Porta Pietatis, or the Port and Harbour of Piety Author Thomas Heywood Printer John Okes Transcriber Lucas Simpson Markup Editor Chris Horne Markup Editor Chase Templet Data Manager Tye Landels Junior Programmer Joey Takeda Programmer Martin Holmes Associate Project Director Kim McLean-Fiander Project Director Janelle Jenstad The Map of Early Modern Londonhttp://mapoflondon.uvic.ca/includes.xmlVictoria, BC, Canada
Department of English P.O.Box 3070 STNC CSC University of Victoria Victoria, BC Canada V8W 3W1
2016University of Victoria978-1-55058-519-3

Copyright held by The Map of Early Modern London on behalf of the contributors.

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 Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Heywood, Thomas ED - Jenstad, Janelle T1 - Porta Pietatis, or the Port and Harbour of Piety T2 - The Map of Early Modern London ET - 7.0 PY - 2022 DA - 2022/05/05 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/7.0/PIET2.htm UR - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/PIET2.xml TY - UNP ER - Heywood, Thomas. Porta Pietatis, or the Port and Harbour of Piety. The Map of Early Modern London, Edition 7.0, edited by Janelle Jenstad, U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/PIET2.htm. Draft. Heywood, Thomas. Porta Pietatis, or the Port and Harbour of Piety. The Map of Early Modern London, Edition 7.0. Ed. Janelle Jenstad. Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/PIET2.htm. Draft. Heywood, T. 2022. Porta Pietatis, or the Port and Harbour of Piety. In J. Jenstad (Ed), The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/7.0/PIET2.htm. Draft. 13359. 910. EEBO-TCP (EEBO Text Creation Partnership). [The Text Creation Partnership offers searchable diplomatic transcriptions of many EEBO items.] Early English Books Online (EEBO). Proquest LLC. London

The city of London, not to be confused with the allegorical character (London).

(LOND5.xml) Westminster Information is not yet available. (WEST6.xml) London Bridge

As the only bridge in London crossing the Thames until 1729, London Bridge was a focal point of the city. After its conversion from wood to stone, completed in 1209, the bridge housed a variety of structures, including a chapel and a growing number of shops. The bridge was famous for the cityʼs grisly practice of displaying traitorsʼ heads on poles above its gatehouses. Despite burning down multiple times, London Bridge was one of the few structures not entirely destroyed by the Great Fire of London in 1666.

(LOND1.xml) St. Paul’s Cathedral

St. Paul’s Cathedral was—and remains—an important church in London. In 962, while London was occupied by the Danes, St. Paul’s monastery was burnt and raised anew. The church survived the Norman conquest of 1066, but in 1087 it was burnt again. An ambitious Bishop named Maurice took the opportunity to build a new St. Paul’s, even petitioning the king to offer a piece of land belonging to one of his castles (Times 115). The building Maurice initiated would become the cathedral of St. Paul’s which survived until the Great Fire of London.

(STPA2.xml) St. Laurence Poultney Information is not yet available. (STLA6.xml) All Hallows the Less Information is not yet available. (ALLH7.xml) Thames Street

Thames Street was the longest street in early modern London, running east-west from the ditch around the Tower of London in the east to St. Andrew’s Hill and Puddle Wharf in the west, almost the complete span of the city within the walls.

(THAM1.xml) St. Swithin (London Stone) Information is not yet available. (STSW2.xml) Westminster Palace Information is not yet available. (WEST5.xml) Leadenhall Information is not yet available. (LEAD1.xml) The Thames Information is not yet available. (THAM2.xml)

Commemorative pageant book prepared for the inauguration of Sir Morris Abbot as Lord Mayor of London in 1639. Pageants coordinated by Thomas Heywood on behalf of the Worshipful Company of the Drapers. Book printed by John Okes. Diplomatic transcription prepared by the MoEML Team. See https://mapoflondon.uvic.ca/PIET2.htm for full credits and editorial procedures.

The Julian calendar, in use in the British Empire until September 1752. This calendar is used for dates where the date of the beginning of the year is ambigious.

The Julian calendar with the calendar year regularized to beginning on 1 January.

The Julian calendar with the calendar year beginning on 25 March. This was the calendar used in the British Empire until September 1752.

The Gregorian calendar, used in the British Empire from September 1752. Sometimes referred to as New Style (NS). Years run from January 1 through December 31.

The Anno Mundi (year of the world) calendar is based on the supposed date of the creation of the world, which is calculated from Biblical sources. At least two different creation dates are in common use. See Anno Mundi (Wikipedia).

Regnal dates are given as the number of years into the reign of a particular monarch. Our practice is to tag such dates with @calendar="regnal", and provide an equivalent date using a more systematic calendar (usually Julian) in a custom dating attribute.

Most MoEML documents, or significant fragments with @xml:id attributes, can be addressed using the mol: prefix and accessed through the web application with their id + .xml.

The molagas prefix points to the shape representation of a location on MoEML’s OpenLayers3-based rendering of the Agas Map.

Links to page-images in the Chadwyck-Healey Early English Books Online (EEBO) repository. Note that this is a subscription service, and may not be accessible to those accessing it from locations outside member institutions.

Links to page-images in the English Broadside Ballad Archive (EBBA).

The mdt (MoEML Document Type) prefix used on <catRef>/@target points to a central taxonomy in the includes file.

The mdtlist (MoEML Document Type listing) prefix used in linking attributes points to a listings page constructed from a category in the central MDT taxonomy in the includes file. There are two variants, one with the plain @xml:id of the category, meaning all documents in the specified category, and one with the suffix _subcategories, meaning all subcategories of the category.

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This molvariant prefix is used on <ref>/@target attributes during automated generation of gazetteer index files. It points to an element in the generated variant spellings listing file which lists all documents which contain a particular spelling variant for a location.

