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TY - ELEC
A1 - Middleton, Thomas
ED - Jenstad, Janelle
T1 - The Triumphs of Truth
T2 - The Map of Early Modern London
ET - 7.0
PY - 2022
DA - 2022/05/05
CY - Victoria
PB - University of Victoria
LA - English
UR - https://mapoflondon.uvic.ca/edition/7.0/TRIU1.htm
UR - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/TRIU1.xml
ER -
Commemorative pageant book prepared for the inauguration of Sir Thomas Middleton as Lord Mayor of London on October 29, 1613. Pageants coordinated by Thomas Middleton on behalf of the Worshipful Company of the Grocers. Book printed by Nicholas Okes. Diplomatic transcription prepared by the MoEML Team. See https://mapoflondon.uvic.ca/TRIU1.htm for full credits and editorial procedures.
Research Assistant, 2018-2020. Chris Horne was an honours student in the Department of English at the University of Victoria. His primary research interests included American modernism, affect studies, cultural studies, and digital humanities.
Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in
Junior Programmer 2018-2020. Research Associate 2020-2021. Tracey received her PhD from the Department of English at the University of Victoria in the field of Science and Technology Studies. Her research focuses on the
Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.
Research Assistant, 2017-2019. Chase Templet was a graduate student at the University
of Victoria in the Medieval and Early Modern Studies (MEMS) stream. He was specifically
focused on early modern repertory studies and non-Shakespearean early modern drama,
particularly the works of
Data Manager, 2015-2016. Research Assistant, 2013-2015. Tye completed his undergraduate honours degree in English at the University of Victoria in 2015.
Research Assistant, 2013-2014. Zaqir Virani completed his MA at the University of Victoria in April 2014. He received his BA from Simon Fraser University in 2012, and has worked as a musician, producer, and author of short fiction. His research focused on the linkage of sound and textual analysis software and the work of Samuel Beckett.
Research Assistant, 2002–2003. Student contributor enrolled in
Research Assistant, 2012–2013. Cameron Butt completed his undergraduate honours degree in English at the University of Victoria in 2013. He minored in French and has a keen interest in Shakespeare, film, media studies, popular culture, and the geohumanities.
Research Assistant, 2013. Quinn MacDonald was a fourth-year honours English student at the
University of Victoria. Her areas of interest included postcolonial theory and texts, urban
agriculture, journalism that isn’t lazy, fine writing, and roller derby. She was the
director of community relations for
Research Assistant, 2004–2008. BA honours, 2006. MA English, University of Victoria, 2007. Melanie Chernyk went on to work at the Electronic Textual Cultures Lab at the University of Victoria and now manages Talisman Books and Gallery on Pender Island, BC. She also has her own editing business at http://26letters.ca.
Research Assistant, 2002–2003. Joanna Hutz was an English Language and Literature honours student at the University of Windsor. She received a Canada Graduate Scholarship from the Social Sciences and Humanities Research Council of Canada to pursue her MA.
Research Assistant, 2012-2014. MoEML Research Affiliate. Sarah Milligan completed her MA at the University of Victoria in 2012 on the invalid persona in Elizabeth Barrett Browning’s
Director of Pedagogy and Outreach, 2015–2020. Associate Project Director, 2015. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to
Mark Kaethler is Department Chair, Arts, at Medicine Hat College; Assistant Director, Mayoral Shows, with MoEML; and Assistant Director for LEMDO. They are the author of
Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of
Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC) who maintained the
Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.
Student contributor enrolled in
Personification of goodness. Appears as an allegorical character in mayoral shows.
Personification of fame. Appears as an allegorical character in mayoral shows,
Personification of virtue. Appears as an allegorical character in mayoral shows,
Personification of peace. Appears as an allegorical character in mayoral
shows and
Personification of religion. Appears as an allegorical character in mayoral shows.
Personification of envy. Appears as an allegorical character in mayoral shows and
Personification of lawfulness and fairness. Appears as an allegorical character in mayoral shows and
Personification of ignorance. Appears as an allegorical character in mayoral shows.
Personification of laziness. Appears as an allegorical character in mayoral shows.
