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<bibl type="ris"><hi rendition="simple:typewriter">Provider: University of Victoria
Database: The Map of Early Modern London
Content: text/plain; charset="utf-8"

TY  - ELEC
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ED  - Jenstad, Janelle
T1  - Excerpt from The Doleful Lamentation of Cheapside Cross
T2  - The Map of Early Modern London
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<bibl type="mla"><author><name ref="#ANON2"><name ref="#ANON2">Anonymous</name></name></author>. <title level="a">Excerpt from <title level="a">The Doleful Lamentation of Cheapside Cross</title></title>. <title level="m">The Map of Early Modern London</title>, Edition <edition>7.0</edition>, edited by <editor><name ref="#JENS1"><name type="forename">Janelle</name> <name type="surname">Jenstad</name></name></editor>, <publisher>U of Victoria</publisher>, <date when="2022-05-05">05 May 2022</date>, <ref target="https://mapoflondon.uvic.ca/edition/7.0/DOLE2.htm">mapoflondon.uvic.ca/edition/7.0/DOLE2.htm</ref>.</bibl>
<bibl type="chicago"><author><name ref="#ANON2"><name ref="#ANON2">Anonymous</name></name></author>. <title level="a">Excerpt from <title level="a">The Doleful Lamentation of Cheapside Cross</title></title>. <title level="m">The Map of Early Modern London</title>, Edition <edition>7.0</edition>. Ed. <editor><name ref="#JENS1"><name type="forename">Janelle</name> <name type="surname">Jenstad</name></name></editor>. <pubPlace>Victoria</pubPlace>: <publisher>University of Victoria</publisher>. Accessed <date when="2022-05-05">May 05, 2022</date>. <ref target="https://mapoflondon.uvic.ca/edition/7.0/DOLE2.htm">mapoflondon.uvic.ca/edition/7.0/DOLE2.htm</ref>.</bibl>
<bibl type="apa"><author><name><name ref="#ANON2">Anonymous</name></name></author>. <date when="2022-05-05">2022</date>. <title>Excerpt from <title level="a">The Doleful Lamentation of Cheapside Cross</title></title>. In <editor><name ref="#JENS1"><name type="forename">J.</name> <name type="surname">Jenstad</name></name></editor> (Ed), <title level="m">The Map of Early Modern London</title> (Edition <edition>7.0</edition>). <pubPlace>Victoria</pubPlace>: <publisher>University of Victoria</publisher>. Retrieved  from <ref target="https://mapoflondon.uvic.ca/edition/7.0/DOLE2.htm">https://mapoflondon.uvic.ca/editions/7.0/DOLE2.htm</ref>.</bibl>
</listBibl></note></notesStmt><sourceDesc><bibl>Source: <title level="m">The Dolefull lamentation of Cheap-side crosse, or, Old England sick of the staggers the dissenting and disagreeing in matters of opinion, together with the sundry sorts of sects now raving and reigning, being the maine causes of the disturbance and hinderance of the common-wealth</title>. London: Printed for F.C. and T.B., <date notBefore="1641-01-11" notAfter="1642-04-03" calendar="#julianSic">1641</date>. Wing <idno type="Wing">D1837</idno>.</bibl>
<listBibl>
<bibl xml:id="FISC1" type="sec">
            <author>Fischer, Sandra K.</author>
            <title level="m">Econolingua: A Glossary of Coins and Economic Language in Renaissance
              Drama</title>. Newark: U of Delaware P, <date when="1985">1985</date>. Print.</bibl>
<bibl xml:id="OEDI1" type="sec">
            <title level="m">Oxford English Dictionary</title>. <seg type="sponsor">Oxford UP</seg>. <ref target="https://www.oed.com/">https://www.oed.com/</ref>.</bibl>
</listBibl>

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<name type="place">Cheapside Cross (Eleanor Cross)</name>
<note>
<p><ref target="#ELEA1">Cheapside Cross (Eleanor Cross)</ref>, pictured but not labelled on the
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                Street</ref>. <ref target="STPE6.xml">St. Peter, Westcheap</ref> lay to its
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            prestigious shops of <name type="org" ref="#GOLD3">Goldsmiths’ Row</name> were located
            to the east of the <ref target="#ELEA1">Cross</ref>, on the south side of
            <ref target="#CHEA2">Cheapside Street</ref>. <ref target="STAN17.xml">The