This molajax prefix is used on <ref>/@target attributes during the static build process, to specify links which point to MoEML resources which should not be loaded into the source page during standalone processing; instead, these should be turned into links to the XML source documents, and at HTML page load time, these should be turned into AJAX calls. This is to handle the scenario in which a page such as an A-Z index of the whole site would end up containing virtually the whole site inside itself.

The molstow prefix is used on @facs attributes to link to the HCMC verison of the Stow facsimiles. Usually the first group is the year (1633) and then last is the image number (0001).

The molshows prefix is used on @facs attributes to link to the copies of page-images from mayoral shows stored in the london account on the HCMC server. The first group is the year (1633), the second is the source repository, and then last is the image file name.

The sb prefix is used on <ref>/@target attributes to link to Stow’s Books URLs at UToronto.

These digital editions are diplomatic transcriptions. Our goal has been to provide clean, readable TEI transcriptions of all the extant mayoral shows from 1585 to 1639. Because this corpus has never before been made available in one place, we provide XML base texts that other scholars can repurpose according to our Creative Commons Licence.

MoEML transcriptions of the mayoral shows are based intially on the EEBO-TCP transcriptions. A MoEML research assistant or contributing scholar has carefully checked the TCP transcription at least once against the EEBO images (and sometimes against the Early English Books I microfilms when the film is clearer). We silently correct errors in TCP transcriptions and fill in many of the gaps left by TCP transcribers. When we make surmises about characters or supply characters in places where the text has been cropped, damaged, overinked, or underinked, we record our supplied values using <supplied>. The transcription is checked again by another MoEML research assistant, and finally by the Project Director or Assistant Project Director. Users may report transcription errors via the Send Feedback link on each page.

We treat title pages, dedications, and prefaces as front matter, encoded with the <front> element. We treat speeches, narrative descriptions, and interpretations as the body of the text, encoded with the <body> element. We treat colophons and concluding statements, including the word Finis, as back matter, encoded with the <back> element.

Normalizationmethod: silent:

Our practice has been to preserve most of the typographical, orthographical, and compositorial features of the original text. We use CSS styling to describe the peculiarities of font and justification. We also include links to the page images on EEBO; users who subscribe to EEBO may thus view the pages at any point and judge our transcription thereof for themselves.

Our encoders follow these rules for preserving or regularizing the text: Textual Component Rule Long ſ

TCP transcriptions do not preserve the long ſ. We have restored the long ſ through a series of find-and-replace functions based on typical early modern printing house habits, followed by a careful human checking against the digital images of the original.

 Capitalization

We preserve the capitalization of the source, including the second upper-case letter after a woodblock dropped capital.

 Italicization

We preserve the italicization of words by tagging them with a <hi> element with a @style value of "font-style: italic;". We consider italicization to be a bibliographic code rather than a linguistic code.

 Interchangeable Characters

We retain the interchangeable u/v and i/j and the use of vv for w. These are not marked up with any encoding.

 Ligatures

We retain the vowel digraphs using the appropriate Unicode characters (e.g., æ). Typographical ligatures (e.g., fl) have been silently expanded.

 Nasal Tildes

We retain the nasal tilde over vowels (e.g., õ) using the appropriate Unicode characters.

 Spacing Within Lines

MoEML closes up extra spaces between words and punctuation marks. However, we retain the spacing in authorial initials, such as A. M. (for Anthony Munday). We have added a single space after a comma when the comma has been used to separate two words.

 Lineation

MoEML preserves the line breaks in verse sections and the line wrapping in prose sections of mayoral shows. Prose line breaks have been encoded with a self-closing <lb> element. All line breaks in verse are produced by the use of <l> elements contained by <lg> elements.

 Hyphenation

MoEML transcriptions of mayoral shows preserve the hyphenation of words, both within and at the end of lines.

 Quotation Marks

All quotation marks are retained in the text and are represented by appropriate Unicode characters. We do not use the <quote> element for quotations in primary-source texts. MoEML practice calls for curly apostrophes and straight double quotation marks in both transcriptions and born-digital texts.

Interpretation:

We have interpreted and encoded toponyms, names, and dates. The encoding of toponyms requires some research to point the toponym to the right location file (and thence to the map), but the relative stability of the processional route has meant that we have high confidence in our encoding of toponyms in the mayoral shows. When our encoding has veered into interpretation, such as in our decision to encode abstract nouns as allegorical characters even when it is not completely clear that the abstraction is embodied by an actor, we have encoded with the goal of building analytical capacity into our texts, such as the capacity for users to search for characters like Time across the corpus of mayoral shows. For our treatment of early modern dates, see our encoding instructions at Encode Dates. Other than toponyms, names, and dates, we have undertaken no interpretative encoding.

Our editorial and encoding practices are documented in detail in the Praxis section of our website.

