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            <title>Excerpts from <title level="m">Bartholomew Fair</title></title>

            <respStmt>
               <resp ref="#aut">Author<date notAfter="1642-04-03"/></resp>
               <name ref="#JONS1">Ben Jonson</name></respStmt>
            <respStmt>
                <resp ref="#prt">Printer<date notBefore="1641-01-11" notAfter="1642-04-03"/></resp>
               <name ref="#BEAL4">John Beale</name></respStmt>
            <respStmt>
                <resp ref="#prt">Printer<date notBefore="1641-01-11" notAfter="1642-04-03"/></resp>
                <name ref="#DAWS4">James Dawson</name></respStmt>
            <respStmt>
                <resp ref="#prt">Printer<date notBefore="1641-01-11" notAfter="1642-04-03"/></resp>
                <name ref="#ALSO1">Bernard Alsop</name></respStmt>
            <respStmt>
                <resp ref="#prt">Printer<date notBefore="1641-01-11" notAfter="1642-04-03"/></resp>
                <name ref="#FAWC1">Thomas Fawcett</name></respStmt>
            <respStmt>
                <resp ref="#bsl">Bookseller<date notBefore="1641-01-11" notAfter="1642-04-03"/></resp>
                <name ref="#MEIG1">Richard Meighen</name></respStmt>
            <respStmt>
                <resp ref="#bsl">Bookseller<date notBefore="1641-01-11" notAfter="1642-04-03"/></resp>
                <name ref="#WALK8">Thomas Walkley</name></respStmt>
            <respStmt>
               <resp ref="#com">Compiler<date when="2006"/></resp>
               <name ref="#CHER1">Melanie Chernyk</name>
            </respStmt>
            <respStmt>
               <resp ref="#trc">Transcriber<date when="2006"/></resp>
               <name ref="#CHER1">Melanie Chernyk</name>
            </respStmt>
            <respStmt>
                <resp ref="#trc">Transcriber<date when="2021"/></resp>
                <name ref="#LEBE1">Kate LeBere</name>
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                <name ref="#LEBE1">Kate LeBere</name>
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                <resp ref="#pfr">Transcription Proofreader<date when="2021"/></resp>
                <name ref="#LEBE1">Kate LeBere</name>
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                <name ref="#TAKE1">Joey Takeda</name>
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                <resp ref="#prg">Programmer<date notBefore="2011"/></resp>
                <name ref="#HOLM3">Martin Holmes</name>
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            <respStmt>
                <resp ref="#rth">Associate Project Director<date notBefore="2015"/></resp>
                <name ref="#MCFI1">Kim McLean-Fiander</name>
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                <resp ref="#pdr">Project Director<date notBefore="1999"/></resp>
                <name ref="#JENS1">Janelle Jenstad</name>
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      <publisher><title level="m">The Map of Early Modern London</title></publisher><idno type="URL">http://mapoflondon.uvic.ca/includes.xml</idno><pubPlace>Victoria, BC, Canada</pubPlace><address>
        <addrLine>Department of English</addrLine>
        <addrLine>P.O.Box 3070 STNC CSC</addrLine>
        <addrLine>University of Victoria</addrLine>
        <addrLine>Victoria, BC</addrLine>
        <addrLine>Canada</addrLine>
        <addrLine>V8W 3W1</addrLine>
    </address><date when="2016">2016</date><distributor>University of Victoria</distributor><idno type="ISBN">978-1-55058-519-3</idno><availability>
            <p>Copyright held by <title level="m">The Map of Early Modern London</title> on behalf of the contributors.</p>
            <licence target="http://creativecommons.org/licenses/by-sa/4.0/">
              <p>This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. </p>
            </licence>
            <p>Further details of licences are available from our
              <ref target="licence.xml">Licences</ref> page. For more
              information, contact the project director, <name ref="#JENS1">Janelle Jenstad</name>, for
              specific information on the availability and licensing of content
              found in files on this site.</p>
        </availability>
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        <notesStmt><note xml:id="BART2_citationsByStyle"><listBibl>
<bibl type="ris"><hi rendition="simple:typewriter">Provider: University of Victoria
Database: The Map of Early Modern London
Content: text/plain; charset="utf-8"

TY  - ELEC
A1  - Jonson, Ben
ED  - Jenstad, Janelle
T1  - Excerpts from Bartholomew Fair
T2  - The Map of Early Modern London
ET  - 7.0
PY  - 2022
DA  - 2022/05/05
CY  - Victoria
PB  - University of Victoria
LA  - English
UR  - https://mapoflondon.uvic.ca/edition/7.0/BART2.htm
UR  - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/BART2.xml
ER  - </hi></bibl>
<bibl type="mla"><author><name ref="#JONS1"><name type="surname">Jonson</name>, <name type="forename">Ben</name></name></author>. <title level="a">Excerpts from <title level="m">Bartholomew Fair</title></title>. <title level="m">The Map of Early Modern London</title>, Edition <edition>7.0</edition>, edited by <editor><name ref="#JENS1"><name type="forename">Janelle</name> <name type="surname">Jenstad</name></name></editor>, <publisher>U of Victoria</publisher>, <date when="2022-05-05">05 May 2022</date>, <ref target="https://mapoflondon.uvic.ca/edition/7.0/BART2.htm">mapoflondon.uvic.ca/edition/7.0/BART2.htm</ref>.</bibl>
<bibl type="chicago"><author><name ref="#JONS1"><name type="surname">Jonson</name>, <name type="forename">Ben</name></name></author>. <title level="a">Excerpts from <title level="m">Bartholomew Fair</title></title>. <title level="m">The Map of Early Modern London</title>, Edition <edition>7.0</edition>. Ed. <editor><name ref="#JENS1"><name type="forename">Janelle</name> <name type="surname">Jenstad</name></name></editor>. <pubPlace>Victoria</pubPlace>: <publisher>University of Victoria</publisher>. Accessed <date when="2022-05-05">May 05, 2022</date>. <ref target="https://mapoflondon.uvic.ca/edition/7.0/BART2.htm">mapoflondon.uvic.ca/edition/7.0/BART2.htm</ref>.</bibl>
<bibl type="apa"><author><name><name type="surname">Jonson</name>, <name type="forename">B.</name></name></author> <date when="2022-05-05">2022</date>. <title>Excerpts from <title level="m">Bartholomew Fair</title></title>. In <editor><name ref="#JENS1"><name type="forename">J.</name> <name type="surname">Jenstad</name></name></editor> (Ed), <title level="m">The Map of Early Modern London</title> (Edition <edition>7.0</edition>). <pubPlace>Victoria</pubPlace>: <publisher>University of Victoria</publisher>. Retrieved  from <ref target="https://mapoflondon.uvic.ca/edition/7.0/BART2.htm">https://mapoflondon.uvic.ca/editions/7.0/BART2.htm</ref>.</bibl>
</listBibl></note></notesStmt><sourceDesc><bibl>Source: <name ref="#JONS1">Jonson, Ben</name>. <title level="m">The vvorkes of Beniamin Ionson. Containing these playes, viz. 1 Bartholomew Fayre. 2 The staple of newes. 3 The Divell is an asse</title>. London: <name ref="#BEAL4">John Beale</name>, <name ref="#DAWS4">James Dawson</name>, <name ref="#ALSO1">Bernard Alsop</name> and <name ref="#FAWC1">Thomas Fawcet</name> for <name ref="#MEIG1">Richard Meighen</name> and <name ref="#WALK8">Thomas Walkley</name>, <date notBefore="1641-01-11" notAfter="1642-04-03" calendar="#julianSic">1641</date>. STC <idno type="STC">14754</idno>.</bibl>
<list type="place">
<item xml:id="INNS1">
<name type="place">The Inns of Court</name>
<note>

              <p>The four principal constituents of the <ref target="#INNS1">Inns of Court</ref> were:
                  <list>
                      <item><ref target="GRAY1.xml">Gray’s Inn</ref></item>
                      
                      <item><ref target="INNE1.xml">Inner Temple</ref></item>
                      
                      <item><ref target="LINC2.xml">Lincoln’s Inn</ref></item>
                      
                      <item><ref target="MIDD2.xml">Middle Temple</ref></item>
                  </list>
              </p>
          
<lb/>(<ref target="INNS1.xml">INNS1.xml</ref>)
</note>
</item>

<item xml:id="HOPE2">
<name type="place">The Hope</name>
<note>
<p>For information about the <ref target="#HOPE2">Hope</ref>, a modern map marking the site where the it once stood, and a walking tour that will take you to the site, visit the <ref type="bibl" target="BIBL1.xml#SHLT1"><title level="m">Shakespearean London Theatres</title> (<title level="m">ShaLT</title>)</ref> article on the <ref target="http://shalt.dmu.ac.uk/locations/hope-1614-42.html">Hope</ref>.</p>
<lb/>(<ref target="HOPE2.xml">HOPE2.xml</ref>)
</note>
</item>

<item xml:id="BANK2">
<name type="place">Bankside</name>
<note>

              <p>Described by Weinreb as <quote>redolent of squalor and vice</quote> (<ref type="bibl" target="BIBL1.xml#WEIN1">Weinreb 39</ref>), <ref target="#LOND5">London</ref>’s <ref target="#BANK2">Bankside</ref> district in <ref target="SOUT2.xml">Southwark</ref> was known for its taverns, brothels and playhouses in the early modern period. However, in approximately <date calendar="#julianSic">50 BCE</date> its strategic location on the south bank of the <ref target="#THAM2">Thames</ref> enticed the Roman army to use it as a military base for its conquering of Britain. From <ref target="#BANK2">Bankside</ref>, the Romans built a bridge to the north side of the river and established the ancient town of Londinium. The <ref target="#BANK2">Bankside</ref> district is mentioned in a variety of early modern texts, mostly in reference to the bawdy reputation of its citizens. Today, <ref target="#LOND5">London</ref>’s <ref target="#BANK2">Bankside</ref> is known as an arts district and is considered essential to the culture of the city.</p>
<lb/>(<ref target="BANK2.xml">BANK2.xml</ref>)
</note>
</item>

<item xml:id="SMIT1">
<name type="place">Smithfield</name>
<note>
<p><ref target="#SMIT1">Smithfield</ref> was an open, grassy area located outside the <ref target="WALL2.xml">Wall</ref>. Because of its location close to the city centre, <ref target="#SMIT1">Smithfield</ref> was used as a site for markets, tournaments, and public executions. From <date from="1123-01-08" calendar="#julianSic">1123 to 1855</date>, the Bartholomew’s Fair took place at <ref target="#SMIT1">Smithfield</ref> (<ref type="bibl" target="BIBL1.xml#WEIN2">Weinreb, Hibbert, Keay, and Keay 842</ref>).</p>
<lb/>(<ref target="SMIT1.xml">SMIT1.xml</ref>)
</note>
</item>

<item xml:id="STPA2">
<name type="place">St. Paul’s Cathedral</name>
<note>
<p><ref target="#STPA2">St. Paul’s Cathedral</ref> was—and remains—an important church in <ref target="#LOND5">London</ref>. In <date notBefore="0962-01-06" notAfter="0963-03-29" calendar="#julianSic">962</date>, while <ref target="#LOND5">London</ref> was occupied by the Danes, <ref target="#STPA2">St. Paul’s</ref> monastery was burnt and raised anew. The
              church survived the Norman conquest of <date notBefore="1066-01-07" notAfter="1067-03-30" calendar="#julianSic">1066</date>, but in <date notBefore="1087-01-07" notAfter="1088-03-30" calendar="#julianSic">1087</date> it was burnt again.
              An ambitious Bishop named <name ref="PERS1.xml#MAUR1">Maurice</name> took the opportunity to build a new <ref target="#STPA2">St. Paul’s</ref>, even petitioning the king
              to offer a piece of land belonging to one of his castles (<ref type="bibl" target="BIBL1.xml#TIME1">Times 115</ref>). The building <name ref="PERS1.xml#MAUR1">Maurice</name> initiated would
              become the cathedral of <ref target="#STPA2">St. Paul’s</ref>
              which survived until the <ref target="FIRE1.xml">Great Fire of London</ref>. </p>
  	
<lb/>(<ref target="STPA2.xml">STPA2.xml</ref>)
</note>
</item>

<item xml:id="LOND5">
<name type="place">London</name>
<note>
<p>The city of London, not to be confused with the allegorical character (<name ref="PERS1.xml#LOND6">London</name>).</p>
<lb/>(<ref target="LOND5.xml">LOND5.xml</ref>)
</note>
</item>

