIBL1.xml#STOW16">Stow (1633)</ref>.
                    <ref target="graphics/livery_company_crests/Goldsmiths.jpg">[Full size
                    image]</ref></figDesc>
              </figure>
            </note>
          </org><org xml:id="SKIN2" type="greater" subtype="R6" n="r_06">
            <orgName>Worshipful Company of Skinners<reg>Skinners’ Company</reg></orgName>
            <note><p>The <name type="org" ref="#SKIN2">Skinners’ Company</name> (previously the
                  <name type="org" ref="ORGS1.xml#FRAT3">Fraternity of Taylors and Linen Armourers of St.
                  John the Baptist</name>) was one of the twelve great companies of <ref target="#LOND5">London</ref>. Since <date when-custom="1484" datingMethod="#julianSic" calendar="#julianSic"><date exclude="#d158238e2550_julianMar" xml:id="d158238e2550_julianJan" notBefore="1484-01-10" notAfter="1485-01-09"/><date exclude="#d158238e2550_julianJan" xml:id="d158238e2550_julianMar" notBefore="1484-04-03" notAfter="1485-04-02"/>1484</date>, the <name type="org" ref="#SKIN2">Skinners</name> and the <name type="org" ref="#META1">Merchant Taylors</name> have alternated precedence annually; the
                  <name type="org" ref="#SKIN2">Skinners</name> are now sixth in precedence in
                even years and seventh in odd years, changing precedence at Easter. The <name type="org" ref="#SKIN2">Worshipful Company of Skinners</name> is still active
                and maintains a website at <ref target="http://www.theskinnerscompany.org.uk/">http://www.theskinnerscompany.org.uk/</ref> that includes a <ref target="http://www.skinnershall.co.uk/history/history.htm">history of the
                  company</ref>.</p>
              <figure type="halfWidth">
                <graphic url="graphics/livery_company_crests/Skinners_sm.jpg"/>
                <figDesc>The coat of arms of the <name type="org" ref="#SKIN2">Skinners’
                    Company</name>, from <ref type="bibl" target="BIBL1.xml#STOW16">Stow (1633)</ref>.
                    <ref target="graphics/livery_company_crests/Skinners.jpg">[Full size
                    image]</ref></figDesc>
              </figure>
            </note>
          </org><org xml:id="META1" type="greater" subtype="R7" n="r_07" change="ORGS1.xml#ORGS1_status_published">
            <orgName>Worshipful Company of Merchant Taylors<reg>Merchant Taylors’
              Company</reg></orgName>
            <note><p>The <name type="org" ref="#META1">Merchant Taylors’ Company</name> was one
                of the twelve great companies of <ref target="#LOND5">London</ref>. Since <date when-custom="1484" datingMethod="#julianSic" calendar="#julianSic"><date exclude="#d158238e2606_julianMar" xml:id="d158238e2606_julianJan" notBefore="1484-01-10" notAfter="1485-01-09"/><date exclude="#d158238e2606_julianJan" xml:id="d158238e2606_julianMar" notBefore="1484-04-03" notAfter="1485-04-02"/>1484</date>, the <name type="org" ref="#META1">Merchant Taylors</name> and the
                  <name type="org" ref="#SKIN2">Skinners</name> have alternated precedence
                annually; the <name type="org" ref="#META1">Merchant Taylors</name> are now sixth
                in precedence in odd years and seventh in even years, changing precedence at Easter.
                The <name type="org" ref="#META1">Worshipful Company of Merchant Taylors</name>
                is still active and maintains a website at <ref target="http://www.merchanttaylors.co.uk/">http://www.merchanttaylors.co.uk/</ref>
                that includes a <ref target="http://www.merchanttaylors.co.uk/index.php?option=com_content&amp;task=view&amp;id=5&amp;Itemid=5">history of the company</ref> and a <ref target="http://www.merchanttaylors.co.uk/index.php?option=com_content&amp;task=view&amp;id=63&amp;Itemid=29">list of historical milestones</ref>.</p>
              <figure type="halfWidth">
                <graphic url="graphics/livery_company_crests/MerchantTaylors_sm.jpg"/>
                <figDesc>The coat of arms of the <name type="org" ref="#META1">Merchant Taylors’
                    Company</name>, from <ref type="bibl" target="BIBL1.xml#STOW16">Stow (1633)</ref>.
                    <ref target="graphics/livery_company_crests/MerchantTaylors.jpg">[Full size
                    image]</ref></figDesc>
              </figure>
            </note>
          </org><org xml:id="HABE2" type="greater" subtype="R8" n="r_08">
            <orgName>Worshipful Company of Haberdashers<reg>Haberdashers’ Company</reg></orgName>
            <note><p>The <name type="org" ref="#HABE2">Haberdashers’ Company</name> was one of
                the twelve great companies of <ref target="#LOND5">London</ref>. The <name type="org" ref="#HABE2">Haberdashers</name> were eighth in the order of
                precedence established in <date when-custom="1515" datingMethod="#julianSic" calendar="#julianSic"><date exclude="#d158238e2668_julianMar" xml:id="d158238e2668_julianJan" notBefore="1515-01-11" notAfter="1516-01-10"/><date exclude="#d158238e2668_julianJan" xml:id="d158238e2668_julianMar" notBefore="1515-04-04" notAfter="1516-04-03"/>1515</date>. The <name type="org" ref="#HABE2">Worshipful Company of Haberdashers</name> is still active and maintains a website
                at <ref target="http://www.haberdashers.co.uk/">http://www.haberdashers.co.uk/</ref>
                that includes a <ref target="http://www.haberdashers.co.uk/index.php?p=companyHistory">history of the
                  company</ref> and <ref target="http://www.haberdashers.co.uk/index.php?p=hallhistory">history of their
                  hall</ref>.</p>
              <figure type="halfWidth">
                <graphic url="graphics/livery_company_crests/Haberdashers_sm.jpg"/>
                <figDesc>The coat of arms of the <name type="org" ref="#HABE2">Haberdashers’
                    Company</name>, from <ref type="bibl" target="BIBL1.xml#STOW16">Stow (1633)</ref>.
                    <ref target="graphics/livery_company_crests/Haberdashers.jpg">[Full size
                    image]</ref></figDesc>
              </figure>
            </note>
          </org><org xml:id="BREW2" type="lesser">
            <orgName>Worshipful Company of Brewers<reg>Brewers’ Company</reg></orgName>
            <note><p>The <name type="org" ref="#BREW2">Brewers’ Company</name> was one of the
                lesser livery companies of <ref target="#LOND5">London</ref>. The <name type="org" ref="#BREW2">Worshipful Company of Brewers</name> is still active
                and maintains a website at <ref target="https://www.brewershall.co.uk/">https://www.brewershall.co.uk/</ref> that includes a <ref target="https://www.brewershall.co.uk/company-history/">history of the
                  company</ref>.</p></note>
          </org></listOrg></particDesc></profileDesc>
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          <p>The mdtlist (MoEML Document Type listing) prefix used in linking attributes points to a listings page constructed from a category in the central MDT taxonomy in the includes file. There are two variants, one with the plain <att>xml:id</att> of the category, meaning all documents in the specified category, and one with the suffix <q>_subcategories</q>, meaning all subcategories of the category.</p>
        </prefixDef>
        <prefixDef ident="molgls" matchPattern="(.+)" replacementPattern="GLOSS1.xml#$1">
          <p>The molgls (MoEML gloss) prefix used on <gi>term</gi>/<att>corresp</att> points
            to a a glossary entry in the GLOSS1.xml file.</p>
        </prefixDef>
        <prefixDef ident="molvariant" matchPattern="(.*)\|(.+)" replacementPattern="spelling_variants.xml#$2">
          <p>This molvariant prefix is used on <gi>ref</gi>/<att>target</att> attributes during automated 
          generation of gazetteer index files. It points to an element in the generated variant spellings
          listing file which lists all documents which contain a particular spelling variant for a 
          location.</p>
        </prefixDef>
        <prefixDef ident="molajax" matchPattern="(.+)" replacementPattern="../../ajax/$1.xml">
          <p>This molajax prefix is used on <gi>ref</gi>/<att>target</att> attributes during the static build 
          process, to specify links which point to MoEML resources which should not be loaded into the source 
          page during standalone processing; instead, these should be turned into links to the XML source 
          documents, and at HTML page load time, these should be turned into AJAX calls. This is to handle 
          the scenario in which a page such as an A-Z index of the whole site would end up containing 
          virtually the whole site inside itself.</p>
        </prefixDef>
        <prefixDef ident="molstow" matchPattern="(.+)|(.+)" replacementPattern="https://hcmc.uvic.ca/stow/$1/SL$1_$2.jpg">
          <p>The molstow prefix is used on <att>facs</att> attributes to link to the HCMC verison of the Stow facsimiles.
          Usually the first group is the year (1633) and then last is the image number (0001).</p>
        </prefixDef>
        
