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<bibl type="ris"><code>Provider: University of Victoria
Database: The Map of Early Modern London
Content: text/plain; charset="utf-8"

TY  - ELEC
A1  - Drayton, Michael
ED  - Jenstad, Janelle
T1  - A Pæan Triumphal
T2  - The Map of Early Modern London
ET  - 7.0
PY  - 2022
DA  - 2022/05/05
CY  - Victoria
PB  - University of Victoria
LA  - English
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UR  - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/PAEA1.xml
ER  - </code></bibl>
<bibl type="mla"><author><name ref="#DRAY3"><surname>Drayton</surname>, <forename>Michael</forename></name></author>. <title level="a">A Pæan Triumphal</title>. <title level="m">The Map of Early Modern London</title>, Edition <edition>7.0</edition>, edited by <editor><name ref="#JENS1"><forename>Janelle</forename> <surname>Jenstad</surname></name></editor>, <publisher>U of Victoria</publisher>, <date when="2022-05-05">05 May 2022</date>, <ref target="https://mapoflondon.uvic.ca/edition/7.0/PAEA1.htm">mapoflondon.uvic.ca/edition/7.0/PAEA1.htm</ref>.</bibl>
<bibl type="chicago"><author><name ref="#DRAY3"><surname>Drayton</surname>, <forename>Michael</forename></name></author>. <title level="a">A Pæan Triumphal</title>. <title level="m">The Map of Early Modern London</title>, Edition <edition>7.0</edition>. Ed. <editor><name ref="#JENS1"><forename>Janelle</forename> <surname>Jenstad</surname></name></editor>. <pubPlace>Victoria</pubPlace>: <publisher>University of Victoria</publisher>. Accessed <date when="2022-05-05">May 05, 2022</date>. <ref target="https://mapoflondon.uvic.ca/edition/7.0/PAEA1.htm">mapoflondon.uvic.ca/edition/7.0/PAEA1.htm</ref>.</bibl>
<bibl type="apa"><author><name><surname>Drayton</surname>, <forename>M.</forename></name></author> <date when="2022-05-05">2022</date>. <title>A Pæan Triumphal</title>. In <editor><name ref="#JENS1"><forename>J.</forename> <surname>Jenstad</surname></name></editor> (Ed), <title level="m">The Map of Early Modern London</title> (Edition <edition>7.0</edition>). <pubPlace>Victoria</pubPlace>: <publisher>University of Victoria</publisher>. Retrieved  from <ref target="https://mapoflondon.uvic.ca/edition/7.0/PAEA1.htm">https://mapoflondon.uvic.ca/editions/7.0/PAEA1.htm</ref>.</bibl>
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         <sourceDesc><bibl>Source: <name ref="#DRAY3">Michael Drayton</name>. <title level="m">A pæan triumphall Composed for the Societie of the Goldsmiths of London: congratulating his Highnes magnificent entring the citie. To the Maiestie of the King</title>. London: Printed by <name ref="#KING7">Felix Kingston</name> for <name ref="#FLAS2">Iohn Flasket</name>, <date calendar="#julianSic" when-custom="1604" datingMethod="#julianSic"><date exclude="#d163926e264_julianMar" xml:id="d163926e264_julianJan" notBefore="1604-01-11" notAfter="1605-01-10"/><date exclude="#d163926e264_julianJan" xml:id="d163926e264_julianMar" notBefore="1604-04-04" notAfter="1605-04-03"/>1604</date>. STC <idno type="STC">7215</idno>.</bibl>
<listBibl>
<bibl xml:id="HEBE1" type="sec">
            <editor>Hebel, William J.</editor>. <title level="m">The Works of Michael
              Drayton</title>. 5 vols. Ed. <editor>Kathleen Tillotson</editor> and <editor>Bernard
              H. Newdigate</editor>. Oxford: Head P, <date when="1961">1961</date>. Print.</bibl>
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<p>The city of London, not to be confused with the allegorical character (<name ref="PERS1.xml#LOND6">London</name>).</p>
<lb/>(<ref target="LOND5.xml">LOND5.xml</ref>)
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<note>
<p><ref target="#LOMB1">Lombard Street</ref> was known by early modern Londoners as a place of commerce and trade. Running east to west from <ref target="GRAC1.xml">Gracechurch Street</ref> to <ref target="POUL1.xml">Poultry</ref>, <ref target="#LOMB1">Lombard Street</ref> bordered <ref target="LANG1.xml">Langbourn Ward</ref>, <ref target="WALB2.xml">Walbrook Ward</ref>, <ref target="BRID3.xml">Bridge Within Ward</ref>, and <ref target="CAND2.xml">Candlewick Street Ward</ref>.</p>
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       <reg>Kate LeBere</reg>
       <forename>Kate</forename>
       <surname>LeBere</surname>
       <abbr>KL</abbr>
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      <note>
       <p>Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in <title level="j">The Corvette</title> (2018), <title level="j">The Albatross</title> (2019), and <title level="j">PLVS VLTRA</title> (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s <title level="m">Survey of London</title>, old-spelling anthology of mayoral shows, and old-spelling library texts. She authored the MoEML’s first Project Management Manual and <soCalled>quickstart</soCalled> guidelines for new employees and helped standardize the Personography and Bibliography. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.</p>
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       <reg>Tracey El Hajj</reg>
       <forename>Tracey</forename>
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      </persName>
      <note>
       <p>Junior Programmer 2018-2020. Research Associate 2020-2021. Tracey received her PhD from the Department of English at the University of Victoria in the field of Science and Technology Studies. Her research focuses on the <term>algorhythmics</term> of networked communications. She was a 2019-20 President’s Fellow in Research-Enriched Teaching at UVic, where she taught an advanced course on <title level="a">Artificial Intelligence and Everyday Life.</title> Tracey was also a member of the <title level="m">Linked Early Modern Drama Online</title> team, between 2019 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.</p>
      </note>
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      <persName type="cont">
       <reg>Joey Takeda</reg>
       <forename>Joey</forename>
       <surname>Takeda</surname>
       <abbr>JT</abbr>
      </persName>
      <note>
       <p>Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017.