                Standard in Cheapside</ref> (also known as the <ref target="STAN17.xml">Cheap
                    Standard</ref>), a square pillar/conduit that was also a ceremonial site,
            lay further to the east (<ref type="bibl" target="BIBL1.xml#BRIS1">Brissenden
                xi</ref>).</p>
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<name type="place">Cheapside Street</name>
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            <pb facs="https://search.proquest.com/eebo/docview/2248584724/pageLevelImage/?imgSeq=4" n="A4r" xml:id="DOLE2_sig_A4r"/>
            <head rendition="simple:larger simple:centre"><hi rendition="simple:italic">The dolefull Lamentation of</hi> <ref target="#ELEA1">Cheap-side Crosse</ref>, <hi rendition="simple:italic">which was basely abused and wronged.</hi></head>
            <p><hi rendition="simple:display simple:left simple:larger simple:right">I</hi>, <ref rendition="simple:italic" target="#ELEA1">Iasper Crosse</ref>, scituated in <ref rendition="simple:italic" target="#CHEA2">Cheap-side</ref>, <ref rendition="simple:italic" target="#LOND5">London</ref>, upon Munday night, being the <date notBefore="1641-02-03" notAfter="1642-02-03" calendar="#julianSic">24 of <hi rendition="simple:italic">Ianuarie</hi></date>, the signe being in the head and face, which made me the more suffer; and in the <date notBefore="1641-01-11" notAfter="1642-04-03" calendar="#julianSic">yeare one thousand sixe hundred forty and one</date>, when almost everie man is to seek a new Religion; and being then high water at <ref target="#LOND1"><hi rendition="simple:italic">London</hi> Bridge</ref>, as their braines and heads were full of malice and envy: I the foresaid <ref rendition="simple:italic" target="#ELEA1">Iasper Crosse</ref> was assaulted and battered in the Kings high way, by many violent and insolent minded people, or rather ill-affected Brethren; and whether they were in the heighth of zeale, or else overcome with passion, or new wine lately come from <hi rendition="simple:italic">New-England</hi>, I cannot be yet resolved; but this I am sure, and it may bee plainly seen by all that passe by me, that I was much abused and defaced, by a sort of people which I cannot terme better than a mad and giddy headed multitude, who were gathered together from all parts, to wrong my antiquity, and ancient renowned name, so much spoken of in forraine parts. Had I ever done these my Brethren the least offence, I should be sorrie, and am still willing to submit and referre my selfe to the grave and most just Senators now assembled.</p>
            <pb facs="https://search.proquest.com/eebo/docview/2248584724/pageLevelImage/?imgSeq=5" n="A4v" xml:id="DOLE2_sig_A4v"/>
            <p>Love and charity, those my brethren had none at all; for what benefit or credite did it bring to them to come by night like theeves, to steale from me here a leg, there a head, here an arm, and there a nose; they did all goe away from mee the <ref target="#ELEA1">Crosse</ref> with profit: they have not done me so much dishonor as they have done themselves, and the honourable City, whose civill government is a patterne to all Nations: But I will tell you, my croste<note type="editorial" resp="#JENS1">I.e., crossed. Several possible meanings, including <quote>bearing or wearing a cross</quote> (<ref type="bibl" target="#OEDI1"><title level="m">OED</title> crossed adj.1.</ref>), <quote>thwarted</quote> (<ref type="bibl" target="#OEDI1"><title level="m">OED</title> crossed adj.3.a.</ref>), and <quote>having a "cross" to bear</quote> (<ref type="bibl" target="#OEDI1"><title level="m">OED</title> crossed adj.3.b.</ref>).</note> brethren, you both at that time wanted wit and money: wit to govern your hot and over-boyling zeale, and crosse<note type="editorial" resp="#JENS1">Of the English coins in circulation, many had a cross stamped on the reverse. They were legal tender as long as the cross had not been clipped.</note> money to pay your Land-lords rent: that is a crosse<note type="editorial" resp="#JENS1">I.e., burden.