        <prefixDef ident="molshows" matchPattern="([^\|]+)\|([^\|]+)\|([^\|]+)" replacementPattern="https://hcmc.uvic.ca/~london/images/shows/$1/$2/$3.jpg">
          <p>The molshows prefix is used on <att>facs</att> attributes to link to the copies of page-images
            from mayoral shows stored in the london account on the HCMC server.
            The first group is the year (1633), the second is the source repository, and then last is the image
            file name.</p>
        </prefixDef>
        
        <prefixDef ident="sb" matchPattern="(.+)" replacementPattern="https://johnstowsbooks.library.utoronto.ca/admin/items/show/$1">
          <p>The sb prefix is used on <gi>ref</gi>/<att>target</att> attributes to link to 
          Stow’s Books URLs at UToronto.</p>
        </prefixDef>
      </listPrefixDef>
            
    
    <tagsDecl>
      
        <rendition xml:id="REME2_dropCap">display: inline-block; float: left; font-size: 250%; line-height: 90%; margin-right: 0.05em; padding: 0;</rendition>
      
        <rendition xml:id="REME2_mainHead">font-family: Georgia; font-size: 150%; margin-bottom: 1em; margin-top: 1em; text-align: center;</rendition>
      
        <rendition xml:id="REME2_subHead">font-family: Georgia; font-size: 100%; margin-bottom: 1em; margin-top: 1em; text-align: center;</rendition>
      
        <rendition xml:id="REME2_indentedLine">text-indent: 2em;</rendition>
      
        <rendition xml:id="REME2_indentedLineExtra">text-indent: 4em;</rendition>
      
        <rendition xml:id="REME2_lmlabel">clear: left; display: block; float: left; font-family: "Georgia"; font-size: 80%; font-style: italic; line-height: 1; margin-left: -8em; text-indent: 0; width: 7em;</rendition>
      
        <rendition xml:id="REME2_rmlabel">clear: right; display: block; float: right; font-family: "Georgia"; font-size: 80%; font-style: italic; line-height: 1; margin-right: -8em; text-indent: 0; width: 7em;</rendition>
      
        <rendition xml:id="rnd_1">line-height: 1.2; margin-left: auto; margin-right: auto; padding-left: 7em; padding-right: 7em; width: 30em;</rendition>
      
        <rendition xml:id="rnd_2">text-align: center;</rendition>
      
        <rendition xml:id="rnd_3">font-style: italic;</rendition>
      
        <rendition xml:id="rnd_4">font-style: normal;</rendition>
      
        <rendition xml:id="rnd_5">text-align: right;</rendition>
      
        <rendition xml:id="rnd_6">font-style: italic; text-align: left;</rendition>
      
      
    </tagsDecl>
  
            
            <p>Our editorial and encoding practices are documented in detail in the <ref target="praxis.xml">Praxis</ref> section of our website.</p>
            
        <classDecl><taxonomy xml:id="marcRelators"><category xml:id="aut">
      <catDesc>
       <term>Author</term>
       <gloss type="marcRelator" target="http://id.loc.gov/vocabulary/relators/aut.html">A person or
        organization chiefly responsible for the intellectual or artistic content of a work, usually
        printed text. This term may also be used when more than one person or body bears such
        responsibility. </gloss>
       <gloss type="mol">MoEML uses the term <mentioned>author</mentioned> to designate a
        contributor who is wholly or partly responsible for the original content of either a
        born-digital document, such as an encyclopedia entry, or a primary source document, such as
        a MoEML Library text.</gloss>
      </catDesc>
     </category><category xml:id="bsl">
      <catDesc>
       <term>Bookseller</term>
       <gloss type="marcRelator">A person or organization who makes books and other bibliographic
        materials available for purchase. Interest in the materials is primarily lucrative.</gloss>
       <gloss type="mol">MoEML uses the term <mentioned>bookseller</mentioned> to designate an early
        modern publisher whose name appear in the transcribed title page. In early modern printing
        practice, the roles of printer, bookseller, and publisher might coincide in one person, or
        be performed by different people.</gloss>
      </catDesc>
     </category><category xml:id="dtm">
      <catDesc>
       <term>Data manager</term>
       <gloss type="marcRelator">A person or organization responsible for managing databases or
        other data sources.</gloss>
       <gloss type="mol">MoEML uses the term <mentioned>data manager</mentioned> to designate
        contributors who maintain and manage our databases. They add and update the data sent to us
        by external contributors or found by MoEML team members. They also monitor journals and
        sources regularly to ensure that our databases are current.</gloss>
      </catDesc>
     </category><category xml:id="mrk">
      <catDesc>
       <term>Markup editor</term>
       <gloss type="marcRelator">A person or organization performing the coding of SGML, HTML, or
        XML markup of metadata, text, etc.</gloss>
       <gloss type="mol">MoEML uses the code <mentioned>mrk</mentioned> both for the primary
        encoder(s) and for the person who edits the encoding. MoEML’s normal workflow includes a
        step whereby encoders check each other’s work. We use the term
         <mentioned>encoder</mentioned> to designate the principal encoder, and <mentioned>markup
         editor</mentioned> to designate the person who checks the encoding.</gloss>
      </catDesc>
     </category><category xml:id="pdr">
      <catDesc>
       <term>Project director</term>
       <gloss type="marcRelator">A person or organization with primary responsibility for all
        essential aspects of a project, or that manages a very large project that demands senior
        level responsibility, or that has overall responsibility for managing projects, or provides
        overall direction to a project manager.</gloss>
       <gloss type="mol">MoEML’s Project Director directs the intellectual and scholarly aspects of
        the project, consults with the Advisory and Editorial Boards, and ensures the ongoing
        funding of the project.</gloss></catDesc>
     </category><category xml:id="pfr">
      <catDesc>
       <term>Proofreader</term>
       <gloss type="marcRelator">A person who corrects printed matter.</gloss>
       <gloss type="mol">MoEML uses the term <mentioned>proofreader</mentioned> to designate a
        contributor who checks a transcription against an original document, or a person who
        corrects formatting and typographical errors in a born-digital article. Note that we use the
        term <mentioned>markup editor</mentioned> to designate a person who proofreads and corrects
        encoding.</gloss>
      </catDesc>
     </category><category xml:id="prg">
      <catDesc>
       <term>Programmer</term>
       <gloss type="marcRelator">A person or organization responsible for the creation and/or
        maintenance of computer program design documents, source code, and machine-executable
        digital files and supporting documentation.</gloss>
       <gloss type="mol">MoEML uses the term <mentioned>programmer</mentioned> to designate a person
        or organization responsible for the creation and/or maintenance of computer program design
        documents, source code, and machine-executable digital files and supporting
        documentation.</gloss></catDesc>
     </category><category xml:id="trc">
      <catDesc>
       <term>Transcriber</term>
       <gloss type="marcRelator">A person who prepares a handwritten or typewritten copy from
        original material, including from dictated or orally recorded material.</gloss>
       <gloss type="mol">MoEML uses the term <mentioned>transcriber</mentioned> to designate the
        person or organization that transcribes a primary source. In the case of <title level="m">EEBO-TCP</title> transcribers, we do not know the names of the transcribers. Acceptable
        names for this role are transcriber, first transcriber (often the <title level="m">EEBO-TCP</title> transcriber), or MoEML transcriber.</gloss>
      </catDesc>
     </category></taxonomy><taxonomy xml:id="molRelators"><category xml:id="cse">
      <catDesc>
       <term>CSS editor</term>
       <gloss type="mol">MoEML uses the term <mentioned>CSS Editor</mentioned> for a person who adds
        CSS styling to the transcription of a primary source. We use CSS styling to describe the
        bibliographic features of the texts we transcribe. For further information, see our page on
        <ref target="encode_style.xml#encode_style_CSS">CSS styling</ref>.</gloss>
      </catDesc>
     </category></taxonomy></classDecl></encodingDesc>
        