        Joey Takeda was a graduate student at the University of British Columbia in the Department
        of English (Science and Technology research stream). He completed his BA honours in English
        (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary
        research interests included diasporic and indigenous Canadian and American literature,
        critical theory, cultural studies, and the digital humanities.</p>
      </note>
     </person><person xml:id="LAND2">
      <persName type="cont">
       <reg>Tye Landels-Gruenewald</reg>
       <forename>Tye</forename>
       <surname>Landels-Gruenewald</surname>
       <abbr>TLG</abbr>
      </persName>
      <note>
       <p>Data Manager, 2015-2016. Research Assistant, 2013-2015. Tye completed his undergraduate
        honours degree in English at the University of Victoria in 2015.</p>
      </note>
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      <persName type="cont">
       <reg>Noam Kaufman</reg>
       <forename>Noam</forename>
       <surname>Kaufman</surname>
       <abbr>NK</abbr>
      </persName>
      <note>
       <p>Research Assistant, 2012-2013. Noam Kaufman completed his Honours BA in English Literature
        at York University’s bilingual Glendon campus, graduating with first class standing in the
        spring of 2012. He was an MA student specializing in Renaissance drama, and researched early
        modern London’s historic cast of characters and neighbourhoods, both real and fictional.</p>
      </note>
     </person><person xml:id="MCFI1">
      <persName type="cont">
       <reg>Kim McLean-Fiander</reg>
       <forename>Kim</forename>
       <surname>McLean-Fiander</surname>
       <abbr>KMF</abbr>
      </persName>
      <note>
       <p>Director of Pedagogy and Outreach, 2015–2020. Associate Project Director, 2015.
        Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes
        to <title level="m">The Map of Early Modern London</title> from the <ref target="http://cofk.history.ox.ac.uk/"><title level="m">Cultures of Knowledge</title></ref>
        digital humanities project at the <ref target="http://www.ox.ac.uk/">University of
         Oxford</ref>, where she was the editor of <ref target="http://emlo.bodleian.ox.ac.uk/"><title level="m">Early Modern Letters Online</title></ref>, an open-access union
        catalogue and editorial interface for correspondence from the sixteenth to eighteenth
        centuries. She is currently Co-Director of a sister project to <ref target="http://emlo.bodleian.ox.ac.uk/"><title level="m">EMLO</title></ref> called <title level="m">Women’s Early Modern Letters Online</title> (<ref target="http://wemlo.net/"><title level="m">WEMLO</title></ref>). In the past, she held an internship with the
        curator of manuscripts at the <ref target="https://www.folger.edu/">Folger Shakespeare
         Library</ref>, completed a doctorate at <ref target="http://www.ox.ac.uk/">Oxford</ref> on
        paratext and early modern women writers, and worked a number of years for the <ref target="http://www.bodleian.ox.ac.uk/">Bodleian Libraries</ref> and as a freelance editor.
        She has a passion for rare books and manuscripts as social and material artifacts, and is
        interested in the development of digital resources that will improve access to these
        materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim
        has always loved both London and maps, and so is particularly delighted to be able to bring
        her early modern scholarly expertise to bear on the MoEML project.</p>
      </note>
     </person><person xml:id="JENS1">
      <persName type="cont">
       <reg>Janelle Jenstad</reg>
       <forename>Janelle</forename>
       <surname>Jenstad</surname>
       <abbr>JJ</abbr>
      </persName>
      <note>
       <p>Janelle Jenstad is Associate Professor of English at the University of Victoria, Director
        of <title level="m">The Map of Early Modern London</title>, and PI of <title level="m">Linked Early Modern Drama Online</title>. She has taught at Queen’s University, the Summer
        Academy at the Stratford Festival, the University of Windsor, and the University of
        Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited <title level="m">Shakespeare’s Language in Digital Media</title> (<ref target="https://www.routledge.com/Shakespeares-Language-in-Digital-Media-Old-Words-New-Tools/Jenstad-Kaethler-Roberts-Smith/p/book/9781472427977">Routledge</ref>). She has prepared a documentary edition of John Stow’s <title level="m">A
         Survey of London</title> (1598 text) for MoEML and is currently editing <title level="m">The Merchant of Venice</title> (with Stephen Wittek) and Heywood’s <title level="m">2 If
         You Know Not Me You Know Nobody</title> for DRE. Her articles have appeared in <title level="j">Digital Humanities Quarterly</title>, <title level="j">Renaissance and
         Reformation</title>,<title level="j">Journal of Medieval and Early Modern Studies</title>,
         <title level="j">Early Modern Literary Studies</title>, <title level="j">Elizabethan
         Theatre</title>, <title level="j">Shakespeare Bulletin: A Journal of Performance
         Criticism</title>, and <title level="j">The Silver Society Journal</title>. Her book
        chapters have appeared (or will appear) in <title level="m">Institutional Culture in Early
         Modern Society</title> (Brill, 2004), <title level="m">Shakespeare, Language and the Stage,
         The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre
         Studies</title> (Arden/Thomson Learning, 2005), <title level="m">Approaches to Teaching
         Othello</title> (Modern Language Association, 2005), <title level="m">Performing Maternity
         in Early Modern England</title> (Ashgate, 2007), <title level="m">New Directions in the
         Geohumanities: Art, Text, and History at the Edge of Place</title> (Routledge, 2011), Early
        Modern Studies and the Digital Turn (Iter, 2016), <title level="m">Teaching Early Modern
         English Literature from the Archives</title> (MLA, 2015), <title level="m">Placing Names:
         Enriching and Integrating Gazetteers</title> (Indiana, 2016), <title level="m">Making
         Things and Drawing Boundaries</title> (Minnesota, 2017), and <title level="m">Rethinking
         Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies</title>
        (Routledge, 2018).</p>
      </note>
     </person><person xml:id="HOLM3">
      <persName type="cont">
       <reg>Martin D. Holmes</reg>
       <forename>Martin</forename>
       <forename>D.</forename>
       <surname>Holmes</surname>
       <abbr>MDH</abbr>
      </persName>
      <note>
       <p>Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC).
