Lord Mayor’s Shows Author Dalyce Joslin Encoder Kate LeBere Proofreader Amogha Lakshmi Halepuram Sridhar Programmer Martin Holmes Project Director Janelle Jenstad The Map of Early Modern Londonhttp://mapoflondon.uvic.ca/includes.xmlVictoria, BC, Canada
Department of English P.O.Box 3070 STNC CSC University of Victoria Victoria, BC Canada V8W 3W1
2016University of Victoria978-1-55058-519-3

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 Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Joslin, Dalyce ED - Jenstad, Janelle T1 - Lord Mayor’s Shows T2 - The Map of Early Modern London ET - 7.0 PY - 2022 DA - 2022/05/05 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/7.0/SHOW2.htm UR - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/SHOW2.xml ER - Joslin, Dalyce. Lord Mayor’s Shows. The Map of Early Modern London, Edition 7.0, edited by Janelle Jenstad, U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/SHOW2.htm. Joslin, Dalyce. Lord Mayor’s Shows. The Map of Early Modern London, Edition 7.0. Ed. Janelle Jenstad. Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/SHOW2.htm. Joslin, D. 2022. Lord Mayor’s Shows. In J. Jenstad (Ed), The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/7.0/SHOW2.htm. Born digital. Bergeron, David M. English Civic Pageantry 1558–1642. London: Edward Arnold, 1971. Print. Hutton, Ronald. The Rise and Fall of Merry England: The Ritual Year 1400-1700. Oxford: Oxford UP, 1994. Print. Manley, Lawrence. Literature and Culture in Early Modern London. Cambridge: Cambridge UP, 1997. Print. Middleton, Thomas. The Triumphs of Truth. London, 1613. Ed. David M. Bergeron. Thomas Middleton: The Collected Works. Ed. Gary Taylor and John Lavagnino. Oxford: Clarendon, 2007. 968–976. Reid, Dominic. History of the Lord Mayor’s Show. The Lord Mayor’s Show, 2008. Westminster Information is not yet available. (WEST6.xml) London

The city of London, not to be confused with the allegorical character (London).

(LOND5.xml) Guildhall Information is not yet available. (GUIL1.xml) The Thames Information is not yet available. (THAM2.xml) Soper Lane

Soper Lane was located in the Cordwainers Street Ward just west of Walbrook Street and south of Cheapside Street. Soper Lane was home to many of the soap makers and shoemakers of the city (Stow 1:251). Soper Lane was on the processional route for the lord mayor’s shows.

(SOPE1.xml) Paul’s Wharf

According to Schofield, Paul’s Wharf is one of the oldest wharfs on the Thames (Schofield 181). Located in both Castle Baynard Ward and Queenhithe Ward, Paul’s Wharf was situated near St. Paul’s Cathedral and St. Benet. Since Paul’s Wharf was only blocks away from St. Paul’s Cathedral, the clergy used the wharf as a point of travel.

(PAUL2.xml) St. Paul’s Churchyard

Surrounding St. Paul’s Cathedral, St. Paul’s Churchyard has had a multi-faceted history in use and function, being the location of burial, crime, public gathering, and celebration. Before its destruction during the civil war, St. Paul’s Cross was located in the middle of the churchyard, providing a place for preaching and the delivery of Papal edicts (Thornbury).

(STPA3.xml) Cheapside Street

Cheapside Street, one of the most important streets in early modern London, ran east-west between the Great Conduit at the foot of Old Jewry to the Little Conduit by St. Paul’s churchyard. The terminus of all the northbound streets from the river, the broad expanse of Cheapside Street separated the northern wards from the southern wards. It was lined with buildings three, four, and even five stories tall, whose shopfronts were open to the light and set out with attractive displays of luxury commodities (Weinreb and Hibbert 148). Cheapside Street was the centre of London’s wealth, with many mercers’ and goldsmiths’ shops located there. It was also the most sacred stretch of the processional route, being traced both by the linear east-west route of a royal entry and by the circular route of the annual mayoral procession.

(CHEA2.xml) Little Conduit (Cheapside)

The Little Conduit (Cheapside), also known as the Pissing Conduit, stood at the western end of Cheapside Street outside the north corner of Paul’s Churchyard. On the Agas map, one can see two water cans on the ground just to the right of the conduit.