</note> to you, not I: and so wanting such crosses<note type="editorial" resp="#JENS1">I.e., coins. The cross marked on many coins came to stand synecdochically for the coin itself. With puns on other meanings (<ref type="bibl" target="#FISC1">Fischer 62–63</ref>).</note> as those, would bee revenged of me, to satisfie your malitious crosse<note type="editorial" resp="#JENS1"><quote>Given to opposition</quote> (<ref type="bibl" target="#OEDI1"><title level="m">OED</title> cross adj.5.a.</ref>) and/or <quote>ill-tempered, peevish, petulant</quote> (<ref type="bibl" target="#OEDI1"><title level="m">OED</title> cross adj.5.b.</ref>).</note> humours; I am but your stocking horse,<note type="editorial" resp="#JENS1">I.e., stalking horse. <quote>An underhand means or expedient for making an attack or attaining some sinister object; usually, a pretext put forward for this purpose</quote> (<ref type="bibl" target="#OEDI1"><title level="m">OED</title> stalking-horse n.2.b.</ref>). The speaker’s point is that the rabble attacks the <ref target="#ELEA1">Cheapside Cross</ref> only to justify the theft of other kinds of crosses.</note> and colour for your future malice, your rage will not cease though you should pull mee downe, and make me levill with the ground: And when so done, then you wil cry out that there be crosses<note type="editorial" resp="#JENS1">I.e., Jewellery in the shape of a cross, or church plate; possibly coins, given that goldsmiths were known for exchanging gold for silver and vice versa, and, by <date notBefore="1641-01-11" notAfter="1642-04-03" calendar="#julianSic">1641</date>, for taking deposits of coin and issuing promissory notes.</note> in the <name type="org" ref="#GOLD3">goldsmithes</name> shops; which is plate and jewels, standing upon crosse<note type="editorial" resp="#JENS1"><quote>Having a traverse direction</quote> (<ref type="bibl" target="#OEDI1"><title level="m">OED</title> cross-comb.1.b.(a)(i).</ref>)</note> shelves, those be the crosses you intend, though your pretence be otherwais: Next the <name type="org" ref="#MERC3">Mercers</name> shops whose Satten and Velvet lie a crosse,<note type="editorial" resp="#JENS1">Possibly with sense of <quote>cut on the bias</quote>.</note> and whose Counters are acrosse their shops: Then the next crosses which you will finde fault withall; will bee with those rich monied men, whose bags lye crose<note type="editorial" resp="#JENS1">Possibly a compositorial misreading of "close".</note> in their chests; then with their wives if they bee handsome which you will make to be crosses<note type="editorial" resp="#JENS1">Possibly <quote>A trial or affliction</quote> (<ref type="bibl" target="#OEDI1"><title level="m">OED</title> cross n.10.a or 10.b.</ref>), if the implication is that the addressees, by <quote>finding fault</quote> with the wives of rich men, will turn the husbands into cuckolds.</note> too, in a short space: I say deare brethren, if you be suffered to pull downe all things that are acrosse[,]<note type="editorial" resp="#JENS1">Comma added for clarity.</note> you will dare to pull a Magistrate of his horse, because he rides acrosse his horseback, and pull his chaine to peices because it hangs acroste his shoulders, and if a millers horse comes to market with a sack of corn acrosse his horseback, and if you say it is a crosse, you then violently wil run and pul it down, and share it as you have done part of me the crosse: And at length then our Churches will prove crosses to you, specially if they have bin builded in popish times, &amp; so in processe of time every thing wil be a crosse to you that you either love or hate: But I will conclude with this caution that as long as we have such cross people; crosse every way, especially to Majestrates and men of Authority, and still go unpunished, we shall alwayes have such crosse doings, and so I poore <ref rendition="simple:italic" target="#ELEA1">Ieffrey Crosse</ref> leave you to your crosse wives, and your own crosse opinions.</p>
            <l rendition="simple:italic simple:centre">FINIS.</l>
