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        <addrLine>University of Victoria</addrLine>
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TY  - ELEC
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<bibl type="mla"> <title level="a">Porter’s Hall</title>. <title level="m">The Map of Early Modern London</title>, Edition <edition>7.0</edition>, edited by <editor><name ref="#JENS1"><name type="forename">Janelle</name> <name type="surname">Jenstad</name></name></editor>, <publisher>U of Victoria</publisher>, <date when="2022-05-05">05 May 2022</date>, <ref target="https://mapoflondon.uvic.ca/edition/7.0/PORT17.htm">mapoflondon.uvic.ca/edition/7.0/PORT17.htm</ref>. INP.</bibl>
<bibl type="chicago"> <title level="a">Porter’s Hall</title>. <title level="m">The Map of Early Modern London</title>, Edition <edition>7.0</edition>. Ed. <editor><name ref="#JENS1"><name type="forename">Janelle</name> <name type="surname">Jenstad</name></name></editor>. <pubPlace>Victoria</pubPlace>: <publisher>University of Victoria</publisher>. Accessed <date when="2022-05-05">May 05, 2022</date>. <ref target="https://mapoflondon.uvic.ca/edition/7.0/PORT17.htm">mapoflondon.uvic.ca/edition/7.0/PORT17.htm</ref>. INP.</bibl>
<bibl type="apa"> <date when="2022-05-05">2022</date>. <title>Porter’s Hall</title>. In <editor><name ref="#JENS1"><name type="forename">J.</name> <name type="surname">Jenstad</name></name></editor> (Ed), <title level="m">The Map of Early Modern London</title> (Edition <edition>7.0</edition>). <pubPlace>Victoria</pubPlace>: <publisher>University of Victoria</publisher>. Retrieved  from <ref target="https://mapoflondon.uvic.ca/edition/7.0/PORT17.htm">https://mapoflondon.uvic.ca/editions/7.0/PORT17.htm</ref>. INP.</bibl>
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            <author>Sugden, Edward</author>. <title level="m">A Topographical Dictionary to the
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              <date when="1925">1925</date>. Remediated by Internet Archive.</bibl>
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            <abstract><p><ref target="PORT17.xml">Porter’s Hall</ref> was a shortlived theatre in <ref target="#BLAC1">Blackfriar’s Precinct</ref>. The theatre was opened in <date notBefore="1617-01-11" notAfter="1618-04-03" calendar="#julianSic">1617</date> by <name ref="#ROSS3">Phillip Rosseter</name> but  closed shortly thereafter upon an order from the <name type="org" ref="#PRIV2">Privy Council</name> (<ref type="bibl" target="#SUGD1">Sugden</ref>).</p></abstract>
            
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                <p><ref target="PORT17.xml">Porter’s Hall</ref> was a shortlived theatre in <ref target="#BLAC1">Blackfriar’s Precinct</ref>. The theatre was opened in <date notBefore="1617-01-11" notAfter="1618-04-03" calendar="#julianSic">1617</date> by <name ref="#ROSS3">Phillip Rosseter</name> but  closed shortly thereafter upon an order from the <name type="org" ref="#PRIV2">Privy Council</name> (<ref type="bibl" target="#SUGD1">Sugden</ref>).</p>
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       <p>Research Assistant, 2018. Carly was a graduate student in the Department of English at the
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        specifically drama and performance. She had a special interest in contemporary adaptations
        of early modern drama, especially the portrayal of onstage violence.</p>
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       <p>Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017.
        Joey Takeda was a graduate student at the University of British Columbia in the Department
        of English (Science and Technology research stream). He completed his BA honours in English
        (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary
        research interests included diasporic and indigenous Canadian and American literature,
        critical theory, cultural studies, and the digital humanities.</p>
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       <abbr>BI</abbr>
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      <note><p>Research Assistant, 2016-2018. Brooke Isherwood was a graduate student in the
        Department of English at the University of Victoria, concentrating on medieval and early
        modern Literature. She had a special interest in Shakespeare as well as lesser-known works
        from the Renaissance.</p></note>
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       <p>Janelle Jenstad is Associate Professor of English at the University of Victoria, Director
        of <title level="m">The Map of Early Modern London</title>, and PI of <title level="m">Linked Early Modern Drama Online</title>. She has taught at Queen’s University, the Summer
        Academy at the Stratford Festival, the University of Windsor, and the University of
        Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited <title level="m">Shakespeare’s Language in Digital Media</title> (<ref target="https://www.routledge.com/Shakespeares-Language-in-Digital-Media-Old-Words-New-Tools/Jenstad-Kaethler-Roberts-Smith/p/book/9781472427977">Routledge</ref>). She has prepared a documentary edition of John Stow’s <title level="m">A
         Survey of London</title> (1598 text) for MoEML and is currently editing <title level="m">The Merchant of Venice</title> (with Stephen Wittek) and Heywood’s <title level="m">2 If
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         <title level="j">Early Modern Literary Studies</title>, <title level="j">Elizabethan
         Theatre</title>, <title level="j">Shakespeare Bulletin: A Journal of Performance
         Criticism</title>, and <title level="j">The Silver Society Journal</title>. Her book
        chapters have appeared (or will appear) in <title level="m">Institutional Culture in Early
         Modern Society</title> (Brill, 2004), <title level="m">Shakespeare, Language and the Stage,
         The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre
         Studies</title> (Arden/Thomson Learning, 2005), <title level="m">Approaches to Teaching
         Othello</title> (Modern Language Association, 2005), <title level="m">Performing Maternity
         in Early Modern England</title> (Ashgate, 2007), <title level="m">New Directions in the
         Geohumanities: Art, Text, and History at the Edge of Place</title> (Routledge, 2011), Early
        Modern Studies and the Digital Turn (Iter, 2016), <title level="m">Teaching Early Modern
         English Literature from the Archives</title> (MLA, 2015), <title level="m">Placing Names:
         Enriching and Integrating Gazetteers</title> (Indiana, 2016), <title level="m">Making
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        (Routledge, 2018).</p>
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