        Martin ported the MOL project from its original PHP incarnation to a pure eXist database
        implementation in the fall of 2011. Since then, he has been lead programmer on the project
        and has also been responsible for maintaining the project schemas. He was a co-applicant on
        MoEML’s 2012 SSHRC Insight Grant.</p>
      </note>
     </person><person xml:id="DRAY3" sex="1">
      <persName type="hist">
       <reg>Michael Drayton</reg>
       <forename>Michael</forename>
       <surname>Drayton</surname>
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      <note>
       <p>Poet. Helped establish <ref target="WHIT17.xml">Whitefriars Theatre</ref>.</p>
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        <item><ref target="https://www.britannica.com/biography/Michael-Drayton"><title level="m">EB</title></ref></item>
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       <forename>Apollo</forename>
       <addName>Phoebus</addName>
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      <note>
       <p>God of healing, medicine, archery, music, poetry, and the sun in Greek and Roman
        mythology. Defined as the god of divine distance since the time of <name ref="PERS1.xml#HOME2">Homer</name>.</p>
       <list type="links">
        <item><ref target="https://www.britannica.com/topic/Apollo-Greek-mythology"><title level="m">EB</title></ref></item>
        <item><ref target="https://pantheon.org/articles/a/apollo.html"><title level="m">EM
           (Greek)</title></ref></item>
        <item><ref target="https://pantheon.org/articles/a/apollo2.html"><title level="m">EM
           (Roman)</title></ref></item>
       </list>
      </note>
     </person><person xml:id="LUNA1" sex="2">
      <persName type="lit">
       <reg>Luna</reg>
       <forename>Luna</forename>
       <addName>Cynthia</addName>
      </persName>
      <note>
       <p>Goddess of the moon in Roman mythology.</p>
       <list type="links">
        <item><ref target="https://en.wikipedia.org/wiki/Luna_(goddess)"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </person><person xml:id="FLAS2" sex="1">
      <persName type="hist">
       <reg>John Flasket</reg>
       <forename>John</forename>
       <surname>Flasket</surname>
      </persName>
      <floruit from-custom="1593" datingMethod="#julianSic"><date exclude="#d163926e930_julianMar" xml:id="d163926e930_julianJan" notBefore="1593-01-11"/><date exclude="#d163926e930_julianJan" xml:id="d163926e930_julianMar" notBefore="1593-04-04"/></floruit>
      <death when-custom="1616" datingMethod="#julianSic"><date exclude="#d163926e932_julianMar" xml:id="d163926e932_julianJan" notBefore="1616-01-11" notAfter="1617-01-10"/><date exclude="#d163926e932_julianJan" xml:id="d163926e932_julianMar" notBefore="1616-04-04" notAfter="1617-04-03"/></death>
      <note>
       <p>Bookseller.</p>
       <list type="links">
        <item><ref target="http://bbti.bodleian.ox.ac.uk/details/?traderid=24480"><title level="m">BBTI</title></ref></item>
       </list>
      </note>
     </person><person xml:id="HENR8" sex="1">
      <persName type="hist">
       <reg>Henry V</reg>
       <forename>Henry</forename>
       <genName><num type="roman" value="5">V</num></genName>
       <roleName>King of England</roleName>
      </persName>
      <birth when-custom="1386" datingMethod="#julianSic"><date exclude="#d163926e966_julianMar" xml:id="d163926e966_julianJan" notBefore="1386-01-09" notAfter="1387-01-08"/><date exclude="#d163926e966_julianJan" xml:id="d163926e966_julianMar" notBefore="1386-04-02" notAfter="1387-04-01"/></birth>
      <death when-custom="1422" datingMethod="#julianSic"><date exclude="#d163926e968_julianMar" xml:id="d163926e968_julianJan" notBefore="1422-01-10" notAfter="1423-01-09"/><date exclude="#d163926e968_julianJan" xml:id="d163926e968_julianMar" notBefore="1422-04-03" notAfter="1423-04-02"/></death>
      <note>
       <p>King of <ref target="ENGL2.xml">England</ref>
        <date from-custom="1413" to-custom="1422" datingMethod="#julianSic"><date exclude="#d163926e977_julianMar" xml:id="d163926e977_julianJan" notBefore="1413-01-10" notAfter="1423-01-09"/><date exclude="#d163926e977_julianJan" xml:id="d163926e977_julianMar" notBefore="1413-04-03" notAfter="1423-04-02"/>1413-1422</date>.
        Buried at <ref target="WEST1.xml">Westminster Abbey</ref>.</p>
       <list type="links">
        <item><ref target="https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-12952"><title level="m">ODNB</title></ref></item>
        <item><ref target="https://en.wikipedia.org/wiki/Henry_V_of_England"><title level="m">Wikipedia</title></ref></item>
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     </person><person xml:id="STDU4" sex="1">
      <persName type="hist">
       <reg>Dunstan</reg>
       <surname>Dunstan</surname>
       <roleName>Bishop of Worcester</roleName>
       <roleName>Bishop of London</roleName>
       <roleName>Archbishop of Canterbury</roleName>
      </persName>
      <note>
       <p>Bishop of Worcester <date from-custom="0957" to-custom="0959" datingMethod="#julianSic"><date exclude="#d163926e1022_julianMar" xml:id="d163926e1022_julianJan" notBefore="0957-01-06" notAfter="0960-01-05"/><date exclude="#d163926e1022_julianJan" xml:id="d163926e1022_julianMar" notBefore="0957-03-30" notAfter="0960-03-29"/>957–959</date>. Bishop of <ref target="#LOND5">London</ref>
        <date from-custom="0958" to-custom="0959" datingMethod="#julianSic"><date exclude="#d163926e1028_julianMar" xml:id="d163926e1028_julianJan" notBefore="0958-01-06" notAfter="0960-01-05"/><date exclude="#d163926e1028_julianJan" xml:id="d163926e1028_julianMar" notBefore="0958-03-30" notAfter="0960-03-29"/>958–959</date>.
        Archbishop of Canterbury <date from-custom="0959" to-custom="0988" datingMethod="#julianSic"><date exclude="#d163926e1031_julianMar" xml:id="d163926e1031_julianJan" notBefore="0959-01-06" notAfter="0989-01-05"/><date exclude="#d163926e1031_julianJan" xml:id="d163926e1031_julianMar" notBefore="0959-03-30" notAfter="0989-03-29"/>959–988</date>.</p>
       <list type="links">
        <item><ref target="https://en.wikipedia.org/wiki/Dunstan"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </person><person xml:id="STOW6" sex="1">
      <persName type="hist">
       <reg>John Stow</reg>
       <forename>John</forename>
       <surname>Stow</surname>
      </persName>
      <birth notBefore-custom="1524" notAfter-custom="1525" datingMethod="#julianSic"><date exclude="#d163926e1058_julianMar" xml:id="d163926e1058_julianJan" notBefore="1524-01-11" notAfter="1526-01-10"/><date exclude="#d163926e1058_julianJan" xml:id="d163926e1058_julianMar" notBefore="1524-04-04" notAfter="1526-04-03"/></birth>
      <death when-custom="1605" datingMethod="#julianSic"><date exclude="#d163926e1060_julianMar" xml:id="d163926e1060_julianJan" notBefore="1605-01-11" notAfter="1606-01-10"/><date exclude="#d163926e1060_julianJan" xml:id="d163926e1060_julianMar" notBefore="1605-04-04" notAfter="1606-04-03"/></death>
      <note>
       <p>Historian and author of <title level="m">A Survey of London</title>. Husband of <name ref="PERS1.xml#STOW23">Elizabeth Stow</name>.</p>
       <list type="links">
        <item><ref target="STOW3.xml">MoEML</ref></item>
        <item><ref target="https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-26611"><title level="m">ODNB</title></ref></item>
        <item><ref target="https://en.wikipedia.org/wiki/John_Stow"><title level="m">Wikipedia</title></ref></item>
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     </person><person xml:id="WILL1" sex="1">
      <persName type="hist">
       <reg>William I</reg>
       <forename>William</forename>
       <genName><num type="roman" value="1">I</num></genName>
       <roleName>King of England</roleName>
       <addName>the Conqueror</addName>
      </persName>
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      <note>
       <p>King of <ref target="ENGL2.xml">England</ref>
        <date from-custom="1066" to-custom="1087" datingMethod="#julianSic"><date exclude="#d163926e1123_julianMar" xml:id="d163926e1123_julianJan" notBefore="1066-01-07" notAfter="1088-01-06"/><date exclude="#d163926e1123_julianJan" xml:id="d163926e1123_julianMar" notBefore="1066-03-31" notAfter="1088-03-30"/>1066-1087</date>.