Author A person or organization chiefly responsible for the intellectual or artistic content of a work, usually printed text. This term may also be used when more than one person or body bears such responsibility. MoEML uses the term author to designate a contributor who is wholly or partly responsible for the original content of either a born-digital document, such as an encyclopedia entry, or a primary source document, such as a MoEML Library text. Data manager A person or organization responsible for managing databases or other data sources. MoEML uses the term data manager to designate contributors who maintain and manage our databases. They add and update the data sent to us by external contributors or found by MoEML team members. They also monitor journals and sources regularly to ensure that our databases are current. Markup editor A person or organization performing the coding of SGML, HTML, or XML markup of metadata, text, etc. MoEML uses the code mrk both for the primary encoder(s) and for the person who edits the encoding. MoEML’s normal workflow includes a step whereby encoders check each other’s work. We use the term encoder to designate the principal encoder, and markup editor to designate the person who checks the encoding. Project director A person or organization with primary responsibility for all essential aspects of a project, or that manages a very large project that demands senior level responsibility, or that has overall responsibility for managing projects, or provides overall direction to a project manager. MoEML’s Project Director directs the intellectual and scholarly aspects of the project, consults with the Advisory and Editorial Boards, and ensures the ongoing funding of the project. Programmer A person or organization responsible for the creation and/or maintenance of computer program design documents, source code, and machine-executable digital files and supporting documentation. MoEML uses the term programmer to designate a person or organization responsible for the creation and/or maintenance of computer program design documents, source code, and machine-executable digital files and supporting documentation. Printer A person or organization who prints texts, whether from type or plates. MoEML uses the term printer to designate the person named as the printer on the title page of a primary source text, or the person identified by scholars as the printer (e.g., in the English Short Title Catalogue database). In early modern printing practice, the roles of printer, bookseller, and publisher might coincide in one person, or be performed by different people. Research team head A person who directed or managed a research project. MoEML uses the terms research term head and assistant project manager interchangeably. Transcriber A person who prepares a handwritten or typewritten copy from original material, including from dictated or orally recorded material. MoEML uses the term transcriber to designate the person or organization that transcribes a primary source. In the case of EEBO-TCP transcribers, we do not know the names of the transcribers. Acceptable names for this role are transcriber, first transcriber (often the EEBO-TCP transcriber), or MoEML transcriber. Deleted all rendition elements in header. Applied split paragraph transformation. Checked transcription, tagging and inline CSS. Added @xml:ids to <pb> elements using utilities/add_sig_ids_to_shows.xsl. Implemented show into new template. Collapsed element rendition using XSLT. Collapsed element rendition using XSLT. Collapsed element rendition using XSLT. Changed status to draft; it was still sitting in empty with content. Changed status to empty, which is a better reflection of the file, which has no content. Changed calendar value from "julian" to "julianSic" using XSLT. Standardized <respStmt>s for JENS1, MCFI1, and HOLM3 and added TAKE1 as Junior Programmer. Added XInclude for <listPrefixDef> in the header. Added global publicationStmt through XInclude. Eliminated superfluous catRef elements from the header. Put <change> elements inside <revisionDesc> into the correct (latest first) order. Added <profileDesc> containing document type information expressed in <catRef> elements. Created document Porta pietatis, OR, The Port or Harbour of Piety. Expreſt in ſundry Triumphes, Pageants, and Showes, at the Initiation of the Right Honourable Sir Mavrice Abbot Knight, into the Majoralty of the famous and farre renowned City London. All the charge and expence of the laborious Projects both by Water and Land, being the ſole undertaking of the Right Worſhipfull Company of the Drapers.
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Written by Thomas Heywood. ⎯⎯⎯⎯⎯Redeunt Spectacula⎯⎯⎯
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Printer’s Ornament
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Printed at London by I. Okes. 1638.
Printer’s ornament

Right Honourable:

ANtiquity informes us, in the moſt flouriſhing ſtate of Rome, of an Order of the Candidati, ſo called, becauſe habited in white veſture, betokning Innocence, and thoſe of the nobleſt Citizens, who in that garbe walked the ſtreets with humble lookes, and ſubmiſse geſture, thereby to inſinuate themſelves into the grace of the people, being ambitious after honour and Office. Great Lord, it fareth not ſo with You, who though for inward Candor and ſincerity, You may compare with the beſt of them, yet have beene ſo far from affecting ſuch popularity, that though You in Your great Modeſty would willingly have evaded it; yet ſome places by importunity, and this Your preſent Prætorſhip hath by a generall ſuffrage, and the unanimous harmony of a free Election, beene conferd upon You.

A2 Neither The Epiſtle Dedicatory.

Neither can I omit the happineſſe of Your deceaſed Father, remarkable in three moſt fortunate Sonnes: the one, for many yeares together, ArchBiſhop of Canterbury, and Metropolitane of all England; another, a reverend Father in God, Biſhop of Salisbury: as memorable for his learned Workes and Writings, as the other for his Epiſcopall government in the Church, and Counſell in ſtate. And now lately Your Honour’d ſelfe, the Lord Maior of this Metropolis, the famous City London: In which, and of which, as you are now Maximus, ſo it is expected you ſhall prove Optimus. Grave Sir, it is a knowne Maxime, that the honour which is acquired by Vertue, hath a perpetuall aſsurance: nor blame my boldneſſe, if J preſume to prompt Your memory in what You have long ſtudied: The life of a Magiſtrate is the rule and ſquare whereby inferior perſons frame their carriage and deportment, who ſooner aſſimulate themſelves to their Lives than their Lawes, which Lawes if not executed are of no eſtimation. But I ceaſe further to trouble Your Lordſhip, leaving you to Your Honourable charge, with that of the Poet, Qui ſua metitur pondera, ferre poteſt.

Your Lordſhips in all obſervanceThomas Heywood.
Printer’s ornament
Londini PortaPietatis:Londons Gate to Piety.

LOndon and Westminster are two Twin-ſiſter-Cities; as joyned by one Street, ſo watered by one ſtreame: the firſt a breeder of grave Magiſtrates, the ſecond, the buriall-place of great Monarchs; Both famous for their two Cathedrals: the one Dedicated to the honour of Saint Paul, the other of Saint Peter. Theſe I rather concatenate, becauſe as in the one, the Right Honourable the Lord Major receiveth his honour, ſo in the other he takes his Oath: yet London may be preſum’d to be the elder, and more excellent in Birth, Meanes, and Iſſue; in the firſt for her Antiquity, in the ſecond for her Ability, in the

A3 third Londons Gate to Piety.

third, for her numerous Progeny: ſhe and her Suburbs being decored with two ſeverall Burſes or Exchanges, and beautified with two eminent Gardens of Exerciſe, knowne by the names of Artillery and Military. I ſhall not need to inſiſt much either upon her Extenſion, or Dimenſion, nor to compare her with other eminent Cities that were, or are, it having beene an Argument treated of by Authentick Authors, and the laborious project of many learned Pennes, and frequently celebrated upon the like dayes of Solemnity.