Personification of grace. Appears as an allegorical character in mayoral shows.
Artificer of mayoral shows.
Personification of honour. Appears as an allegorical character in mayoral shows and
Personification the city of London. Appears as an allegorical character in mayoral shows.
Personification of love. Appears as an allegorical character in mayoral shows.
Playwright.
Sheriff of London
Playwright, actor, pageant poet, translator, and writer. Possible member of the
Stage assistant.
Printer. Member of the
Personification of time. Appears as an allegorical character in mayoral
shows and
Personification of truth. Appears as an allegorical character in mayoral
shows and
Personification of
Personification of brotherhood. Appears as an allegorical character in mayoral shows.
Personification of error. Appears as an allegorical character in mayoral shows.
Personification of faith. Appears as an allegorical character in mayoral shows.
Personification of perfect love. Appears as an allegorical character in mayoral shows.
Personification of modesty. Appears as an allegorical character in mayoral shows.
Character representing the king of the Moors. Appears in mayoral shows.
Character representing the queen of the Moors. Appears in mayoral shows.
Personification of zeal. Appears as an allegorical character in mayoral shows.
Personification of meekness. Appears as an allegorical character in mayoral shows.
Personification of simplicity. Appears as an allegorical character in mayoral shows.
Personification of knowledge. Appears as an allegorical character in mayoral shows.
Personification of falsehood. Appears as an allegorical character in mayoral shows.
Personification of impudence. Appears as an allegorical character in mayoral shows.
Personification of barbarism. Appears as an allegorical character in mayoral shows.
Personification of smelling. Appears as an allegorical character in mayoral shows.
Personification of tasting. Appears as an allegorical character in mayoral shows.
Personification of touching. Appears as an allegorical character in mayoral shows.
Personification of hearing. Appears as an allegorical character in mayoral shows.
Personification of seeing. Appears as an allegorical character in mayoral shows.
Personification of gluttony. Appears as an allegorical character in mayoral shows.
Personification of liberality. Appears as an allegorical character in mayoral shows.
Personification of chastity. Appears as an allegorical character in mayoral shows.
Personification of joy. Appears as an allegorical character in mayoral shows.
Personification of safety. Appears as an allegorical character in mayoral shows.
Personification of lies. Appears as an allegorical character in mayoral shows.
Personification of respect. Appears as an allegorical character in mayoral shows.
The
The city of London, not to be confused with the allegorical character (
Soper Lane was located in the Cordwainers Street Ward just west of Walbrook Street and south of Cheapside Street. Soper Lane was home to many of the soap makers and shoemakers of the city (Stow 1:251). Soper Lane was on the processional route for the lord mayor’s shows.
Located on the banks of the Thames, Baynard’s Castle was built sometime
in the by
(Weinreb and Hibbert 129). The castle passed to
who by forfeyture for
fellonie, lost his Baronie of little Dunmow
(Stow 1:61). From the time it was built, Baynard’s Castle was the headquarters of London’s
army until the reign of
when it was handed over to the Dominican Friars,
the Blackfriars whose name is still commemorated along that part of the
waterfront
(Hibbert 10).
Paul’s Chain was a street that ran north-south between St Paul’s Churchyard and Paul’s Wharf, crossing over Carter Lane, Knightrider Street, and Thames Street. It was in Castle Baynard Ward. On the Agas map, it is labelled Paules chayne
. The precinct wall around St. Paul’s Church had six gates, one of which was on the south side by Paul’s Chain. It was here that a chain used to be drawn across the carriage-way entrance in order to preserve silence during church services.
Surrounding St. Paul’s Cathedral, St. Paul’s Churchyard has had a multi-faceted history in use and function, being the location of burial, crime, public gathering, and celebration. Before its destruction during the civil war, St. Paul’s Cross was located in the middle of the churchyard, providing a place for preaching and the delivery of Papal edicts (Thornbury).