<item xml:id="BUDG1">
<name type="place">Budge Row</name>
<note>
<p>
            <ref target="#BUDG1">Budge Row</ref> ran east-west through <ref target="CORD1.xml">Cordwainer Street Ward</ref>. It passed
            through the ward from <ref target="SOPE1.xml">Soper Lane</ref> in
            the west to <ref target="WALB1.xml">Walbrook Street</ref> in the east.
            Beyond <ref target="SOPE1.xml">Soper Lane</ref>, <ref target="#BUDG1">Budge Row</ref> became <ref target="WATL1.xml">Watling Street</ref>. Before it came to be known as <ref target="#BUDG1">Budge Row</ref>, it once formed part of
            <ref target="WATL1.xml">Watling Street</ref>, one of the Roman
            roads (<ref type="bibl" target="BIBL1.xml#WEIN1">Weinreb and Hibbert 107</ref>).</p>
  
<lb/>(<ref target="BUDG1.xml">BUDG1.xml</ref>)
</note>
</item>

<item xml:id="THRE3">
<name type="place">Three Cranes Wharf</name>
<note>
Information is not yet available.
<lb/>(<ref target="THRE3.xml">THRE3.xml</ref>)
</note>
</item>

<item xml:id="MITR3">
<name type="place">Mitre Tavern</name>
<note>
<p><!-- Add your abstract here. --></p>
<lb/>(<ref target="MITR3.xml">MITR3.xml</ref>)
</note>
</item>

<item xml:id="MERM2">
<name type="place">Mermaid Tavern (Bread Street)</name>
<note>
<p>The <ref target="#MERM2">Mermaid Tavern</ref> was a drinking and dining establishment located between lower <ref target="BREA1.xml">Bread Street</ref> and <ref target="FRID1.xml">Friday Street</ref>, with entrances to both. Its location corresponds to the place between these two streets on current day <ref target="#LOND5">London</ref>’s Cannon Street (<ref target="BIBL1.xml#GLIN1" type="bibl">Glinert</ref>). <name ref="PERS1.xml#STOW6">John Stow</name> records in his <title level="m">Survey of London</title> that <ref target="BREA1.xml">Bread Street</ref> was a location of <quote>diuers faire Innes</quote> and that the area was <quote>wholely inhabited by rich Marchants</quote> (<ref target="stow_1598_BREA3.xml#stow_1598_BREA3_sig_T5r" type="mol:bibl">Stow 1598, sig. T5r</ref>). The <ref target="#MERM2">Mermaid Tavern</ref> was not far from <ref target="#OLDF1">Old Fish Street</ref> and the <ref target="BLAC6.xml">Blackfriars Theatre</ref> (<ref target="BIBL1.xml#CHAL1" type="bibl">Chalfant</ref>).</p>
<lb/>(<ref target="MERM2.xml">MERM2.xml</ref>)
</note>
</item>

<item xml:id="CHEA2">
<name type="place">Cheapside Street</name>
<note>
<p><ref target="#CHEA2">Cheapside Street</ref>, one of the most important streets in early modern <ref target="#LOND5">London</ref>, ran east-west between the <ref target="GREA1.xml">Great Conduit</ref> at the foot of <ref target="OLDJ1.xml">Old Jewry</ref> to the <ref target="LITT2.xml">Little Conduit</ref> by <ref target="STPA3.xml">St. Paul’s churchyard</ref>. The terminus of all the northbound streets from the river, the broad expanse of <ref target="#CHEA2">Cheapside Street</ref> separated the northern wards from the southern wards. It was lined with buildings three, four, and even five stories tall, whose shopfronts were open to the light and set out with attractive displays of luxury commodities (<ref target="BIBL1.xml#WEIN1" type="bibl">Weinreb and Hibbert 148</ref>). <ref target="CHEA5.xml">Cheapside Street</ref> was the centre of <ref target="#LOND5">London</ref>’s wealth, with many <name ref="ORGS1.xml#MERC3" type="org">mercers</name>’ and <name ref="ORGS1.xml#GOLD3" type="org">goldsmiths</name>’ shops located there. It was also the most sacred stretch of the processional route, being traced both by the linear east-west route of a royal entry and by the circular route of the annual mayoral procession.</p>
<lb/>(<ref target="CHEA2.xml">CHEA2.xml</ref>)
</note>
</item>

<item xml:id="MOOR1">
<name type="place">Moorfields</name>
<note>
<p>A low-lying marshy area just northeast of <ref target="MOOR2.xml">Moorgate</ref> and on the way to the <ref target="CURT1.xml">Curtain</ref>, <ref target="#MOOR1">Moorfields</ref> was home to a surprising range of activities and accompanying cultural associations in early modern <ref target="#LOND5">London</ref>. Beggars and the mentally ill patients of neighbouring <ref target="#BETH1">Bethlehem Hospital</ref> often frequented the area. Some used the public space to bleach and dry linen, and the <name ref="ORGS1.xml#ARTI5" type="org">Honorable Artillery Company</name> also used it as an official training ground.  <ref target="#MOOR1">Moorfields</ref> was even a popular suburban destination for ice skating when its water froze during the winter. <ref target="#MOOR1">Moorfields</ref> was generally <quote>full of noysome waters</quote> (<ref target="BIBL1.xml#STOW1" type="bibl">Stow 2:77</ref>) until <date notBefore="1605-01-11" notAfter="1608-04-03" calendar="#julianSic">1605–1607</date>, when it was successfully drained, levelled, and beautified with tree-lined pedestrian pathways. At this point, it transformed into a fashionable place for the genteel to see and to be seen. The history of <ref target="#MOOR1">Moorfields</ref> provides insight into social, political, environmental, and medical issues in early modern <ref target="#LOND5">London</ref>.</p>
<lb/>(<ref target="MOOR1.xml">MOOR1.xml</ref>)
</note>
</item>

<item xml:id="LLLL1">
<name type="place">PLACEHOLDER LOCATION</name>
<note>
<p>PLACEHOLDER LOCATION ITEM. 
            The purpose of this item is to allow encoders to link to a location
                  item when they cannot add a new location file for some reason.
                  MoEML may still be seeking information regarding this entry. If you
                  have information to contribute, please <ref target="contact.xml">contact the MoEML team</ref>. 
              </p>
<lb/>(<ref target="LLLL1.xml">LLLL1.xml</ref>)
</note>
</item>

<item xml:id="ROYA1">
<name type="place">Royal Exchange</name>
<note>
<p>Located in <ref target="BROA3.xml">Broad Street Ward</ref> and <ref target="CORN1.xml">Cornhill Ward</ref>, the <ref target="#ROYA1">Royal Exchange</ref> was opened in <date notBefore="1570-01-11" notAfter="1571-04-03" calendar="#julianSic">1570</date> to make business more convenient for merchants and tradesmen (<ref target="BIBL1.xml#HARB1" type="bibl">Harben 512</ref>). The construction of the <ref target="#ROYA1">Royal Exchange</ref> was largely funded by <name ref="PERS1.xml#GRES2">Sir Thomas Gresham</name> (<ref target="BIBL1.xml#WEIN2" type="bibl">Weinreb, Hibbert, Keay, and Keay 718</ref>).</p>
<lb/>(<ref target="ROYA1.xml">ROYA1.xml</ref>)
</note>
</item>

<item xml:id="COWL1">
<name type="place">Cow Lane</name>
<note>
<p>
            <ref target="#COWL1">Cow Lane</ref>, located in the <ref target="FARR2.xml">Ward of Farringdon Without</ref>, began at
            <ref target="HOLB1.xml">Holborn Street</ref>, and then curved
            north and east to West <ref target="#SMIT1">Smithfield</ref>.
            <ref target="#SMIT1">Smithfield</ref> was a meat market, so
            the street likely got its name because cows were led through it to market
            (<ref type="bibl" target="BIBL1.xml#BEBB1">Bebbington 100</ref>). Just as
            <ref target="IRON1.xml">Ironmonger Lane</ref> and <ref target="MILK1.xml">Milk Street</ref> in <ref target="CHEA5.xml">Cheapside Market</ref> were named for the goods located
            there, these streets leading into <ref target="#SMIT1">Smithfield</ref> meat market were named for the animals that could be
            bought there.</p>
<lb/>(<ref target="COWL1.xml">COWL1.xml</ref>)
</note>
</item>

<item xml:id="BETH1">
<name type="place">Bethlehem Hospital</name>
<note>
<p>Although its name evokes the pandemonium of the archetypal madhouse, <ref target="#BETH1">Bethlehem</ref> (<ref target="#BETH1">Bethlem</ref>, <ref target="#BETH1">Bedlam</ref>) Hospital was not always an asylum. As <name ref="PERS1.xml#STOW6">Stow</name> tells us,
            Saint Mary of Bethlehem began as a <quote>Priorie of Cannons with brethren and
            sisters</quote>, founded in <date notBefore="1247-01-08" notAfter="1248-03-31" calendar="#julianSic">1247</date> by <name ref="PERS1.xml#FITZ2">Simon
                Fitzmary</name>, <quote>one of the Sheriffes of <ref target="#LOND5">London</ref></quote>
            (<ref type="bibl" target="BIBL1.xml#STOW1">Stow 1:164</ref>). We know from <name ref="PERS1.xml#STOW6">Stow</name>’s <title level="m">Survey</title>
            that the hospital, part of <ref target="BISH1.xml">Bishopsgate
                ward (without)</ref>, resided on the west side of <ref target="BISH3.xml">Bishopsgate Street</ref>, just north of <ref target="STBO1.xml">St. Botolph without Bishopsgate</ref> (<ref type="bibl" target="BIBL1.xml#STOW1">Stow 1:165</ref>).</p>
<lb/>(<ref target="BETH1.xml">BETH1.xml</ref>)
</note>
</item>

<item xml:id="TOTT1">
<name type="place">Tottenham Ct. Road</name>
<note>
Information is not yet available.
<lb/>(<ref target="TOTT1.xml">TOTT1.xml</ref>)
</note>
</item>

<item xml:id="PANI1">
<name type="place">Panier Alley</name>
<note>
Information is not yet available.
<lb/>(<ref target="PANI1.xml">PANI1.xml</ref>)
</note>
</item>

<item xml:id="NEWG2">
<name type="place">Newgate Market</name>
<note>
Information is not yet available.
<lb/>(<ref target="NEWG2.xml">NEWG2.xml</ref>)
</note>
</item>

<item xml:id="BUCK1">
<name type="place">Bucklersbury</name>
<note>
Information is not yet available.
<lb/>(<ref target="BUCK1.xml">BUCK1.xml</ref>)
</note>
</item>

<item xml:id="PIEC1">
<name type="place">Pie Corner</name>
<note>
Information is not yet available.
<lb/>(<ref target="PIEC1.xml">PIEC1.xml</ref>)
</note>
</item>

<item xml:id="HOLB5">
<name type="place">Holborn Hill</name>
<note>
Information is not yet available.
<lb/>(<ref target="HOLB5.xml">HOLB5.xml</ref>)
</note>
</item>

<item xml:id="TURN3">
<name type="place">Turnmill Street</name>
<note>
Information is not yet available.
<lb/>(<ref target="TURN3.xml">TURN3.xml</ref>)
</note>
</item>

<item xml:id="STMA23">
<name type="place">St. Martin’s Lane (Strand)</name>
<note>
<p><ref target="#STMA23">St. Martin’s Lane (Strand)</ref> was located in <ref target="WEST6.xml">Westminster</ref> and ran north-south between <ref target="#TOTT1">Tottenham Ct. Road</ref> and the westernmost end of the <ref target="STRA9.xml">Strand</ref> by <ref target="CHAR1.xml">Charing Cross</ref>. It is not to be confused with <ref target="STMA158.xml">St. Martin’s Lane (le Grand)</ref> or <ref target="STMA6.xml">St. Martin’s Lane (Bridge Within Ward)</ref>.</p>
<lb/>(<ref target="STMA23.xml">STMA23.xml</ref>)
</note>
</item>

<item xml:id="WEST2">
<name type="place">Westminster Hall</name>
<note>

              <p><ref target="#WEST2">Westminster Hall</ref> is <quote>the only surviving part of the original <ref target="WEST5.xml">Palace of Westminster</ref></quote> (<ref type="bibl" target="BIBL1.xml#WEIN1">Weinreb and Hibbert 1011</ref>) and is located on the west side of the <ref target="#THAM2">Thames</ref>. It is located on the bottom left-hand corner of the Agas map, and is labelled as <quote><ref target="#WEST2">Weſtmynſter hall</ref></quote>. Originally built as an extension to <name ref="PERS1.xml#EDWA7">Edward the Confessor</name>’s palace in <date notBefore="1097-01-07" notAfter="1098-03-30">1097</date>, the hall served as the setting for banquets through the reigns of many kings.</p>    
    
