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                    <name ref="#CHAP2">George Chapman</name>
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                    <name ref="#JONS1">Ben Jonson</name>
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                    <name ref="#CHER1">Melanie Chernyk</name>
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                    <name ref="#CHER1">Melanie Chernyk</name>
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                    <name ref="#LEBE1">Kate LeBere</name>
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                    <name ref="#LEBE1">Kate LeBere</name>
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                <respStmt>
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                    <name ref="#LEBE1">Kate LeBere</name>
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                    <resp ref="#pfr">Transcription Proofreader<date>2021</date></resp>
                    <name ref="#LEBE1">Kate LeBere</name>
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                <respStmt>
                    <resp ref="#dtm">Data Manager<date/></resp>
                    <name ref="#LAND2">Tye Landels</name>
                </respStmt>
                <respStmt>
                    <resp ref="#prg">Junior Programmer<date/></resp>
                    <name ref="#TAKE1">Joey Takeda</name>
                </respStmt>
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                    <name ref="#HOLM3">Martin Holmes</name>
                </respStmt>
                <respStmt>
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                    <name ref="#MCFI1">Kim McLean-Fiander</name>
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        <addrLine>Department of English</addrLine>
        <addrLine>P.O.Box 3070 STNC CSC</addrLine>
        <addrLine>University of Victoria</addrLine>
        <addrLine>Victoria, BC</addrLine>
        <addrLine>Canada</addrLine>
        <addrLine>V8W 3W1</addrLine>
    </address><date>2016</date><distributor>University of Victoria</distributor><idno type="ISBN">978-1-55058-519-3</idno><authority>
          <name ref="#JENS1">Janelle Jenstad</name>
          <ref target="mailto:london@uvic.ca">london@uvic.ca</ref>
        </authority><availability>
            <p>Copyright held by <title level="m">The Map of Early Modern London</title> on behalf of the contributors.</p>
            <licence target="http://creativecommons.org/licenses/by-sa/4.0/">
              <p>This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. </p>
            </licence>
            <p>Further details of licences are available from our
              <ref target="licence.xml">Licences</ref> page. For more
              information, contact the project director, <name ref="#JENS1">Janelle Jenstad</name>, for
              specific information on the availability and licensing of content
              found in files on this site.</p>
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<bibl type="ris"><code>Provider: University of Victoria
Database: The Map of Early Modern London
Content: text/plain; charset="utf-8"

