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         <titlePart type="main">Encoding an Underground Text in the Underground</titlePart><lb/>
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         <date when="2013-09-11">11 September, 2013</date>
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            <p>As <name ref="mol:STOW6">John Stow</name>’s <ref type="bibl" target="mol:STOW10">Survey
                  of London</ref> (in all its editions) is traditionally a text to reference, not to
               work on exclusively, I’ve enjoyed encoding this early modern <soCalled>cult classic</soCalled> in a
              basement computing lab—an underground text in the underground. The <ref target="http://hcmc.uvic.ca">HCMC</ref> is not all dark and gloomy, of course, but a
               basement is a basement. Victoria itself is not the sunniest city either, so many of
               us in the lab have found unique ways to reinvigorate our often overcast day to day in
               the dark arts of early modern encoding.</p>

            <p>While trivial, and almost embarrassing to write a blog post about, the running joke
               in the lab is who has the most outrageous colour scheme in <ref target="http://www.oxygenxml.com">Oxygen</ref>, the primary xml software we use in the
               lab. What began as a circulated <soCalled>white on black</soCalled> scheme to change up the default
               <soCalled>black on white</soCalled> quickly evolved into any number of colours depending on the
               resilience of each lab member’s eyesight. Some of these colour combinations are not
               for the faint of heart. Below you can see the <soCalled>Smurf</soCalled> blue, chartreuse, copper,
               yellow, and florescent pink I use while working on Stow. Because the tagging is so
               dense in <ref type="bibl" target="mol:STOW10">Survey</ref>, the bright colours became
               a way to read Stow while blocking out the xml. Stow’s text is blue, and everything
               just melts away once you acclimate to the scheme. Admittedly, not everyone in the lab
               is a fan, and I have an appointment scheduled with an optician next month.</p>
           
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             <figDesc>The <soCalled>Smurf</soCalled> colour scheme for Oxygen.</figDesc>
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            <p>Additionally, we compile the best encoding music each week during our team meeting.
               What also began as a joke, my tendency to listen to John Denver while encoding,
               became a way for all team members to share what really keeps them in the <soCalled>zone</soCalled>
               encoding various early modern texts. Naturally, as a <ref target="http://visitmt.com">Montana</ref> boy I listen to <ref target="https://en.wikipedia.org/wiki/John_Denver">John
               Denver</ref>, but my music preferences remain eclectic at best. While I can listen to
               classic rock (<ref target="http://www.styxworld.com">Styx</ref> usually) as I encode dates, I need less-distracting classical
              music to concentrate on encoding toponyms. Perhaps eclectic—or even eccentric—is
               the best way to describe the scene in the lab at times. Team members huddled in front
               of glowing neon texts, tapping their feet in otherwise complete silence.</p>

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