<lb/>(<ref target="WEST2.xml">WEST2.xml</ref>)
</note>
</item>

<item xml:id="WORC1">
<name type="place">Worcester House</name>
<note>
<p><ref target="#WORC1">Worcester House</ref> was located along the <ref target="#THAM2">Thames</ref> between <ref target="QUEE2.xml">Queenhithe</ref> in the west and the <ref target="VINT4.xml">Vintry</ref> in the east. According to <name ref="PERS1.xml#STOW6">John Stow</name>, <ref target="#WORC1">Worcester House</ref> belonged to the <quote>Earles of Worcester</quote> before it was divided into tenements (<ref target="stow_1633_VINT2.xml#stow_1633_VINT2_sig_Z2v" type="mol:bibl">Stow 1633, sig. Z2v</ref>). The house was eventually used by the <name ref="ORGS1.xml#FRUI1" type="org">Fruiterers</name> as their hall (<ref target="stow_1633_VINT2.xml#stow_1633_VINT2_sig_Z2v" type="mol:bibl">Stow 1633, sig. Z2v</ref>).</p>
<lb/>(<ref target="WORC1.xml">WORC1.xml</ref>)
</note>
</item>

<item xml:id="BRID2">
<name type="place">Bridewell</name>
<note>
<p><ref target="#BRID2">Bridewell</ref> was a prison and hospital. The site was originally a royal palace (<ref target="BRID11.xml">Bridewell Palace</ref>) but was transferred to the
              <name ref="ORGS1.xml#CORP1" type="org">City of London</name> in <date notBefore="1553-01-11" notAfter="1554-04-03" calendar="#julianSic">1553</date>, when it was converted to function as an orphanage and house of correction.
              <ref target="#BRID2">Bridewell</ref> is located on the Agas map at the corner of the <ref target="#THAM2">Thames</ref> and <ref target="FLEE1.xml">Fleet Ditch</ref>, 
              labelled as <quote><ref target="#BRID2">Bride Well</ref></quote>.</p>
<lb/>(<ref target="BRID2.xml">BRID2.xml</ref>)
</note>
</item>

<item xml:id="THAM2">
<name type="place">The Thames</name>
<note>
Information is not yet available.
<lb/>(<ref target="THAM2.xml">THAM2.xml</ref>)
</note>
</item>

<item xml:id="PUDD2">
<name type="place">Puddle Wharf</name>
<note>
<p><ref target="#PUDD2">Puddle Wharf</ref> was a water gate along the north bank
        of the <ref target="#THAM2">Thames</ref> (<ref type="bibl" target="BIBL1.xml#STOW15">Stow</ref>). Also known as <ref target="#PUDD2">Puddle Dock</ref>, it was located in <ref target="CAST2.xml">Castle Baynard Ward</ref>, down from <ref target="STAN3.xml">St. Andrew’s Hill</ref>. Puddle Wharf was built in <date notBefore="1294-01-08" notAfter="1295-03-31" calendar="#julianSic">1294</date> to serve as the main quay for Blackfriars
        Monastery. (<ref type="bibl" target="BIBL1.xml#WEIN1">Weinreb and Hibbert 68, 229</ref>). In the
        early modern period, <ref target="#PUDD2">Puddle Wharf</ref> would have been the main landing place for
        playgoers on their way to the <ref target="BLAC6.xml">Blackfriars theatre</ref> via the river.</p>
<lb/>(<ref target="PUDD2.xml">PUDD2.xml</ref>)
</note>
</item>

<item xml:id="OLDF1">
<name type="place">Old Fish Street</name>
<note>
Information is not yet available.
<lb/>(<ref target="OLDF1.xml">OLDF1.xml</ref>)
</note>
</item>

<item xml:id="TRIG2">
<name type="place">Trig Stairs</name>
<note>
Information is not yet available.
<lb/>(<ref target="TRIG2.xml">TRIG2.xml</ref>)
</note>
</item>

<item xml:id="NEWF1">
<name type="place">New Fish Street</name>
<note>

      <p><ref target="#NEWF1">New Fish Street</ref> (also known in the <date notBefore="1600-01-11" notAfter="1701-04-03" calendar="#julianSic">seventeenth century</date> as <ref target="#NEWF1">Bridge Street</ref>) ran north-south from <ref target="LOND1.xml">London Bridge</ref> at the south to the intersection of <ref target="EAST2.xml">Eastcheap</ref>, <ref target="GRAC1.xml">Gracechurch Street</ref>, and <ref target="LITT4.xml">Little Eastcheap</ref> in the north (<ref type="bibl" target="BIBL1.xml#HARB1">Harben 432</ref>; <ref target="https://www.british-history.ac.uk/no-series/dictionary-of-london/bridewell-bridge-bridgewater-house#p33">BHO</ref>). At the time, it was the main thoroughfare to <ref target="LOND1.xml">London Bridge</ref> (<ref target="BIBL1.xml#SUGD1" type="bibl">Sugden 191</ref>). It ran on the boundary between <ref target="BRID3.xml">Bridge Within Ward</ref> on the west and <ref target="BILL2.xml">Billingsgate Ward</ref> on the east. It is labelled on the Agas map as <quote><ref target="#NEWF1">New Fyſhe ſtreate</ref></quote>. Variant spellings include <quote><ref target="#NEWF1">Street of London Bridge</ref></quote>, <quote><ref target="#NEWF1">Brigestret</ref></quote>, <quote><ref target="#NEWF1">Brugestret</ref></quote>, and <quote><ref target="#NEWF1">Newfishstrete</ref></quote>  (<ref type="bibl" target="BIBL1.xml#HARB1">Harben 432</ref>; <ref target="https://www.british-history.ac.uk/no-series/dictionary-of-london/bridewell-bridge-bridgewater-house#p33">BHO</ref>). </p>
  
<lb/>(<ref target="NEWF1.xml">NEWF1.xml</ref>)
</note>
</item>

<item xml:id="OLDS3">
<name type="place">Old Swan Inn</name>
<note>
Information is not yet available.
<lb/>(<ref target="OLDS3.xml">OLDS3.xml</ref>)
</note>
</item>

<item xml:id="FINS2">
<name type="place">Finsbury Field</name>
<note>
<p><ref target="#FINS2">Finsbury Field</ref> is located in northen <ref target="#LOND5">London</ref> outside the <ref target="WALL2.xml">London Wall</ref>. Note that MoEML correctly locates <ref target="#FINS2">Finsbury Field</ref>, which the label on the Agas map confuses with <ref target="MALL1.xml">Mallow Field</ref> (<ref type="bibl" target="BIBL1.xml#PROC1">Prockter 40</ref>). Located nearby is <ref target="FINS1.xml">Finsbury Court</ref>. <ref target="#FINS2">Finsbury
                Field</ref> is outside of the city wards within the borough of <ref target="ISLI1.xml">Islington</ref> (<ref target="BIBL1.xml#MILL6" type="bibl">Mills 81</ref>).</p>
<lb/>(<ref target="FINS2.xml">FINS2.xml</ref>)
</note>
</item>
</list>
<list type="event"><item xml:id="r_JAME1_12">
                     
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            schema. A calendar is a kind of temporal setting, so it's not 
            horribly wrong, but it is inadequate.--><p xml:id="julianSic" n="Julian Sic">The Julian calendar, in use in the British Empire until September 1752. This calendar is used for
          dates where the date of the beginning of the year is ambigious.</p><p xml:id="julianJan" n="Julian (Regularized to 1 January)">The Julian calendar with the calendar year regularized to beginning on 1 January.</p><p xml:id="julianMar" n="Julian (Regularized to 25 March)">The Julian calendar with the calendar year beginning on 25 March. This was the
          calendar used in the British Empire until September 1752.</p><p xml:id="gregorian" n="Gregorian">The Gregorian calendar, used in the British Empire from September 1752. Sometimes
            referred to as <hi rendition="simple:italic">New Style</hi> (NS). Years run from January 1 through December 31.</p><p xml:id="annoMundi" n="Anno Mundi">The Anno Mundi (<quote>year of the world</quote>) calendar is based on the supposed date of the
            creation of the world, which is calculated from Biblical sources. At least two different
            creation dates are in common use. See <ref target="https://en.wikipedia.org/wiki/Anno_Mundi">Anno Mundi</ref> (Wikipedia).</p><p xml:id="regnal" n="Regnal">Regnal dates are given as the number of years into the reign of a particular monarch.
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            attribute.</p></settingDesc></profileDesc>
  
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          documents, and at HTML page load time, these should be turned into AJAX calls. This is to handle 
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            The first group is the year (1633), the second is the source repository, and then last is the image
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        <prefixDef ident="sb" matchPattern="(.+)" replacementPattern="https://johnstowsbooks.library.utoronto.ca/admin/items/show/$1">
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       A person or
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        printed text. This term may also be used when more than one person or body bears such
        responsibility. 
       MoEML uses the term <hi rendition="simple:italic">author</hi> to designate a
        contributor who is wholly or partly responsible for the original content of either a
        born-digital document, such as an encyclopedia entry, or a primary source document, such as
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       A person or organization who makes books and other bibliographic
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       MoEML uses the term <hi rendition="simple:italic">bookseller</hi> to designate an early
        modern publisher whose name appear in the transcribed title page. In early modern printing
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       MoEML uses the term <hi rendition="simple:italic">data manager</hi> to designate
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        by external contributors or found by MoEML team members. They also monitor journals and
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       A person or organization performing the coding of SGML, HTML, or
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       MoEML uses the code <hi rendition="simple:italic">mrk</hi> both for the primary
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       MoEML uses the term <hi rendition="simple:italic">proofreader</hi> to designate a
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       MoEML uses the term <hi rendition="simple:italic">programmer</hi> to designate a person
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        named as the printer on the title page of a primary source text, or the person identified by
        scholars as the printer (e.g., in the English Short Title Catalogue database). In early
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       MoEML uses the term <hi rendition="simple:italic">transcriber</hi> to designate the
        person or organization that transcribes a primary source. In the case of <title level="m">EEBO-TCP</title> transcribers, we do not know the names of the transcribers. Acceptable
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      <revisionDesc status="published">
          <change who="#LEBE1" when="2021-02-02">Changed quotes to those in an EEBO facsimile.</change>
          <change who="#LEBE1" when="2021-01-27">Added name tags and missing ref tags.</change>
          <change who="#ELHA1" when="2018-08-07">Cleaned old code changing formatting to table form.</change>
          <change who="#ELHA1" when="2018-08-01">Collapsed element rendition using XSLT.</change>
          <change who="#TEMP6" when="2018-05-15">Changed all entires of TRIG1 to TRIG2.</change>
          <change who="#TAKE1" when="2018-04-28">Changed calendar value from "julian" to "julianSic" using XSLT.</change>
          <change who="#TAKE1" when="2015-06-23">Standardized &lt;respStmt&gt;s for JENS1, MCFI1, and HOLM3 and added TAKE1 as Junior Programmer.</change>
          <change who="#HOLM3" when="2014-09-29">Added XInclude for &lt;listPrefixDef&gt; in the header.</change>
          <change who="#JENS1" when="2014-07-28">Tagged Bermudas with xml:id for St. Martin’s Lane.</change>
          <change who="#HOLM3" when="2013-12-19">Added global publicationStmt through XInclude.</change>
          <change who="#LAND2" when="2013-08-26">Revised author respStmt in teiHeader.</change>
          <change who="#HOLM3" when="2013-08-23">Eliminated superfluous catRef elements from the header.</change>
          <change who="#HOLM3" when="2013-08-13">Put &lt;change&gt; elements inside &lt;revisionDesc&gt; into the correct (latest first) order.</change>
          <change who="#HOLM3" when="2013-08-12">Added &lt;profileDesc&gt; containing document type information expressed in &lt;catRef&gt; elements.</change>
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        elements in place for the moment.</change>
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    </teiHeader><text rendition="simple:left simple:right"><front>
            <docTitle>
                <titlePart type="main">Excerpts from <title level="m">Bartholomew Fair</title></titlePart>
            </docTitle>
        </front><body>
            <pb n="A4r" xml:id="BART2_sig_A4r" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=4"/>
            <gap reason="sampling" resp="#LEBE1"/>
            
            <l rendition="simple:centre">STAGE-KEEPER.</l>
            
                <pb n="A4v" xml:id="BART2_sig_A4v" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=5"/>
                
            <p><gap reason="sampling" resp="#LEBE1"/> would not a fine Pumpe vpon the Stage ha’ done well, for a property now? and a <hi rendition="simple:italic">Punque</hi> set vnder vpon her head, with her Sterne vpward, and ha’ beene sous’d by my wity young masters o’the <ref rendition="simple:italic" target="#INNS1">Innes o’ Court</ref>? what thinke you o’this for a shew, now? <gap reason="sampling" resp="#LEBE1"/></p>
            
            
            <gap reason="sampling" resp="#LEBE1"/>
            <pb n="A5r" xml:id="BART2_sig_A5r" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=5"/>
            <gap reason="sampling" resp="#LEBE1"/>
              