        <revisionDesc status="published">
            <change who="#ROTH4" when="2021-06-11">Proofed and published file.</change>
            <change who="#LEBE1" when="2021-01-21">Changed status to proofing.</change>
            <change who="#HOLM3" when="2021-01-20">Added <att>xml:id</att>s to <gi>pb</gi> elements using utilities/add_sig_ids_to_shows.xsl.</change>
            <change who="#LEBE1" when="2021-01-05">Standardized renditions and fixed encoding.</change>
            <change who="#SIMP5" when="2020-06-25">Transformed pb facs elements for EEBO-proquest transition.</change>
            <change who="#ELHA1" when="2018-08-01">Collapsed element rendition using XSLT.</change>
            <change who="#JENS1" when="2016-10-24">Began editing file.</change>
            <change who="#TANI1" when="2016-06-23">Created file.</change>
        </revisionDesc>
    </teiHeader><text rendition="#rnd_1">
        <front>
            <pb facs="https://search.proquest.com/eebo/docview/2240956608/pageLevelImage/?imgSeq=25" n="D1r" xml:id="REME2_sig_D1r"/>
            
            <titlePage rendition="#rnd_2">
                <docTitle>
                <titlePart rendition="#REME2_mainHead" type="main">A REMEMBRANCE Of the worthy SHOW and SHOOTING BY THE DUKE of <hi rendition="#rnd_3">SHOREDITCH</hi>, AND HIS ASSOCIATES THE Worshipful Citizens of <ref rendition="#rnd_3" target="#LOND5">London</ref>, UPON <hi rendition="#rnd_3">Tuesday</hi> the <date when-custom="1583-09-17" datingMethod="#julianSic" calendar="#julianSic" when="1583-09-27">17<hi rendition="#rnd_3">th</hi> of <hi rendition="#rnd_3">September</hi>, 1583</date>.</titlePart>
                    
                <titlePart rendition="#REME2_subHead" type="desc">Set forth according to the Truth thereof, to the everlasting Honour of the Game of Shooting in the Long bow.</titlePart>
                </docTitle>
                <docAuthor>By <hi rendition="#rnd_3">W. M.<note type="editorial" resp="#ROTH4">I.e., <name ref="#WOOD44">Sir William Wood</name>.</note></hi></docAuthor>
                
                <docImprint><ref rendition="#rnd_3" target="#LOND5">London</ref>, Printed in the Year <date when-custom="1682" calendar="#julianSic" datingMethod="#julianSic"><date exclude="#d158238e3147_julianMar" xml:id="d158238e3147_julianJan" notBefore="1682-01-11" notAfter="1683-01-10"/><date exclude="#d158238e3147_julianJan" xml:id="d158238e3147_julianMar" notBefore="1682-04-04" notAfter="1683-04-03"/>1682</date>.</docImprint>
            </titlePage>
            
            
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            <div xml:id="REME2_toTheWorthyShoreditchDuke" type="dedicatoryEpistle">
                
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                <head rendition="#REME2_mainHead">To the Worthy <ref rendition="#rnd_3" target="#SHOR1">SHOREDITCH</ref> DUKE, And his Two NEPHEWS, Sons to the EARL of <hi rendition="#rnd_3">PANCRIDGE</hi>, AND To all the Worshipful Citizens and Chief Archers of the City of <ref rendition="#rnd_3" target="#LOND5">London</ref>: <hi rendition="#rnd_3">W. H.<note type="editorial" resp="#ROTH4">I.e., <name ref="#WOOD44">Sir William Wood</name>.</note></hi> wisheth continuance of Health, with Increase of Honour.</head>
                
                <p rendition="#rnd_3"><hi rendition="#REME2_dropCap #rnd_4">B</hi>Oldly have I presumed (Right Worshipful Members of this Honourable City) to publish unto the Eyes of the World, your late

                    <pb facs="https://search.proquest.com/eebo/docview/2240956608/pageLevelImage/?imgSeq=27" n="D2v" xml:id="REME2_sig_D2v"/>
                   
                    laudable Work, which not only beautified this City, but the whole Realm of <ref rendition="#rnd_4" target="ENGL2.xml">England</ref>. Rare was the Sight, great was the Cost, yet greater your good Wills; the Report whereof will be in memory while <ref rendition="#rnd_4" target="#LOND5">London</ref> lasteth. Now seeing no man taketh in hand to describe the same as it deserved, and pitying greatly it should lye hidden, I considered that blind Bayard oft times seemeth boldest, and thereupon my self (though least able of all other) have presumed, under your Correction, to publish the Truth of what I noted in the Train: Therein purposing, that though to your own Ears it bringeth no matter of Delight, yet the Truth of this seemly Show (which Fame hath far spread abroad) may through this Realm be expressed; as also left in Remembrance unto your Childrens Children, and their Posterity after them: Beseeching therefore that your Wise-
                    
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                    domes would accept my good Will, for which I remain thankful during my Life.</p>
                
                <l rendition="#rnd_2">Your Worships</l>
                <l rendition="#rnd_2">In all Humility,</l>
                <l rendition="#rnd_5">W. M.<note type="editorial" resp="#ROTH4">I.e., <name ref="#WOOD44">Sir William Wood</name>.</note></l>
                
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            </div>
        </front>
        <body>
            <pb facs="https://search.proquest.com/eebo/docview/2240956608/pageLevelImage/?imgSeq=28" n="D4r" xml:id="REME2_sig_D4r"/>
            <div xml:id="REME2_remembranceOfTheWorthyShowAndShooting">
                <head rendition="#REME2_mainHead">A REMEMBRANCE Of the worthy SHOW and SHOOTING BY THE DUKE of <hi rendition="#rnd_3">SHOREDITCH</hi>, AND HIS ASSOCIATES, THE Worshipful Citizens of <ref rendition="#rnd_6" target="#LOND5">London</ref>.</head>
                
                <p><hi rendition="#REME2_dropCap">T</hi>HE Learned in time past have greatly commended the penning of Histories, because that by them their Posterity is certifyed, what hath been done in the days of their Ancestors;
                           
                    <pb facs="https://search.proquest.com/eebo/docview/2240956608/pageLevelImage/?imgSeq=29" n="D4v" xml:id="REME2_sig_D4v"/>
                    the benefit whereof is greatly considered in the wisest of this Age, and I would it were unknown to none. Our Elders heretofore that have registred the great Battels and Skirmishes in times past mention that the Long-Bow hath done great acts, and been the overthrow of mighty Armies: Wherefore considering what profit and honour our Commonwealth of <ref rendition="#rnd_3" target="ENGL2.xml">England</ref> hath gained by the Long-Bow, I have thought convenient to set down in Memory that most honourable Show of Archers, which was at <ref rendition="#rnd_3" target="#LOND5">London</ref> on the <date when-custom="1583-09-17" calendar="#julianSic" datingMethod="#julianSic" when="1583-09-27">Seventeenth of <hi rendition="#rnd_3">September</hi>, 1583</date>. chiefly for two Causes: First, To exhort our Country men to continue at home this laudable Exercise, the better to discourage our Enemies when they haply hear thereof, that by so notable a thing shewed but in a Merriment, may the better conjecture what English men could do, if necessity compelled them to the same. Secondly, To follow the Custome of our Ancestors, which is, to leave Enrolled such Matter as is worthy Memory, that so good a Work might seem new in such our Successors, and procure them to the furtherance of the like Causes in themselves.</p>
                
                
                <p rendition="#REME2_indentedLine">The Prince of famous Memory, <name ref="#HENR1">King <hi rendition="#rnd_3">Henry</hi> the Eighth</name>, having red in the Chro-
                    
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                    nicles of <ref rendition="#rnd_3" target="ENGL2.xml">England</ref>, and seen in his own time how armies mixed with good Archers, have evermore so galled the Enemy, that it hath been great cause of the Victory, he being one day at <ref rendition="#rnd_3" target="#MILE2">Mile-end</ref> when <name ref="#ARTH1">Prince <hi rendition="#rnd_3">Arthur</hi></name> and his Knights were there shooting, did greatly commend the Game, and allowed thereof, lauding them to their Encouragement.</p>
                