And although by the ſpace of Tenne yeares laſt paſt, there hath not beene any Lord Major free of that Company, yet was there within Twelve yeeres before that ſixe Lord Majors of the ſame. And it ſhall not bee amiſſe to give you a briefe Nomination of ſome Honourable Prætors, and thoſe of prime Remarke in that Company: Sir Henry Fitz-Alwin Draper, was the firſt Lord Major of this Citie, which place hee held for foure and twenty yeeres together, and upward; and in the firſt yeere of his Majoralty, Anno 1210. LondonBridge, which was before made of Timber, was begun to be built of Stone. Sir William Powltney was foure times Lord Major; 1337 he built a Chappell in Pauls, where hee lyeth buried, and erected a Colledge neere unto the Church of St. Laurence Powltney, London: He moreover built the Church of little Alhallows in Thames ſtreet, with other pious and devout Acts. John Hind Draper, Lord

Major Londons Gate to Piety.

Major 1405, built the Church of St. Swithen by London-ſtone, &c. Sir John Norman was the firſt that rowed in his Bardge to Weſtminſter, when hee went to take his Oath: Sir Richard Hardell ſate in the Judicatory Seate ſixe yeares together: Simon Eyre Lord Major, built Leaden-Hall at his owne proper coſts and charges: Sir Richard Pipe, George Monox, Lord Major 1515, and Sir John Milborne, were great Erectors of Almes-houſes, Hoſpitalls, &c. and left liberally to the poore: Sir Richard Campion perfected divers charitable workes, left unfiniſht’t by Sir John Milborne before named. Sir Thomas Hayes 1615, Sir John Jolls 1616, Sir Edward Barkham, Sir Martin Lumley, Sir Allan Cotten, Sir Cuthbert Hacket, &c. To ſpeake of them all, I ſhould but ſpend Paper in a meere capitulation of their names, and neglect the project now in agitation.

THe firſt Show by Water, is preſented by Proteus in a beautiful Sea-Chariot: for the better Ornament, decored with divers Marine Nymphs and Sea-goddeſſes, &c. He ſitteth or rideth upon a moving Tortois, which is reckoned amongſt the Amphibiæ, quód in ambobus Elementis degant: That is, One of thoſe Creatures that live in two Elements, the Water, and the Land; alluding to the Trading of the Right Honourable the preſent Lord Major, who is a Merchant, free of the Turkey, Italian, French, Spaniſh, Muſcovy, and was late Governour of the Eaſt Indy-Company. This Proteus, or

A4 Πρϖτoς Londons Gate to Piety.

Πρϖτoς, that is, Primus, is held to be the firſt, or moſt ancient of the Sea-gods, the Sonne of Oceanus and Thetis, who could tranſhape himſelfe into any Figure whatſoever, and was skilfull in Prediction: He was call’d Vertumnus à vertendo, becauſe he indented or turned the courſe of the River Tyber, which floweth up to Rome, as the Thames to London; he was a King, and reigned in the Carpathian Iſland, which becauſe it was full of boggs and mariſh places, (as lying neere unto the maine Ocean) he had that Title conferr’d on him to be a Marine god: when the Scithians thought to invade him, and by reaſon of the former impediments could no way damage his Countrey, it therefore increaſed their ſuperſtitious opinion to have him Deified. He was called alſo Paſtor populi, that is, A Shepheard of the people; and is ſaid alſo to feede Neptunes Fiſhes call’d Phocæ.

It was a Cuſtome amongſt the Ægyptian Kings, to have their Scepters inſculpt with ſundry Hierogliphicks, or Figures, as a Lyon, a Dragon, a Tree, a flame of fire, &c. as their fancies lead them, for which that Proverb was conferr’d in him, Proteo mutabilior, that is, More changeable than Proteus. This Proteus, or Vertumnus, or Veſores, reigned in Ægypt ſome foure yeeres before the Tro jan Warre, that is, Anno Mundi, 2752.

Proteus Londons Gate to Piety. PRoteus of all the Marine gods the prime, And held the nobleſt both for Birth and Time: From him who with his Trident ſwayes the Maine, And ploughs the waves in curles, or makes them plaine: Neptune, both Lord of Ebbe, and Inundation, I come to greete your great Inauguration. They call me Verſi-pellis, and ’tis true, No figure, forme, no ſhape to me is new; For I appeare what Creature I deſire, Sometimes a Bull, a Serpent, ſometimes Fire: "The firſt denotes my ſtrength; ſtrong muſt he be, "And powerfull, who aſpire to your Degree. "You muſt be wiſe as Serpents, to decide "Such doubts as Errour or Miſpriſion hide. "And next, like Fire, (of th’Elements moſt pure) "Whoſe nature can no ſordid ſtuffe endure, "As in Calcining Metalls we behold, "It ſunders and divides the droſſe from Gold, And ſuch are the Decorements that ſtill waite Upon ſo grave, ſo great a Magiſtrate. This Tortois, double-natur’d, doth imply (By the two Elements of moiſt and dry) So much as gives the world to underſtand, Your noble Trading both by Sea and Land. Of Porpoſes the vaſt Heards Proteus keepes, And I am ſtyl’d the Prophet of the Deepes, Sent to prædict good Omen: May that Fleete Which makes th’Eaſt Indies with our England meete, B Proſper Londons Gate to Piety. Proſper to all your hearts deſires: Their ſayles Be to and fro ſwell’d with auſpicious gales: May You (who of this City now take charge) With all the Scarlet Senate in your Barge, The Fame thereof ſo heighten, future Story Above all other States may crowne her glory. To hinder what’s more weighty, I am loath, Paſſe therefore freely on, to take your Oath.