            <p><hi rendition="simple:italic">Scr</hi>.<note type="editorial" resp="#LEBE1">I.e., Scrivener.</note> ARTICLES of Agreement, indented, between the <hi rendition="simple:italic">Spectators</hi> or <hi rendition="simple:italic">Hearers</hi>, at the <ref rendition="simple:italic" target="#HOPE2">Hope</ref> on the <ref target="#BANK2">Bankeside</ref>, in the County of <hi rendition="simple:italic">Surrey</hi> on the one party; And the <hi rendition="simple:italic">Author of Bartholmew Fayre</hi> in the said place, and County on the other party: the <date calendar="#julianSic" when="1614-11-10">one and thirtieth day of <hi rendition="simple:italic">Octob</hi>. 1614</date>. and in the <date calendar="#regnal" from="1614-04-03" to="1615-04-02">twelfth yeere of the Raigne of our Soueragine Lord, <name ref="#JAME1">IAMES</name></date> by the grace of God <hi rendition="simple:italic">King of <ref target="ENGL2.xml">England</ref>, France, &amp; Ireland</hi>, Defender of the faith. And of <hi rendition="simple:italic">Scotland</hi> the <date calendar="#regnal" from="1614-04-03" to="1615-04-02">seauen and fortieth</date>.<note resp="#LEBE1" type="editorial"><name ref="#JAME1">James VI and I</name> became King of Scotland in <date notBefore="1567-01-11" notAfter="1568-04-03" calendar="#julianSic">1567</date> and King of <ref target="ENGL2.xml">England</ref> 36 years later in <date notBefore="1603-01-11" notAfter="1604-04-03" calendar="#julianSic">1603</date>.</note> <gap reason="sampling" resp="#LEBE1"/></p>
            
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            <p>It is further couenanted, concluded and agreed, that how great soeuer the expectation bee, no person here, is to expect more then hee knowes, or better ware then a <hi rendition="simple:italic">Fayre</hi> will affoord: neyther to looke backe to the sword and buckler-age of <ref rendition="simple:italic" target="#SMIT1">Smithfield</ref>, but content himselfe with the present. <gap reason="sampling" resp="#LEBE1"/></p>
            
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            <p>In <hi rendition="simple:italic">consideration of which</hi>, it is finally agreed, by the foresaid hearers, and <hi rendition="simple:italic">spectators</hi>, that they neyther in themselues conceale, nor suffer by them to be concealed any <hi rendition="simple:italic">State-decipherer</hi>, or politique <hi rendition="simple:italic">Picklocke</hi> of the <hi rendition="simple:italic">Scene</hi>, so solemnly ridiculous, as to search out, who was meant by the <hi rendition="simple:italic">Ginger-bread-woman</hi>, who by the <hi rendition="simple:italic">Hobby-horse-man</hi>, who by the <hi rendition="simple:italic">Costard-monger</hi>, nay, who by their <hi rendition="simple:italic">Wares</hi>. Or that will pretend to affirme (on his owne <hi rendition="simple:italic">inspired ignorance</hi>) what <hi rendition="simple:italic">Mirror of Magistrates</hi> is meant by the <hi rendition="simple:italic">Iustice</hi>, what great <hi rendition="simple:italic">Lady</hi> by the <hi rendition="simple:italic">Pigge-woman</hi>, what <hi rendition="simple:italic">conceal’d States-man</hi>, by the <hi rendition="simple:italic">Seller</hi> of <hi rendition="simple:italic">Mouse-trappes</hi>, and so of the rest. But that such person, or persons so found, be left discouered to the mercy of the <hi rendition="simple:italic">Author</hi>, as a forfeiture to the <hi rendition="simple:italic">Stage</hi>, and your laughter, aforesaid. As also, such as shall so desperately, or ambitiously, play the foole by his place aforesaid, to challenge the <hi rendition="simple:italic">Author</hi> of scurrilitie, because the language some where sauours of <ref rendition="simple:italic" target="#SMIT1">Smithfield</ref>, the Booth, and the Pig-broath, or of prophanenesse, because a <hi rendition="simple:italic">Mad-man</hi> cryes, <hi rendition="simple:italic">God quit you</hi>, or <hi rendition="simple:italic">blesse you</hi>. In <hi rendition="simple:italic">witnesse</hi> whereof, as you haue preposterously put to your Seales already (which is your money) you will now adde the other part of suffrage, your hands, The <hi rendition="simple:italic">Play</hi> shall presently begin. And though the <hi rendition="simple:italic">Fayre</hi> be not kept in the same Region, that some here, perhaps, would haue it, yet thinke, that therein the <hi rendition="simple:italic">Author</hi> hath obseru’d a speciall <hi rendition="simple:italic">Decorum</hi>, the place being as durty as <ref rendition="simple:italic" target="#SMIT1">Smithfield</ref>, and as stinking euery whit.</p>      
            
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            <l rendition="simple:centre"><name ref="#LITT16">LITTLE-VVIT</name>. { <hi rendition="simple:italic">To him</hi> } <name ref="#WINN1">VVIN</name>.</l>
            <p><gap reason="sampling" resp="#LEBE1"/> well, goe thy wayes <name rendition="simple:italic" ref="#LITT16">Iohn Little-wit</name>, Proctor <name rendition="simple:italic" ref="#LITT16">Iohn Little-wit</name>: One o’ the pretty wits o’ <ref rendition="simple:italic" target="#STPA2">Pauls</ref>, the <hi rendition="simple:italic"><name ref="#LITT16">Little wit</name> of</hi> <ref target="#LOND5">London</ref> (so thou art call’d) and some thing beside <gap reason="sampling" resp="#LEBE1"/> <name rendition="simple:italic" ref="#WINN1">Win</name>, Good morrow, <name rendition="simple:italic" ref="#WINN1">Win</name>. I marry <name rendition="simple:italic" ref="#WINN1">Win</name>! Now you looke finely indeed, <name rendition="simple:italic" ref="#WINN1">Win</name>! this Cap do’s conuince! youl’d not ha’ worne it, <name rendition="simple:italic" ref="#WINN1">VVin</name>, nor ha’ had it veluet, but a rough countrey Beauer, with a copper-band, like the Conney-skinne woman of <ref target="#BUDG1"><hi rendition="simple:italic">Budge</hi>-row</ref>? Sweete <name rendition="simple:italic" ref="#WINN1">VVin</name>, let me kisse it! And. her fine high shooes, like the <hi rendition="simple:italic">Spanish Lady</hi>! Good <name rendition="simple:italic" ref="#WINN1">VVin</name>, goe a litle I would faine see thee pace, pretty <name rendition="simple:italic" ref="#WINN1">VVin</name>! By this fine Cap, I could neuer leaue kissing on’t.</p>

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                <p><name ref="#WINN1">WIN</name>. Come, indeede la, you are such a foole, still!</p>

            <p><name ref="#LITT16">LITT</name>. No, but halfe a one, <name rendition="simple:italic" ref="#WINN1">Win</name>, you are the tother halfe: man and wife make one foole, <name rendition="simple:italic" ref="#WINN1">Win</name>. (Good!) Is there the Proctor, or Doctor indeed, i’the <hi rendition="simple:italic">Diocesse</hi>, that euer had the fortune to win him such a <name rendition="simple:italic" ref="#WINN1">Win</name>! (There I am againe!) I doe feele conceits comming vpon mee, more then I am able to turne tongue too. A poxe o’ these pretenders, to wit! your <ref rendition="simple:italic" target="#THRE3">Three Cranes</ref>, <ref rendition="simple:italic" target="#MITR3">Miter</ref>, and <ref rendition="simple:italic" target="#MERM2">Mermaid</ref> men! Not a corne of true salt, nor a graine of right mustard amongst them all. <gap reason="sampling" resp="#LEBE1"/></p>
            
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            <p><name ref="#LITT16">LITT</name>. Troth I am a little taken with my <hi rendition="simple:italic"><name ref="#WINN1">Win</name>s</hi> dressing here! Do’st not fine <name ref="#WINW1">Master <hi rendition="simple:italic">Win-wife</hi></name>? How doe you apprehend, Sir? Shee would not ha’ worne this habit. I challenge all <ref rendition="simple:italic" target="#CHEA2">Cheapside</ref>, to shew such another: <ref rendition="simple:italic" target="#MOOR1">Morefields</ref>, <ref target="#LLLL1"><hi rendition="simple:italic">Pimlico</hi> path</ref>, or the <ref rendition="simple:italic" target="#ROYA1">Exchange</ref>, in a sommer euening, with a Lace to boot as this has. Deare <name rendition="simple:italic" ref="#WINN1">Win</name>, let <name ref="#WINW1">Master <hi rendition="simple:italic">Win-wife</hi></name> kisse you. Hee comes a wooing to our mother <name rendition="simple:italic" ref="#WINN1">Win</name>, and may be our father perhaps, <name rendition="simple:italic" ref="#WINN1">Win</name>. There’s no harme in him, <name rendition="simple:italic" ref="#WINN1">Win</name>.</p>
                
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            <p><name ref="#WINN1">WIN</name>. Sir, my mother has had her natiuity-water cast lately by the Cunning men in <ref rendition="simple:italic" target="#COWL1">Cow-lane</ref>, and they ha’ told her her fortune, and doe ensure her, shce shall neuer haue happy houre; vnlesse shee marry within this sen’night, and when it is, it must be a Madde-man, they say.</p>
                          
                          <p><name ref="#LITT16">LIT</name>. I, but it must be a Gentle-man Mad-man.</p>
                          
            <p><name ref="#WINN1">WIN</name>. Yes, so the tother man of <ref rendition="simple:italic" target="#MOOR1">More-fields</ref> sayes.</p>
                          
                          <p><name ref="#WINW1">WIN-W</name>. But do’s shee beleeue ’hem?</p>
                          
            <p><name ref="#LITT16">LIT</name>. Yes, and ha’s beene at <ref rendition="simple:italic" target="#BETH1">Bedlem</ref> twice since, euery day, to enquire if any Gentleman be there, or to come there, mad!</p>
                      
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            <p><name ref="#QUAR3">QVAR</name>. Hoy-day! how respectiue you are become o’the sudden! I feare this family will turne you reformed too, pray you come about againe. Because she is in possibility to be your daughter in law, and may aske you blessing hereafter, when she courts it to <ref rendition="simple:italic" target="#TOTT1">Totnam</ref> to eat creame. Well, I will forbeare, Sir, but i’faith, would thou wouldst leaue thy exercise of widdow-hunting once! this drawing after an old reuerend Smocke by the splay-foote: There cannot be an ancient <hi rendition="simple:italic">Tripe</hi> or <hi rendition="simple:italic">Trillibub</hi> i’the Towne, but thou art straight nosing it, and ’tis a fine occupation thou’lt confine thy selfe to, when thou ha’st got one; scrubbing a piece of Buffe, as if thou hadst the perpetuity of <ref rendition="simple:italic" target="#PANI1">Pannyer-alley</ref> to stinke in; or perhaps, worse, currying a carkasse, that thou hast bound thy selfe to aliue. <gap reason="sampling" resp="#LEBE1"/></p>
                        
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                <p><name ref="#QUAR3">QVAR</name>. I, for there was a Blew-starch-woman o’ the name, at the same time. Anotable hypocriticall vermine it is; I know him. One that stands vpon his face, more then his faith, at all times; 

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            Euer in seditious motion, and reprouing for vaine-glory: of a most <hi rendition="simple:italic">lunatique</hi> conscience, and splene, and affects the violence of <hi rendition="simple:italic">Singularity</hi> in all he do’s: (He has vndone a Grocer here, in <ref target="#NEWG2">New-gate-market</ref>, that broke with him, trusted him with Currans, as errant a Zeale as he, that’s by the way: by his profession, hee will euer be i’the state of Innocence, though; and child-hood; derides all <hi rendition="simple:italic">Antiquity</hi>; defies any other <hi rendition="simple:italic">Learning</hi>, then <hi rendition="simple:italic">Inspiration</hi>; and what discretion soeuer, yeeres should afford him, it is all preuented in his <hi rendition="simple:italic">Originall ignorance</hi>; ha’ not to doe with him: for hee is a fellow of a most arrogant, and inuincible dulnesse, I assure you; who is this?</p>
            
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            <p><name ref="#WASP1">WAS</name>. <gap reason="sampling" resp="#LEBE1"/> why, we could not meet that <hi rendition="simple:italic">heathen</hi> thing, all day, but stayd him: he would name you all the <hi rendition="simple:italic">Signes</hi> ouer, as hee went, aloud: and where hee spi’d a <hi rendition="simple:italic">Parrat</hi>, or a <hi rendition="simple:italic">Monkey</hi>, there hee was pitch’d, with all the littl-long-coats about him, male and female; no getting him away! I thought he would ha’ runne madde o’the blacke boy in <ref rendition="simple:italic" target="#BUCK1">Bucklers-bury</ref>, that takes the scury, roguy <hi rendition="simple:italic">tobacco</hi>, there.</p>
            