                <p rendition="#REME2_indentedLine">This noble King at another time keeping a Princely Court at <hi rendition="#rnd_3">Windsor</hi>, caused sundry Matches to be made concerning shooting in the Long–Bow: and to which came many principal Archers, who being in Game and the upshoot given, as all men thought, there was one <hi rendition="#rnd_3">Barlo</hi><note resp="#LEBE1" type="editorial">I.e., <name ref="#BARL2">Thomas Covell</name>.</note> yet remaining to shoot, being one of the Kings Guard; to whom the King very graciously said, Win them all and thou shalt be Duke over all Archers. This <hi rendition="#rnd_3">Barlo</hi> drew his Bow, and shooting won the best. Whereat the King greatly rejoiced, commending him for his good Archery; and for that this <hi rendition="#rnd_3">Barlo</hi> did dwell in <ref rendition="#rnd_3" target="#SHOR1">Shoreditch,</ref> the King named him <hi rendition="#rnd_3">Duke</hi> of <hi rendition="#rnd_3">Shoreditch</hi>. (A sign of a Princly mind to the encouragement of his poor subject.) The memory of all which, both by <name ref="#ARTH1">Prince <hi rendition="#rnd_3">Arthur</hi></name> and the Duke of <hi rendition="#rnd_3">Shoreditch</hi>, hath been greatly revived, and within these five years set forward
             
                    <pb facs="https://search.proquest.com/eebo/docview/2240956608/pageLevelImage/?imgSeq=30" n="D5v" xml:id="REME2_sig_D5v"/>
                    
                    at the great Cost and Charges of sundry chief Citizens, whose Names I omit. And now this present year <date when-custom="1583" calendar="#julianSic" datingMethod="#julianSic"><date exclude="#d158238e3307_julianMar" xml:id="d158238e3307_julianJan" notBefore="1583-01-11" notAfter="1584-01-10"/><date exclude="#d158238e3307_julianJan" xml:id="d158238e3307_julianMar" notBefore="1583-04-04" notAfter="1584-04-03"/>1583</date>. much more beautified than ever it was, as hereafter is expressed. The worthy <ref rendition="#rnd_3" target="#SHOR1">Shoreditch</ref> Duke, as Successor to the former Dukes his Predecessors, gave warning to all his Marquesses, Earls and Barons, with all their Train of Archers whatsoever, in and about the City of <ref rendition="#rnd_3" target="#LOND5">London</ref>, to be in a readiness to accompany him into the Field, every one with a Long–Bowe and four Shafts, upon the <date when-custom="1583-09-17" calendar="#julianSic" datingMethod="#julianSic" when="1583-09-27">Seventeenth of <hi rendition="#rnd_3">September</hi>,</date> and to meet him in <ref rendition="#rnd_3" target="#SMIT1">Smithfield</ref>, which they did for the most part.</p>
                
                <p rendition="#REME2_indentedLine">On which Day in the Morning, the Duke being at <ref rendition="#rnd_3" target="#MERC2">Marchant–Taylors Hall</ref>, there repaired unto him all those that were appointed for the Conducting of his Person to the place of Meeting, as Barons, and a Multitude of good Archers under his own Ensign; who, with sound of Trumpets, Drums, and other necessary Instruments for the beautifying of the same, passed along <ref rendition="#rnd_3" target="#BROA2">Broadstreet</ref>, where the Duke dwelleth, marching through <ref rendition="#rnd_3" target="#MOOR2">Moorgate</ref> to <ref rendition="#rnd_3" target="#FINS2">Finsbury Fields</ref>, and from thence into <ref rendition="#rnd_3" target="#SMIT1">Smithfield</ref>, where a great many attended for him: then the black Train, and the <name ref="#GOLD3" type="org">Goldsmiths</name> went forward into <ref rendition="#rnd_3" target="#HOLB1">Holborn</ref>, the Duke and his
                    
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                    Company following in a seemly order; where coming against <hi rendition="#rnd_3">Hatton–House</hi>, the <name ref="#GOLD3" type="org">Goldsmiths</name> staid, and cast themselves into Ranks, that the Duke might have fair passage between them: So that the Train being now marching along, and the Duke passing by the Marquess <hi rendition="#rnd_3">Barlo</hi>, aliàs <name rendition="#rnd_3" ref="#BARL2">Covell</name>, he presented to his Nobleness a Wedge of Gold, in sign of good will, which the Duke very thankfully accepted; then came the black Train, offering by a Page a Speech to this effect, <hi rendition="#rnd_3">That he was ready to aid him with all his Power, for his safety, into the Field:</hi> Whereat the Page, out of a Box, flung abroad, glistering like Gold, certain Spangles, in sign of Liberality.</p>
                
                <p rendition="#REME2_indentedLine">Then came the Marquess of <hi rendition="#rnd_3">Clarkenwell</hi> with Hunters, who having been abroad with their Hounds, did wind their Horns, so that the noise of them, together with the yelling and yelping of the Hounds, and the whooping and hollowing of their Pages which followed, there was such a delight taken by the hearers thereof, as is worth Memory; which Marquess coming with his Forester, profered his Service to the Duke, which he thankfully accepted; which Hunters were under the Earl of <hi rendition="#rnd_3">Pancridge</hi>, whose two Sons being Nephews to the
                 
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                Duke, came with their power of Knights, Barons and Squires, accompanied with many good and excellent Archers, taking place, to the honour of the Duke, into the Field. Then the <name ref="#GOLD3" type="org">Goldsmiths</name> took their place behind the Duke, whose Gunners, when the Duke was even past, gave a worthy Volley of Shot, which rung in the Air like a Thunder Clap;<label rendition="#REME2_lmlabel" place="margin-left"><name ref="#HOPT2"><supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">Sir</supplied> Owen <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">Hop</supplied>ton</name> <hi rendition="#rnd_4">her</hi> <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">Ma</supplied>jesties <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">Lie</supplied>utenant of <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">t</supplied>he <ref target="#TOWE5"><hi rendition="#rnd_4">Tow<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">er</supplied></hi> <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">o</supplied>f <hi rendition="#rnd_4">Lon<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">do</supplied>n</hi></ref>, <name ref="#HEYW5">Sir <hi rendition="#rnd_4"><supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">Ro</supplied>wland <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">Ha</supplied>ward</hi></name>, <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">and</supplied> divers <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">Ald</supplied>ermen <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">of</supplied> <ref rendition="#rnd_4" target="#LOND5"><supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">L</supplied>ondon</ref></label> and so took place in the hindward. Then went all the Train through <ref rendition="#rnd_3" target="#CHAN1">Chancery lane</ref>, and turned towards <ref rendition="#rnd_3" target="#LOND5">London</ref> down <ref rendition="#rnd_3" target="#FLEE6">Fleetstreet</ref>, until they came to <ref rendition="#rnd_3" target="#LUDG1">Ludgate</ref>, where stood ready to receive them into the the<note type="editorial" resp="#LEBE1">The first <soCalled>the</soCalled> appears at the end of the line. The duplication of the word was likely a compositorial error.</note> City, certain Knights of great worship, with many other of the Aldermen of the City, and sundry principal Commoners in the same, who being men of years, and had born great good will to the laudable Game of Shooting, entred with fair large Arrows in their Hands, in black Gowns, Citizen–like, and took their place behind the Duke; and<label rendition="#REME2_lmlabel" place="margin-left"><ref target="#STPA4"><hi rendition="#rnd_4">Paul’s</hi> <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">Sch</supplied>ool</ref> came <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">unt</supplied>o them <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">the</supplied> <name ref="#META1" type="org">Mar<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">ch</supplied>ant–Tay<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">lors</supplied></name> in their <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">Gow</supplied>ns, e<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">very</supplied> one ha<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">vin</supplied>g a fair <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">broa</supplied>d Ar<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">row</supplied> in <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">thei</supplied>r hands</label> as they yet passed through <ref target="#STPA3"><hi rendition="#rnd_3">Pauls</hi> Churchyard</ref> on the South–side, there came sundry Citizens forth unto them, all in their Gowns, and took place, every one having an Arrow, as before, to the better beautifying and setting forth of the same. Thus passed they through into <ref rendition="#rnd_3" target="#CHEA2">Cheapside</ref>, who by that time they were come thither, all their Train was in place, &amp; marched as followeth.</p>
                