        Buried at <ref target="WEST1.xml">Westminster Abbey</ref>.</p>
       <list type="links">
        <item><ref target="https://www.britannica.com/biography/William-I-king-of-England"><title level="m">EB</title></ref></item>
        <item><ref target="https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-29448"><title level="m">ODNB</title></ref></item>
        <item><ref target="https://en.wikipedia.org/wiki/William_the_Conqueror"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </person><person xml:id="JUPE1" sex="1">
      <persName type="lit">
       <reg>Jupiter</reg>
       <forename>Jupiter</forename>
       <addName>Jove</addName>
      </persName>
      <note>
       <p>God of the sky in Roman mythology. Father of <name ref="PERS1.xml#VENU1">Venus</name>.</p>
       <list type="links">
        <item><ref target="https://pantheon.org/articles/j/jupiter.html"><title level="m">EM</title></ref></item>
        <item><ref target="https://en.wikipedia.org/wiki/Jupiter_(mythology)"><title level="m">Wikipedia</title></ref></item>
       </list>
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     </person><person xml:id="SATU1" sex="1">
      <persName type="lit">
       <reg>Saturn</reg>
       <forename>Saturn</forename>
      </persName>
      <note>
       <p>God of generation, dissolution, plenty, wealth, agriculture, periodic renewal, and
        liberation in Roman mythology. Father of <name ref="#JUPE1">Jupiter</name>.</p>
       <list type="links">
        <item><ref target="https://pantheon.org/articles/s/saturn.html"><title level="m">EM</title></ref></item>
        <item><ref target="https://en.wikipedia.org/wiki/Saturn_(mythology)"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </person><person xml:id="KING7" sex="1">
      <persName type="hist">
       <reg>Felix Kingston</reg>
       <forename>Felix</forename>
       <surname>Kingston</surname>
      </persName>
      <birth notAfter-custom="1597" datingMethod="#julianSic"><date exclude="#d163926e1232_julianMar" xml:id="d163926e1232_julianJan" notAfter="1598-01-10"/><date exclude="#d163926e1232_julianJan" xml:id="d163926e1232_julianMar" notAfter="1598-04-03"/></birth>
      <death when-custom="1653" cert="low" precision="low" datingMethod="#julianSic"><date exclude="#d163926e1234_julianMar" xml:id="d163926e1234_julianJan" notBefore="1653-01-11" notAfter="1654-01-10"/><date exclude="#d163926e1234_julianJan" xml:id="d163926e1234_julianMar" notBefore="1653-04-04" notAfter="1654-04-03"/></death>
      <note><p>Printer.</p>
       <list type="links">
        <item><ref target="http://bbti.bodleian.ox.ac.uk/details/?traderid=100268"><title level="m">BBTI</title></ref></item>
       </list>
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     </person><person xml:id="ATLA1" sex="1">
      <persName type="lit">
       <reg>Atlas</reg>
       <forename>Atlas</forename>
      </persName>
      <note>
       <p>Titan condemned to hold up the heavens or sky for eternity in Greek mythology.</p>
       <list type="links">
        <item><ref target="https://en.wikipedia.org/wiki/Atlas_(mythology)"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </person><person xml:id="PHAE1" sex="1">
      <persName type="lit">
       <reg>Phaethon</reg>
       <forename>Phaethon</forename>
      </persName>
      <note>
       <p>Figure in Greek mythology.</p>
       <list type="links">
        <item><ref target="https://en.wikipedia.org/wiki/Phaethon"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </person><person xml:id="ZEPH1" sex="9">
      <persName type="lit">
       <reg>Zephyr</reg>
       <forename>Zephyr</forename>
      </persName>
      <note>
       <p>Personification of a gentle breeze in Greek mythology. Equated with <name ref="#FAVO1">Favonius</name> in Roman mythology. Appears as an
        allegorical character in <name ref="#DRAY3">Michael Drayton</name>’s <title level="m">A Pæan Triumphal</title>.</p>
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     </person><person xml:id="FAVO1" sex="9">
      <persName type="lit">
       <reg>Favonius</reg>
       <forename>Favonius</forename>
      </persName>
      <note>
       <p>Personification of a gentle breeze in Roman mythology. Equated with <name ref="#ZEPH1">Zephyr</name> in Greek mythology. Appears as an
        allegorical character in <name ref="#DRAY3">Michael Drayton</name>’s <title level="m">A Pæan Triumphal</title>.</p>
      </note>
     </person></listPerson><listOrg><org xml:id="GOLD3" type="greater" subtype="R5" n="r_05">
            <orgName>Worshipful Company of Goldsmiths<reg>Goldsmiths’ Company</reg></orgName>
            <note><p>The <name type="org" ref="#GOLD3">Goldsmiths’ Company</name> was one of the
                twelve great companies of <ref target="#LOND5">London</ref>. The <name type="org" ref="#GOLD3">Goldsmiths</name> were fifth in the order of precedence
                established in <date when-custom="1515" datingMethod="#julianSic" calendar="#julianSic"><date exclude="#d163926e1372_julianMar" xml:id="d163926e1372_julianJan" notBefore="1515-01-11" notAfter="1516-01-10"/><date exclude="#d163926e1372_julianJan" xml:id="d163926e1372_julianMar" notBefore="1515-04-04" notAfter="1516-04-03"/>1515</date>. The <name type="org" ref="#GOLD3">Worshipful Company of Goldsmiths</name> is still active and maintains a website
                at <ref target="https://www.thegoldsmiths.co.uk/">https://www.thegoldsmiths.co.uk/</ref> that includes a <ref target="https://www.thegoldsmiths.co.uk/company/">history of the company</ref> and
                explains the company’s role in the annual <ref target="https://www.thegoldsmiths.co.uk/company/today/trial-pyx/">Trial of the
                  Pyx.</ref></p>
              <figure type="halfWidth">
                <graphic url="graphics/livery_company_crests/Goldsmiths_sm.jpg"/>
                <figDesc>The coat of arms of the <name type="org" ref="#GOLD3">Goldsmiths’
                    Company</name>, from <ref type="bibl" target="BIBL1.xml#STOW16">Stow (1633)</ref>.