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            <p><name ref="#OVER2">OVER</name>.
                I am content to be in <hi rendition="simple:italic">abeyance</hi>, Sir, and be gouern’d by you; so should hee too, if he did well; but ’twill be expected, you should also gouerne your passions.</p>
            
            <p><name ref="#WASP1">WAS</name>.
                Will’t so forsooth? good Lord! how sharpe you are! with being at <ref rendition="simple:italic" target="#BETH1">Bet’lem</ref> yesterday? <name rendition="simple:italic" ref="#WHET3">VVhetston</name> has set an edge vpon you, has hee?</p>
            
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            <p><name ref="#LITT16">IOH</name>. Tut, we’ll haue a deuice, a dainty one; (Now, <hi rendition="simple:italic">Wit</hi>, helpe at a pinch, good <name rendition="simple:italic" ref="#LITT16">Wit</name> come, come, good <hi rendition="simple:italic">Wit</hi>, and ’t be thy will.) I haue it, <name rendition="simple:italic" ref="#WINN1">Win</name>, I haue it ’ifaith, and ’tis a fine one. <name rendition="simple:italic" ref="#WINN1">Win</name>, long to eate of a Pigge, sweet <name rendition="simple:italic" ref="#WINN1">Win</name>, i’the <hi rendition="simple:italic">Fayre</hi>; doe you see? i’the heart o’the <hi rendition="simple:italic">Fayre</hi>; not at <ref rendition="simple:italic" target="#PIEC1">Pye-Corner</ref>. Your mother will doe any thing, <name rendition="simple:italic" ref="#WINN1">Win</name>, to satisfie your longing, you know, pray thee long, presently, and be sicke o’the sudden, good <name rendition="simple:italic" ref="#WINN1">Win</name>. I’ll goe in and tell her, cut thy lace i’the meane time, and play the <hi rendition="simple:italic">Hypocrite</hi>, sweet <name rendition="simple:italic" ref="#WINN1">Win</name>.</p>
            
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            <p><name ref="#TRAS1">TRA</name>. Charme me? I’ll meet thee face to face, afore his worship, when thou dar’st: and though I be a little crooked o’ my body, I’ll be found as vpright in my dealing, as any woman in <ref rendition="simple:italic" target="#SMIT1">Smithfield</ref>, I, charme me?</p>
            
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            <l rendition="simple:centre"><name ref="#KNOC1">KNOCKHVM</name>. { <hi rendition="simple:italic">to them</hi>.</l>
            <p><hi rendition="simple:display simple:left simple:larger simple:right">VV</hi>Hat! my little leane <name rendition="simple:italic" ref="#URSU1">Vrsla</name>! my shee-Beare! art thou aliue yet? with thy litter of pigges, to grunt out another <hi rendition="simple:italic">Bartholmew Fayre</hi>? ha!</p>
                
            <p><name ref="#URSU1">VRS</name>. Yes, and to amble a foote, when the <hi rendition="simple:italic">Fayre is done</hi>, to heare you groane out of a cart, vp the heauy hill.</p>
                
            <p><name ref="#KNOC1">KNO</name>. Of <ref target="#HOLB5">Holbourne</ref>, <name rendition="simple:italic" ref="#URSU1">Vrsla</name>, meanst thou so? for what? for what, pretty <name rendition="simple:italic" ref="#URSU1">Vrs</name>?</p>
                
            <p><name ref="#URSU1">VRS</name>. For cutting halfe-penny purses: or stealing little penny dogges, out o’the <hi rendition="simple:italic">Fayre</hi>.</p>
                
            <p><name ref="#KNOC1">KNO</name>. O! good words, good words <name rendition="simple:italic" ref="#URSU1">Vrs</name>.</p>
                
                <p><name ref="#OVER11">IVS</name>. Another speciall enormitie. A cutpurse of the sword! the boote, and the feather! those are his marks.</p>
                
                <p><name ref="#URSU1">VRS</name>. You are one of those horsleaches, that gaue out I was dead, in <ref target="#TURN3">Turne-bull streete</ref>, of a surfet of botle ale, and tripes?</p>
                
            <p><name ref="#KNOC1">KNO</name>. No, ’twas better meat <name rendition="simple:italic" ref="#URSU1">Vrs</name>: cowes vdders; cowes vdders!</p>
            
            
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            <p><name ref="#MOON1">MOO</name>. What meane you by that, <name ref="#OVER11">Master <hi rendition="simple:italic">Arthur</hi></name>?</p>
            
                <p><name ref="#OVER11">IVS</name>. I meane a child of the horne-thumb, a babe of booty, boy; a cutpurse.</p>
            
            <p><name ref="#MOON1">MOO</name>. O Lord, Sir! far from it. This is <name ref="#KNOC1">Master <hi rendition="simple:italic">Dan. Knockhum</hi></name>: <name rendition="simple:italic" ref="#KNOC1">Iordane</name> the Ranger of <ref target="#TURN3">Turnebull</ref>. He is a horse-courser, Sir.</p>
            
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            <p><name ref="#QUAR3">QVAR</name>. Body o’the <hi rendition="simple:italic">Fayre</hi>! what’s this? mother o’the Bawds?</p>
                
                <p><name ref="#KNOC1">KNO</name>. No, she’s mother o’the Pigs, Sir, mother o’the Pigs!</p>
                
            <p><name ref="#WINW1">WIN</name>. Mother o’the <hi rendition="simple:italic">Furies</hi>, I thinke, by her firebrand.</p>
                
            <p><name ref="#QUAR3">QVAR</name>. Nay, shee is too fat to be a <hi rendition="simple:italic">Fury</hi>, sure, some walking Sow of tallow!</p>
                
                <p><name ref="#WINW1">WIN</name>. An inspir’d vessell of Kitchin-stuffe!</p>
                
            <p><name ref="#QUAR3">QVAR</name>. She’ll make excellent geere for the Coach-makers, here in <ref rendition="simple:italic" target="#SMIT1">Smithfield</ref>, to anoynt wheeles and axell trees with.</p>
            
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            <p><name ref="#KNOC1">KNO</name>. Be of good cheere, <name rendition="simple:italic" ref="#URSU1">Vrs</name>, thou hast hindred me the currying of a couple of Stallions, here, that abus’d the good race-<hi rendition="simple:italic">Bawd</hi> o’<ref target="#SMIT1">Smithfield</ref>; ’twas time for ’hem to goe.</p>
            
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                <p><name ref="#OVER11">IVS</name>. Harke, O, you sonnes and daughters of <ref target="#SMIT1">Smithfield</ref>! and heare what mallady it doth the minde: It causeth swearing, it causeth swaggering, it causeth snuffling, and snarling, and now and then a hurt.</p>
            
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            <p><name ref="#OVER11">IVS</name>. Looke into any Angle o’the towne, (the Streights, or the <hi rendition="simple:italic"><ref target="#STMA23">Bermuda</ref>’s</hi>) where the quarrelling lesson is read, and how doe they entertaine the time, but with bottle-ale, and tabacco? The Lecturer is o’one side, and his Pupils o’the other; But the seconds are still bottle-ale, and tabacco, for which the Lecturer reads, and the Nouices pay. Thirty pound a weeke in bottle-ale! forty in tabacco! and ten more in Ale againe. Then for a sute to drinke in, so much, and (that being slauer’d) so much for another sute, and then a third sute, and a fourth sute! and still the bottle-ale slauereth, and the tabacco stinketh!</p>
            
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                <p><name ref="#LEAT5">LEA</name>. What do you lack? what do you buy, pretty Mistris! a fine Hobby-Horse, to make your sonne a Tilter? a Drum to make him a Souldier? a Fiddle, to make him a Reueller? What is’t you lack? Little Dogs for your Daughters! or Babies, male, or female?</p>
            
            <p><name ref="#BUSY1">BVS</name>. Look not toward them, harken not: the place is <ref rendition="simple:italic" target="#SMIT1">Smithfield</ref>, or the field of Smiths, the Groue of Hobbi-horses and trinkets, the wares are the wares of diuels. And the whole <hi rendition="simple:italic">Fayre</hi> is the shop of <name rendition="simple:italic" ref="#SATA1">Satan</name>! <gap reason="sampling" resp="#LEBE1"/></p>
            
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            <p><name ref="#QUAR3">QVAR</name>. I’le warrant thee, then, no wife out o’the widdowes Hundred: if I had but as much Title to her, as to haue breath’d once on that streight stomacher of hers, I would now assure my felfe to carrry her, yet, ere she went out of <ref rendition="simple:italic" target="#SMIT1">Smithfield</ref>. Or she should carry me, which were the fitter sight, I confesse. <gap reason="sampling" resp="#LEBE1"/></p>
            
            <gap reason="sampling" resp="#LEBE1"/>
            <pb n="F3r" xml:id="BART2_sig_F3r" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=26"/>
            <gap reason="sampling" resp="#LEBE1"/>
            
            <p><name ref="#COKE5">COK</name>. <hi rendition="simple:italic">Numps</hi>, here be finer things then any we ha’ bought by oddes! and more delicate horses, a great deale! good <hi rendition="simple:italic">Numpes</hi>, stay, and come hither.</p>
                
            <p><name ref="#WASP1">WAS</name>. Will you scourse with him? you are in <ref rendition="simple:italic" target="#SMIT1">Smithfield</ref>, you may fit your selfe with a fine easy-going street-nag, for your saddle again’ <hi rendition="simple:italic">Michaelmasse-terme</hi>, doe, has he ne’er a little odde cart for you, to make a Carroch on, i’the countrey, with foure pyed hobby horses? why the meazills, should you stand heere, with your traine, cheaping of Dogges, Birds, and Babies? you ha’ no children to bestow ’hem on? ha’ you?</p>
            
            <gap reason="sampling" resp="#LEBE1"/>
            <pb n="G1v" xml:id="BART2_sig_G1v" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=30"/>
            <gap reason="sampling" resp="#LEBE1"/>
            
            <lg>
                <l><name ref="#NIGH3">NIG</name>. <gap reason="sampling" resp="#LEBE1"/> <hi rendition="simple:italic">Alacke and for pitty, why should it be said?</hi></l>
                <l rendition="simple:italic">As if they regarded or places, or time.</l>
                <l rendition="simple:italic">Examples haue been</l>
                <l rendition="simple:italic">Of some that were seen,</l>
                <l rendition="simple:italic">In <ref target="#WEST2">Westminster Hall</ref>, yea the pleaders between,</l>
                <l rendition="simple:italic">Then why should the Iudges be free from this curse,</l>
                <l rendition="simple:italic">More then my poore selfe, for cutting the purse? <gap reason="sampling" resp="#LEBE1"/></l>
            </lg>
            
            <gap reason="sampling" resp="#LEBE1"/>
            <pb n="G2r" xml:id="BART2_sig_G2r" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=30"/>
            <gap reason="sampling" resp="#LEBE1"/>
          
           <lg>
               <l><name ref="#NIGH3">NIG</name>. <hi rendition="simple:italic">At <ref target="#WORC1">Worc’ter</ref> ’tis knowne well, and euen i’the layle,</hi></l>
               <l rendition="simple:italic">A Knight of good worship did there shew his face,</l>
               <l rendition="simple:italic">Against the foule sinners, in zealè for to rayle,</l>
               <l><hi rendition="simple:italic">And lost</hi> (ipso facto) <hi rendition="simple:italic">his purse in the place.</hi> <gap reason="sampling" resp="#LEBE1"/></l>
           </lg>
           
            <gap reason="sampling" resp="#LEBE1"/>
            <pb n="G3v" xml:id="BART2_sig_G3v" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=32"/>
            <gap reason="sampling" resp="#LEBE1"/>
            
            
                <p><name ref="#WELL14">GRA</name>. Faith, through a common calamity, he bought me, Sir; and now he will marry me to his wiues brother, this wise Gentleman, that you see, or else I must pay value o’my land<supplied reason="gap-in-inking" resp="#LEBE1">.</supplied></p>
            
                <p><name ref="#QUAR3">QVAR</name>. S’lid, is there no deuice of disparagement? or so? talke with some crafty fellow, some picklocke o’the Law! Would I had studied a yeere longer i’the <ref target="#INNS1">Innes of Court</ref>, and’t had beene but i’your case.</p>
            
            <gap reason="sampling" resp="#LEBE1"/>
            <pb n="G4v" xml:id="BART2_sig_G4v" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=33"/>
            <gap reason="sampling" resp="#LEBE1"/>
            