This Show is after brought off from the water, to attend upon the reſt by Land, of which the firſt is,

AShepheard with his Skrip and Bottle, and his Dog by him; a ſheep-hooke in his hand, round about him are his Flocke, ſome feeding, others reſting in ſeverall poſtures; the plat-forme adorn’d with Flowers, Plants, and Trees bearing ſundry Fruits. And becauſe this Worſhipfull Society tradeth in Cloth, it is pertinent that I ſhould ſpeake ſomething of the Sheepe, who is of all other fourefooted beaſts the moſt harmeleſſe and gentle. Thoſe that write of them, report, that in Arabia they have tayles three Cubits in length: In Chios they are the ſmalleſt, but their Milke and Cheeſe the ſweeteſt, and beſt. The Lambe from her yeaning knoweth and acknowledgeth her Damme: Thoſe are held to be moſt profitable for ſtore, whoſe bodies are biggeſt, the fleece ſofteſt and thickeſt, and their legs ſhorteſt. Their Age is reckoned at Tenne yeeres,

they Londons Gate to Piety.

they breed at Two, and ceaſe at Nine: The Ewes goe with their young an Hundred and fifty dayes. Pliny ſaith, the beſt Wooll Apulia and Italy yeelds, and next them Mileſium, Tarentum, Canuſium, and Laodicea in Aſia; their generall time of ſheering is in July: The Poet Laberius called the Rammes of the Flocke Reciproci-cornes, and Lanicutes, alluding to the writhing of their Hornes and their Skinnes bearing Wooll: The Bell-weather, or Captaine of the Flocke is call’d Vervex ſectarius, &c.

BY what rare frame, or in what curious Verſe Can the rich profits of your Trades commerce Be to the full expreſt? which to explaine, Lyes not in Poets Pen, or Artiſts braine. What Beaſt, or Bird, for Hyde, or Feather rare, (For mans uſe made, can with the Sheepe compare? The Horſe of ſtrength or ſwiftneſſe may be proud, But yet his fleſh is not for food allow’d. The Heards yeeld Milke and Meate (commodious both) Yet none of all their skins make Wooll for Cloth. The Sheepe doth all: The Parrot and the Jay, The Peacock, Eſtridge, all in colours gay, Delight the Eye, ſome with their Notes, the Eare, But what are theſe unto the Cloth we weare? Searche Forreſts, Deſarts for Beaſts wilde or tame, The Mountaines or the Vales, ſearch the vaſt frame Of the wide Univerſe, the Earth, and Skie, Nor Beaſt nor Bird can with the Sheepe comply: B2 No Londons Gate to Piety. No Creature under Heaven, bee’t ſmall or great, But ſome way uſefull, one affords us meate, Another Ornament: Shee more than this, "Of Patience, and of Profit th’embleme is, In former Ages by the Heroes ſought: After, from Greece into Heſperia brought: She’s cloath’d in plenteous riches, and being ſhorne, "Her Fleece an Order, and by Emperours worne, All theſe are knowne, yet further underſtand, In twelve divide the profits of this Land, As Hydes, Tinne, Lead; or what elſe you can name, Tenne of thoſe twelve the Fleece may juſtly claime: Then how can that amongſt the reſt be miſt, By which all States, all Common Weales ſubſiſt? Great honour then belongs unto this trade, And you, great Lord, for whom this triumph’s made.

THe ſecond Show by land is an Indian Beaſt, called a Rinoceros, which being preſented to the life, is for the rareneſſe thereof, more fit to beautifie a Triumph: his Head, Necke, Backe, Buttockes, Sides, and Thighes, armed by Nature with impenetrable Skales, his Hide or Skinne of the colour of the Boxe-tree, in greatneſſe equall with the Elephant, but his Legges are ſomewhat ſhorter: an enemy to all beaſts of rapine and prey, as the Lyon, Leopard, Beare, Wolfe, Tiger, and the like: but to others, as the Horſe, Aſſe, Oxe, Sheep, &c.

which Londons Gate to Piety.

which feede not upon the life and blood of the weaker, but of the graſſe and hearbage of the field, harmleſſe and gentle, ready to ſuccour them, when they be any way diſtreſſed. Hee hath a ſhort horne growing from his noſe, and being in continuall en mity with the Elephant, before hee encounter him, he ſharpeneth it againſt a ſtone, and in the fight ai meth to wound him in the belly, being the ſofteſt place about him, and the ſooneſt pierc’d: He is back’t by an Indian, the ſpeaker.

THe dignity of Merchants who can tell? Or how much they all Traders ante-cell? When others here at home ſecurely ſleepe, He plowes the boſome of each unknowne deepe, And in them ſees heavens wonders; for he can Take a full view of the Leviathan, Whoſe ſtrength all Marine Monſters doth ſurpaſſe, His Ribs as Iron, his Fins and skales as braſſe. His Ship like to the feather’d Fowle he wings, And from all Coaſts hee rich materialls brings, For ornament or profit; thoſe by which Inferiour Arts ſubſiſt, and become rich: By Land he makes diſcovery of all Nations, Their Manners, and their Countries ſcituations, And with thoſe ſavage natures ſo complies, That there’s no rarity from thence can riſe But he makes frequent with us, and yet theſe B3 Not Londons Gate to Piety. Not without dangers, both on ſhores and ſeas: The Land be pierceth, and the Ocean skowers, To make them all by free tranſportage ours. You (honourd Sir) amongſt the chiefe are nam’d, By whoſe commerce our Nation hath beene fam’d. The Romans in their triumphes had before Their Chariots borne or lead, (to grace the more The ſumptuous Show) the prime and choiſeſt things, VVhich they had taken from the Captive, Kings: VVhat curious Statue, what ſtrange bird, or beaſt That Clime did yeeld (if rare above the reſt) Was there expos’d: Entring your civill ſtate, VVhom better may we ſtrive to imitate? This huge Rinoceros (not ’mongſt us ſeene, Yet frequent where ſome Factors oft have beene) Is embleme of the Prætorſhip you beare, Who to all Beaſts of prey, who rend and teare The innocent heards and flocks, is foe profeſt, But in all juſt defences armes his creſt. You of this wilderneſſe are Lord, ſo ſway, The weake may be upheld, the proud obey.

THe third Show by land is a Ship, fully accommodated with all her Maſts, Sayles, Cordage, Tacklings, Cables, Anchors, Ordnance, &c. in that ſmall Modell, figuring the greateſt Veſſell: But concerning Ships and Nauigation, with the honour and benefits thence accrewing, I have lately delivered my

ſelfe Londons Gate to Piety.