        </body><back><div type="editorial"><!--Data moved from particDesc, which is not available in TEI Simple. --><head>Participants</head><list type="person"><item xml:id="ROTH4">
      <name type="person">
       <reg>Molly Rothwell</reg>
       <name type="forename">Molly</name>
       <name type="surname">Rothwell</name>
       <abbr>MR</abbr>
      </name>
      <note>
       <p>Project Manager, 2022-present. Research Assistant, 2020-2022. Molly Rothwell was an undergraduate student at the
        University of Victoria, with a double major in English and History. During her time at MoEML, Molly primarily worked on encoding and transcribing the 1598 and 1633 editions of Stow’s <title level="m">Survey</title>, adding toponyms to MoEML’s Gazetteer, researching England’s early-modern court system, and  standardizing MoEML’s Mapography.</p>
      </note>
     </item><item xml:id="LEBE1">
      <name type="person">
       <reg>Kate LeBere</reg>
       <name type="forename">Kate</name>
       <name type="surname">LeBere</name>
       <abbr>KL</abbr>
      </name>
      <note>
       <p>Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in <title level="j">The Corvette</title> (2018), <title level="j">The Albatross</title> (2019), and <title level="j">PLVS VLTRA</title> (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s <title level="m">Survey of London</title>, old-spelling anthology of mayoral shows, and old-spelling library texts. She authored the MoEML’s first Project Management Manual and "quickstart" guidelines for new employees and helped standardize the Personography and Bibliography. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.</p>
      </note>
     </item><item xml:id="ELHA1">
      <name type="person">
       <reg>Tracey El Hajj</reg>
       <name type="forename">Tracey</name>
       <name type="surname">El Hajj</name>
       <abbr>TEH</abbr>
      </name>
      <note>
       <p>Junior Programmer 2018-2020. Research Associate 2020-2021. Tracey received her PhD from the Department of English at the University of Victoria in the field of Science and Technology Studies. Her research focuses on the <seg>algorhythmics</seg> of networked communications. She was a 2019-20 President’s Fellow in Research-Enriched Teaching at UVic, where she taught an advanced course on <title level="a">Artificial Intelligence and Everyday Life.</title> Tracey was also a member of the <title level="m">Linked Early Modern Drama Online</title> team, between 2019 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.</p>
      </note>
     </item><item xml:id="TAKE1">
      <name type="person">
       <reg>Joey Takeda</reg>
       <name type="forename">Joey</name>
       <name type="surname">Takeda</name>
       <abbr>JT</abbr>
      </name>
      <note>
       <p>Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017.
        Joey Takeda was a graduate student at the University of British Columbia in the Department
        of English (Science and Technology research stream). He completed his BA honours in English
        (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary
        research interests included diasporic and indigenous Canadian and American literature,
        critical theory, cultural studies, and the digital humanities.</p>
      </note>
     </item><item xml:id="LAND2">
      <name type="person">
       <reg>Tye Landels-Gruenewald</reg>
       <name type="forename">Tye</name>
       <name type="surname">Landels-Gruenewald</name>
       <abbr>TLG</abbr>
      </name>
      <note>
       <p>Data Manager, 2015-2016. Research Assistant, 2013-2015. Tye completed his undergraduate
        honours degree in English at the University of Victoria in 2015.</p>
      </note>
     </item><item xml:id="MCFI1">
      <name type="person">
       <reg>Kim McLean-Fiander</reg>
       <name type="forename">Kim</name>
       <name type="surname">McLean-Fiander</name>
       <abbr>KMF</abbr>
      </name>
      <note>
       <p>Director of Pedagogy and Outreach, 2015–2020. Associate Project Director, 2015.
        Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes
        to <title level="m">The Map of Early Modern London</title> from the <ref target="http://cofk.history.ox.ac.uk/"><title level="m">Cultures of Knowledge</title></ref>
        digital humanities project at the <ref target="http://www.ox.ac.uk/">University of
         Oxford</ref>, where she was the editor of <ref target="http://emlo.bodleian.ox.ac.uk/"><title level="m">Early Modern Letters Online</title></ref>, an open-access union
        catalogue and editorial interface for correspondence from the sixteenth to eighteenth
        centuries. She is currently Co-Director of a sister project to <ref target="http://emlo.bodleian.ox.ac.uk/"><title level="m">EMLO</title></ref> called <title level="m">Women’s Early Modern Letters Online</title> (<ref target="http://wemlo.net/"><title level="m">WEMLO</title></ref>). In the past, she held an internship with the
        curator of manuscripts at the <ref target="https://www.folger.edu/">Folger Shakespeare
         Library</ref>, completed a doctorate at <ref target="http://www.ox.ac.uk/">Oxford</ref> on
        paratext and early modern women writers, and worked a number of years for the <ref target="http://www.bodleian.ox.ac.uk/">Bodleian Libraries</ref> and as a freelance editor.
        She has a passion for rare books and manuscripts as social and material artifacts, and is
        interested in the development of digital resources that will improve access to these
        materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim
        has always loved both London and maps, and so is particularly delighted to be able to bring
        her early modern scholarly expertise to bear on the MoEML project.</p>
      </note>
     </item><item xml:id="JENS1">
      <name type="person">
       <reg>Janelle Jenstad</reg>
       <name type="forename">Janelle</name>
       <name type="surname">Jenstad</name>
       <abbr>JJ</abbr>
      </name>
      <note>
       <p>Janelle Jenstad is Associate Professor of English at the University of Victoria, Director
        of <title level="m">The Map of Early Modern London</title>, and PI of <title level="m">Linked Early Modern Drama Online</title>. She has taught at Queen’s University, the Summer
        Academy at the Stratford Festival, the University of Windsor, and the University of
        Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited <title level="m">Shakespeare’s Language in Digital Media</title> (<ref target="https://www.routledge.com/Shakespeares-Language-in-Digital-Media-Old-Words-New-Tools/Jenstad-Kaethler-Roberts-Smith/p/book/9781472427977">Routledge</ref>). She has prepared a documentary edition of John Stow’s <title level="m">A
         Survey of London</title> (1598 text) for MoEML and is currently editing <title level="m">The Merchant of Venice</title> (with Stephen Wittek) and Heywood’s <title level="m">2 If
         You Know Not Me You Know Nobody</title> for DRE. Her articles have appeared in <title level="j">Digital Humanities Quarterly</title>, <title level="j">Renaissance and
         Reformation</title>,<title level="j">Journal of Medieval and Early Modern Studies</title>,
         <title level="j">Early Modern Literary Studies</title>, <title level="j">Elizabethan
         Theatre</title>, <title level="j">Shakespeare Bulletin: A Journal of Performance
         Criticism</title>, and <title level="j">The Silver Society Journal</title>. Her book
        chapters have appeared (or will appear) in <title level="m">Institutional Culture in Early
         Modern Society</title> (Brill, 2004), <title level="m">Shakespeare, Language and the Stage,
         The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre
         Studies</title> (Arden/Thomson Learning, 2005), <title level="m">Approaches to Teaching
         Othello</title> (Modern Language Association, 2005), <title level="m">Performing Maternity
         in Early Modern England</title> (Ashgate, 2007), <title level="m">New Directions in the
         Geohumanities: Art, Text, and History at the Edge of Place</title> (Routledge, 2011), Early
        Modern Studies and the Digital Turn (Iter, 2016), <title level="m">Teaching Early Modern
         English Literature from the Archives</title> (MLA, 2015), <title level="m">Placing Names:
         Enriching and Integrating Gazetteers</title> (Indiana, 2016), <title level="m">Making
         Things and Drawing Boundaries</title> (Minnesota, 2017), and <title level="m">Rethinking
         Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies</title>
        (Routledge, 2018).</p>
      </note>
     </item><item xml:id="HOLM3">
      <name type="person">
       <reg>Martin D. Holmes</reg>
       <name type="forename">Martin</name>
       <name type="forename">D.</name>
       <name type="surname">Holmes</name>
       <abbr>MDH</abbr>
      </name>
      <note>
       <p>Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC).