(LITT2.xml) The Standard (Cheapside) Information is not yet available. (STAN17.xml) St. Laurence Lane (Guildhall)

In early modern London, there were two Laurence Lanes: St. Lawrence Poultney Lane, which served as the boundary between Downgate Ward and Candlewick Ward, and St. Laurence Lane, Guildhall which was in Cheap ward (Harben). The latter Laurence Lane, to which this page refers, held great importance in the procession of mayoral pageants. It ran north-south, connecting Cheapside at the south and Cateaton Street (labelled on the Agas map as Ketton St.) in the north. It ran parallel between Milk Street to the west and Ironmonger Lane to the east. It is drawn correctly on the Agas map and is labelled as S. Laurence lane.

(STLA3.xml) St. Paul’s Cathedral

St. Paul’s Cathedral was—and remains—an important church in London. In 962, while London was occupied by the Danes, St. Paul’s monastery was burnt and raised anew. The church survived the Norman conquest of 1066, but in 1087 it was burnt again. An ambitious Bishop named Maurice took the opportunity to build a new St. Paul’s, even petitioning the king to offer a piece of land belonging to one of his castles (Times 115). The building Maurice initiated would become the cathedral of St. Paul’s which survived until the Great Fire of London.

(STPA2.xml)

The Lord Mayor’s Show came into being in 1215 when King John granted a charter allowing the citizens to elect their own mayor on the condition that the mayor journeyed to Westminster to be presented or "shown" to the King and to swear allegiance to the Crown (Reid 1). As Lawrence Manley observes, throughout the eight-hundred-year history of the London mayoralty, some form of ceremony has accompanied the annual inauguration (Manley 212). This ceremony, however, did not become a show in the form of a civic pageant until the mid-sixteenth century (Bergeron 123). These new pageants gradually replaced the "Midsummer Shows" originally presented by the trade guilds. In turn, the guilds began to compete with one another to see which company could produce the most elaborate pageant (Bergeron 123).

The Julian calendar, in use in the British Empire until September 1752. This calendar is used for dates where the date of the beginning of the year is ambigious.

The Julian calendar with the calendar year regularized to beginning on 1 January.

The Julian calendar with the calendar year beginning on 25 March. This was the calendar used in the British Empire until September 1752.

The Gregorian calendar, used in the British Empire from September 1752. Sometimes referred to as New Style (NS). Years run from January 1 through December 31.

The Anno Mundi (year of the world) calendar is based on the supposed date of the creation of the world, which is calculated from Biblical sources. At least two different creation dates are in common use. See Anno Mundi (Wikipedia).

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Links to page-images in the Chadwyck-Healey Early English Books Online (EEBO) repository. Note that this is a subscription service, and may not be accessible to those accessing it from locations outside member institutions.

Links to page-images in the English Broadside Ballad Archive (EBBA).

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The molstow prefix is used on @facs attributes to link to the HCMC verison of the Stow facsimiles. Usually the first group is the year (1633) and then last is the image number (0001).

The molshows prefix is used on @facs attributes to link to the copies of page-images from mayoral shows stored in the london account on the HCMC server. The first group is the year (1633), the second is the source repository, and then last is the image file name.

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Author A person or organization chiefly responsible for the intellectual or artistic content of a work, usually printed text. This term may also be used when more than one person or body bears such responsibility. MoEML uses the term author to designate a contributor who is wholly or partly responsible for the original content of either a born-digital document, such as an encyclopedia entry, or a primary source document, such as a MoEML Library text. Markup editor A person or organization performing the coding of SGML, HTML, or XML markup of metadata, text, etc. MoEML uses the code mrk both for the primary encoder(s) and for the person who edits the encoding. MoEML’s normal workflow includes a step whereby encoders check each other’s work. We use the term encoder to designate the principal encoder, and markup editor to designate the person who checks the encoding. Project director A person or organization with primary responsibility for all essential aspects of a project, or that manages a very large project that demands senior level responsibility, or that has overall responsibility for managing projects, or provides overall direction to a project manager. MoEML’s Project Director directs the intellectual and scholarly aspects of the project, consults with the Advisory and Editorial Boards, and ensures the ongoing funding of the project. Proofreader A person who corrects printed matter. MoEML uses the term proofreader to designate a contributor who checks a transcription against an original document, or a person who corrects formatting and typographical errors in a born-digital article. Note that we use the term markup editor to designate a person who proofreads and corrects encoding. Programmer A person or organization responsible for the creation and/or maintenance of computer program design documents, source code, and machine-executable digital files and supporting documentation. MoEML uses the term programmer to designate a person or organization responsible for the creation and/or maintenance of computer program design documents, source code, and machine-executable digital files and supporting documentation. Proofread and published file. Created file. Lord Mayor’s Shows