                    <ref target="graphics/livery_company_crests/Goldsmiths.jpg">[Full size
                    image]</ref></figDesc>
              </figure>
            </note>
          </org><org xml:id="EEBO3" type="modern">
            <orgName>Early English Books Online–Text Creation
              Partnership<reg>EEBO-TCP</reg></orgName>
            <note><p>The <quote><name ref="#EEBO3" type="org">EEBO-TCP</name> is a partnership
                  with ProQuest and with more than 150 libraries to generate highly accurate,
                  fully-searchable, SGML/XML-encoded texts corresponding to books from the Early
                  English Books Online Database</quote>. <ref target="http://www.textcreationpartnership.org/tcp-eebo/">Website</ref>.</p></note>
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        step whereby encoders check each other’s work. We use the term
         <mentioned>encoder</mentioned> to designate the principal encoder, and <mentioned>markup
         editor</mentioned> to designate the person who checks the encoding.</gloss>
      </catDesc>
     </category><category xml:id="pdr">
      <catDesc>
       <term>Project director</term>
       <gloss type="marcRelator">A person or organization with primary responsibility for all
        essential aspects of a project, or that manages a very large project that demands senior
        level responsibility, or that has overall responsibility for managing projects, or provides
        overall direction to a project manager.</gloss>
       <gloss type="mol">MoEML’s Project Director directs the intellectual and scholarly aspects of
        the project, consults with the Advisory and Editorial Boards, and ensures the ongoing
        funding of the project.</gloss></catDesc>
     </category><category xml:id="pfr">
      <catDesc>
       <term>Proofreader</term>
       <gloss type="marcRelator">A person who corrects printed matter.</gloss>
       <gloss type="mol">MoEML uses the term <mentioned>proofreader</mentioned> to designate a
        contributor who checks a transcription against an original document, or a person who
        corrects formatting and typographical errors in a born-digital article. Note that we use the
        term <mentioned>markup editor</mentioned> to designate a person who proofreads and corrects
        encoding.</gloss>
      </catDesc>
     </category><category xml:id="prg">
      <catDesc>
       <term>Programmer</term>
       <gloss type="marcRelator">A person or organization responsible for the creation and/or
        maintenance of computer program design documents, source code, and machine-executable
        digital files and supporting documentation.</gloss>
       <gloss type="mol">MoEML uses the term <mentioned>programmer</mentioned> to designate a person
        or organization responsible for the creation and/or maintenance of computer program design
        documents, source code, and machine-executable digital files and supporting
        documentation.</gloss></catDesc>
     </category><category xml:id="prt">
      <catDesc>
       <term>Printer</term>
       <gloss type="marcRelator">A person or organization who prints texts, whether from type or
        plates.</gloss>
       <gloss type="mol">MoEML uses the term <mentioned>printer</mentioned> to designate the person
        named as the printer on the title page of a primary source text, or the person identified by
        scholars as the printer (e.g., in the English Short Title Catalogue database). In early
        modern printing practice, the roles of printer, bookseller, and publisher might coincide in
        one person, or be performed by different people.</gloss></catDesc>
     </category><category xml:id="rth">
      <catDesc>
       <term>Research team head</term>
       <gloss type="marcRelator">A person who directed or managed a research project.</gloss>
       <gloss type="mol">MoEML uses the terms <mentioned>research term head</mentioned> and
         <mentioned>assistant project manager</mentioned> interchangeably.</gloss>
      </catDesc>
     </category><category xml:id="trc">
      <catDesc>
       <term>Transcriber</term>
       <gloss type="marcRelator">A person who prepares a handwritten or typewritten copy from
        original material, including from dictated or orally recorded material.</gloss>
       <gloss type="mol">MoEML uses the term <mentioned>transcriber</mentioned> to designate the
        person or organization that transcribes a primary source. In the case of <title level="m">EEBO-TCP</title> transcribers, we do not know the names of the transcribers. Acceptable
        names for this role are transcriber, first transcriber (often the <title level="m">EEBO-TCP</title> transcriber), or MoEML transcriber.</gloss>
      </catDesc>
     </category></taxonomy><taxonomy xml:id="molRelators"><category xml:id="cse">
      <catDesc>
       <term>CSS editor</term>
       <gloss type="mol">MoEML uses the term <mentioned>CSS Editor</mentioned> for a person who adds
        CSS styling to the transcription of a primary source. We use CSS styling to describe the
        bibliographic features of the texts we transcribe. For further information, see our page on
        <ref target="encode_style.xml#encode_style_CSS">CSS styling</ref>.</gloss>
      </catDesc>
     </category></taxonomy></classDecl></encodingDesc>
    
  
      <revisionDesc status="published"><change who="#HOLM3" when="2021-01-20">Added <att>xml:id</att>s to <gi>pb</gi> elements using utilities/add_sig_ids_to_shows.xsl.</change>
        <change who="#LEBE1" when="2020-12-07">Standardized renditions and fixed encoding.</change>
        <change who="#SIMP5" when="2020-06-25">Transformed pb facs elements for EEBO-proquest transition.</change>
        <change who="#ELHA1" when="2018-08-01">Collapsed element rendition using XSLT.</change>
        <change who="#TAKE1" when="2018-04-28">Changed calendar value from "julian" to "julianSic" using XSLT.</change>
        <change who="#LAND2" when="2016-02-02" status="published">Publishe document.</change>
        <change who="#TAKE1" when="2015-06-23">Standardized <gi>respStmt</gi>s for JENS1, MCFI1, and HOLM3 and added TAKE1 as Junior Programmer.</change>
        <change who="#TAKE1" when="2014-10-08">Eliminated <gi>fw</gi> from around Printer’s ornaments.</change>
        <change who="#HOLM3" when="2014-09-29">Added XInclude for <gi>listPrefixDef</gi> in the header.</change>