ſelfe ſo amply in a Booke publiſhed the laſt Summer of his Majeſties great Shippe, called the Soveraigne of the Seas, that to any, who deſire to be better certified concerning ſuch things, I referre them to that Tractate, from whence they may receive full & plenteous ſatisfaction: I come now to a yong Sailor the Speaker.

SHipping to our firſt Fathers was not knowne; (Though now amongſt all Nations common growne) Nor trade by Sea: we read the firſt choiſe peece, Was th’Argo, built to fetch the golden Fleece, In which brave voyage, ſixty Princes, all Heroës, ſuch as we Semones call: In that new Veſſell to attaine the ſhore. Where ſuch a prize was, each tugg’d at the Oare: On one bench Hercules and Hilas ſate, Beauty and Strength; and ſiding iuſt with that Daunaus and Lynceus of ſo quicke a ſight No interpoſer, or large diſtance might Dull his cleare Opticks: thoſe that had the charge, And the chiefe ſtearadge of that Princely Barge, Zethes and Calais, whoſe judgements meet, Being ſaid t’have feathers on their heads and feete: We ſpare the reſt: Grave Sir, the Merchants trade Is that, for which all Shipping firſt was made; And through an Helleſpont who would but pull, Steere, and hoiſe ſaile, to bring home golden Wooll? For Londons Gate to Piety. For wee by that are cloath’d: In the firſt place Sate ſtrength and beauty: oh what a ſweete grace Have thoſe united; both now yours, great Lord, Your beauty is your robe, your ſtrength the ſword. You muſt have Lynceus eyes, and further ſee Than either you before have done, or he Could ever: having now a ture inſpection Into each ſtrife, each cauſe without affection To this or that party: ſome are ſed, To have had feathers on their feete and head. (As thoſe whom I late nam’d) you muſt have more, And in your place be feather’d now all o’re: You muſt have feathers in your thoughts, your eyes, Your hands, your feete; for he that’s truely wiſe Muſt ſtill be of a winged apprehenſion As well for execution, as prevention. You know (Right honoured Sir) delayes and pauſes, In judicature, dull, if not dampe, good cauſes: That we preſume t’adviſe, we pardon crave, It being confeſt, all theſe, and more you have.

THe fourth Show by Land beares the Title Porta Pietatis, The Gate of Piety: which is the doore by which all zealous and devout men enter into the fruition of their long hoped for happineſſe: It is a delicate and artificiall compoſed ſtructure, built Temple-faſhion, as moſt genuine and proper to the perſons therein preſented. The Speaker is Piety

her- Londons Gate to Piety.

her ſelfe, her habit, beſt ſuiting with her condition; upon her head are certaine beames or raies of gold, intimating a glory belonging to ſanctity; in one hand an Angelicall ſtaffe, with a Banner; on the other Arme a Croſſe Gules in a field Argent: upon one hand ſits a beautifull Childe, repreſenting Religion, upon whoſe Shield are figured Time, with his daughter Truth: her Motto Vincit veritas: In another copartment ſitteth one repreſenting the bleſſed Virgin, Patroneſſe of this Right Worſhipfull Society, Crowned: in one hand a Fanne of Starres, in the other a Shield, in which are inſcribed three Crownes (gradatim) aſcending, being the Armes or Eſcutchion of the Company, and her Motto that which belongeth unto it: Deo ſoli Honor & gloria: that is, unto God onely be Honour and Glory: Next her ſit the three Theologicall Graces, Faith, Hope, and Charity, with three Eſcutchions, Faiths motto, Fidei ala, Cæli ſcala: The wings of Faith are the ladder by which we ſcale heaven. Hopes, Solum ſpernit qui Cælum ſperat: hee hates the Earth, that hopes for Heaven. Loves Motto, Vbi charitas, non eſt Caritas, who giveth willingly, ſhall never want wretchedly. A ſixth perſonateth Zeale, in whoſe Eſcutchion is a burning Hart: Her word; In tepida, frigida, flagrans: neither luke-warme, nor key-cold, but ever burning: A ſeventh figureth Humility: Her’s In terra Corpus, in Cœlo Cor: the body on earth, the heart in Heaven. And laſt Conſtancies: Metam tangenti Corona; A Crowne belongeth

C to Londons Gate to Piety.

to him who perſevereth to the end. I come to the Speech.

THis Structure is a Citadell, or Tower, Where Piety, plac’t in her heavenly bower, Poynts out the way to bliſſe, guirt with a ring Of all thoſe Graces that may glory bring. Here ſits Religion firme, (though elſe where torne By Schiſmaticks, and made the Atheiſts ſcorne) Shining in her pure truth, nor need ſhe quake, Affrighted with the Faggot and the ſtake: Shee’s to you deare, you unto her are tender, Vnder the Scepter of the Faiths defender. How am I extaſi’de when I behold You build new Temples, and ropaire the old! There’s not a ſtone that’s laid in ſuch foundation, But is a ſtep degreeing to Salvation: And not a Scaffold rear’d to that intent, But mounts a Soule above the Firmament: Of Merchants, we know Magiſtrates are made, And they (of thoſe) moſt happy that ſo Trade. Your Virgin-Saint ſits next Religion crown’d, With her owne Hand-maids (ſee) inviron’d round, And theſe are they the learned Schoole-men call, The three prime Vertues Theologicall, Faith, Hope, and Love; Zeale all inflam’d with fire Of devout acts, doth a fixt place aſpire. The ſeventh Humility, and we commend The Eight to Conſtancy, which crownes the end. A triple Londons Gate to Piety. A Triple Crowne’s th’Emblazon of your Creſt, But to gaine one, is to be ever bleſt. Proceede in that faire courſe you have begun, So when your Annuall Glaſſe of State is run, (Nay, that of Life) Ours, but the Gate to bliſſe Shall let you in to yon Metropolis.

There now remaineth onely the laſt Speech at Night, ſpoken by Proteus, which concludes the Tryumph.