The Lord Mayor’s Show came into being in 1215 when King John granted a charter allowing the citizens to elect their own mayor on the condition that the mayor journeyed to Westminster to be presented or "shown" to the King and to swear allegiance to the Crown (Reid 1). As Lawrence Manley observes in Literature and Culture in Early Modern England, throughout the eight-hundred-year history of the London mayoralty, some form of ceremony has accompanied the annual inauguration (Manley 212). This ceremony, however, did not become a show in the form of a civic pageant until the mid-sixteenth century (Bergeron 123). These new pageants gradually replaced the "Midsummer Shows" originally presented by the trade guilds. In turn, the guilds began to compete with one another to see which company could produce the most elaborate pageant (Bergeron 123). Although earlier pageants were largely religious in content (Hutton 188), subsequent pageants incorporated mythology, history, and moral allegory. As Bergeron emphasizes, these pageants frequently suggest the basic morality tension: the conflict between virtue and vice (Bergeron 138).

Comparable to the royal entry, the Lord Mayor’s show was a procession through London. In contrast to the royal entry, however, which moved east to west from one destination to another, the Lord Mayor’s show was circular, beginning at the Guildhall and returning there to conclude the festivities. The guilds would commission playwrights to create various tableaux that were presented to the mayoral party along the route. The show in the simplest form would [contain] only one device but elaboration set in, and thus the number of devices increased, and entertainment on the Thames was added (Bergeron 123). In 1613, The Triumphs of Truth complicated the traditional actor/audience division by having a character speak directly to the Mayor thus drawing him into the remaining tableaux (Middleton 970).

With these developments, the most common route became a course from Guildhall along Soper Lane to the Thames. The Mayor proceeded by boat to Westminster, returned to the city along the river, landed at Paul’s Wharf and advanced to St. Paul’s Churchyard. Then, the entourage moved along Cheapside to the Little Conduit, passed the Standard, and returned to Guildhall via Laurence Lane. Before retiring to his home, the Mayor revisited St. Paul’s Cathedral to bring the evening to a close (Marshall and Campbell; Manley 226-227).

Participants Amogha Lakshmi Halepuram Sridhar Amogha Lakshmi Halepuram Sridhar ALHS

Research Assistant, 2020-present. Amogha Lakshmi Halepuram Sridhar is a fourth year student at University of Victoria, studying English and History. Her research interests include Early Modern Theatre and adaptations, decolonialist writing, and Modernist poetry.

 Kate LeBere Kate LeBere KL

Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s Survey of London, old-spelling anthology of mayoral shows, and old-spelling library texts. She authored the MoEML’s first Project Management Manual and "quickstart" guidelines for new employees and helped standardize the Personography and Bibliography. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.

 Janelle Jenstad Janelle Jenstad JJ

Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).

 Martin D. Holmes Martin D. Holmes MDH

Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.

 Dalyce Joslin Dalyce Joslin DJ

Student contributor enrolled in English 520: Representations of London in Early Modern Literature and Culture at the University of Victoria in Summer 2008. BA Honours English, University of Victoria. MA English, University of Victoria. Teaching assistant, 2005–2007. Dalyce Joslin’s research interests include representations of identity, place, and diaspora in Canadian literature. Now that she has completed her MA, Dalyce spends much of her time at the Camosun College library reference desk helping students with their research needs.

 John I John I King of England Lackland

King of England 1199-1216.

EB ODNB Wikipedia