TY  - ELEC
A1  - Chapman, George
A1  - Jonson, Ben
A1  - Marston, John
ED  - Jenstad, Janelle
T1  - Excerpts from Eastward Ho!
T2  - The Map of Early Modern London
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PY  - 2022
DA  - 2022/05/05
CY  - Victoria
PB  - University of Victoria
LA  - English
UR  - https://mapoflondon.uvic.ca/edition/7.0/EAST3.htm
UR  - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/EAST3.xml
ER  - </code></bibl>
<bibl type="mla"><author><name ref="#CHAP2"><name type="surname">Chapman</name>, <name type="forename">George</name></name></author>, <author><name ref="#JONS1"><name type="forename">Ben</name> <name type="surname">Jonson</name></name></author>, and <author><name ref="#MARS7"><name type="forename">John</name> <name type="surname">Marston</name></name></author>. <title level="a">Excerpts from <title level="m">Eastward Ho!</title></title> <title level="m">The Map of Early Modern London</title>, Edition <edition>7.0</edition>, edited by <editor><name ref="#JENS1"><name type="forename">Janelle</name> <name type="surname">Jenstad</name></name></editor>, <publisher>U of Victoria</publisher>, <date>05 May 2022</date>, <ref target="https://mapoflondon.uvic.ca/edition/7.0/EAST3.htm">mapoflondon.uvic.ca/edition/7.0/EAST3.htm</ref>.</bibl>
<bibl type="chicago"><author><name ref="#CHAP2"><name type="surname">Chapman</name>, <name type="forename">George</name></name></author>, <author><name ref="#JONS1"><name type="forename">Ben</name> <name type="surname">Jonson</name></name></author>, and <author><name ref="#MARS7"><name type="forename">John</name> <name type="surname">Marston</name></name></author>. <title level="a">Excerpts from <title level="m">Eastward Ho!</title></title> <title level="m">The Map of Early Modern London</title>, Edition <edition>7.0</edition>. Ed. <editor><name ref="#JENS1"><name type="forename">Janelle</name> <name type="surname">Jenstad</name></name></editor>. <pubPlace>Victoria</pubPlace>: <publisher>University of Victoria</publisher>. Accessed <date>May 05, 2022</date>. <ref target="https://mapoflondon.uvic.ca/edition/7.0/EAST3.htm">mapoflondon.uvic.ca/edition/7.0/EAST3.htm</ref>.</bibl>
<bibl type="apa"><author><name><name type="surname">Chapman</name>, <name type="forename">G.</name></name></author>, <author><name><name type="surname">Jonson</name>, <name type="forename">B.</name></name></author>, &amp; <author><name><name type="surname">Marston</name>, <name type="forename">J.</name></name></author> <date>2022</date>. <title>Excerpts from <title level="m">Eastward Ho!</title></title> In <editor><name ref="#JENS1"><name type="forename">J.</name> <name type="surname">Jenstad</name></name></editor> (Ed), <title level="m">The Map of Early Modern London</title> (Edition <edition>7.0</edition>). <pubPlace>Victoria</pubPlace>: <publisher>University of Victoria</publisher>. Retrieved  from <ref target="https://mapoflondon.uvic.ca/edition/7.0/EAST3.htm">https://mapoflondon.uvic.ca/editions/7.0/EAST3.htm</ref>.</bibl>
</listBibl></note><note n="personography"><list type="person"><item xml:id="LEBE1">
      <name type="person">
       <reg>Kate LeBere</reg>
       <name type="forename">Kate</name>
       <name type="surname">LeBere</name>
       <abbr>KL</abbr>
      </name>
      <note>
       <p>Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in <title level="j">The Corvette</title> (2018), <title level="j">The Albatross</title> (2019), and <title level="j">PLVS VLTRA</title> (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s <title level="m">Survey of London</title>, old-spelling anthology of mayoral shows, and old-spelling library texts. She authored the MoEML’s first Project Management Manual and <soCalled>quickstart</soCalled> guidelines for new employees and helped standardize the Personography and Bibliography. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.</p>
      </note>
     </item><item xml:id="ELHA1">
      <name type="person">
       <reg>Tracey El Hajj</reg>
       <name type="forename">Tracey</name>
       <name type="surname">El Hajj</name>
       <abbr>TEH</abbr>
      </name>
      <note>
       <p>Junior Programmer 2018-2020. Research Associate 2020-2021. Tracey received her PhD from the Department of English at the University of Victoria in the field of Science and Technology Studies. Her research focuses on the <term>algorhythmics</term> of networked communications. She was a 2019-20 President’s Fellow in Research-Enriched Teaching at UVic, where she taught an advanced course on <title level="a">Artificial Intelligence and Everyday Life.</title> Tracey was also a member of the <title level="m">Linked Early Modern Drama Online</title> team, between 2019 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.</p>
      </note>
     </item><item xml:id="TAKE1">
      <name type="person">
       <reg>Joey Takeda</reg>
       <name type="forename">Joey</name>
       <name type="surname">Takeda</name>
       <abbr>JT</abbr>
      </name>
      <note>
       <p>Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017.
        Joey Takeda was a graduate student at the University of British Columbia in the Department
        of English (Science and Technology research stream). He completed his BA honours in English
        (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary
        research interests included diasporic and indigenous Canadian and American literature,
        critical theory, cultural studies, and the digital humanities.</p>
      </note>
     </item><item xml:id="LAND2">
      <name type="person">
       <reg>Tye Landels-Gruenewald</reg>
       <name type="forename">Tye</name>
       <name type="surname">Landels-Gruenewald</name>
       <abbr>TLG</abbr>
      </name>
      <note>
       <p>Data Manager, 2015-2016. Research Assistant, 2013-2015. Tye completed his undergraduate
        honours degree in English at the University of Victoria in 2015.</p>
      </note>
     </item><item xml:id="CHER1">
      <name type="person">
       <reg>Melanie Chernyk</reg>
       <name type="forename">Melanie</name>
       <name type="surname">Chernyk</name>
       <abbr>MJC</abbr>
      </name>
      <note>
       <p>Research Assistant, 2004–2008. BA honours, 2006. MA English, University of Victoria, 2007.
        Melanie Chernyk went on to work at the <ref target="http://etcl.uvic.ca/">Electronic Textual
         Cultures Lab</ref> at the University of Victoria and now manages Talisman Books and Gallery
        on Pender Island, BC. She also has her own editing business at <ref target="http://26letters.ca/">http://26letters.ca</ref>.</p>
      </note>
     </item><item xml:id="MCFI1">
      <name type="person">
       <reg>Kim McLean-Fiander</reg>
       <name type="forename">Kim</name>
       <name type="surname">McLean-Fiander</name>
       <abbr>KMF</abbr>
      </name>
      <note>
       <p>Director of Pedagogy and Outreach, 2015–2020. Associate Project Director, 2015.
        Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes
        to <title level="m">The Map of Early Modern London</title> from the <ref target="http://cofk.history.ox.ac.uk/"><title level="m">Cultures of Knowledge</title></ref>
        digital humanities project at the <ref target="http://www.ox.ac.uk/">University of
         Oxford</ref>, where she was the editor of <ref target="http://emlo.bodleian.ox.ac.uk/"><title level="m">Early Modern Letters Online</title></ref>, an open-access union
        catalogue and editorial interface for correspondence from the sixteenth to eighteenth
        centuries. She is currently Co-Director of a sister project to <ref target="http://emlo.bodleian.ox.ac.uk/"><title level="m">EMLO</title></ref> called <title level="m">Women’s Early Modern Letters Online</title> (<ref target="http://wemlo.net/"><title level="m">WEMLO</title></ref>). In the past, she held an internship with the
        curator of manuscripts at the <ref target="https://www.folger.edu/">Folger Shakespeare
         Library</ref>, completed a doctorate at <ref target="http://www.ox.ac.uk/">Oxford</ref> on
        paratext and early modern women writers, and worked a number of years for the <ref target="http://www.bodleian.ox.ac.uk/">Bodleian Libraries</ref> and as a freelance editor.
        She has a passion for rare books and manuscripts as social and material artifacts, and is
        interested in the development of digital resources that will improve access to these
        materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim
        has always loved both London and maps, and so is particularly delighted to be able to bring
        her early modern scholarly expertise to bear on the MoEML project.</p>
      </note>
     </item><item xml:id="JENS1">
      <name type="person">
       <reg>Janelle Jenstad</reg>
       <name type="forename">Janelle</name>
       <name type="surname">Jenstad</name>
       <abbr>JJ</abbr>
      </name>
      <note>
       <p>Janelle Jenstad is Associate Professor of English at the University of Victoria, Director
        of <title level="m">The Map of Early Modern London</title>, and PI of <title level="m">Linked Early Modern Drama Online</title>. She has taught at Queen’s University, the Summer
        Academy at the Stratford Festival, the University of Windsor, and the University of
        Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited <title level="m">Shakespeare’s Language in Digital Media</title> (<ref target="https://www.routledge.com/Shakespeares-Language-in-Digital-Media-Old-Words-New-Tools/Jenstad-Kaethler-Roberts-Smith/p/book/9781472427977">Routledge</ref>). She has prepared a documentary edition of John Stow’s <title level="m">A
         Survey of London</title> (1598 text) for MoEML and is currently editing <title level="m">The Merchant of Venice</title> (with Stephen Wittek) and Heywood’s <title level="m">2 If
         You Know Not Me You Know Nobody</title> for DRE. Her articles have appeared in <title level="j">Digital Humanities Quarterly</title>, <title level="j">Renaissance and
         Reformation</title>,<title level="j">Journal of Medieval and Early Modern Studies</title>,
         <title level="j">Early Modern Literary Studies</title>, <title level="j">Elizabethan
         Theatre</title>, <title level="j">Shakespeare Bulletin: A Journal of Performance
         Criticism</title>, and <title level="j">The Silver Society Journal</title>. Her book
        chapters have appeared (or will appear) in <title level="m">Institutional Culture in Early
         Modern Society</title> (Brill, 2004), <title level="m">Shakespeare, Language and the Stage,
         The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre
         Studies</title> (Arden/Thomson Learning, 2005), <title level="m">Approaches to Teaching
         Othello</title> (Modern Language Association, 2005), <title level="m">Performing Maternity
         in Early Modern England</title> (Ashgate, 2007), <title level="m">New Directions in the
         Geohumanities: Art, Text, and History at the Edge of Place</title> (Routledge, 2011), Early
        Modern Studies and the Digital Turn (Iter, 2016), <title level="m">Teaching Early Modern
         English Literature from the Archives</title> (MLA, 2015), <title level="m">Placing Names:
         Enriching and Integrating Gazetteers</title> (Indiana, 2016), <title level="m">Making