        Martin ported the MOL project from its original PHP incarnation to a pure eXist database
        implementation in the fall of 2011. Since then, he has been lead programmer on the project
        and has also been responsible for maintaining the project schemas. He was a co-applicant on
        MoEML’s 2012 SSHRC Insight Grant.</p>
      </note>
     </item><item xml:id="ANON2">
      <name type="person">
       <reg>Anonymous</reg>
      </name>
      <note><p>This is a person who is either chosen to be anonymous or whose identity has been
        lost.</p></note>
     </item></list><list type="org"><item xml:id="MERC3" n="r_01">
            <name type="org">Worshipful Company of Mercers<reg>Mercers’ Company</reg></name>
            <note><p><seg type="interestingSnippet" xml:id="ORGS1_mercers">The <name type="org" ref="#MERC3">Mercers’ Company</name> was one of the twelve great companies of
                    <ref target="#LOND5">London</ref>. The <name type="org" ref="#MERC3">Mercers</name> were first in the order of precedence established in <date notBefore="1515-01-11" notAfter="1516-04-03" calendar="#julianSic">1515</date>. The <name type="org" ref="#MERC3">Worshipful Company of
                    Mercer</name>s is still active and maintains a website at <ref target="https://www.mercers.co.uk/">https://www.mercers.co.uk/</ref> that includes
              a <ref target="https://www.mercers.co.uk/our-history/700-year-timeline">history of the
                  company</ref>.</seg></p>
              <figure type="halfWidth">
                <graphic url="graphics/livery_company_crests/Mercers_sm.jpg"/>
                <figDesc>The coat of arms of the <name type="org" ref="#MERC3">Mercers’
                    Company</name>, from <ref type="bibl" target="BIBL1.xml#STOW16">Stow (1633)</ref>.<ref target="graphics/livery_company_crests/Mercers.jpg">[Full size
                  image]</ref></figDesc>
              </figure>
            </note>
          </item><item xml:id="GOLD3" n="r_05">
            <name type="org">Worshipful Company of Goldsmiths<reg>Goldsmiths’ Company</reg></name>
            <note><p>The <name type="org" ref="#GOLD3">Goldsmiths’ Company</name> was one of the
                twelve great companies of <ref target="#LOND5">London</ref>. The <name type="org" ref="#GOLD3">Goldsmiths</name> were fifth in the order of precedence
                established in <date notBefore="1515-01-11" notAfter="1516-04-03" calendar="#julianSic">1515</date>. The <name type="org" ref="#GOLD3">Worshipful Company of Goldsmiths</name> is still active and maintains a website
                at <ref target="https://www.thegoldsmiths.co.uk/">https://www.thegoldsmiths.co.uk/</ref> that includes a <ref target="https://www.thegoldsmiths.co.uk/company/">history of the company</ref> and
                explains the company’s role in the annual <ref target="https://www.thegoldsmiths.co.uk/company/today/trial-pyx/">Trial of the
                  Pyx.</ref></p>
              <figure type="halfWidth">
                <graphic url="graphics/livery_company_crests/Goldsmiths_sm.jpg"/>
                <figDesc>The coat of arms of the <name type="org" ref="#GOLD3">Goldsmiths’
                    Company</name>, from <ref type="bibl" target="BIBL1.xml#STOW16">Stow (1633)</ref>.
                    <ref target="graphics/livery_company_crests/Goldsmiths.jpg">[Full size
                    image]</ref></figDesc>
              </figure>
            </note>
          </item></list></div></back></text>   
            </TEI>