St. Paul’s Cathedral was—and remains—an important church in London. In
The Paul’s Cross outdoor preaching station is located in Paul’s Cross Churchyard on the northeast side of St. Paul’s Cathedral. During the early modern period, Paul’s Cross was a site of drama, since the interfaith conflicts of the time were addressed from the pulpit. These sermons were presented by prominent Reformation figures including
Cheapside Street, one of the most important streets in early modern London, ran east-west between the Great Conduit at the foot of Old Jewry to the Little Conduit by St. Paul’s churchyard. The terminus of all the northbound streets from the river, the broad expanse of Cheapside Street separated the northern wards from the southern wards. It was lined with buildings three, four, and even five stories tall, whose shopfronts were open to the light and set out with attractive displays of luxury commodities (Weinreb and Hibbert 148). Cheapside Street was the centre of London’s wealth, with many
The Little Conduit (Cheapside), also known as the Pissing Conduit, stood at the western end of Cheapside Street outside the north corner of Paul’s Churchyard. On the Agas map, one can see two water cans on the ground just to the right of the conduit.
Cheapside Cross (Eleanor Cross), pictured but not labelled on the
Agas map, stood on Cheapside Street between Friday Street and Wood
Street. St. Peter, Westcheap lay to its
west, on the north side of Cheapside Street. The
prestigious shops of
In early modern London, there were two Laurence Lanes: St. Lawrence Poultney Lane, which served as the boundary between Downgate Ward and Candlewick Ward, and St. Laurence Lane, Guildhall which was in Cheap ward (Harben). The latter Laurence Lane, to which this page refers, held great importance in the procession of mayoral pageants. It ran north-south, connecting Cheapside at the south and Cateaton Street (labelled on the Agas map as Ketton St.
) in the north. It ran parallel between Milk Street to the west and Ironmonger Lane to the east. It is drawn correctly on the Agas map and is labelled as S. Laurence lane.
These digital editions are diplomatic transcriptions. Our goal has been to provide clean, readable TEI transcriptions of all the extant mayoral shows from
MoEML transcriptions of the mayoral shows are based intially on the EEBO-TCP transcriptions. A MoEML research assistant or contributing scholar has carefully checked the TCP transcription at least once against the EEBO images (and sometimes against the Early English Books I microfilms when the film is clearer). We silently correct errors in TCP transcriptions and fill in many of the gaps left by TCP transcribers. When we make surmises about characters or supply characters in places where the text has been cropped, damaged, overinked, or underinked, we record our supplied values using
We treat title pages, dedications, and prefaces as front matter, encoded with the Finis
, as back matter, encoded with the
Our practice has been to preserve most of the typographical, orthographical, and compositorial features of the original text. We use CSS styling to describe the peculiarities of font and justification. We also include links to the page images on EEBO; users who subscribe to EEBO may thus view the pages at any point and judge our transcription thereof for themselves.
Our encoders follow these rules for preserving or regularizing the text:
We have interpreted and encoded toponyms, names, and dates. The encoding of toponyms requires some research to point the toponym to the right location file (and thence to the map), but the relative stability of the processional route has meant that we have high confidence in our encoding of toponyms in the mayoral shows. When our encoding has veered into interpretation, such as in our decision to encode abstract nouns as allegorical characters even when it is not completely clear that the abstraction is embodied by an actor, we have encoded with the goal of building analytical capacity into our texts, such as the capacity for users to search for characters like
Our editorial and encoding practices are documented in detail in the Praxis section of our website.
AS often as we ſhall fixe our
thoughts vpon the Almigh
ty
returne to our
capacities
laden with Admiration, ei-
ther from the Diuine workes of his
Mer
cy, or thoſe incomprehenſible of his Iuſtice:
but here to inſtance onely
his Omnipotent
Mercy, it being the Health and Preſer
uation of all his workes:
and firſt not onely
in raiſing, but alſo in preſerving your
from many great
and inſident dangers, e
ſpecially in forraine Countries in the time
of your Youth and Trauels: and now with
Safety, Loue and Triumph, to eſtabliſh
You in
this yeares Honor: crowning the
Perfection of your Daies, & the Grauity
of
your Life, with Power, Reſpect & Re
uerence. Next, in that my ſelfe (though
vnworthy) being of one Name with your
Lordſhip, notwithſtanding all
Oppoſitions
of Malice, Ignorance and Enuy, ſhould
thus happily liue, protected
by part of that
Mercy (as if one Fate did proſperouſly
cleaue to one Name) now
to do Service to
your Fame and Worthineſſe, and my Pen,
onely to be employd in
theſe Bounteous
and Honorable Tryumphs, being but ſha
dowes to thoſe Eternall
Glories that ſtand
ready for Deſeruers, to which I commend
the Deſerts of your
Iuſtice, remaining euer,
THE TRYVMPHSOf Truth.