        <change who="#HOLM3" when="2014-01-13">Transformed the use of <gi>supplied</gi> and its <att>reason</att> attribute to conform with TEI Guidelines and our updated schema.</change>
        <change who="#HOLM3" when="2013-12-19">Added global publicationStmt through XInclude.</change>
        <change who="#HOLM3" when="2013-08-23">Eliminated superfluous catRef elements from the header.</change>
        <change who="#HOLM3" when="2013-08-13">Put <gi>change</gi> elements inside <gi>revisionDesc</gi> into the correct (latest first) order.</change>
        <change who="#HOLM3" when="2013-08-12">Added <gi>profileDesc</gi> containing document type information expressed in <gi>catRef</gi> elements.</change>
        <change who="#JENS1" when="2013-06-07">Changed lines to block elements and line breaks. Added mol:EEBO links. Corrected transcription. Deleted extraneous spaces at line ends. Changed note type="marginal" to label. Added printer’s ornaments to the forme work element.</change>
        <change who="#JENS1" when="2013-06-06">Added respStmt for each contributor.</change>
        <change who="#HOLM3" when="2013-02-04">Converted @rend to @style, through XSLT transformation.</change>
        <change who="#KAUF1" when="2012-09-13">Created file and added content</change>
        <change who="#JENS1" when="2012-09-13">Created page.</change>
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  </teiHeader><text rendition="#rnd_1">
    <body>
      <pb facs="https://search.proquest.com/eebo/docview/2240858457/pageLevelImage/?imgSeq=2" n="A3r" xml:id="PAEA1_sig_A3r"/>
      <head rendition="#PAEA1_mainHead">A Pæan Triumphall.</head>
      <lg>
        <l><hi rendition="#PAEA1_dropCap">T</hi>O the vaste skies whilst shoutes and cries rebound,</l>
        <l>And buildings eccho with reuerberate sound,</l>
        <l>Strugling to thrust out of the peopled throng,</l>
        <l>Panting for breath flies our elaborate song.</l>
        <l>That time the day brake from her wonted guise, </l>
        <l>The Sunne in haste before his houre did rise,</l>
        <l>And draue the fleet-foote posting houres so fast,</l>
        <l>Which were afeard young <name rendition="#rnd_2" ref="#PHAE1">Phaeton</name> that was cast</l>
        <l>From his Siers<note type="editorial" resp="#JENS1">I.e., Sire’s.</note> Chariot, reobtain’d the Carre,</l>
        <l>To set the neighboring Elements at warre.</l>
        <l>But whilst sweete <name rendition="#rnd_2" ref="#ZEPH1">Zephyre</name> gently spreads his wings,</l>
        <l>Curles the sleeke bosomes of th’enamoured springs.</l>
        <l>With Baulmie spices so perfumes each place,</l>
        <l>Breathing such odors in the mornings face,</l>
        <l>That the day seem’d all former daies to scorne,</l>
        <l>And (to compare it) euer should be borne.</l>
        <pb facs="https://search.proquest.com/eebo/docview/2240858457/pageLevelImage/?imgSeq=3" n="A3v" xml:id="PAEA1_sig_A3v"/>
        <l><name rendition="#rnd_2" ref="#SATU1">Saturne</name> whose grim face clad in Icie haire,</l>
        <l>Thrust his bleake visage through the Northerne aire,</l>
        <l>That long had low’rd vpon the drouping spring,</l>
        <l>With Frosts, Hailes, Snowes and Tempests minacing,</l>
        <l>Suddenly calm’d, and his harsh rage resignes</l>
        <l>To smooth <name rendition="#rnd_2" ref="#FAVO1">Fauonius</name> and milde Libick windes,<label place="margin-right" rendition="#PAEA1_rmlabel">The south<lb/>and south<lb type="hyphenInWord"/>west wind.</label></l>
        <l>Whil’st Temples stand euen trembling as afeard,</l>
        <l>To see proud Pageants on their Arches reard</l>
        <l>Aboue their Turrets, whilest the concourse meete,</l>
        <l>Like boysterous tides in euery publike streete.</l>
        <l>Windowes of eyes, the houses scorn’d their glasse,</l>
        <l>On euery side their Maiesties should passe:</l>
        <l>Roomes with rich beauties furnished about,</l>
        <l>Arras but serues to hang the walles without.</l>
        <l>Who lou’d in works of ancient times to prie,</l>
        <l>Hangings compleate with curious Imagrie, </l>
        <l>Glutting his eyes here liuely might behold,</l>
        <l>Faces whose numbers figures neuer told,</l>
        <l>Walling the houses, in whose seuerall eyes </l>
        <l>Ioye shewes it selfe in more varieties,</l>
        <pb facs="https://search.proquest.com/eebo/docview/2240858457/pageLevelImage/?imgSeq=3" n="A4r" xml:id="PAEA1_sig_A4r"/>
        <l>Then be their mindes, the obiects that they see,</l>
        <l>Which are as various as their features bee.</l>
        <l>The hie-reard spires shake with the peoples crie,</l>
        <l>Bending their tops seeme wondring to espie</l>
        <l>Streets pau’d with heads, for such the numbers bee,</l>
        <l>The loftiest Tower no ground at all can see.</l>
        <l>Banners, Flags, Streamers, in such numbers borne,</l>
        <l>And stood so thick that one might soone haue sworne,</l>
        <l>Nature of late some noueltie had brought,</l>
        <l>Groaues leau’d with silke in curious manner wrought,</l>
        <l>Bearing such fruite th’ <hi rendition="#rnd_2">Atlantides</hi> did keepe,<label place="margin-right" rendition="#PAEA1_rmlabel">The daugh<lb type="hyphenInWord"/>ters of <name ref="#ATLA1">Atlas</name></label></l>
        <l>By that fierce Dragon that did neuer sleepe.</l>
        <l>When now approched glo<supplied resp="#JENS1" reason="faded-ink" evidence="conjecture">r<note type="editorial" resp="#JENS1">Uninked type in Folger Shakespeare Library copy filmed for EEBO.</note></supplied>ious Maiestie,</l>
        <l>Vnder a gold-wrought sumptuous Canopie.</l>
        <l>Before him went his goodly glittering traine,</l>
        <l>Which though as late wash’d in a golden raine.</l>
        <l>All so embraudered that to those behold,</l>
        <l>Horses as men, seem’d to be made of Gold:</l>
        <l>With the faire Prince, in whom appear’d in glory,</l>
        <l>As in th’abridgement of some famous story,</l>
        <pb facs="https://search.proquest.com/eebo/docview/2240858457/pageLevelImage/?imgSeq=4" n="A4v" xml:id="PAEA1_sig_A4v"/>
        <l>Eu’ry rare vertue of each famous King</l>
        <l>Since <hi rendition="#rnd_2">Norman <name ref="#WILL1">VVilliam</name>s</hi> happie conquering:</l>
        <l>Where might be seene in his fresh blooming hopes,</l>
        <l><name ref="#HENR8"><hi rendition="#rnd_2">Henry</hi> the fifth</name> leading his warlike troupes,</l>
        <l>When the proud French fell on that conquered land,</l>
        <l>As the full Corne before the labourers hand.</l>