         Things and Drawing Boundaries</title> (Minnesota, 2017), and <title level="m">Rethinking
         Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies</title>
        (Routledge, 2018).</p>
      </note>
     </item><item xml:id="HOLM3">
      <name type="person">
       <reg>Martin D. Holmes</reg>
       <name type="forename">Martin</name>
       <name type="forename">D.</name>
       <name type="surname">Holmes</name>
       <abbr>MDH</abbr>
      </name>
      <note>
       <p>Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC).
        Martin ported the MOL project from its original PHP incarnation to a pure eXist database
        implementation in the fall of 2011. Since then, he has been lead programmer on the project
        and has also been responsible for maintaining the project schemas. He was a co-applicant on
        MoEML’s 2012 SSHRC Insight Grant.</p>
      </note>
     </item><item xml:id="CHAP2">
      <name type="person">
       <reg>George Chapman</reg>
       <name type="forename">George</name>
       <name type="surname">Chapman</name>
      </name>
      <note>
       <p>Playwright, translator, and poet.</p>
       <list type="links">
        <item><ref target="https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-5118"><title level="m">ODNB</title></ref></item>
        <item><ref target="https://en.wikipedia.org/wiki/George_Chapman"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </item><item xml:id="GELD1">
      <name type="person">
       <reg>George Eld</reg>
       <name type="forename">George</name>
       <name type="surname">Eld</name>
      </name>
   <date type="death">1624/25</date>
      <note><p>Printer.</p>
       <list type="links">
        <item><ref target="http://bbti.bodleian.ox.ac.uk/details/?traderid=22243"><title level="m">BBTI</title></ref></item>
        <item><ref target="https://en.wikipedia.org/wiki/George_Eld"><title level="m">Wikipedia</title></ref></item>
       </list></note>
     </item><item xml:id="ASPL1">
      <name type="person">
       <reg>William Aspley</reg>
       <name type="forename">William</name>
       <name type="surname">Aspley</name>
      </name>
      <note><p>Bookseller.</p>
       </note>
     </item><item xml:id="FLAS1">
      <name type="person">
       <reg>Sir Petronel Flash</reg>
       <name type="personRoleName">Sir</name>
       <name type="forename">Petronel</name>
       <name type="surname">Flash</name>
      </name>
      <note>
       <p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>, <name ref="#CHAP2">George Chapman</name>, and <name ref="#MARS7">John Marston</name>’s <title level="m">Eastward Ho!</title></p>
      </note>
     </item><item xml:id="JONS1">
      <name type="person">
       <reg>Ben Jonson</reg>
       <name type="forename">Ben</name>
       <name type="surname">Jonson</name>
      </name>
      <date type="birth">1572/73</date>
      <date type="death">1637/38</date>
      <note>
       <p>Poet and playwright.</p>
       <list type="links">
        <item><ref target="https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-15116"><title level="m">ODNB</title></ref></item>
        <item><ref target="https://en.wikipedia.org/wiki/Ben_Jonson"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </item><item xml:id="MARS7">
      <name type="person">
       <reg>John Marston</reg>
       <name type="forename">John</name>
       <name type="surname">Marston</name>
      </name>
      <note>
       <p>Playwright and poet.</p>
       <list type="links">
        <item><ref target="https://www.britannica.com/biography/John-Marston"><title level="m">EB</title></ref></item>
        <item><ref target="https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-18164"><title level="m">ODNB</title></ref></item>
        <item><ref target="https://en.wikipedia.org/wiki/John_Marston_(poet)"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </item><item xml:id="SATA1">
      <name type="person">
       <reg>Satan</reg>
       <name type="forename">Satan</name>
       <name type="personAddName">Lucifer</name>
      </name>
      <note>
       <p>Principal devil in the Bible.</p>
       <list type="links">
        <item><ref target="https://en.wikipedia.org/wiki/Satan"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </item><item xml:id="SLIT1">
      <name type="person">
       <reg>Slitgut</reg>
       <name type="forename">Slitgut</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>, <name ref="#CHAP2">George Chapman</name>, and <name ref="#MARS7">John Marston</name>’s <title level="m">Eastward Ho!</title></p>
      </note>
     </item><item xml:id="SECU1">
      <name type="person">
       <reg>Security</reg>
       <name type="forename">Security</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>, <name ref="#CHAP2">George Chapman</name>, and <name ref="#MARS7">John Marston</name>’s <title level="m">Eastward Ho!</title></p>
      </note>
     </item><item xml:id="FANG2">
      <name type="person">
       <reg>Fangs</reg>
       <name type="forename">Fangs</name>
      </name>
      <note><p>Appears in <name ref="#JONS1">Ben Jonson</name>, <name ref="#CHAP2">George Chapman</name>, and <name ref="#MARS7">John Marston</name>’s <title level="m">Eastward Ho!</title></p>
      </note>
     </item><item xml:id="GOLD13">
      <name type="person">
       <reg>Golding</reg>
       <name type="forename">Golding</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>, <name ref="#CHAP2">George Chapman</name>, and <name ref="#MARS7">John Marston</name>’s <title level="m">Eastward Ho!</title></p></note>
     </item><item xml:id="QUIC3">
      <name type="person">
       <reg>Francis Quicksilver</reg>
       <name type="forename">Francis</name>
       <name type="surname">Quicksilver</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>, <name ref="#CHAP2">George Chapman</name>, and <name ref="#MARS7">John Marston</name>’s <title level="m">Eastward Ho!</title></p></note>
     </item><item xml:id="TOUC3">
      <name type="person">
       <reg>Touchstone</reg>
       <name type="surname">Touchstone</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>, <name ref="#CHAP2">George Chapman</name>, and <name ref="#MARS7">John Marston</name>’s <title level="m">Eastward Ho!</title></p></note>
     </item><item xml:id="MILD2">
      <name type="person">
       <reg>Mildred</reg>
       <name type="forename">Mildred</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>, <name ref="#CHAP2">George Chapman</name>, and <name ref="#MARS7">John Marston</name>’s <title level="m">Eastward Ho!</title></p></note>
     </item><item xml:id="SEAG1">
      <name type="person">
       <reg>Captain Seagull</reg>
       <name type="personAddName">Captain</name>
       <name type="forename">Seagull</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>, <name ref="#CHAP2">George Chapman</name>, and <name ref="#MARS7">John Marston</name>’s <title level="m">Eastward Ho!</title></p></note>
     </item><item xml:id="BRAM5">
      <name type="person">
       <reg>Bramble</reg>
       <name type="forename">Bramble</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>, <name ref="#CHAP2">George Chapman</name>, and <name ref="#MARS7">John Marston</name>’s <title level="m">Eastward Ho!</title></p></note>
     </item><item xml:id="WINI1">
      <name type="person">
       <reg>Winifred</reg>
       <name type="forename">Winifred</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>, <name ref="#CHAP2">George Chapman</name>, and <name ref="#MARS7">John Marston</name>’s <title level="m">Eastward Ho!</title></p></note>
     </item><item xml:id="WOLF5">
      <name type="person">
       <reg>Wolf</reg>
       <name type="forename">Wolf</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>, <name ref="#CHAP2">George Chapman</name>, and <name ref="#MARS7">John Marston</name>’s <title level="m">Eastward Ho!</title></p></note>
     </item><item xml:id="DRAW1">
      <name type="person">
       <reg>Drawer</reg>
       <name type="forename">Drawer</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>, <name ref="#CHAP2">George Chapman</name>, and <name ref="#MARS7">John Marston</name>’s <title level="m">Eastward Ho!</title></p></note>
     </item><item xml:id="GERT1">
      <name type="person">
       <reg>Gertrude</reg>
       <name type="surname">Gertrude</name>
      </name>
      <note><p>Dramatic character in <name ref="#JONS1">Ben Jonson</name>, <name ref="#CHAP2">George Chapman</name>, and <name ref="#MARS7">John Marston</name>’s <title level="m">Eastward Ho!</title></p></note>
     </item><item xml:id="STLU1">
      <name type="person">
       <reg>Luke the Evangelist</reg>
       <name type="personAddName">the Evangelist</name>
      </name>
      <note>
       <p>One of the ascribed authors of the canonical gospels in the Bible.</p>
       <list type="links">
        <item><ref target="https://en.wikipedia.org/wiki/Luke_the_Evangelist"><title level="m">Wikipedia</title></ref></item>
       </list>
      </note>
     </item></list><list type="org"><item xml:id="GOLD3">
            <name type="org">Worshipful Company of Goldsmiths<reg>Goldsmiths’ Company</reg></name>
            <note><p>The <name type="org" ref="#GOLD3">Goldsmiths’ Company</name> was one of the
                twelve great companies of <ref target="LOND5.xml">London</ref>. The <name type="org" ref="#GOLD3">Goldsmiths</name> were fifth in the order of precedence
                established in <date>1515</date>. The <name type="org" ref="#GOLD3">Worshipful Company of Goldsmiths</name> is still active and maintains a website
                at <ref target="https://www.thegoldsmiths.co.uk/">https://www.thegoldsmiths.co.uk/</ref> that includes a <ref target="https://www.thegoldsmiths.co.uk/company/">history of the company</ref> and
                explains the company’s role in the annual <ref target="https://www.thegoldsmiths.co.uk/company/today/trial-pyx/">Trial of the
                  Pyx.</ref></p>
              <figure type="halfWidth">
                <graphic url="graphics/livery_company_crests/Goldsmiths_sm.jpg"/>
                <figDesc>The coat of arms of the <name type="org" ref="#GOLD3">Goldsmiths’
                    Company</name>, from <ref type="bibl" target="BIBL1.xml#STOW16">Stow (1633)</ref>.
                    <ref target="graphics/livery_company_crests/Goldsmiths.jpg">[Full size
                    image]</ref></figDesc>
              </figure>
            </note>
          </item></list></note></notesStmt><sourceDesc><bibl>Source: <name ref="#CHAP2">Chapman, George</name>, <name ref="#JONS1">Ben Jonson</name>, and <name ref="#MARS7">John Marston</name>. <title level="m">Eastward hoe As it was playd in the Black-friers</title>. London: <name ref="#GELD1">George Eld</name> for <name ref="#ASPL1">William Aspley</name>, <date>1605</date>. STC <idno type="STC">4971</idno>. The last page has been supplied from STC <idno type="STC">4973</idno>.</bibl>
<listBibl>
<bibl xml:id="CHAP10" type="prim">
            <author><name ref="#CHAP2">Chapman, George</name></author>, <author><name ref="#JONS1">Ben Jonson</name></author>, and <author><name ref="#MARS7">John
                Marston</name></author>. <title level="m">Eastvvard hoe</title>. London: George Eld for William Aspley, <date>1605</date>. STC <idno type="STC">4973</idno>.</bibl>
</listBibl>