NOw bright Hiperion hath unloos’d his Teame, And waſht his Coach-Steeds in cold Iſters ſtreame: Day doth to Night give place, yet e’re You ſleepe, Remember what the Prophet of the Deepe, Proteus fore-told: All ſuch as State aſpire, Muſt be as Bulls, as Serpents, and like Fire. The Shepheard grazing of his Flocks, diſplayes The uſe and profit from the Fleece we raiſe. That Indian Beaſt, (had he a tongue to ſpeake) Would ſay, Suppreſſe the proud, ſupport the weake, That Ship the Merchants honour loudly tells, And how all other Trades it antecells: But Piety doth point You to that Starre, By which good Merchants ſteere: too bold we are To keepe you from your reſt; To-morrows Sunne Will raiſe You to new cares, not yet begun. C2 I will Londons Gate to Piety.

I will not ſpeake much concerning the two Brothers, Mr. John and Mathias Chriſtmas, the Modellers and Compoſers of thoſe ſeverall Peeces this day preſented to a mightly confluence, (being the two ſucceeding Sonnes of that moſt ingenious Artiſt Mr. Gerard Chriſtmas) to whom, and to whoſe Workmanſhip I will onely conferre that Character, which being long ſince (upon the like occaſion) conferr’d upon the Father, I cannot but now meritedly beſtow upon the Sonnes: Men, as they are excellent in their Art, ſo they are faithfull in their performance.

FINIS.
Printer’s ornament
Participants Lucas Simpson Lucas Simpson LS

Research Assistant, 2018-2021. Lucas Simpson was a student at the University of Victoria.

 Chris Horne Chris Horne CH

Research Assistant, 2018-2020. Chris Horne was an honours student in the Department of English at the University of Victoria. His primary research interests included American modernism, affect studies, cultural studies, and digital humanities.

 Tracey El Hajj Tracey El Hajj TEH

Junior Programmer 2018-2020. Research Associate 2020-2021. Tracey received her PhD from the Department of English at the University of Victoria in the field of Science and Technology Studies. Her research focuses on the algorhythmics of networked communications. She was a 2019-20 President’s Fellow in Research-Enriched Teaching at UVic, where she taught an advanced course on Artificial Intelligence and Everyday Life. Tracey was also a member of the Linked Early Modern Drama Online team, between 2019 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.

 Joey Takeda Joey Takeda JT

Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.

 Chase Templet Chase Templet CT

Research Assistant, 2017-2019. Chase Templet was a graduate student at the University of Victoria in the Medieval and Early Modern Studies (MEMS) stream. He was specifically focused on early modern repertory studies and non-Shakespearean early modern drama, particularly the works of Thomas Middleton.

 Tye Landels-Gruenewald Tye Landels-Gruenewald TLG

Data Manager, 2015-2016. Research Assistant, 2013-2015. Tye completed his undergraduate honours degree in English at the University of Victoria in 2015.

 Quinn MacDonald Quinn MacDonald QM

Research Assistant, 2013. Quinn MacDonald was a fourth-year honours English student at the University of Victoria. Her areas of interest included postcolonial theory and texts, urban agriculture, journalism that isn’t lazy, fine writing, and roller derby. She was the director of community relations for The Warren Undergraduate Review and senior editor of Concrete Garden magazine.

 Kim McLean-Fiander Kim McLean-Fiander KMF

Director of Pedagogy and Outreach, 2015–2020. Associate Project Director, 2015. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.

 Janelle Jenstad Janelle Jenstad JJ

Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).

 Martin D. Holmes Martin D. Holmes MDH

Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.

 Sir Edward Barkham Sir Edward Barkham Sheriff Mayor

Sheriff of London 1611-1612. Mayor 1621-1622. Member of the Leathersellers’ Company and Drapers’ Company. Knighted on 16 June 1622.

MASL Wikipedia Sir Allan Cotton Sir Allan Cotton Sheriff Mayor

Sheriff of London 1616-1617. Mayor 1625-1626. Member of the Drapers’ Company. Knighted on 4 June 1626.

BHO MASL Wikipedia Sir Simon Eyre Sir Simon Eyre Sheriff Mayor

Sheriff of London 1434-1435. Mayor 1445-1446. Member of the Drapers’ Company. Husband of Alice Eyre. Father of Thomas Eyre. Son of John Eyre and Amy Eyre.

MoEML MASL ODNB Sir Henry fitz-Alwine Sir Henry fitz-Alwine Mayor

First mayor of London 1189–1212. Possible member of the Drapers’ Company. Buried at Holy Trinity Priory.

MASL ODNB Wikipedia Neptune Neptune

God of the sea in Roman mythology.

EB EM Oceanus Oceanus

Personification of the great river the Greeks believed encircled the world. Appears as an allegorical character in mayoral shows.

EB EM Ralph Hardel Ralph Hardel Sheriff Mayor

Sheriff of London 1249-1250. Mayor 1254-1258. Possible member of the Drapers’ Company or Vintners’ Company.

MASL Religion Religion

Personification of religion. Appears as an allegorical character in mayoral shows.

 Sir Thomas Hayes Sir Thomas Hayes Sheriff Mayor

Sheriff of London 1604-1605. Mayor 1614-1615. Member of the Drapers’ Company. Knighted on 26 July 1603.

BHO MASL Wikipedia Thomas Heywood Thomas Heywood

Playwright and poet.

EB ODNB Wikipedia Love Love

Personification of love. Appears as an allegorical character in mayoral shows.

 Sir Martin Lumley Sir Martin Lumley Sheriff Mayor

Sheriff of London 1614-1615. Mayor 1623-1624. Member of the Drapers’ Company. Knighted on 23 June 1624.

BHO MASL Wikipedia Sir John Milborne Sir John Milborne Sheriff Mayor

Sheriff of London 1510-1511. Mayor 1521-1522. Member of the Drapers’ Company. Husband of Dame Joanne Milborne and Dame Margaret Milborne. Buried at St. Edmund, Lombard Street.