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                <p rendition="#REME2_indentedLine">First came two Ensigns before <label rendition="#REME2_rmlabel" place="margin-left"><name ref="#BEAD3">Mr <hi rendition="#rnd_4">Bea<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">del</supplied></hi></name> in <ref rendition="#rnd_4" target="#PATE1">Pate<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">r</supplied>noster-Row</ref>, <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">and</supplied> <name ref="#SMIT63">Mr. <hi rendition="#rnd_4">Sm<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">ith</supplied></hi></name> in <ref target="#STPA3"><hi rendition="#rnd_4">Pauls</hi> Churchy<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">ard</supplied></ref> chiefest.</label>the Marshal of the Field, the Marshal being clad in green Velvet and Sattin, with a Trunchion in his hand: Then followed him forty Foresters, apparelled all in Green, every one bearing a Bow and four Shafts by their side, with horns at their backs, which they winded as they went along.</p>
               
                <p rendition="#REME2_indentedLine">And<label rendition="#REME2_rmlabel #rnd_3" place="margin-right">These gre<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">en</supplied> men wer<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">e</supplied> prepared <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">by</supplied> <name ref="#WOOD47">Mr. <hi rendition="#rnd_4">Wo<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">od</supplied></hi></name> who bei<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">ng</supplied> continua<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">l</supplied> Rangers did both expriss <supplied resp="#LEBE1" evidence="external" reason="gap-in-inking" source="#WOOD46">his</supplied> name, a<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">nd</supplied> beautifie the Show. His Ba<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">dge</supplied> also bare a fair Shie<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">ld</supplied> upon wh<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">ich</supplied> stood th<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">is</supplied> Sentence, <hi rendition="#rnd_4">More w<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">ays</supplied> than on<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">e</supplied> to the Wood</hi>.</label> between every one of them Pages in white Frocks girt unto them, upon which was sowed green Oaken Leaves, with Caps made in the same manner, every One bearing a Tiller-Bow or Cross–Bow, and broad Arrows in their hands, to the number of Forty, all whooping and hallowing when the Hunters did wind their Horns. Then came six Trumpets sounding, with Drums and Fifes, guarded with Halberds; then came the Marquess of <ref rendition="#rnd_3" target="#ISLI1">Islington</ref> with 12 Knights, and those several had six Gentlemen attendant on them, and Pages in white Fustian with black Stripes, and Caps agreeable, bearing Shields, with a seemly show of Archers, wearing about their Necks and Bodies green Ribbons, and large green Scarfs. Next followed a fair, large, red Streamer, with the red Lion, with Halberds, Drums, &amp; proper Pages in green, with Taffety Nightcaps, bearing Shields &amp; Shafts in their hands. Next five <hi rendition="#rnd_3">Swattrutters</hi> strangely apparal-
                    
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               led with great Hose down to the small of their Legs, with strange Caps agreeable,<label rendition="#REME2_lmlabel" place="margin-left"><supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">The</supplied> Mar<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">ques</supplied>s of <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">S.</supplied> <hi rendition="#rnd_4"><supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">J</supplied>ohns</hi> <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">woo</supplied>d <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">brou</supplied>ght the <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">wil</supplied>d men.</label> bearing on their Necks long Swords, which seemed very stearn in Countenance: Then followed five green men clad in Ivie, with Clubs on their Necks, which were young Trees, and the Roots upward; with a worthy Show of Bowmen, who for the most part wore Ribbons of coloured Orange Tawny, and Oringes hanging at them.</p>
                
                <p rendition="#REME2_indentedLine">Then came the residue of the Earl of <hi rendition="#rnd_3">Pancridge’s</hi> Train in the Fore–front thereof; the two sons to the Earl of <hi rendition="#rnd_3">Pancridge</hi> (himself not present, but his cost and Charges in sign of a willing mind did largely appear,) with a worthy Company of excellent good Archers acompanied with Trumpets, Halberds Drums, Ensigns, and all other things necessary to the beautifying of the same to their great praise, for their large Liberalities, besides the great bountifulness of the Earl their Father.</p>
                
                <p rendition="#REME2_indentedLine">Next following the Felowship and neer Neighbours of <ref rendition="#rnd_3" target="#LUDG1">Ludgate</ref> parts; who at the Furtherance of this Show, had been at great<label rendition="#REME2_lmlabel" place="margin-left"><supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">Esp</supplied>ecially <name ref="#BLAM1"><supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">M.</supplied> <hi rendition="#rnd_4">Blamor</hi></name> <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">chi</supplied>ef of <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">the</supplied>m.</label> cost in provision of Trumpets, Drums, Ensigns, Fifes, and other Furniture, the most part were <name ref="#HABE2" type="org">Haberdashers</name> of <ref rendition="#rnd_3" target="#LOND5">London</ref>;
                    
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                    who very orderly marched through the City of <ref rendition="#rnd_3" target="#LOND5">London</ref>, being sumptuously apparelled in Velvet Jerkins, and Hats agreeable, with Chains of Gold about their Bodies, and Pages bearing their Shields of fine workmanship, and a worthy Train of good Archers wearing green Scarfes and Ribbons of the same colour. The show of Feryers proceeded, which was One hundred handsome Fellowes with Calivers on their Necks, all trimly decked with white Feathers in their Hats; so had all their Company of Archers throughout: Then their Ensign and two Cardinals, wearing broad Hats of Tawny colour, with two silk strings buttoned under their Chins; the ends hanging down to their feet, apparelled in red Velvet and Satten; next followed two Friers clothed in black Robes, with bald Crowns and Beads in their hands, seeming to pray very devoutly, and blessing them that passed by, causing great laughing and sport.</p>
                
                <p rendition="#REME2_indentedLine">Then came the whole Inhabitants following, beautifying the Show, very costly aparelled, with a Child in the midst of them, mounted on a great Horse richly trapped, sounding a Trumpet, to the great wonder of many the beholders.</p>
                
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                <p rendition="#REME2_indentedLine">Then followed the Citizens and Inhabitants of <ref rendition="#rnd_3" target="#FLEE7">Fleetbridge</ref>, <ref rendition="#rnd_3" target="#FLEE6">Fleetstreet</ref>, and <ref rendition="#rnd_3" target="#TEMP1">Templebar</ref>, with a Show worth the beholding, of seemly Archers, all bravely apparelled in Silks and Chains, with their Ensigns, Drums, Trumpets, and such other Furniture. Then the odd Devise of <ref target="#STCL103">Saint <hi rendition="#rnd_3">Clements</hi> Parish</ref>, which but ten days before had made the same Show in their own Parish, in setting up the Queens Majesties Stake in <ref rendition="#rnd_3" target="#LLLL1">Holborn fields</ref>, which Stakemaster <name rendition="#rnd_3" ref="#KNEV1">Knevit</name>, one of the Gentlemen of her Majesties Chamber, gave unto them at his cost and Charges. And a Gunn worth three pound, made of Gold, to be given unto him that best deserved it by shooting in a Peece at the Mark<label rendition="#REME2_lmlabel" place="margin-left"><supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">The</supplied> L. of <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">Le</supplied>icester<note type="editorial" resp="#ROTH4">I.e., <name ref="#DUDL4">Sir Robert Dudley</name>.</note><supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">ga</supplied>ve them <hi rendition="#rnd_4">2</hi> <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">Bu</supplied>cks, &amp; <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">40</supplied> s. in mo<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">ne</supplied>y. <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">Th</supplied>e E. of <hi rendition="#rnd_4"><supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">Ar</supplied>undel</hi><note type="editorial" resp="#ROTH4">I.e., <name ref="#HOWA5">St. Philip Howard</name>.</note> <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">di</supplied>d lend <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">the</supplied>m his <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">hou</supplied>se to <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">fea</supplied>st in, be<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">sid</supplied>es a hogs<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">he</supplied>ad of <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">wi</supplied>ne, and <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">Ve</supplied>nison, <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">wh</supplied>ich he <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">ga</supplied>ve them.</label> which was set up on purpose at <ref target="#STJA5">Saint <hi rendition="#rnd_3">Iame’s</hi> Wall</ref>; whereby was to be seen the great good will of so bountiful and worshipful a Gentleman; who hath promised yearly, during his life, to give five shillings more to the same; the gift was given for a year to the Winner, and to the Parish for ever: The liberality of the right honorable Lords of the Nobility, their Bountifulness towards the feasting of the whole Parish also, is worthy remembrance. The maner of the Show was, first, <name ref="#CLEM3">Saint <hi rendition="#rnd_3">Clement</hi></name> wearing a Rochet and a Miter, having a long gray beard, rid upon a Horse, with
                    