<list type="place">
<item xml:id="CHRI1">
<name type="place">Christ Church</name>
<note>
Information is not yet available.
<lb/>(<ref target="CHRI1.xml">CHRI1.xml</ref>)
</note>
</item>

<item xml:id="MOOR1">
<name type="place">Moorfields</name>
<note>
<p>A low-lying marshy area just northeast of <ref target="MOOR2.xml">Moorgate</ref> and on the way to the <ref target="CURT1.xml">Curtain</ref>, <ref target="#MOOR1">Moorfields</ref> was home to a surprising range of activities and accompanying cultural associations in early modern <ref target="LOND5.xml">London</ref>. Beggars and the mentally ill patients of neighbouring <ref target="BETH1.xml">Bethlehem Hospital</ref> often frequented the area. Some used the public space to bleach and dry linen, and the <name ref="ORGS1.xml#ARTI5" type="org">Honorable Artillery Company</name> also used it as an official training ground.  <ref target="#MOOR1">Moorfields</ref> was even a popular suburban destination for ice skating when its water froze during the winter. <ref target="#MOOR1">Moorfields</ref> was generally <q>full of noysome waters</q> (<ref target="BIBL1.xml#STOW1" type="bibl">Stow 2:77</ref>) until <date>1605–1607</date>, when it was successfully drained, levelled, and beautified with tree-lined pedestrian pathways. At this point, it transformed into a fashionable place for the genteel to see and to be seen. The history of <ref target="#MOOR1">Moorfields</ref> provides insight into social, political, environmental, and medical issues in early modern <ref target="LOND5.xml">London</ref>.</p>
<lb/>(<ref target="MOOR1.xml">MOOR1.xml</ref>)
</note>
</item>