SEarch all Chronicles, Hiſtories,
Records, in what
language or let
ter ſoeuer; let the inquiſitiue man
waſte the deere Treaſures of
his
Time and Eye-ſight, he ſhall con
clude his life only in this
certain
ty, that there is no ſubiect vpon
earth receiued into the place of
his gouernement with the like State & Magnificence
as is the Lord Maior of
the Citty of London.
This be
ing then infallible (like the Miſtreſſe of our Triumphs)
and not to be
denied of any, how carefull ought thoſe
Gentlemen to be, to whoſe diſcretion and
Iudgement
the weight and charge of ſuch a buſineſſe is entirely
referred and
committed by the whole Society, to haue
all things correſpondent to that Generous and
Noble
freeneſſe of coſt and liberality, the ſtreames of Art, to
æquall thoſe of
Bounty; a Knowledge that may take
the true height of ſuch an Honorable Solemnity; the
miſerable want of both which in the impudent
common Writer, hath often forc’d from me much pitty and
bounty and goodneſſe offering to match it ſelfe with
freezing Art, ſitting in
darkneſſe, with the candle out,
looking like the picture of Blacke Monday.
But to ſpeake truth, which many beſide my ſelfe can
affirme
vpon knowledge, a care that hath beene ſel
dome equal’d, and not eaſily imitated,
hath been faith
fully ſhowne in the whole courſe of this buſineſſe,
both by the
VVardens and Committies, men of much
vnderſtanding, induſtry, and carefulneſſe, little
weigh
ing the greatneſſe of expence, ſo the coſt might pur
chaſe perfection, ſo
feruent hath beene their deſire to
excell in that (which is a learned and vertuous Am
bition) and ſo vnfainedly pure the loues and affecti
ons of the whole Company to
his Lordſhip; If any
ſhall imagine that I ſet fairer colours vpon their
De
ſerts, then they vpon themſelues, let them but reade
and conceiue, and their
owne vnderſtandings will
light them to the acknowledgement of their errors.
Firſt, they may here behold loue and bounty opening
with the morning, earlier
then ſome of former yeares,
ready at the firſt appearing of his Lordſhip, to giue
his eare a taſte of the dayes ſucceeding glory, and thus
the forme of it
preſents it ſelfe.
At Soper-lane end a Senate-houſe erected, vpon which Muſitians ſit playing; and more to
quicken time, aſweet voyce married to theſe words:
After this ſweet aire hath liberally ſpent it ſelfe, at
the firſt appearing of the Lord Maior from Guild-hall
in the morning, a Trumpet plac’d vpon that Scaffold,
ſounds forth his welcome;
then after a ſtraine or two
of Muſicke, a Graue Fœminine Shape preſents it ſelfe,
from behinde a ſilke curtaine, repreſenting
tired like a reuerend Mother, a long
white haire na
turally flowing on either ſide of her: on her head a
modell of
Steeples and Turrets, her habite Crimſon
ſilke, neere to the Honourable garment of
the Citty:
her left hand holding a Key of gold, who after a come
ly grace,
equally mixt with Comfort and Reuerence,
ſends from her lips this Motherly
ſalutation.
Then making her Honour, as before, the Waites of
the Citty
there in ſeruice, his Lordſhip and the Wor
thy Company, are lead forward toward the
water ſide,
where you ſhall finde the Riuer deck’t in the richeſt
glory to
receiue him; vpon whoſe Chriſtall Boſome
ſtand fiue Iſlands art-fully garniſhed with
all manner
of Indian Fruite-Trees, Drugges, Spiceries, and the
like, the middle
Iſland with a faire Caſtle eſpecially
beautified.