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                    his man before him, between two hampers full of small white loves, giving of Bread unto the poor, or any that would have the same: having also twelve men following on foot in white Canvas Caps, and Canvas Frocks girt to them, with Baskets on their shoulders, waiting upon him, having a blew Anchor painted on their breasts and backs, finding it so registred of him in their Legendary, That <name ref="#CLEM3">S. <hi rendition="#rnd_3">Clement</hi></name> was first a Baker, who for his good wit and honest life, was made a Bishop, and after a Saint. After this Show came all the young men of <ref target="#STCL103">S. <hi rendition="#rnd_3">Clements</hi> Parish</ref>, very well apparelled with Chains and some Scarfs; every one having his Page attending upon him in black Frocks, decked with Silver, with Caps agreeable with Edgings of white Furrs, very seemly, bearing Shields and Shafts, which before did carry the Guns of the Batchelors, when they went to set up the Stake, and to shoot for the gilded Gun. Next followed the ancient Housholders of the same Parish, with their Pages, having an Ensign, with Drums, and such other Furniture, with a worthy Show of Archers following.</p>
                
                <p rendition="#REME2_indentedLine">Then came the Marquess of <hi rendition="#rnd_3">Hogsden</hi> with a stately Ensign of red Crimson Damask, in the midst of the which Ensign there 

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                    was a Phenix in silver carried by two men on two Staves, with sound of Trumpets and Drums; the Show beautified with Pages as before, Handswords to make room, and Halberds to guide and keep them in order.</p>
               
                <p rendition="#REME2_indentedLine">After them came the Marquess of <hi rendition="#rnd_3">Shackelwell</hi>, chief Treasurer to the Duke, with his Men, every one with white and green Ribbons, and Badges in their Hats, before whom was carried a mo<supplied reason="gap-in-inking" evidence="internal" resp="#LEBE1">st</supplied> fair and long Ensign of red Damask, in the which was the Golden Lion: After the Ensign followed two with Hand–swords, to make room, and then after them two Pages all in white Jackets, upon the which was painted with poudred Armour, and the one Page bare a Shield, on the which was painted a Well, on one side of the Well there was a Leg, and on the other an Arm, both Arm and Leg shackled to the W<supplied reason="gap-in-inking" evidence="internal" resp="#LEBE1">e</supplied>ll, and branches of Box springing out of the same; the other Page a broad Arrow in his hand.</p>
                
                <p rendition="#REME2_indentedLine">Next after this Company came the Master Comptroller of the Duke’s House with his Men, every man having a Bow and four Arrows as the rest, and green Ribbons about their Necks.</p>
                
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                <p rendition="#REME2_indentedLine">Then came a large Table, wherein was written a Description of the benefit of the Shooting in the Long–Bow, and how shooting hath been decayed, and by whom restored; advertising men from all unlawful Games, as Dicing, Carding, Tipling in Alehouses, and such like, wishing to have the Exercise of Shooting to be had in use both by Masters and Servants to the strength and commodity of this Realm, as also to the terror of all Forreign Enemies, besides two Tables drawn with Inscriptions of honest Exercise: Then came two fair Ensigns, white and black, with Wh<supplied reason="gap-in-inking" evidence="internal" resp="#LEBE1">i</supplied>fflers in Chains of Gold, with white Staves, and Henchmen following them bearing Shields, every Shield painted with a several Devise; then came the Duke himself, going betw<supplied reason="gap-in-inking" evidence="internal" resp="#LEBE1">e</supplied>en two fine Pages bearing Shafts, the Duke bearing a Standard Arrow in his hand, and being apparalled in a long Gown, Citizen–like, with a Hat on his Head, agreeable to the order of the chief Commoners of the City; then after him followed <name ref="#HOPT2">Sir <hi rendition="#rnd_3">Owen Hopton</hi></name> Knight, Lieutenant of her Majesties <ref target="#TOWE5"><hi rendition="#rnd_3">Tower</hi> of <hi rendition="#rnd_3">London</hi></ref>, <name ref="#HEYW5">Sir <hi rendition="#rnd_3">Rowland Hayward</hi></name>, with other the Aldermen and Citizens of <ref rendition="#rnd_3" target="#LOND5">London</ref>, bearing Standard Arrows in their hands, <supplied reason="gap-in-inking" evidence="internal" resp="#LEBE1">with</supplied> a seemly Company of Archers: Then came the
                    
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                    Earl of <hi rendition="#rnd_3">Buckley</hi> close with <name ref="#DAYE2">Master <hi rendition="#rnd_3">Daye</hi></name> at <ref rendition="#rnd_3" target="#ALDE3">Aldersgate</ref>, with a Show of Marquesses and Barons, accompanied with many Knights of Archery, beautified with Trumpets, Drums, Ensigns, and Halberds, all the Archers wearing green Scarfs; the black Prince having twelve Knights, and a Troop of Barons following him in Chains of Gold very orderly, and between them Pages in green Jackets and green Taffety Night–caps, all dropped with Gold and Conceits of rare Device on their Shields.</p>
                
                <p rendition="#REME2_indentedLine">Then last of his Train came the Baron <hi rendition="#rnd_3">Stirrop</hi>, whose costly Stake will be in memory after he is dead, now standing at <ref rendition="#rnd_3" target="#MILE2">Mile-end</ref>. This Baron brought a seemly Show of good Archers, all with green Ribbons about their Neck, and Escocheons in their Caps with the gilded Stirrop, expressing the truth of his Name: Who, besides his great Cost and Charges in Feasting of his Archers, did chuse many good Ringers of his Neighbours, who in the Morning early did Ring at the chiefest Churches about <ref rendition="#rnd_3" target="#LOND5">London</ref>, for the honour of the Duke and his Company, feasting them in most commendable manner for their pains, who in the going out of the Duke through the City, did also Ring the Bells in many chief Churches all the
                   
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                    way he went, and likewise at his coming home, to their great pains and labour.</p>
                
                <p rendition="#REME2_indentedLine">Last of all came the <name ref="#GOLD3" type="org">Goldsmiths</name>, accompanied with some other Inhabitants in <ref rendition="#rnd_3" target="#CHEA2">Cheapside</ref> and elsewhere, that joyned with them in Company. The Invention of the Show was worthy noting: First came Trumpets and Drums, with two Handswords playing, making room, with a fair beautified Ensign: Then the ancientest sort first in Gowns and Hats, with every one a fair large Arrow in his hand, expressing<label rendition="#REME2_rmlabel" place="margin-right">Marque<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">ss</supplied> <hi rendition="#rnd_4">Barlo</hi>, <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">ali</supplied>as <hi rendition="#rnd_4">Cov<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">ell</supplied></hi> was th<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">e</supplied> chief in <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">the</supplied> Forefron<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">t</supplied> of the S<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">hoo</supplied>ters.</label> the good will to the Long–Bow, and now being aged, do give over that laudable Game to their Sons and Servants, yet still well willers to the Action; and every one of them had his Page seemly cloathed in red Mandilians, striped with silver, like broad Laces, and Caps of red Taffety, edged with white Furr; these carried their Shield<supplied reason="gap-in-inking" evidence="internal" resp="#LEBE1">s</supplied> of sundry Devises, in the one of their hands, and an Arrow in the other hand: Then came a Ship ready rigged, carried Pagent-wise, and cunningly made to toss and lean sometimes on the one side, and sometimes on the other, with a Sea–fish ready to overthrow the same, thrusting forth her Head, and plucking it in again, in the midst of the Waves, and two Indians or Blackmores

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                    to go near unto it: On the one end of the Ship stood the <hi rendition="#rnd_3">Unicorne</hi>, on the other end the <hi rendition="#rnd_3">M<supplied reason="gap-in-inking" evidence="internal" resp="#LEBE1">a</supplied>remaid</hi>. The Ship seemed as though it had newly come from <hi rendition="#rnd_3">India</hi>, and by great travel and danger had brought home her burden, laden with Gold and Silver: Then followed the younger M<supplied reason="gap-in-inking" evidence="internal" resp="#LEBE1">e</supplied>n of their Train, and for the most part apparalled in Sattin Dublets, silk Hats, Chains of Gold about their Bodies, and silk Hose, with a Bow and four Shafts, and every one had his Page going before him in red Mandilians, as before mentioned, and Caps accordingly sutable, some bearing Pickers, some Spades, and some Hammers, signifying as though they came from the <hi rendition="#rnd_3">Indies</hi>, and had thence, by great labour, brought home that Treasure which the Ship carried: And others carried Wedges of Gold, and some of them Silver, which by Workmanship is made out of the same Earth that the Ship bringeth; and every one of these Pages had upon their Mandilions these Sentences written both before and behind;</p>
                