<item xml:id="STMA47">
<name type="place">St. Mary Le Bow</name>
<note>
Information is not yet available.
<lb/>(<ref target="STMA47.xml">STMA47.xml</ref>)
</note>
</item>

<item xml:id="KING4">
<name type="place">King’s Bench</name>
<note>
Information is not yet available.
<lb/>(<ref target="KING4.xml">KING4.xml</ref>)
</note>
</item>

<item xml:id="FLEE4">
<name type="place">Fleet Prison</name>
<note>
Information is not yet available.
<lb/>(<ref target="FLEE4.xml">FLEE4.xml</ref>)
</note>
</item>

<item xml:id="COUN1">
<name type="place">Wood Street Counter</name>
<note>
Information is not yet available.
<lb/>(<ref target="COUN1.xml">COUN1.xml</ref>)
</note>
</item>

<item xml:id="SOUT4">
<name type="place">Southwark Counter</name>
<note>
Information is not yet available.
<lb/>(<ref target="SOUT4.xml">SOUT4.xml</ref>)
</note>
</item>

<item xml:id="BLUE2">
<name type="place">Blue Anchor</name>
<note>

                <p><!-- Add your abstract here. --></p>
            
<lb/>(<ref target="BLUE2.xml">BLUE2.xml</ref>)
</note>
</item>

<item xml:id="BILL1">
<name type="place">Billingsgate</name>
<note>
<p>
            <ref target="#BILL1">Billingsgate</ref> (<ref target="#BILL1">Bylynges gate</ref> or <ref target="#BILL1">Belins Gate</ref>), a water-gate and harbour located on the north side
            of the Thames between <ref target="#LOND1">London Bridge</ref>
            and the <ref target="TOWE5.xml">Tower of London</ref>, was
            <ref target="LOND5.xml">London</ref>’s principal dock in <name ref="PERS1.xml#SHAK1">Shakespeare</name>’s day. Its age and the origin of its name are uncertain.
            It was probably built ca. 1000 in response to the rebuilding of <ref target="#LOND1">London Bridge</ref> in the tenth or
            eleventh century.</p>
<lb/>(<ref target="BILL1.xml">BILL1.xml</ref>)
</note>
</item>

<item xml:id="CUCK1">
<name type="place">Cuckold’s Haven</name>
<note>
<p><ref target="#CUCK1">Cuckold’s Haven</ref> or <ref target="#CUCK1">Cuckold’s Point</ref> and the horn-topped pole that stood on the banks of the <ref target="#THAM2">Thames</ref> were notorious in early modern <ref target="LOND5.xml">London</ref>. The location was known for adultery both committed and threatened, and was referred to widely in the period’s literature. The Horne Faire of Charlton celebrated the association of the site with an act of cuckoldry involving <name ref="PERS1.xml#JOHN1">King John</name>. Cuckoldry had its own vocabulary at the time, reflecting both the anxieties of the social structure and the difference in moral perceptions from our present time. The landmark is no longer present but renewed interest in the site and a revival of the Horne Faire in Horn Fair Park has begun in recent years.</p>
<lb/>(<ref target="CUCK1.xml">CUCK1.xml</ref>)
</note>
</item>

<item xml:id="LOND1">
<name type="place">London Bridge</name>
<note>

      <p>As the only bridge in <ref target="LOND5.xml">London</ref> crossing the <ref target="#THAM2">Thames</ref> until <date>1729</date>,
          <ref target="#LOND1">London Bridge</ref> was a focal point of the city. After its conversion from wood to stone, completed in <date>1209</date>,
          the bridge housed a variety of structures, including a chapel and a growing number of shops. The bridge was famous for the cityʼs grisly practice of displaying traitorsʼ heads on poles above its <ref target="GATE7.xml">gatehouses</ref>.
          Despite burning down multiple times, <ref target="#LOND1">London Bridge</ref> was one of the few structures not entirely destroyed by the <ref target="FIRE1.xml">Great Fire of London</ref> in 
          <date>1666</date>.</p>
  