            <p><name ref="#BUSY1">BVS</name>. Sister, let her fly the impurity of the place, swiftly, lest shee partake of the pitch thereof. Thou art the seate of the Beast, O <ref rendition="simple:italic" target="#SMIT1">Smithfield</ref>, and I will leaue thee. Idolatry peepeth out on euery side of thee.</p>
            
            <gap reason="sampling" resp="#LEBE1"/>
            <pb n="H1v" xml:id="BART2_sig_H1v" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=35"/>
            <gap reason="sampling" resp="#LEBE1"/>
           
            <p><name ref="#TRAS1">TRA</name>. A poxe of his <ref rendition="simple:italic" target="#BETH1">Bedlem</ref> purity. Hee has spoyl’d halfe my ware: but the best is, wee lose nothing, if wee misse our first Merchant.</p>
            
            <gap reason="sampling" resp="#LEBE1"/>
            <pb n="H3v" xml:id="BART2_sig_H3v" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=37"/>
            <gap reason="sampling" resp="#LEBE1"/>
            
            <p><name ref="#COKE5">COK</name>. Would I might lose my doublet, and hose, too; as I am an honest man, and neuer stirre, if I thinke there be any thing, but thieuing, and cooz’ning, i’this whole <hi rendition="simple:italic">Fayre, Bartholmew-fayre</hi>, quoth he; an’ euer any <hi rendition="simple:italic">Bartholmew</hi> had that lucke in’t, that I haue had, I’le be martyr’d for him, and in <ref rendition="simple:italic" target="#SMIT1">Smithfield</ref>, too. <gap reason="sampling" resp="#LEBE1"/></p>
            
            <gap reason="sampling" resp="#LEBE1"/>
            <pb n="I3v" xml:id="BART2_sig_I3v" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=42"/>
            <gap reason="sampling" resp="#LEBE1"/>
            
            <p><name ref="#WHIT59">WHI</name>. As soone ash tou cansht shwet <name rendition="simple:italic" ref="#URSU1">Vrsh</name>. Of a valiant man I tinke I am the patientsh man i’the world, or in all <ref rendition="simple:italic" target="#SMIT1">Smithfield</ref>.</p>
            
            <gap reason="sampling" resp="#LEBE1"/>
            <pb n="I4v" xml:id="BART2_sig_I4v" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=43"/>
            <gap reason="sampling" resp="#LEBE1"/>
            
                <p><name ref="#URSU1">VRS</name>. Helpe, helpe here.</p>
            
                <p><name ref="#KNOC1">KNO</name>. How now? what vapour’s there?</p>
                
            <p><name ref="#URSU1">VRS</name>. O, you are a sweet <hi rendition="simple:italic">Ranger</hi>! and looke well to your walks. Yonder is your <hi rendition="simple:italic">Punque</hi> of <ref target="#TURN3">Turnbull</ref>, <name ref="#PUNK1">Ramping <hi rendition="simple:italic">Ales</hi></name>, has falne vpon the poore Gentlewoman within, and pull’d her hood ouer her eares, and her hayre through it.</p>
            
            <gap reason="sampling" resp="#LEBE1"/>
            
                <p><name ref="#PUNK1">ALE</name>. The poore common whores can ha’ no traffique, for the priuy rich ones; your caps and hoods of veluet, call away our customers, and lick the fat from vs.</p>
            
                <p><name ref="#URSU1">VRS</name>. Peace you foule ramping Iade, you—</p>
            
                <p><name ref="#PUNK1">ALE</name>. Od’s foote, you Bawd in greace, are you talking?</p>
            
            <p><name ref="#KNOC1">KNO</name>. VVhy, <name rendition="simple:italic" ref="#PUNK1">Alice</name>, I say.</p>
            
            <p><name ref="#PUNK1">ALE</name>. Thou Sow of <ref rendition="simple:italic" target="#SMIT1">Smithfield</ref>, thou.</p>
            
            <p><name ref="#URSU1">VRS</name>. Thou tripe of <ref rendition="simple:italic" target="#TURN3">Turnebull</ref>.</p>
            
                <p><name ref="#KNOC1">KNO</name>. Cat-a-mountaine-vapours! ha!</p>
            
            <p><name ref="#URSU1">VRS</name>. You know where you were taw’d lately, both lash’d, and slash’d you were in <ref rendition="simple:italic" target="#BRID2">Bridewell</ref>.</p>
            
                <p><name ref="#PUNK1">ALE</name>. I, by the same token, you rid that weeke, and broake out the bottome o’the Cart, Night-tub.</p>
            
            <gap reason="sampling" resp="#LEBE1"/>
            <pb n="K3r" xml:id="BART2_sig_K3v" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=45"/>
            <gap reason="sampling" resp="#LEBE1"/>
           
            <l rendition="simple:centre"><name ref="#LEAT5">LANTHORNE</name>. <name ref="#FILC1">FILCHER</name>. <name ref="#SHAR6">SHARKVVEL</name>.</l>
            <p><hi rendition="simple:display simple:left simple:larger simple:right">W</hi>Ell, Lucke and Saint <hi rendition="simple:italic">Bartholmew</hi>; out with the signe of our inuention, in the name of <name rendition="simple:italic" ref="#LITT16">Wit</name>, and do you beat the Drum, the while; All the fowle i’the <hi rendition="simple:italic">Fayre</hi>, I meane, all the dirt in <ref rendition="simple:italic" target="#SMIT1">Smithfield</ref>, (that’s one of <name ref="#LITT16">Master <hi rendition="simple:italic">Littlewit</hi></name><hi rendition="simple:italic">’s Carwhitchets</hi> now) will be throwne at our Banner to day, if the matter do’s not please the people. <gap reason="sampling" resp="#LEBE1"/></p>
            
            <gap reason="sampling" resp="#LEBE1"/>
            <pb n="L1r" xml:id="BART2_sig_L1r" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=47"/>
            <gap reason="sampling" resp="#LEBE1"/>
            
            <p><name ref="#COKE5">COK</name>. A <hi rendition="simple:italic">Motion</hi>, what’s that? The ancient moderne history of <name rendition="simple:italic" ref="#HERO6">Hero</name>, and <name rendition="simple:italic" ref="#LEAN2">Leander</name>, otherwise called <hi rendition="simple:italic">The Touchstone of true Loue</hi>, with as true a tryall of friendship, betweene <name rendition="simple:italic" ref="#DAMO1">Damon</name>, and <name rendition="simple:italic" ref="#PYTH3">Pithias</name>, two faithfull friends o’the <ref target="#BANK2">Bankside</ref>? pretty i’faith, what’s the meaning on’t? is’t an <hi rendition="simple:italic">Enterlude</hi>? or what is’t?</p>
            
            <gap reason="sampling" resp="#LEBE1"/>
            <pb n="L2r" xml:id="BART2_sig_L2r" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=48"/>
            <gap reason="sampling" resp="#LEBE1"/>
            
            <p><name ref="#LITT16">IOH</name>. It pleases him to make a matter of it, Sir. But there is no such matter I assure you: I haue onely made it a little easie, and <hi rendition="simple:italic">moderne</hi> for the times, Sir, that’s all; As, for the <hi rendition="simple:italic">Hellespont</hi> I imagine our <ref rendition="simple:italic" target="#THAM2">Thames</ref> here; and then <name rendition="simple:italic" ref="#LEAN2">Leander</name>, I make a Diers sonne, about <ref rendition="simple:italic" target="#PUDD2">Puddle-wharfe</ref>: and <name rendition="simple:italic" ref="#HERO6">Hero</name> a wench o’ the <ref rendition="simple:italic" target="#BANK2">Banke-side</ref>, who going ouer one morning, to <ref target="#OLDF1">old fish-street</ref>; <name rendition="simple:italic" ref="#LEAN2">Leander</name> spies her land at <ref rendition="simple:italic" target="#TRIG2">Trigsstayres</ref>, and falls in loue with her: Now do I introduce <name rendition="simple:italic" ref="#CUPI1">Cupid</name>, hauing <hi rendition="simple:italic">Metamorphos’d</hi> himselfe into a Drawer, and he strikes <name rendition="simple:italic" ref="#HERO6">Hero</name> in loue with a pint of <hi rendition="simple:italic">Sherry</hi>, and other pretty passages there are, o’ the friendship, that will delight you, Sir, and please you of Iudgement.</p>
            
            <gap reason="sampling" resp="#LEBE1"/>
            <pb n="L3v" xml:id="BART2_sig_L3v" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=50"/>
            <gap reason="sampling" resp="#LEBE1"/>
            
                <lg>
                    <l><name ref="#LEAT5">LAN</name>. <hi rendition="simple:italic">Gentles, that no longer your expectations may wander,</hi></l>
                    <l><hi rendition="simple:italic">Behold our chiefe Actor, amorous</hi> <name ref="#LEAN2">Leander</name>.</l>
                    <l rendition="simple:italic">With a great deale of cloth lap’d about him like a Scarfe,</l>
                    <l><hi rendition="simple:italic">For he yet serues his father, a Dyer at</hi> <ref target="#PUDD2">Puddle <hi rendition="simple:italic">wharfe</hi></ref>,</l>
                    <l><hi rendition="simple:italic">VVhich place we’ll make bold with, to call our</hi> Abidus,</l>
                    <l><hi rendition="simple:italic">As the <ref target="#BANK2">Banke-side</ref> is our</hi> Sestos, <hi rendition="simple:italic">and let it not be deny’d vs</hi>. <gap reason="sampling" resp="#LEBE1"/></l>
                </lg>
            
            <gap reason="sampling" resp="#LEBE1"/>
            <pb n="L4r" xml:id="BART2_sig_L4r" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=50"/>
            <gap reason="sampling" resp="#LEBE1"/>   
                
            <p>PVP. L. <hi rendition="simple:italic">Here, Cole, what fayerest of Fayers, was that fare, that thou landedst but now a</hi> <ref target="#TRIG2">Trigsstayres</ref>?</p>
                    
                    
                    <p><name ref="#COKE5">COK</name>. What was that, fellow? Pray thee tell me, I scarse vnderstand ’hem.</p>
                    
                    <lg>
                        <l><name ref="#LEAT5">LAN</name>. <name ref="#LEAN2">Leander</name> <hi rendition="simple:italic">do’s aske, Sir, what fayrest of Fayers,</hi></l>
                        <l><hi rendition="simple:italic">Was the fare thhe landed, but now, at</hi> <ref target="#TRIG2">Trigsstayers</ref>?</l>
                    </lg>
                    
            <p>PVP. C. <hi rendition="simple:italic">It is louely</hi> <name ref="#HERO6">Hero</name>.</p>
                    
                    <p>PVP. L. <name ref="#NERO1">Nero</name>?</p>
                    
            <p>PVP. C. <hi rendition="simple:italic">No,</hi> <name ref="#HERO6">Hero</name>.</p>
                    
                    <lg>
                        <l><name ref="#LEAT5">LAN</name>. <hi rendition="simple:italic">It is</hi> <name ref="#HERO6">Hero</name>.</l>
                        <l rendition="simple:italic">Of the <ref target="#BANK2">Bankside</ref>, he saith, to tell you truthwith out erring,</l>
                        <l rendition="simple:italic">Is come ouer into <ref target="#NEWF1">Fish-street</ref> to eat some fresh herring.</l>
                        <l><name ref="#LEAN2">Leander</name> <hi rendition="simple:italic">sayes no more, but as fast as he can,</hi></l>
                        <l><hi rendition="simple:italic">Gets on all his best cloathes; and will after to the</hi> <ref target="#OLDS3">Swan</ref>.</l>
                    </lg>
                
            <gap reason="sampling" resp="#LEBE1"/>   
            <pb n="L4v" xml:id="BART2_sig_L4v" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=51"/>
            <gap reason="sampling" resp="#LEBE1"/>
            
                <lg>
                    <l><name ref="#LEAT5">LAN</name>. <hi rendition="simple:italic">Now gentles, to the freinds, who in number, are two,</hi></l>
                    <l><hi rendition="simple:italic">and lodg’d in that Ale-house, in which faire</hi> <name ref="#HERO6">Hero</name> <hi rendition="simple:italic">do’s doe.</hi></l>
                    <l><name ref="#DAMO1">Damon</name> <hi rendition="simple:italic">(’for some kindnesse done him the last weeke)</hi></l>
                    <l><hi rendition="simple:italic">is come faire</hi> <name ref="#HERO6">Hero</name>, <hi rendition="simple:italic">in <ref target="#NEWF1">Fish-streete</ref>, this morning to seeke:</hi></l>
                    <l><name ref="#PYTH3">Pythias</name> <hi rendition="simple:italic">do’s smell the knauery of the meeting,</hi></l>
                    <l rendition="simple:italic">and now you shall see their true friendly greeting.</l>
                </lg>
            