                    <lg>
                        <l rendition="#REME2_indentedLine #rnd_3">Honest labour procureth health,</l>
                        <l rendition="#REME2_indentedLine #rnd_3">By honest labour men come to wealth.</l>
                    </lg>
                
                <p rendition="#REME2_indentedLine">Thus every one had his Page bearing these Tools, like Workmen by whose Labor
                    
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                   many things are made out of Gold and Silver to the use of all men, and to the avoiding of Idleness. Then upon a Staff was borne in the midst of the same Show, a Coronet, whereat hung three Arrows of Silver, very workmanly made; then followed a Consort of broken Musick, playing all the way, to the great delight of all the Beholders and Hearers of the same: And last of all an hundred Shot, being very ready and nimble to discharge, and these were well appointed with Powder. Thus went they along through <ref rendition="#rnd_3" target="#CHEA2">Cheapside</ref> up <ref rendition="#rnd_3" target="#CORN2">Cornhill</ref>, and turned by <ref rendition="#rnd_3" target="#LEAD1">Leaden–hall</ref> to <ref target="#BISH2"><hi rendition="#rnd_3">Bishops</hi>gate</ref>, where at the end of <ref target="#HOUN1">Houndsditch</ref> the Street was chained in, and there placed the Image of a monstrons Giant, which intimes past dwelt in that place, being stoutly defended with long Morrice–Pikes, Halberds, and Wheel Guns of great shot ready charged against the Duke’s Gunners and Archers, who valiantly shot many Arrows into the Giant, and discharged their Calivers, which the Giants men would not put up, but shook their Spears, shot off their Pieces in show to defend the Place, which since that Giant lived belonged to <name ref="#ARTH1">Prince <hi rendition="#rnd_3">Arthur</hi></name>: Thus for sport on both sides, the Trumpets sounded, the Drums, struk up, the Ensigns were tossed in seem-
                    
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                 ly sort, and the Fencers with Tanswords made room, beginning a Battel in seemly show, the Shot of the <name type="org" ref="#GOLD3">Goldsmiths</name> discharged their shot so fast, and in good order, to the shaking of the Giants Fort, that hardly the People near hand, might know one another. Thus the Train passed to <ref target="#STLE1"><hi rendition="#rnd_3">Shoreditch</hi> Church</ref>, and then turned down into <ref rendition="#rnd_3" target="#LLLL1">Hogsdon–fields</ref>, into a fair large green Pasture Ground of goodly Compass, where a Tent was set up for the Duke and the chief Citizens, where, when they were come, they might sit to see the Shooters appointed to shoot at the Butt new set up for the same, being Sevenscore and eight yards from the other end of the Tent. The true number of Archers that shot, was Thirty hundred: The number that accompanied him into the Field, of Archers, Citizens, Whifflers, and those which guarded them with Bills, was Forty and one hundred and odd Persons, besides Pages and Henchmen, which was in number Three hundred and odd. The Attire worn by all this Company (for the most part) was very gorgeous; some in black Velvet Jerkins, Dublets of Satten, with Hats of Velvet; the most p<supplied reason="gap-in-inking" evidence="internal" resp="#LEBE1">a</supplied>rt in Satten and Taffety, and Hats of Taffety, a great many wearing Chains of Gold. The true num-
                    
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                    ber of Chains of Gold worn among the Company, that I saw, was Nine hundred forty two; the rest of the Company did all wear green large Skarfs, some white Scarfs, othersome green Ribbons, Oringe tawny Ribbons, some black and white, green and white, but the most part was green.</p>
                
                <p rendition="#REME2_indentedLine">Before they came to the Tent, the Train marched about the Field in Warlike manner, and forthwith cast themselves about and broke their Ray, every one hasting to the Tent where the Duke purposed to begin shooting. Then every Ensign brought in his Archers, and there with sound of Trumpet proclaimed by the Herauld, That every man should avoid Forty foot from each side of the Butt; otherwise to stand to their own perils. Thus went they to shooting, where by then three Ensigns had shot, which was about three of the Clock; word was brought to the Duke, That certain of <name ref="#ARTH1">Prince <hi rendition="#rnd_3">Arthur</hi></name>’s Knights was coming into the Field, desirous to speak with his Nobleness; having answer that they should be entertained courteously. Forthwith the <name ref="#GOLD3" type="org">Goldsmiths</name> made forth to meet them, staying at their own Stake against their coming, who anon came, and then the <name ref="#GOLD3" type="org">Goldsmiths</name> Ensign, and some of their Pages very orderly,
                    
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                    with some of the Archers in Chains of Gold, went and met these courteous Knights, mounted upon stately Palfreys, with ten Pages also on Horsback, and Irish Lackies with Darts running by their Horses on foot, besides a Trumpeter, a Herauld, and a Messenger, upon good Geldings: The Knights were apparelled in Cloth of Tissue, or Crimson Silk and Gold; their Pages in green Silk; having likewise a seemly Company of Archers very richly apparelled in Sattin Dublets and Chains of Gold, to the number of Two hundred, attending on Foot, half going before, the residue coming behind. (A worthy Show beseeming so noble a Game). Thus with great reverence they came near to the Tent, the Messenger clad in a Jacket of black Velvet, with a black Velvet Cap, and green Sattin Dublet; pronounced an Oration to the Duke, the Copy thereof followeth.</p>
                
                <p rendition="#REME2_indentedLine #rnd_3">Most noble Duke, first to your good self and next unto all your worthy Society and Company in general; I in the behalf of the most noble and renowned <name ref="#ARTH1">Prince <hi rendition="#rnd_4">Arthur</hi></name>, and all his noble Knights, gratifie you (and yours) with the choice of a thousand commendations: <hi rendition="#rnd_4">Fame</hi> blowing abroad, and in the Court of the Noble <name ref="#ARTH1">Prince <hi rendition="#rnd_4">Arthur</hi></name>
                
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                that this day (in this place) should be practized the most excellent quality of shooting in the Long–Bow. Which news were no sooner blazed in that most Royall Court, but by the consent of their renowned Prince, these noble Knights mounted themselves on Horseback, (calling to mind) the great courtesie they received of your Nobleness, at the late Royal Show of their famous Prince. For requital of which your great Friendship, this Troop of noble Knights (for the honor they owe to the Long–Bow) are repaired hither to present unto your Nobleness a friendly Gift; which is, five Bows of Gold, and five Silver Arrows; requiring your Nobleness to bestow them on five of the most valiant, most active, and most expert of all your Train, in shooting in the Long–Bow, requesting (friendly) we may presently see the delivery of them to those persons most worthy: hoping you will accept these their friendly Gifts, springing from well willing minds, loth to hinder your worthy exercise, we omit for expence of time, that which else more largely shoul<supplied reason="gap-in-inking" evidence="internal" resp="#LEBE1">d</supplied> have been discoursed. These actions being finished (we presume of your courtesie) we shall depart friendly, alwaies wish<supplied reason="gap-in-inking" evidence="internal" resp="#LEBE1">in</supplied>g the prosperous success of your worthy Exercise.</p>

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                <p rendition="#REME2_indentedLine">The Duke with hearty thanks accepted these their presents, promising with great protestation to match the Prince every way in good will and curtesie, wishing that this their amity might long continue.</p>
                
                <p rendition="#REME2_indentedLine">Then the Knights departed with great grief to the Duke, because he had provided a Bankquet for them, which could not be served in by reason of the unruliness and throng of the People.</p>
                
                <p rendition="#REME2_indentedLine">The Marquess <hi rendition="#rnd_3">Barlo</hi> chief of the <name ref="#GOLD3" type="org">Goldsmiths</name>, to gratify them with some Show of curtesie, bestowed on them to Jugots or Wedges, one of Gold the other of Silver; and after did conduct them into their own liberties with a Volley of shot, which they very thankfully accepted.</p>
                
                <p rendition="#REME2_indentedLine">And this one thing is worthy of memory, that upon the day of <name ref="#ARTH1">Prince <hi rendition="#rnd_3">Arthur</hi></name><hi rendition="#rnd_3">’s</hi> shooting, which was five weeks before this Show, The Duke willing to beautifie the same in some seemly sort, sent a Buck of that season by the Marquess <hi rendition="#rnd_3">Barlo</hi>, accompanied with many <name ref="#GOLD3" type="org">Goldsmiths</name>; who coming in Satten Dublets and Chains of Gold about their Bodies, with Horns at their backs, did all the way wind their Horns, and pre-