MASL Sir John Norman Sir John Norman Sheriff Mayor

Sheriff of London 1443-1444. Mayor 1453-1454. Member of the Drapers’ Company. Not to be confused with John Norman.

BHO MASL Wikipedia Piety Piety

Personification of piety. Appears as an allegorical character in mayoral shows.

 Pliny the Elder Pliny the Elder

Roman naturalist and philosopher. Author of the Naturalis Historia.

EB Wikipedia Sir Richard Pype Sir Richard Pype Sheriff Mayor

Sheriff of London 1572-1573. Mayor 1578-1579. Member of the Drapers’ Company.

MASL St. Peter the Apostle Saint Peter the Apostle

Apostle of Jesus Christ in the Bible.

EB Wikipedia Time Time

Personification of time. Appears as an allegorical character in mayoral shows and John Stow’s Survey of London.

 Truth Truth

Personification of truth. Appears as an allegorical character in mayoral shows and John Stow’s Survey of London.

 Calaïs Calaïs

One of Jason’s Argonauts in Greek mythology. Son of Boreas. Brother of Zetes.

Wikipedia Sir Richard Champion Sir Richard Champion Sheriff Mayor

Sheriff of London 1558-1559. Mayor 1565-1566. Member of the Drapers’ Company. Monument at St. Dunstan in the East.

MASL Charity Charity

Personification of charity. Appears as an allegorical character in mayoral shows and John Stow’s Survey of London.

 Gerard Christmas Gerard Christmas

Carver and sculptor. Artificer of mayoral shows.

ODNB Wikipedia Danaus Danaus

Father of fifty daughters called the Danaides in Greek mythology.

Wikipedia Faith Faith

Personification of faith. Appears as an allegorical character in mayoral shows.

 Hercules Hercules

Hero and god in Roman mythology. Famous for his strength.

Wikipedia Hope Hope

Personification of hope. Appears as an allegorical character in mayoral shows.

 Sir John Jolles Sir John Jolles Sheriff Mayor

Sheriff of London 1605-1606. Mayor 1615-1616. Member of the Drapers’ Company. Knighted on 23 July 1606.

MASL Wikipedia Sir John de Pulteney Sir John de Pulteney Mayor

Mayor of London 1330-1334 and 1336-1337. Member of the Drapers’ Company. Husband of Margaret de Pulteney. Father of William de Pulteney. Son of Adam de Pulteney and Margaret de Pulteney. Donated funds to the prisoners of Newgate in 1337.

MASL ODNB Wikipedia Sailor Sailor

Stock sailor character. Appears in mayoral shows.

 Shepherd Shepherd

Stock shepherd character. Appears in mayoral shows.

 Thetis Thetis

Nymph or goddess of water in Greek mythology. One of the fifty Nereids. Wife of Peleus. Mother of Achilles. Daughter of Nereus.

EM Wikipedia Zeale Zeale

Personification of zeal. Appears as an allegorical character in mayoral shows.

 Zetes Zetes

One of Jason’s Argonauts in Greek mythology. Son of Boreas. Brother of Calaïs.

Wikipedia Sir John Heende Sir John Heende Sheriff Mayor

Sheriff of London 1381-1382. Mayor 1391-1392 and 1404-1405. Member of the Drapers’ Company. Buried at St. Swithin, London Stone.

MASL George Monoux George Monoux Sheriff Mayor

Sheriff of London 1509-1510. Mayor 1514-1515. Member of the Drapers’ Company.

MASL ODNB Wikipedia St. Paul the Apostle Saint Paul the Apostle

Apostle of Jesus Christ in the Bible.

EB Wikipedia John Christmas John Christmas

Son of Gerard Christmas. Brother of Matthias Christmas.

ODNB Matthias Christmas Matthias Christmas

Son of Gerard Christmas. Brother of John Christmas.

ODNB John Okes John Okes

Member of the Stationers’ Company. Ran a printing operation near Smithfield. Son of Nicholas Okes. See related Wikipedia entry for <name ref="PERS1.xml#OKES1">Nicholas Okes</name>.

 Humility Humility

Personification of humility. Appears as an allegorical character in mayoral shows.

 Constancy Constancy

Personification of constancy. Appears as an allegorical character in mayoral shows.

 Sir Cuthbert Hacket Sir Cuthbert Hacket Sheriff Mayor

Sheriff of London 1616-1617. Mayor 1626-1627. Member of the Drapers’ Company. Knighted on 20 May 1627.

MASL Wikipedia Indian Indian

Stock Indian character. Appears in mayoral shows.

 Proteus Proteus

God of rivers and oceanic bodies of water in Greek mythology.

Wikipedia Decimus Laberius Decimus Laberius

Roman knight and writer of mimes.

Wikipedia Hylas Hylas

Servant and companion of Hercules in Greek and Roman mythology.

Wikipedia Lynceus of Argos Lynceus King of Argos

King of Argos in Greek mythology. Succeeded his uncle Danaus.

Wikipedia The Virgin Mary Mary

Mother of Jesus Christ in the Bible.

Wikipedia Helios Helios Hperion

God of the sun in Greek mythology. Conflated with Hyperion in early myth.

Wikipedia Proteus of Egypt Proteus King of Egypt

King of Egypt in Greek mythology.

Wikipedia Sir Morris Abbot Sir Morris Abbot Sheriff Mayor

Sheriff of London 1627-1628. Mayor 1638-1639. Member of the Drapers’ Company. Knighted on 12 April 1625.

MASL Wikipedia Worshipful Company of DrapersDrapers’ Company

The Drapers’ Company was one of the twelve great companies of London. The Drapers were third in the order of precedence established in 1515. The Worshipful Company of Drapers is still active and maintains a website at https://www.thedrapers.co.uk/ that includes a history of the company and bibliography.

The coat of arms of the Drapers’ Company, from Stow (1633). [Full size image]
East India Company

The East India Company was a joint-stock company formed to trade in the Indian Ocean region.