<lb/>(<ref target="LOND1.xml">LOND1.xml</ref>)
</note>
</item>

<item xml:id="EAST2">
<name type="place">Eastcheap</name>
<note>
<p><ref target="#EAST2">Eastcheap Street</ref> ran east-west, from
        <ref target="TOWE3.xml">Tower Street</ref> to <ref target="STMA6.xml">St. Martin’s Lane</ref>. West of <ref target="NEWF1.xml">New Fish Street</ref>/<ref target="GRAC1.xml">Gracechurch Street</ref>, <ref target="#EAST2">Eastcheap</ref> was known as <q><ref target="#EAST2">Great Eastcheap</ref></q>. The portion of the street to the
        east of <ref target="NEWF1.xml">New Fish Street</ref>/<ref target="GRAC1.xml">Gracechurch Street</ref> was known as <q><ref target="#EAST2">Little Eastcheap</ref></q>. <ref target="#EAST2">Eastcheap</ref> (<ref target="#EAST2">Eschepe</ref> or <ref target="#EAST2">Excheapp</ref>) was the site of a medieval food market.
  </p>
<lb/>(<ref target="EAST2.xml">EAST2.xml</ref>)
</note>
</item>

<item xml:id="THAM2">
<name type="place">The Thames</name>
<note>
Information is not yet available.
<lb/>(<ref target="THAM2.xml">THAM2.xml</ref>)
</note>
</item>

<item xml:id="STKA3">
<name type="place">St. Katherine’s Hospital</name>
<note>
<p><ref target="#STKA3">St. Katherine’s Hospital</ref> was a religious hospital
              founded in <date>1148</date>. According to <name ref="PERS1.xml#STOW6">Stow</name>, the hospital was founded by <name ref="PERS1.xml#MATI1">Queen Matilda</name>. The hospital, the grounds of which contained
             a church, gardens, orchards, and residences, was at the
        southern end of <ref target="STKA4.xml">St. Katherine’s Lane</ref> and north of
              the <ref target="STKA5.xml">St. Katherine Steps</ref>, all of which is east of the <ref target="TOWE5.xml">Tower of London</ref>. <name ref="PERS1.xml#STOW6">Stow</name> praised the choir of the hospital, noting how it <q>was not much inferior to
            that of [St.] <ref target="STPA2.xml">Paules</ref> [Cathedral]</q> (<ref type="bibl" target="BIBL1.xml#STOW15">Stow</ref>).</p>
<lb/>(<ref target="STKA3.xml">STKA3.xml</ref>)
</note>
</item>

<item xml:id="LLLL1">
<name type="place">PLACEHOLDER LOCATION</name>
<note>
<p>PLACEHOLDER LOCATION ITEM. 
            The purpose of this item is to allow encoders to link to a location
                  item when they cannot add a new location file for some reason.
                  MoEML may still be seeking information regarding this entry. If you
                  have information to contribute, please <ref target="contact.xml">contact the MoEML team</ref>. 
              </p>
<lb/>(<ref target="LLLL1.xml">LLLL1.xml</ref>)
</note>
</item>

<item xml:id="GUIL1">
<name type="place">Guildhall</name>
<note>
Information is not yet available.
<lb/>(<ref target="GUIL1.xml">GUIL1.xml</ref>)
</note>
</item>

<item xml:id="GREE6">
<name type="place">Greenwich</name>
<note>
<p><ref target="#GREE6">Greenwich Palace</ref> was a popular royal residence among the Tudors, specifically during the <date>reigns of <name ref="PERS1.xml#HENR1">Henry VIII</name></date> and <date><name ref="PERS1.xml#ELIZ1">Elizabeth I</name></date>. Built in <date>1447</date> for <name ref="PERS1.xml#LANC2">Humphrey of Lancaster</name>, <ref target="#GREE6">Greenwich</ref> was the first visible sign as the traveller came from the mouth of the <ref target="#THAM2">Thames</ref> in the east towards <ref target="LOND5.xml">London</ref> (<ref target="BIBL1.xml#BOLD5" type="bibl">Bold 38</ref>). The land was originally the site of an Abbey until <date>1414</date> when it reverted back to the crown. In <date>1426</date>, it was passed to <name ref="PERS1.xml#LANC2">Humphrey of Lancaster</name>, who built the early palace and enclosed the land as a park. The house passed to <name ref="PERS1.xml#HENR2">Henry VI</name>, whose wife, <name ref="PERS1.xml#MARG1">Margaret of Anjou</name>, renamed it the <ref target="#GREE6">Palace of Placentia</ref> or <q>pleasant place</q>. The name <soCalled><ref target="#GREE6">Greenwich Palace</ref></soCalled> dates from <date><name ref="PERS1.xml#ELIZ1">Elizabeth</name>’s reign</date>. This location was east of the area depicted on the Agas map.</p>
<lb/>(<ref target="GREE6.xml">GREE6.xml</ref>)
</note>
</item>

<item xml:id="CHEA2">
<name type="place">Cheapside Street</name>
<note>
<p><ref target="#CHEA2">Cheapside Street</ref>, one of the most important streets in early modern <ref target="LOND5.xml">London</ref>, ran east-west between the <ref target="GREA1.xml">Great Conduit</ref> at the foot of <ref target="OLDJ1.xml">Old Jewry</ref> to the <ref target="LITT2.xml">Little Conduit</ref> by <ref target="STPA3.xml">St. Paul’s churchyard</ref>. The terminus of all the northbound streets from the river, the broad expanse of <ref target="#CHEA2">Cheapside Street</ref> separated the northern wards from the southern wards. It was lined with buildings three, four, and even five stories tall, whose shopfronts were open to the light and set out with attractive displays of luxury commodities (<ref target="BIBL1.xml#WEIN1" type="bibl">Weinreb and Hibbert 148</ref>). <ref target="CHEA5.xml">Cheapside Street</ref> was the centre of <ref target="LOND5.xml">London</ref>’s wealth, with many <name ref="ORGS1.xml#MERC3" type="org">mercers</name>’ and <name ref="#GOLD3" type="org">goldsmiths</name>’ shops located there. It was also the most sacred stretch of the processional route, being traced both by the linear east-west route of a royal entry and by the circular route of the annual mayoral procession.</p>
<lb/>(<ref target="CHEA2.xml">CHEA2.xml</ref>)
</note>
</item>