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                sented the same to <name ref="#ARTH1">Prince <hi rendition="#rnd_3">Arthur</hi></name>, who was at his Tent, which was at <ref rendition="#rnd_3" target="#MILE2">Mile-end</ref> <hi rendition="#rnd_3">green</hi>; he not only accepted the same, but also promised to have the Dukes curtesie in mind if God lent him life.</p>
                
                <p rendition="#REME2_indentedLine">Having now digressed in brief, I will return to the Duke, who seeing the night draw on, broke up the shooting untill the next day, which was Wednesday, where they all met again to try who could depart Victors of those Games then to bee won. Which were in value as followeth; The first Fifty three shillings four pence, the second five nobles, the third four nobles, the fourth Twenty shillings, and the fifth ten shillings. Thus every one having one shot at the But, the best five were young men; four of the best Games did the Earl of <hi rendition="#rnd_3">Pankridge’s</hi> men win; the fifth one of the Dukes men did get. The best and the second were won by two of <ref target="#STDU102">S. <hi rendition="#rnd_3">Dunstans</hi> in the East</ref>; the best was a <name ref="#SKIN2" type="org">Skinners</name> man, the second a <name ref="#BREW2" type="org">Brewers</name> man, and he that won the first did dwell in <ref target="#STBR101">S. <hi rendition="#rnd_3">Brides</hi> Parish</ref>, being a Sadlers Son, all which three were brought home in this manner. First, for that it was dark, they were brought out of the Field with Torch lights to the number of two hundred, and the Winners mounted upon great Geldings, sent
                  
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                    to them from out of those parts where they dwelled, very sumptuously trapped with cloth of Silk, and Silver, and another of Gold, with eight Trumpets Drums and Ensigns, with shot which came from <ref rendition="#rnd_3" target="#FLEE6">Fleetstreet</ref> to fetch them home: and others with Halbards safely to conduct them, they all three were clad in green; the first in green Taffety, with a white Scarf about his Body, and a great Chain of Gold about his neck, with a Cap of Velvet, and a golden Band about the same, bearing an Arrow in his hand, and a green Ribbon hanging thereat; And so had they all: To their great laud and honour were they conducted first into <ref rendition="#rnd_3" target="#GRUB1">Grubstreet</ref>, then entred the City at <ref rendition="#rnd_3" target="#CRIP1">Cripplegate</ref>, down <ref target="#WOOD1">Woodstreet</ref>, and so into <ref rendition="#rnd_3" target="#CHEA2">Cheapside</ref>, continual shot was bestowed to bring them home, to the great delight of the beholders: Thus marching through <ref target="#STPA3"><hi rendition="#rnd_3">Paul’s</hi> Churchyard</ref>, they went to <ref rendition="#rnd_3" target="#LUDG1">Ludgate</ref>, and so home, where their Trains was very thankfully received: Against they came home there was prepared great Banquets by their Masters and Parents, to the great delight of that Parish where they dwelled, who would not for mony have lost the honor of the same.</p>
             
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                <p rendition="#REME2_indentedLine">Then did the Marquess <hi rendition="#rnd_3">Barlo</hi> with all the <name type="org" ref="#GOLD3">Goldsmiths</name> and his convoy of men at Arms safe conduct the Duke home to his<label rendition="#REME2_rmlabel" place="margin-right">Norrich <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">&amp;</supplied> Savage <hi rendition="#rnd_4">both no<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">ta</supplied>table f<supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">or</supplied> shot in <supplied resp="#LEBE1" evidence="external" reason="scan-cropped" source="#WOOD46">this</supplied> Train</hi>.</label> house, appointing one <name rendition="#rnd_3" ref="#GATE6">Jeffery Gates</name> an ancient Servitor to them, to be the Leader, who marched in the forward untill they came to the Duke’s house, where the Duke was no sooner entred his house, and the Marquess together, with the chief of the Train, but the Harquebussers, at the appointment of <name rendition="#rnd_3" ref="#GATE6">Gates</name>, charged their peeces, and forthwith did bestow such a Volley of shot, as caused the Glass to shake forth of the Glass windows; to the honour of the Duke, and the good liking of them all.</p>
                
                <p rendition="#REME2_indentedLine">Then every Baron and the whole Company of Governors were brought home to their joy and comfort, making good chear, shooting off their Peeces, sounding of Trumpets, and striking up of their Drums to delight and comfort.</p>
                
                <p rendition="#REME2_indentedLine">Thus have I (as perfectly as I may) described the manner of the same, reporting the truth of what I saw. Then on the Monday following, the Duke had provided a sumptuous Feast, to which all the Archers came, being kept at the <ref target="#BISH7">Bishop of <hi rendition="#rnd_3">Londons</hi> Pallace</ref>, who for the good will
                   
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                    he bore to shooting, lent them his house freely, wishing that it might be as commodious to them, as the Show and Sight, for provision of so many Citizens in his house was comfortable to him. And for fear of disorder, there was unto every Archer given a token stamped with a Broad Arrow, who at the gate of the <ref target="#BISH7">Bishops Pallace</ref>, delivered them to those they were appointed to receive them.</p>
                
                <p rendition="#REME2_indentedLine">Which done, every man (for the most part having Ribbons about their necks) went to those Tables, which by good fore-sight were provided for them, every man taking his place vntill the Service was brought in, the Tables furnished before with Table–clothes, Salt Bread, and trenchers: The great Hall of the Pallace was filled, and over the heads of the People hung the most sumptuous Ensigns, under which they were before conducted to the field. There might a man behold the great provision of meat, the Cooks in such good order dressing the same in quiet sort as was worthy noting. And when the service of meat was brought in, the Trumpets sounded, the Drums struck up, and every man in very good order placed to their contentment, so that the great Hall,
                 
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                    the largest Parlor, the Galleries, and other Rooms in the House were filled with People, who with great rejoycing gave thanks to God for his providence and blessings, many wayes bestowed on them. Then was there served into one large Table, which was the highest Table in the great Hall, boyled Capon, rosted Beef, Venison Pasties, Custard, Tart, rosted Capon and Rabbets, with other Dishes necessary for the time, with Wine, Beer, and Ale, and ever was replenished with sufficient thereof to their contentation.</p>
                
                <p rendition="#REME2_indentedLine">The rest of the Tables had this service to every’ Mess. First boil’d Mutton, rosted Beef, a Pasty of Venison, and a rosted, Capon, and some had Rabbets, besides Beer and Ale which was sufficient, every Mess had a Bottle of Wine served in a Bottel unto the same: There were three hundred Messes of Meat served in, to the great joy and comfort of those that were there, being served in such good order as is laudable. When the Meat was served in, every man familiarly drunk one to another, and then the Duke very reverently drank to them all, whereat the Trumpets sounded, the People hollowed, the Drums struck up, and such a noise was made that it was heard
                   
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                    far off. Then the Duke with some of his Knights and Gentlemen, went about the whole House and visited every Table, with Drum and Fife, to the well liking of them all, so that with much melody they came in again into the great Hall, giving thanks to the whole Company. Then sundry times the Trumpets sounded, the Drums struck up, and the Company drank to the Duke, passing away the time untill Dinner was ended. Then another Company did wind their Horns, which in good order of measures they did. The People by this time beginning to depart, the Duke caused the Herald to stand up and make a proclamation, that the people might be silent; which done, he pronounced in short sentence, a thanksgiving to God for our gracious Queen, desiring God to send her long Life and Victory over all her enemies; whereat the People cried Amen; lifting up their Caps, heaving up the Tables over their Heads, in sign of joy of her Majesty, whereat the Trumpets sounded, the Company hollowed and showted. Last of all they praised God and so departed; giving the remnant of the broken Meat to the poor and needy, of which company a number gave diligent attendance for the same at

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                   the great Gate. (A charitable deed in the knitting up of so honorable a matter.) Thus they declared their courtesies one to another, to the maintenance of Christian unity, which I pray God long continue, that this her Majesties Realm of <ref rendition="#rnd_3" target="ENGL2.xml">England</ref> may be kept still in Peace and Tranquility, to the maintenance of Gods Glory, the Fame and perpetual renown of of her Majesty; whose life, the God and giver of all life, prolong, that our lives which depend upon Hers, may the better be preserved and continued. <hi rendition="#rnd_3">Amen</hi>.</p>
                
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