            <gap reason="sampling" resp="#LEBE1"/>
            <pb n="M1v" xml:id="BART2_sig_M1v" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=52"/>
            <gap reason="sampling" resp="#LEBE1"/>
            
            <lg>
                <l>PVP. L. <hi rendition="simple:italic">And sweetest of geese, before I goe to bed,</hi></l>
                <l><hi rendition="simple:italic">I’ll swimme o’re the</hi> <ref target="#THAM2">Thames</ref>, <hi rendition="simple:italic">my goose, thee to tread.</hi></l>
            </lg>
                
            <p><name ref="#COKE5">COK</name>. Braue! he will swimme o’re the <ref rendition="simple:italic" target="#THAM2">Thames</ref>, and tread his goose, too night, he sayes.</p>
                
                <p><name ref="#LEAT5">LAN</name>. I, peace, Sir, the’ll be angry, if they heare you eaues-dropping, now they are setting their match.</p>
                
            <lg>
                <l>PVP. L. <hi rendition="simple:italic">But lest the <ref target="#THAM2">Thames</ref> should be dark, my goose, my deare friend,</hi></l>
            <l rendition="simple:italic">let thy window be prouided of a candles end.</l>
            </lg>
            
            <gap reason="sampling" resp="#LEBE1"/>                     
            <pb n="M3v" xml:id="BART2_sig_M3v" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=54"/>
            <gap reason="sampling" resp="#LEBE1"/>
            
            <p><name ref="#OVER11">IVS</name>. Master <name rendition="simple:italic" ref="#WINW1">Winwife</name>? I hope you haue won no wife of her, Sir. If you haue, I will examine the possibility of it, at fit leasure. Now, to my enormities: looke vpon mee, O <ref rendition="simple:italic" target="#LOND5">London</ref>! and see mee, O <ref rendition="simple:italic" target="#SMIT1">Smithfield</ref>; The <hi rendition="simple:italic">example of Iustice</hi>, and <hi rendition="simple:italic">Mirror of Magistrates</hi>: the true top of formality, and scourge of enormity. Harken vnto my
             
            <pb n="M4r" xml:id="BART2_sig_M4r" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=54"/>
                    
                <hi rendition="simple:italic">labours</hi>, and but obserue my <hi rendition="simple:italic">discoueries</hi>; and compare <name rendition="simple:italic" ref="#HERC1">Hercules</name> with me, if thou dar’st, of old; or <name rendition="simple:italic" ref="#COLU4">Columbus</name>; <name rendition="simple:italic" ref="#MAGE1">Magellan</name>; or our countrey man <name rendition="simple:italic" ref="#DRAK1">Drake</name> of later times: stand forth you weedes of enormity, and spread. <gap reason="sampling" resp="#LEBE1"/></p>
            
            <gap reason="sampling" resp="#LEBE1"/>
            <pb n="M4v" xml:id="BART2_sig_M4v" facs="https://search.proquest.com/eebo/docview/2264206645/pageLevelImage/?imgSeq=55"/>
            <gap reason="sampling" resp="#LEBE1"/>

            <p><name ref="#QUAR3">QVA</name>. Loke i’your boxe, <hi rendition="simple:italic">Numps</hi>, nay, Sir, stand not you fixt here, like a stake in <ref rendition="simple:italic" target="#FINS2">Finsbury</ref> to be shot at, or the whipping post i’the <hi rendition="simple:italic">Fayre</hi>, but get your wife out o’the ayre, it wil make her worse else; and remember you are but <name rendition="simple:italic" ref="#ADAM18">Adam</name>, Flesh, and blood! <gap reason="sampling" resp="#LEBE1"/></p>
            