But making haſte to returne to the Citty againe,
where
Triumph waites in more Splendor and Magni
ficence, the firſt then that attends to
receiue his Lord
ſhip off the water at Bainards Caſtle, is
on Horſe-backe, his Raiment of white Silke powdred
with Starres of Gold: on his
head a Crowne of Gold,
a Trumpeter before him on Horſe-backe, and
the Champion of
coloured Silke, with a bright haire on his head, from
which ſhoot
Fire-beames, following cloſe after him,
mounted alike, his Right hand holding a
flaming
Scourge, intimating thereby that as hee is the mani
feſter of
and
The Trumpet then ſounding, the
ranke themſelues iuſt before his Lordſhip, & conduct
him to Pauls-chaine,
where in the South-yard
in a Chariot with his infernall Miniſters attends to aſ
ſault him, his Garment
of Aſh-colour Silke, his head
rowld in a cloud, ouer which ſtands, an Owle, a Moale
on one ſhoulder, a Bat on the other, all Symboles of
blinde Ignorance
and Darkneſſe, Miſts hanging at his
Eyes: cloſe before him rides
ting of a humane heart,
mounted on a Rhenoceros, at
tired in Red Silke,
ſutable to the bloudineſſe of her
manners, her left Pap bare, where a Snake faſtens, her
Armes halfe Naked, holding in
her right hand a Dart
tincted in bloud.
pudẽce
ment, and makes way for the Chariot wherein
his Miſtreſſe ſits, in a
cloſe garment of white Sattin,
which makes her appeare thin and naked,
figuring
thereby her ſimplicity and neereneſſe of heart to
thoſe that embrace her;
a roabe of white ſilke caſt
ouer it, fil’d with the eies of Eagles, ſhewing her
deep
inſight, and height of wiſedome, ouer her thrice ſan
ctified head a milke-white
Doue, and on each ſhoul
der one, the ſacred Emblemes of Purity, Meekeneſſe,
and
Innocency, vnder her Feete, Serpents, in that ſhe
treads downe all Subtelty and Fraud,
her Fore-head
empal’d with a Diadem of Stars, the Witneſſe of her
Eternall
deſcent; on her Breaſt a pure round Criſtall,
ſhowing the brightneſſe of her thoughts
and actions;
a Sun in her Right-hand, then which, nothing is truer,
a fan fild all
with Starres in her left, with which ſhe
parts Darkeneſſe, and ſtrikes away the
vapours of Ig
norance; if you hearken to
his holy anger is paſt againſt
will giue it you in better tearmes, or at leaſt
more
ſmoothly and pleaſingly.
Theſe words ended, they all ſet forward, this Chariot
of
Vertues, taking place next
before his Lord-ſhip,
and the
lowing as neere as it can get, all paſſing on, till they
come into Pauls Church-yard, where
ſtand ready the
fiue Ilands, thoſe dumbe Glories that I ſpake of be
fore vpon the
water, vpon the height of theſe fiue
Ilands ſit fiue perſons repreſenting the fiue
Sences,
their proper Emblemes, Aquila, Ceruus, Araneus,Simia, Canis, an Eagle, a
Hart, a Spider, an Ape, aDogge.