        <l>Vshering so bright and Angellike a Queene,</l>
        <l>Whose gallant carridge had but <name rendition="#rnd_2" ref="#LUNA1">Cynthia</name> seene,</l>
        <l>She might haue learnd her siluer brow to beare,</l>
        <l>And to haue shin’d and sparckl’d in her spheare,</l>
        <l>Leading her Ladies on their milkie Steedes,</l>
        <l>With such aspect that each beholder feedes,</l>
        <l>As though the lights and beauties of the skies,</l>
        <l>Transcending dwelt and twinckled in their eies.</l>
        <l>Here might you see what passion wonder wrought,</l>
        <l>As it inuades the temper of the thought:</l>
        <l>One weepes for ioy, he laughs and claps his hands,</l>
        <l>Another still and looking sadly stands:</l>
        <l>Others that seemed to be moued lesse,</l>
        <l>Shew’d more then these in action could expresse.</l>
        <pb facs="https://search.proquest.com/eebo/docview/2240858457/pageLevelImage/?imgSeq=4" n="B1r" xml:id="PAEA1_sig_B1r"/>
        <l>None ther’s<note type="editorial" resp="#JENS1">I.e., <quote>None there is that</quote>.</note> could iudge a witnesse of this sight,</l>
        <l>Whether of two did take the more delight,</l>
        <l>They that in triumph rode or they that stand,</l>
        <l>To view the pompe and glorie of the land,</l>
        <l>Each vnto other such reflection sent,</l>
        <l>Either so sumptuous, so magnificent:</l>
        <l>Nor are the duties that thy subiects owe,</l>
        <l>Only compriz’d in this externall show.</l>
        <l>For harts are heap’d with those innumered hoords,</l>
        <l>That tongues by vttrance cannot vent in words:</l>
        <l>Nor is it all Inuention here deuises,</l>
        <l>That thy hie worth and Maiestie comprizes,</l>
        <l>And we not last of those glad harts that proue,</l>
        <l>To shew our Soueraigne our vnspotted loue.</l>
        <l>The first a Maiors name worthely did grace,<label place="margin-right" rendition="#PAEA1_rmlabel"><name ref="#STOW6">John Stow</name><lb/>Survay</label></l>
        <l>Marrying that title and Pretorian place,</l>
        <l>Was of our freedome, purchasing thereby</l>
        <l>That primate honor to our Liuery.</l>
        <l>Natiue our loue as needfull is our trade,</l>
        <l>By which no kingdome euer was decaide,</l>
    <pb facs="https://search.proquest.com/eebo/docview/2240858457/pageLevelImage/?imgSeq=5" n="B1v" xml:id="PAEA1_sig_B1v"/>
        <l>To bring sleight gauds and womanish deuices,</l>
        <l>Of little vse and of excessiue prices.</l>
        <l>Good home-made things with trifles to suppresse,</l>
        <l>To feede luxurious riot, and excesse,</l>
        <l>Sound-Bullion is our subiect, whose sure rate</l>
        <l>Seal’d by his selfeworth, such the <name ref="#GOLD3" type="org">Goldsmiths</name> state,</l>
        <l>Which peace and happie gouernment doth nourish,</l>
        <l>And with a kingdome doth both fade and florish.</l>
        <l>Natures perfection, that great wonder Gold,</l>
        <l>Of which the first note of our name we hold,</l>
        <l><name rendition="#rnd_2" ref="#APPO2">Phœbus</name> his God that triply doth implie,</l>
        <l>To medicen, Musicke, and sweete Poesie,</l>
        <l>To vs his hie diuinitie imparts,</l>
        <l>As he is knowne and glorified in Arts:</l>
        <l>For that inuention studie doth befit,</l>
        <l>That is the crowne and puritie of wit,</l>
        <l>What doth belong and’s proper to the muse,</l>
        <l>We of all other mysteries doe vse,</l>
        <l>Moulds and insculpturs framing by the head,</l>
        <l>Formes and proportions strangely varied.</l>
    <pb facs="https://search.proquest.com/eebo/docview/2240858457/pageLevelImage/?imgSeq=5" n="B2r" xml:id="PAEA1_sig_B2r"/>
        <l>The lumpe as likes the workman best to frame,</l>
        <l>To wedge, to ingot, or what other name,</l>
        <l>That by the sight and knowledge of our trade,</l>
        <l>Into rich Plate, and Vtensils is made</l>
        <l>Within thy land, for ornament doth stay,</l>
        <l>Angels haue wings and fleeting still away,</l>
        <l>And by eschanging virtuously doth flie</l>
        <l>That cankerd, base, and idle Vsurie:</l>
        <l>For when the banck once subtilie is plac’d,</l>
        <l>Th’exacted vse comes hourely in so fast,</l>
        <l>That whil’st the lender on the borrower praies,</l>
        <l>Good and industrious facultie decaies.</l>
        <l>Foule Auarice that triple Dog of Hell,</l>
        <l>That when <hi rendition="#rnd_2"><name ref="#JUPE1">Ioue</name>s</hi> sonne emperiously did quell,</l>
        <l>And from his hand receiu’d that fatall wound,</l>
        <l>His poysoned foame he driu’ld on the ground,</l>
        <l>From which they say as in the earths despite,</l>
        <l>Did spring that black and poysoned Aconite:</l>
        <l>For they by fire that mettals vse to trie,</l>
        <l>And finde wise Natures secresies thereby,</l>
    <pb facs="https://search.proquest.com/eebo/docview/2240858457/pageLevelImage/?imgSeq=6" n="B2v" xml:id="PAEA1_sig_B2v"/>
        <l>When they prepare industriously to shed</l>
        <l>Siluer, dispos’d adulteratly with lead,</l>
        <l>Proue this base Courser from the other fine,</l>
        <l>Being so cleere and aptly femenine,</l>
        <l>Steales from her purenes in his boystrous fixure,</l>
        <l>By the corruption of his earthly mixure,</l>
        <l>Which if Gold helping her infeebled might,</l>
        <l>As a kind brother in his sisters right,</l>
        <l>By him her spirit is perfect and compacted,</l>
        <l>Which that grosse body enuiously detracted.</l>
        <l>Conscience like Gold which Hell cannot intice,</l>
        <l>Nor winne from weake man by his auarice:</l>
        <l>Which if infus’d such vertue doth impart,</l>
        <l>As doth conforme and rectifie the hart.</l>
        <l>For as the Indians by experience know,</l>
        <l>That like a Tree it in the ground doth grow,</l>
        <l>And as it still approcheth to the day,</l>
        <l>His curled branches brauely doth display,</l>
        <l>Then in the bulke and body of the mine,</l>
        <l>More neat, contracted, rarifi’d, and fine:</l>
        <pb facs="https://search.proquest.com/eebo/docview/2240858457/pageLevelImage/?imgSeq=6" n="B3r" xml:id="PAEA1_sig_B3r"/>
        <l>So truth from darknes spreading doth appeare,</l>
        <l>And shewes it selfe more luculent and cleere.</l>