<item xml:id="TYBU1">
<name type="place">Tyburn</name>
<note>
<p>Tyburn is best known as the location of the principal gallows where public executions were carried out from the late twelfth century until the eighteenth (<ref type="mol:bibl" target="EXEC1.xml">Drouillard</ref>, <ref target="https://en.wikipedia.org/wiki/Tyburn">Wikipedia</ref>). It was a village to the west of the city, near the present-day location of Marble Arch (beyond the boundary of the Agas Map). Its name derives from a stream, and its significance to <name ref="PERS1.xml#STOW6">Stow</name> was primarily as one of the sources of piped water for the city; he describes how <cit><q>In the yeare <date>1401</date>. this priſon houſe called the <ref target="COND3.xml">Tunne</ref> was made a Ceſterne for ſweete water conueyed
              by pipes of Leade frõ the towne of <ref target="#TYBU1">Tyborne</ref>, and was from thence forth called the <ref target="COND3.xml">conduite vpon
                  Cornhill</ref> <gap/></q> <bibl><ref type="mol:bibl" target="stow_1598_CORN1.xml#stow_1598_CORN1_sig_L3r">Stow 1598, sig. L3r</ref></bibl></cit>. </p>
<lb/>(<ref target="TYBU1.xml">TYBU1.xml</ref>)
</note>
</item>

<item xml:id="WHIT4">
<name type="place">Whitefriars</name>
<note>
<p><!-- Disambiguation:  -->This page points to the district known as <ref target="#WHIT4">Whitefriars</ref>. For the theatre, see <ref target="WHIT17.xml">Whitefriars Theatre</ref>.</p>
<lb/>(<ref target="WHIT4.xml">WHIT4.xml</ref>)
</note>
</item>

<item xml:id="STMA12">
<name type="place">St. Mary Spital</name>
<note>
<p><ref target="#STMA12">St. Mary Spital</ref> was an Augustinian Priory and
        Hospital on the east side of <ref target="BISH3.xml">Bishopsgate Street</ref>.
        The Priory dates from 1197. The old precinct of <ref target="#STMA12">St.
            Mary Spital</ref> is visible on the Agas map. The church itself was
        demolished after the Dissolution of the Monasteries in <date>1539</date>. By the time the
        Agas map was drawn, many of the priory buildings had been removed and the area
        appears sparse.</p>
<lb/>(<ref target="STMA12.xml">STMA12.xml</ref>)
</note>
</item>
</list>
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            <p>Our editorial and encoding practices are documented in detail in the <ref target="praxis.xml">Praxis</ref> section of our website.</p>
            
    
    
  
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       <gloss type="marcRelator" target="http://id.loc.gov/vocabulary/relators/aut.html">A person or
        organization chiefly responsible for the intellectual or artistic content of a work, usually
        printed text. This term may also be used when more than one person or body bears such
        responsibility. </gloss>
       <gloss type="mol">MoEML uses the term <mentioned>author</mentioned> to designate a
        contributor who is wholly or partly responsible for the original content of either a
        born-digital document, such as an encyclopedia entry, or a primary source document, such as
        a MoEML Library text.</gloss>
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       <gloss type="marcRelator">A person or organization who makes books and other bibliographic
        materials available for purchase. Interest in the materials is primarily lucrative.</gloss>
       <gloss type="mol">MoEML uses the term <mentioned>bookseller</mentioned> to designate an early
        modern publisher whose name appear in the transcribed title page. In early modern printing
        practice, the roles of printer, bookseller, and publisher might coincide in one person, or
        be performed by different people.</gloss>
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       <gloss type="marcRelator">A person or organization who produces a work or publication by
        selecting and putting together material from the works of various persons or bodies.</gloss>
       <gloss type="mol">MoEML designates the term <mentioned>compiler</mentioned> to a contributor
        who selects and organizes materials from the MoEML -ographies, Library, Stow, and/or
        Encyclopedia, in order to create reading lists, pathways through our documentation, or
        mini-anthologies.</gloss>
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      <catDesc>
       <term>Data manager</term>
       <gloss type="marcRelator">A person or organization responsible for managing databases or
        other data sources.</gloss>
       <gloss type="mol">MoEML uses the term <mentioned>data manager</mentioned> to designate
        contributors who maintain and manage our databases. They add and update the data sent to us
        by external contributors or found by MoEML team members. They also monitor journals and
        sources regularly to ensure that our databases are current.</gloss>
      </catDesc>
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      <catDesc>
       <term>Markup editor</term>
       <gloss type="marcRelator">A person or organization performing the coding of SGML, HTML, or
        XML markup of metadata, text, etc.</gloss>
       <gloss type="mol">MoEML uses the code <mentioned>mrk</mentioned> both for the primary
        encoder(s) and for the person who edits the encoding. MoEML’s normal workflow includes a
        step whereby encoders check each other’s work. We use the term
         <mentioned>encoder</mentioned> to designate the principal encoder, and <mentioned>markup
         editor</mentioned> to designate the person who checks the encoding.</gloss>
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       <gloss type="marcRelator">A person or organization with primary responsibility for all
        essential aspects of a project, or that manages a very large project that demands senior
        level responsibility, or that has overall responsibility for managing projects, or provides
        overall direction to a project manager.</gloss>
       <gloss type="mol">MoEML’s Project Director directs the intellectual and scholarly aspects of
        the project, consults with the Advisory and Editorial Boards, and ensures the ongoing
        funding of the project.</gloss></catDesc>
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       <term>Proofreader</term>
       <gloss type="marcRelator">A person who corrects printed matter.</gloss>
       <gloss type="mol">MoEML uses the term <mentioned>proofreader</mentioned> to designate a
        contributor who checks a transcription against an original document, or a person who
        corrects formatting and typographical errors in a born-digital article. Note that we use the
        term <mentioned>markup editor</mentioned> to designate a person who proofreads and corrects
        encoding.</gloss>
      </catDesc>
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      <catDesc>
       <term>Programmer</term>
       <gloss type="marcRelator">A person or organization responsible for the creation and/or
        maintenance of computer program design documents, source code, and machine-executable
        digital files and supporting documentation.</gloss>
       <gloss type="mol">MoEML uses the term <mentioned>programmer</mentioned> to designate a person
        or organization responsible for the creation and/or maintenance of computer program design
        documents, source code, and machine-executable digital files and supporting
        documentation.</gloss></catDesc>
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      <catDesc>
       <term>Printer</term>
       <gloss type="marcRelator">A person or organization who prints texts, whether from type or
        plates.</gloss>
       <gloss type="mol">MoEML uses the term <mentioned>printer</mentioned> to designate the person
        named as the printer on the title page of a primary source text, or the person identified by
        scholars as the printer (e.g., in the English Short Title Catalogue database). In early
        modern printing practice, the roles of printer, bookseller, and publisher might coincide in
        one person, or be performed by different people.</gloss></catDesc>
     </category><category xml:id="rth">
      <catDesc>
       <term>Research team head</term>
       <gloss type="marcRelator">A person who directed or managed a research project.</gloss>
       <gloss type="mol">MoEML uses the terms <mentioned>research term head</mentioned> and
         <mentioned>assistant project manager</mentioned> interchangeably.</gloss>
      </catDesc>
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       <term>Transcriber</term>
       <gloss type="marcRelator">A person who prepares a handwritten or typewritten copy from
        original material, including from dictated or orally recorded material.</gloss>
       <gloss type="mol">MoEML uses the term <mentioned>transcriber</mentioned> to designate the
        person or organization that transcribes a primary source. In the case of <title level="m">EEBO-TCP</title> transcribers, we do not know the names of the transcribers. Acceptable
        names for this role are transcriber, first transcriber (often the <title level="m">EEBO-TCP</title> transcriber), or MoEML transcriber.</gloss>
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      <revisionDesc status="published">
          <change who="#LEBE1" when="2021-02-08">Changed quotes to those in an EEBO facsimile.</change>
          <change who="#LEBE1" when="2021-01-28">Added name tags and missing ref tags.</change>
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      <front>
         <docTitle>
            <titlePart type="main">Excerpts from <title level="m">Eastward Ho!</title></titlePart>
         </docTitle>
      </front>