No ſooner can your eyes take leaue of theſe, but
they may
ſuddenly eſpy a ſtrange Ship making to
ward, and that which may raiſe greater
aſtoniſhment,
it hauing neither Saylor nor Pilot, onely vpon a
white ſilke
ſtreamer theſe two words ſet in letters of
Gold, Veritate Gubernor, I am Steer’d by Truth; the
All in the Shippe and thoſe in the Caſtle bowing
their
bodies to the Temple of Saint Paul, but
ſmiling
betwixt Scorne and Anger to ſee ſuch a de
uout humility take hold of that complexion,
breakes
into theſe,
But
Daughters
Chariot, attir’d agree-able to his Conditi
on, with his Hower-glaſſe, Wings, and
Sithe, Know
ing beſt himſelfe when it is fitteſt to ſpeake, goes for
ward in this
manner:
Then the fiue Ilands paſſe along into Cheape-ſide,
the Ship next after them; the Chariot of
before
his Lord-ſhip, and that of
fore it, where their Eies meete
with another more ſub
tile Obiect, planting it ſelfe cloſe by the little
Con
duite, which may beare this Character, the True
Forme and Faſhion of a Mount
Triumphant, but the
Beauty and Glory thereof ouer-ſpred with a thicke
Sulphurous
Darkeneſſe, it being a Fog or Miſt raiſde
from
beares the Title Londons Triumphant Mount
(the
chiefe Grace and Luſter of the whole Triumph) at
the foure corners ſit foure
Monſters Errors Diſciples,
At this her
powerfull command, the Cloude
ſuddenly riſes, and changes into a
bright ſpred
ding Canopy, ſtucke thicke with Starres, and
beames of Gold,
ſhooting forth round about it,
the Mount appearing then moſt rich in Beauty and
Glory, the foure Monſters falling flat at the Foote of
the Hill; that graue
Fœminine Shape, figuring
ſitting in greateſt Honour; next aboue her in the moſt
eminent place, ſits
ple on her Head, and a burning Lampe in her Hand,
the proper Emblemes
of her Sanctity, Watchfulneſſe,
and Zeale; on her right Hand ſits
circled with a Wreath of
Gold, in her hand a Cornucopia, or
other blind-fold; on her left ſide ſits
his proper Seate being neereſt the Heart, wearing vp
on
his Head a wreath of white and red Roſes mingled
together, the Antient Witneſſe of
Peace, Loue,
and Vnion, wherein conſiſts the Happineſſe of
this Land, his
hand a white Silke Banner with a red Croſſe, a Lambe
at her Feet, by which both
their Conditions are ſuffi
ciently expreſt; The Mount thus made glorious by
the
Power of
ſpeakes.
At which Words the whole Triumph moues in his
richeſt
glory toward the Croſſe in Cheape, at which
place
ſo chaced away, falles into this Fury.
At which the Miſt falles againe, and hangs ouer all
the
Beauty of the Mount, not a Perſon of Glory ſeene,
onely the foure Monſters gather
courage againe, and
take their Seates, aduancing their Clubs aboue their
Heads,
which no ſooner percieu’d, but
Chariot making neere to the place, willing ſtill to reſ
cue her Friends and
Seruants, from the Powers of Ig
norance and Darkneſſe, makes vſe of theſe Words,
Then the Cloud diſperſing it ſelfe againe, and all the
Mount appearing Glorious, it paſſeth ſo on to the
Standard, about which place, by Elaborate action from
to S. Laurence lane end, where by the former
words by
gratefully requites her Goodneſſe.
hand a Sphære, on the other, two Billing Turtles,
giues theſe words.
This Speech ſo ended, his Lordſhip and the Com
panies
paſſe on to Guild-hall; and at their Returning
backe, theſe Triumphs attend to bring his Lordſhip
toward Saint Pauls Church, there to performe thoſe
yearely Ceremoniall Rites, which Antient and Graue
Order hath determined,
and in Action to drawe Darkneſſe often vpon that
Mount of Triumph, which
by
perſt: then all
returning homewards full of Beauty and
Brightneſſe, this Mount and the Chariot of
both plac’d neere to the Entrance of his
Lordſhips
Gate, neere Leaden-hall;
Mount firſt giues vtterance to theſe words,
Truths Chariot, ſeeming to
head circled with
ſtrange Fires, appeares to his Mi
ſtreſſe, and thus ſpeaks:
At which, a Flame ſhootes from the Head of
which faſtening vpon that Cariot of
Fire, and all the Beaſts that are
ioynde to it.
The Fire-worke being made by Maiſter
phrey Nichols
whole Worke and Body of the Triumph, with all the
proper Beauties af
the Workemanſhip moſt Artfully
and Faithfully performed by
furniſhed with Apparrell
and Porters by
Monday
This proud Seate of
in Imbers, (being a Figure or Type of his Lord-ſhips
Iuſtice on all wicked offenders in the Time of his
Gouernement,) I now conclude,
holding it a
more learned Diſcretion to ceaſe of my
ſelfe, then to haue
rudely, and now let him
ſtrike
at his pleaſure.
BASSVS.