        <l><name rendition="#rnd_2" ref="#STDU4">Dunstan</name> our Patron that religious man,<label place="margin-right" rendition="#PAEA1_rmlabel">In Cato<supplied resp="#JENS1" source="#HEBE1" reason="original-cropped" evidence="external">l.<note type="editorial" resp="#JENS1">Page cropped in original; proofed against <ref type="bibl" target="#HEBE1">Hebel 1961</ref>.</note></supplied><lb/>Episcop<supplied resp="#JENS1" source="#HEBE1" reason="original-cropped" evidence="external">.<note type="editorial" resp="#JENS1">Page cropped in original; proofed against <ref type="bibl" target="#HEBE1">Hebel 1961</ref>.</note></supplied></label></l>
        <l>(That great and famous Metropolitan,</l>
        <l>That in his time ascended by degrees,</l>
        <l>To <hi rendition="#rnd_2">VVorster</hi>, <ref rendition="#rnd_2" target="#LOND5">London</ref>, <hi rendition="#rnd_2">Canturburies</hi> Sees,</l>
        <l>That was in ancient <hi rendition="#rnd_2">Glastenbury</hi> bred,</l>
        <l>Foure Saxons raignes that liuing flourished,</l>
        <l>Whose deeds the world vnto this time containeth,</l>
        <l>And sainted in our Kalenders remaineth</l>
        <l>Gaue) what not time our Brotherhood denies,</l>
        <l>Ancient endowments and immunities:</l>
        <l>And for our station and our generall heape,</l>
        <l>Recides in <ref target="#LOMB1">Lombard</ref> or in goodly <ref target="#CHEA1">Cheape</ref>.</l>
        <l>VVe haue an Adage which though very old,</l>
        <l>Tis not the worse that it hath oft been told,</l>
        <l>(Though the despising ancient things and holie,</l>
        <l>Too much betraies our ignorance and follie)</l>
        <l>That <ref rendition="#rnd_2" target="ENGL2.xml">England</ref> yeelds to goodly <ref rendition="#rnd_2" target="#LOND5">London</ref> this,</l>
        <l>That she her chiefe and soueraine Citie is:</l>
        <pb facs="https://search.proquest.com/eebo/docview/2240858457/pageLevelImage/?imgSeq=7" n="B3v" xml:id="PAEA1_sig_B3v"/>
        <l><hi rendition="#rnd_2"><supplied resp="#JENS1" source="#HEBE1" reason="original-cropped" evidence="external"><ref target="#LOND5" xml:id="PAEA1_LOND5_1" next="#PAEA1_LOND5_2">L</ref><note type="editorial" resp="#JENS1">Page cropped in original; proofed against <ref type="bibl" target="#HEBE1">Hebel 1961</ref>.</note></supplied><ref target="#LOND5" xml:id="PAEA1_LOND5_2" prev="#PAEA1_LOND5_1">ondon</ref></hi> will graunt her goodly <ref target="#CHEA1">Cheape</ref> the grace,</l>
        <l><supplied resp="#JENS1" source="#HEBE1" reason="original-cropped" evidence="external">T<note type="editorial" resp="#JENS1">Page cropped in original; proofed against <ref type="bibl" target="#HEBE1">Hebel 1961</ref>.</note></supplied>o be her first and and absolutest place:</l>
        <l><supplied resp="#JENS1" source="#HEBE1" reason="original-cropped" evidence="external">D<note type="editorial" resp="#JENS1">Page cropped in original; proofed against <ref type="bibl" target="#HEBE1">Hebel 1961</ref>.</note></supplied>are I proclaime then with a constant hand,</l>
        <l><supplied resp="#JENS1" source="#HEBE1" reason="original-cropped" evidence="external"><ref target="#CHEA1" xml:id="PAEA1_CHEA1_1" next="#PAEA1_CHEA1_2">C</ref><note type="editorial" resp="#JENS1">Page cropped in original; proofed against <ref type="bibl" target="#HEBE1">Hebel 1961</ref>.</note></supplied><ref target="#CHEA1" xml:id="PAEA1_CHEA1_2" prev="#PAEA1_CHEA1_1">heape</ref> is the Starre and Iewell of thy land.</l>
        <l><supplied resp="#JENS1" source="#HEBE1" reason="original-cropped" evidence="external">T<note type="editorial" resp="#JENS1">Page cropped in original; proofed against <ref type="bibl" target="#HEBE1">Hebel 1961</ref>.</note></supplied>he Trophie that we reare vnto thy praise,</l>
        <l><supplied resp="#JENS1" source="#HEBE1" reason="original-cropped" evidence="external">T<note type="editorial" resp="#JENS1">Page cropped in original; proofed against <ref type="bibl" target="#HEBE1">Hebel 1961</ref>.</note></supplied>his gold-drop’d Lawrell, this life-giuing bayes,</l>
        <l><supplied resp="#JENS1" source="#HEBE1" reason="original-cropped" evidence="external">N<note type="editorial" resp="#JENS1">Page cropped in original; proofed against <ref type="bibl" target="#HEBE1">Hebel 1961</ref>.</note></supplied>o power lends immortalitie to men,</l>
        <l>
          <supplied resp="#JENS1" source="#HEBE1" reason="original-cropped" evidence="external">L<note type="editorial" resp="#JENS1">Page cropped in original; proofed against <ref type="bibl" target="#HEBE1">Hebel 1961</ref>.</note></supplied>ike the hie spirit of an industrious pen,</l>
        <l><supplied resp="#JENS1" source="#HEBE1" reason="original-cropped" evidence="external">W<note type="editorial" resp="#JENS1">Page cropped in original; proofed against <ref type="bibl" target="#HEBE1">Hebel 1961</ref>.</note></supplied>hich stems times tumults with a full-spread saile,</l>
        <l><supplied resp="#JENS1" source="#HEBE1" reason="original-cropped" evidence="external">W<note type="editorial" resp="#JENS1">Page cropped in original; proofed against <ref type="bibl" target="#HEBE1">Hebel 1961</ref>.</note></supplied>hen proud reard piles and monuments doe faile,</l>
        <l><supplied resp="#JENS1" source="#HEBE1" reason="original-cropped" evidence="external">A<note type="editorial" resp="#JENS1">Page cropped in original; proofed against <ref type="bibl" target="#HEBE1">Hebel 1961</ref>.</note></supplied>nd in their cinders when great Courts doe lie,</l>
        <l><supplied resp="#JENS1" source="#HEBE1" reason="original-cropped" evidence="external">T<note type="editorial" resp="#JENS1">Page cropped in original; proofed against <ref type="bibl" target="#HEBE1">Hebel 1961</ref>.</note></supplied>hat shall confront and iustle<note type="editorial" resp="#JENS1">I.e., jostle.</note> with the skie:</l>
        <l><supplied resp="#JENS1" source="#HEBE1" reason="original-cropped" evidence="external">L<note type="editorial" resp="#JENS1">Page cropped in original; proofed against <ref type="bibl" target="#HEBE1">Hebel 1961</ref>.</note></supplied>iue euer mightie, happely, and long,</l>
        <l><supplied resp="#JENS1" source="#HEBE1" reason="original-cropped" evidence="external">L<note type="editorial" resp="#JENS1">Page cropped in original; proofed against <ref type="bibl" target="#HEBE1">Hebel 1961</ref>.</note></supplied>iuing admir’d, and dead be highly song.</l>
      </lg>
        <l rendition="#rnd_3">FINIS.</l>
    </body>
  </text></TEI>