            <gap reason="sampling" resp="#LEBE1"/>       
        </body><back><div type="editorial"><!--Data moved from particDesc, which is not available in TEI Simple. --><head>Participants</head><list type="person"><item xml:id="LEBE1">
      <name type="person">
       <reg>Kate LeBere</reg>
       <name type="forename">Kate</name>
       <name type="surname">LeBere</name>
       <abbr>KL</abbr>
      </name>
      <note>
       <p>Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in <title level="j">The Corvette</title> (2018), <title level="j">The Albatross</title> (2019), and <title level="j">PLVS VLTRA</title> (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s <title level="m">Survey of London</title>, old-spelling anthology of mayoral shows, and old-spelling library texts. She authored the MoEML’s first Project Management Manual and "quickstart" guidelines for new employees and helped standardize the Personography and Bibliography. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.</p>
      </note>
     </item><item xml:id="ELHA1">
      <name type="person">
       <reg>Tracey El Hajj</reg>
       <name type="forename">Tracey</name>
       <name type="surname">El Hajj</name>
       <abbr>TEH</abbr>
      </name>
      <note>
       <p>Junior Programmer 2018-2020. Research Associate 2020-2021. Tracey received her PhD from the Department of English at the University of Victoria in the field of Science and Technology Studies. Her research focuses on the <seg>algorhythmics</seg> of networked communications. She was a 2019-20 President’s Fellow in Research-Enriched Teaching at UVic, where she taught an advanced course on <title level="a">Artificial Intelligence and Everyday Life.</title> Tracey was also a member of the <title level="m">Linked Early Modern Drama Online</title> team, between 2019 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.</p>
      </note>
     </item><item xml:id="TAKE1">
      <name type="person">
       <reg>Joey Takeda</reg>
       <name type="forename">Joey</name>
       <name type="surname">Takeda</name>
       <abbr>JT</abbr>
      </name>
      <note>
       <p>Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017.
        Joey Takeda was a graduate student at the University of British Columbia in the Department
        of English (Science and Technology research stream). He completed his BA honours in English
        (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary
        research interests included diasporic and indigenous Canadian and American literature,
        critical theory, cultural studies, and the digital humanities.</p>
      </note>
     </item><item xml:id="TEMP6">
      <name type="person">
       <reg>Chase Templet</reg>
       <name type="forename">Chase</name>
       <name type="surname">Templet</name>
       <abbr>CT</abbr>
      </name>
      <note><p>Research Assistant, 2017-2019. Chase Templet was a graduate student at the University
        of Victoria in the Medieval and Early Modern Studies (MEMS) stream. He was specifically
        focused on early modern repertory studies and non-Shakespearean early modern drama,
        particularly the works of <name ref="PERS1.xml#MIDD12">Thomas Middleton</name>.</p></note>
     </item><item xml:id="LAND2">
      <name type="person">
       <reg>Tye Landels-Gruenewald</reg>
       <name type="forename">Tye</name>
       <name type="surname">Landels-Gruenewald</name>
       <abbr>TLG</abbr>
      </name>
      <note>
       <p>Data Manager, 2015-2016. Research Assistant, 2013-2015. Tye completed his undergraduate
        honours degree in English at the University of Victoria in 2015.</p>
      </note>
     </item><item xml:id="BUTT1">
      <name type="person">
       <reg>Cameron Butt</reg>
       <name type="forename">Cameron</name>
       <name type="surname">Butt</name>
       <abbr>CB</abbr>
      </name>
      <note>
       <p>Research Assistant, 2012–2013. Cameron Butt completed his undergraduate honours degree in
        English at the University of Victoria in 2013. He minored in French and has a keen interest
        in Shakespeare, film, media studies, popular culture, and the geohumanities.</p>
      </note>
     </item><item xml:id="CHER1">
      <name type="person">
       <reg>Melanie Chernyk</reg>
       <name type="forename">Melanie</name>
       <name type="surname">Chernyk</name>
       <abbr>MJC</abbr>
      </name>
      <note>
       <p>Research Assistant, 2004–2008. BA honours, 2006. MA English, University of Victoria, 2007.
        Melanie Chernyk went on to work at the <ref target="http://etcl.uvic.ca/">Electronic Textual
         Cultures Lab</ref> at the University of Victoria and now manages Talisman Books and Gallery
        on Pender Island, BC. She also has her own editing business at <ref target="http://26letters.ca/">http://26letters.ca</ref>.</p>
      </note>
     </item><item xml:id="MCFI1">
      <name type="person">
       <reg>Kim McLean-Fiander</reg>
       <name type="forename">Kim</name>
       <name type="surname">McLean-Fiander</name>
       <abbr>KMF</abbr>
      </name>
      <note>
       <p>Director of Pedagogy and Outreach, 2015–2020. Associate Project Director, 2015.
        Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes
        to <title level="m">The Map of Early Modern London</title> from the <ref target="http://cofk.history.ox.ac.uk/"><title level="m">Cultures of Knowledge</title></ref>
        digital humanities project at the <ref target="http://www.ox.ac.uk/">University of
         Oxford</ref>, where she was the editor of <ref target="http://emlo.bodleian.ox.ac.uk/"><title level="m">Early Modern Letters Online</title></ref>, an open-access union
        catalogue and editorial interface for correspondence from the sixteenth to eighteenth
        centuries. She is currently Co-Director of a sister project to <ref target="http://emlo.bodleian.ox.ac.uk/"><title level="m">EMLO</title></ref> called <title level="m">Women’s Early Modern Letters Online</title> (<ref target="http://wemlo.net/"><title level="m">WEMLO</title></ref>). In the past, she held an internship with the
        curator of manuscripts at the <ref target="https://www.folger.edu/">Folger Shakespeare
         Library</ref>, completed a doctorate at <ref target="http://www.ox.ac.uk/">Oxford</ref> on
        paratext and early modern women writers, and worked a number of years for the <ref target="http://www.bodleian.ox.ac.uk/">Bodleian Libraries</ref> and as a freelance editor.
        She has a passion for rare books and manuscripts as social and material artifacts, and is
        interested in the development of digital resources that will improve access to these
        materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim
        has always loved both London and maps, and so is particularly delighted to be able to bring
        her early modern scholarly expertise to bear on the MoEML project.</p>
      </note>
     </item><item xml:id="JENS1">
      <name type="person">
       <reg>Janelle Jenstad</reg>
       <name type="forename">Janelle</name>
       <name type="surname">Jenstad</name>
       <abbr>JJ</abbr>
      </name>
      <note>
       <p>Janelle Jenstad is Associate Professor of English at the University of Victoria, Director
        of <title level="m">The Map of Early Modern London</title>, and PI of <title level="m">Linked Early Modern Drama Online</title>. She has taught at Queen’s University, the Summer
        Academy at the Stratford Festival, the University of Windsor, and the University of
        Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited <title level="m">Shakespeare’s Language in Digital Media</title> (<ref target="https://www.routledge.com/Shakespeares-Language-in-Digital-Media-Old-Words-New-Tools/Jenstad-Kaethler-Roberts-Smith/p/book/9781472427977">Routledge</ref>). She has prepared a documentary edition of John Stow’s <title level="m">A
         Survey of London</title> (1598 text) for MoEML and is currently editing <title level="m">The Merchant of Venice</title> (with Stephen Wittek) and Heywood’s <title level="m">2 If
         You Know Not Me You Know Nobody</title> for DRE. Her articles have appeared in <title level="j">Digital Humanities Quarterly</title>, <title level="j">Renaissance and
         Reformation</title>,<title level="j">Journal of Medieval and Early Modern Studies</title>,
         <title level="j">Early Modern Literary Studies</title>, <title level="j">Elizabethan
         Theatre</title>, <title level="j">Shakespeare Bulletin: A Journal of Performance
         Criticism</title>, and <title level="j">The Silver Society Journal</title>. Her book
        chapters have appeared (or will appear) in <title level="m">Institutional Culture in Early
         Modern Society</title> (Brill, 2004), <title level="m">Shakespeare, Language and the Stage,
         The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre
         Studies</title> (Arden/Thomson Learning, 2005), <title level="m">Approaches to Teaching
         Othello</title> (Modern Language Association, 2005), <title level="m">Performing Maternity
         in Early Modern England</title> (Ashgate, 2007), <title level="m">New Directions in the
         Geohumanities: Art, Text, and History at the Edge of Place</title> (Routledge, 2011), Early
        Modern Studies and the Digital Turn (Iter, 2016), <title level="m">Teaching Early Modern
         English Literature from the Archives</title> (MLA, 2015), <title level="m">Placing Names:
         Enriching and Integrating Gazetteers</title> (Indiana, 2016), <title level="m">Making
         Things and Drawing Boundaries</title> (Minnesota, 2017), and <title level="m">Rethinking
         Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies</title>
        (Routledge, 2018).</p>
      </note>
     </item><item xml:id="HOLM3">
      <name type="person">
       <reg>Martin D. Holmes</reg>
       <name type="forename">Martin</name>
       <name type="forename">D.</name>
       <name type="surname">Holmes</name>
       <abbr>MDH</abbr>
      </name>
      <note>
       <p>Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC).
        Martin ported the MOL project from its original PHP incarnation to a pure eXist database
        implementation in the fall of 2011. Since then, he has been lead programmer on the project
        and has also been responsible for maintaining the project schemas. He was a co-applicant on
        MoEML’s 2012 SSHRC Insight Grant.</p>
      </note>
     </item><item xml:id="DRAK1">
      <name type="person">
       <reg>Sir Francis Drake</reg>
       <name type="personRoleName">Sir</name>
       <name type="forename">Francis</name>
       <name type="surname">Drake</name>
      </name>
      <date type="birth" notBefore="1540-01-11" notAfter="1541-04-03"/>
      <date type="death" notBefore="1596-01-11" notAfter="1597-04-03"/>
      <note>
       <p>Pirate, sea-captain, and explorer.</p>
       <list type="links">
        <item><ref target="https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-8022"><title level="m">ODNB</title></ref></item>
        <item><ref target="https://en.wikipedia.org/wiki/Francis_Drake"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </item><item xml:id="JAME1">
      <name type="person">
       <reg>James VI and I</reg>
       <name type="forename">James</name>
       <name type="personGenName"><num type="roman" value="6">VI</num></name>
       <name type="personGenName"><num type="roman" value="1">I</num></name>
       <name type="personRoleName">King of Scotland</name>
       <name type="personRoleName">King of England</name>
       <name type="personRoleName">King of Ireland</name>
      </name>
      <date type="birth" notBefore="1566-01-11" notAfter="1567-04-03"/>
      <date type="death" notBefore="1625-01-11" notAfter="1626-04-03"/>
      <note>
       <p>King of Scotland <date from="1567-01-11">1567-1625</date>. King of <ref target="ENGL2.xml">England</ref> and Ireland <date from="1603-01-11">1603-1625</date>.</p>
       <list type="links">
        <item><ref target="https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-14592"><title level="m">ODNB</title></ref></item>
        <item><ref target="https://en.wikipedia.org/wiki/James_VI_and_I"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </item><item xml:id="JONS1">
      <name type="person">
       <reg>Ben Jonson</reg>
       <name type="forename">Ben</name>
       <name type="surname">Jonson</name>
      </name>
      <date type="birth" notBefore="1572-01-11" notAfter="1573-04-03"/>
      <date type="death" notBefore="1637-01-11" notAfter="1638-04-03"/>
      <note>
       <p>Poet and playwright.</p>
       <list type="links">
        <item><ref target="https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-15116"><title level="m">ODNB</title></ref></item>
        <item><ref target="https://en.wikipedia.org/wiki/Ben_Jonson"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </item><item xml:id="OVER2">
      <name type="person">
       <reg>Dame Overdo</reg>
       <name type="personAddName">Dame</name>
       <name type="surname">Overdo</name>
      </name>
      <note>
       <p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p>
      </note>
     </item><item xml:id="OVER11">
      <name type="person">
       <reg>Adam Overdo</reg>
       <name type="forename">Adam</name>
       <name type="surname">Overdo</name>
      </name>
      <note>
       <p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p>
      </note>
     </item><item xml:id="LEAT5">
      <name type="person">
       <reg>Lantern Leatherhead</reg>
       <name type="forename">Lantern</name>
       <name type="surname">Leatherhead</name>
      </name>
      <note>
       <p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p>
      </note>
     </item><item xml:id="LEAN2">
      <name type="person">
       <reg>Leander</reg>
       <name type="forename">Leander</name>
      </name>
      <note>
       <p>Lover of <name ref="#HERO6">Hero</name> in Greek mythology.</p>
      </note>
     </item><item xml:id="HERO6">
      <name type="person">
       <reg>Hero</reg>
       <name type="forename">Hero</name>
      </name>
      <note>
       <p>Lover of <name ref="#LEAN2">Leander</name> in Greek mythology.</p>
      </note>
     </item><item xml:id="COKE5">
      <name type="person">
       <reg>Bartholomew Cokes</reg>
       <name type="forename">Bartholomew</name>
       <name type="surname">Cokes</name>
      </name>
      <note>
       <p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p>
      </note>
     </item><item xml:id="HERC1">
      <name type="person">
       <reg>Hercules</reg>
       <name type="forename">Hercules</name>
      </name>
      <note>
       <p>Hero and god in Roman mythology. Famous for his strength.</p>
       <list type="links">
        <item><ref target="https://en.wikipedia.org/wiki/Hercules"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </item><item xml:id="SATA1">
      <name type="person">
       <reg>Satan</reg>
       <name type="forename">Satan</name>
       <name type="personAddName">Lucifer</name>
      </name>
      <note>
       <p>Principal devil in the Bible.</p>
       <list type="links">
        <item><ref target="https://en.wikipedia.org/wiki/Satan"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </item><item xml:id="NERO1">
      <name type="person">
       <reg>Nero</reg>
       <name type="forename">Nero</name>
       <name type="personRoleName">Emperor of the Roman Empire</name>
       <name type="personAddName">Imperator Nero Cladius Divi Claudius filius Caesar Augustus Germanicus</name>
      </name>
      <date type="birth" notBefore="0036-12-30" notAfter="0038-03-22"/>
      <date type="death" notBefore="0067-12-30" notAfter="0069-03-22"/>
      <note>
       <p>Emperor of the Roman Empire <date from="0053-12-30">54–68</date>.</p>
       <list type="links">
        <item><ref target="https://www.britannica.com/biography/Nero-Roman-emperor"><title level="m">EB</title></ref></item>
        <item><ref target="https://en.wikipedia.org/wiki/Nero"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </item><item xml:id="CUPI1">
      <name type="person">
       <reg>Cupid</reg>
       <name type="surname">Cupid</name>
      </name>
      <note>
       <p>God of desire, erotic love, attraction, and affection in Roman mythology. Often depicted
        as the son of <name ref="PERS1.xml#MARS6">Mars</name> and <name ref="PERS1.xml#VENU1">Venus</name>.
        Equated with <name ref="PERS1.xml#EROS1">Eros</name> in Greek mythology.</p>
       <list type="links">
        <item><ref target="https://en.wikipedia.org/wiki/Cupid"><title level="m">Wikipedia</title></ref></item>
       </list></note>
     </item><item xml:id="ADAM18">
      <name type="person">
       <reg>Adam</reg>
       <name type="forename">Adam</name>
      </name>
      <note>
       <p>First man created by God in the Bible.</p>
       <list type="links">
        <item><ref target="https://en.wikipedia.org/wiki/Adam"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </item><item xml:id="WINN1">
      <name type="person">
       <reg>Win Little-Wit</reg>
       <name type="forename">Win</name>
       <name type="surname">Little-Wit</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p></note>
     </item><item xml:id="TRAS1">
      <name type="person">
       <reg>Joan Trash</reg>
       <name type="forename">Joan</name>
       <name type="surname">Trash</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p></note>
     </item><item xml:id="NIGH3">
      <name type="person">
       <reg>Nightingale</reg>
       <name type="forename">Nightingale</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p></note>
     </item><item xml:id="URSU1">
      <name type="person">
       <reg>Ursula</reg>
       <name type="forename">Ursula</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p></note>
     </item><item xml:id="KNOC1">
      <name type="person">
       <reg>Jordan Knockem</reg>
       <name type="forename">Jordan</name>
       <name type="surname">Knockem</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p></note>
     </item><item xml:id="BUSY1">
      <name type="person">
       <reg>Zeale-Of-The-Land Busy</reg>
       <name type="forename">Zeale-Of-The-Land</name>
       <name type="surname">Busy</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p></note>
     </item><item xml:id="WHIT59">
      <name type="person">
       <reg>Captain Whit</reg>
       <name type="personAddName">Captain</name>
       <name type="surname">Whit</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p></note>
     </item><item xml:id="PUNK1">
      <name type="person">
       <reg>Punk Alice</reg>
       <name type="personAddName">Punk</name>
       <name type="forename">Alice</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p></note>
     </item><item xml:id="LITT16">
      <name type="person">
       <reg>John Little-Wit</reg>
       <name type="forename">John</name>
       <name type="surname">Little-Wit</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p></note>
     </item><item xml:id="WINW1">
      <name type="person">
       <reg>Win-Wife</reg>
       <name type="surname">Win-Wife</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p></note>
     </item><item xml:id="MOON1">
      <name type="person">
       <reg>Moon-Calf</reg>
       <name type="surname">Moon-Calf</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p></note>
     </item><item xml:id="WELL14">
      <name type="person">
       <reg>Grace Wellborn</reg>
       <name type="forename">Grace</name>
       <name type="surname">Wellborn</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p></note>
     </item><item xml:id="QUAR3">
      <name type="person">
       <reg>Quarlous</reg>
       <name type="surname">Quarlous</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p></note>
     </item><item xml:id="WASP1">
      <name type="person">
       <reg>Humphrey Waspe</reg>
       <name type="forename">Humphrey</name>
       <name type="surname">Waspe</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p></note>
     </item><item xml:id="FILC1">
      <name type="person">
       <reg>Filcher</reg>
       <name type="surname">Filcher</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p></note>
     </item><item xml:id="WHET3">
      <name type="person">
       <reg>Whetston</reg>
       <name type="surname">Whetston</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p></note>
     </item><item xml:id="SHAR6">
      <name type="person">
       <reg>Sharkwell</reg>
       <name type="surname">Sharkwell</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>’s <title level="m">Bartholomew Fair</title>.</p></note>
     </item><item xml:id="DAMO1">
      <name type="person">
       <reg>Damon</reg>
       <name type="forename">Damon</name>
      </name>
      <note>
       <p>Central figure of the "Damon and Pythias" legend in Greek mythology.</p>
      </note>
     </item><item xml:id="PYTH3">
      <name type="person">
       <reg>Pythias</reg>
       <name type="forename">Pythias</name>
      </name>
      <note>
       <p>Central figure of the "Damon and Pythias" legend in Greek mythology.</p>
      </note>
     </item><item xml:id="BEAL4">
      <name type="person">
       <reg>John Beale</reg>
       <name type="forename">John</name>
       <name type="surname">Beale</name>
      </name>
      <note><p>Printer.</p>
       <list type="links">
        <item><ref target="http://bbti.bodleian.ox.ac.uk/details/?traderid=4954"><title level="m">BBTI</title></ref></item>
       </list>
      </note>
     </item><item xml:id="ALSO1">
      <name type="person">
       <reg>Bernard Alsop</reg>
       <name type="forename">Bernard</name>
       <name type="surname">Alsop</name>
      </name>
      <note><p>Printer.</p>
       <list type="links">
        <item><ref target="http://bbti.bodleian.ox.ac.uk/details/?traderid=1073"><title level="m">BBTI</title></ref></item>
       </list>
      </note>
     </item><item xml:id="FAWC1">
      <name type="person">
       <reg>Thomas Fawcett</reg>
       <name type="forename">Thomas</name>
       <name type="surname">Fawcett</name>
      </name>
      <note><p>Printer.</p>
       <list type="links">
        <item><ref target="http://bbti.bodleian.ox.ac.uk/details/?traderid=23782"><title level="m">BBTI</title></ref></item>
       </list>
      </note>
     </item><item xml:id="DAWS4">
      <name type="person">
       <reg>James Dawson</reg>
       <name type="forename">James</name>
       <name type="surname">Dawson</name>
      </name>
      <note><p>Printer.</p>
      </note>
     </item><item xml:id="MEIG1">
      <name type="person">
       <reg>Richard Meighen</reg>
       <name type="forename">Richard</name>
       <name type="surname">Meighen</name>
      </name>
      <note><p>Bookseller.</p>
      </note>
     </item><item xml:id="WALK8">
      <name type="person">
       <reg>Thomas Walkley</reg>
       <name type="forename">Thomas</name>
       <name type="surname">Walkley</name>
      </name>
      <note><p>Bookseller.</p>
      </note>
     </item><item xml:id="MAGE1">
      <name type="person">
       <reg>Ferdinand Magellan</reg>
       <name type="forename">Ferdinand</name>
       <name type="surname">Magellan</name>
      </name>
      <note>
       <p>Portuguese explorer.</p>
       <list type="links">
        <item><ref target="https://en.wikipedia.org/wiki/Ferdinand_Magellan"><title level="m">Wikipedia</title></ref></item>
       </list></note>
     </item><item xml:id="COLU4">
      <name type="person">
       <reg>Christopher Columbus</reg>
       <name type="forename">Christopher</name>
       <name type="surname">Columbus</name>
      </name>
      <note>
       <p>Italian explorer.</p>
       <list type="links">
        <item><ref target="https://en.wikipedia.org/wiki/Christopher_Columbus"><title level="m">Wikipedia</title></ref></item>
       </list></note>
     </item></list></div></back></text>   
            </TEI>