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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#TOUC3">Touch</name>. Prentises recreations are seldome with their maisters profit. <hi rend="; font-style: italic;">Worke vpon that now</hi>. You shall giue vp your cloake tho you be no Alderman. Heyday, Ruffins hall. Sword, pumps, heers a Racket indeed.</p>
             
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#QUIC3">Qui</name>. <gap resp="#LEBE1"/> lets be no longer fooles to this flat-cap <name rend="; font-style: italic;" ref="#TOUC3">Touchstone</name>. Eastward Bully: this Sattin belly, &amp; Canuas backt <name rend="; font-style: italic;" ref="#TOUC3">Touchstone</name>; Slife man his father was a Malt-man, and his mother sould Ginger-bread in <ref target="#CHRI1">Christ-church</ref>.</p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#GOLD13">Goul</name>. No, thou wilt vndoe thy selfe. Alas I behold thee with pitty, not with anger; thou common shot-clog, gull of all companies: mee thinkes I see thee already walking in <ref target="#MOOR1">Moore fields</ref> without a Cloake, with halfe a Hatte, without a band, a Doublet with three Buttons, without a girdle,
            
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            a hose with one point and no Garter, with a cudgell vnder thine arme borrowing and begging three pence.</p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#MILD2">Mil</name>. Well Sister, those that scorne their nest, oft flye with a sicke wing.</p>
            
            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#GERT1">Gir</name>. <ref rend="; font-style: italic;" target="#STMA47">Boe</ref>-bell.</p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#GERT1">Gir</name>. Boddy a truth, <hi rend="; font-style: italic;">Chittizens</hi>, <hi rend="; font-style: italic;">Chittizens</hi>. Sweet Knight, as soone as euer wee are married, take mee to to thy mercie out of this miserable <hi rend="; font-style: italic;">Chittie</hi>, presently, carry me out of the sent of <hi rend="; font-style: italic;">New-castle Coale</hi>, and the hearing of <hi rend="; font-style: italic;"><ref target="#STMA47">Boe</ref>-bell</hi>, I beseech thee downe with me for God sake.</p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#TOUC3">Touch</name>. Sir, Eastward hoe, will make you go Westward ho; I will no longer dishonest my house, nor endanger my stocke with your licence; <gap resp="#LEBE1"/></p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#FLAS1">Pet</name>. Faith to seeke her Fortune I thinke. I said I had a castle and land Eastward, and Eastward she will without contradiction; her coach, and the coach of the Sunne must meete full butt: And the Sunne being out shined with her Lady-ships glorie, she feares hee goes Westward to hange himselfe.</p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#QUIC3">Qui</name>. Gods me Knight, put ’hem in sufficient sureties, rather then let your Sworde bayle you; Let ’hem take their choice, eyther the <ref rend="; font-style: italic;" target="#KING4">Kings Benche</ref>, or the <ref rend="; font-style: italic;" target="#FLEE4">Fleete</ref>, or which of the two <hi rend="; font-style: italic;">Counters</hi><note type="editorial" resp="#LEBE1">I.e., <ref target="#COUN1">Wood Street Counter</ref> and <ref target="#SOUT4">Southwark Counter</ref>.</note> they like best, for by the Lord I like none of ’hem.</p>
           
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#FLAS1">Pet</name>. Welcome good <name ref="#SEAG1">Captaine S<hi rend="; font-style: italic;">eagull</hi></name>, and worthy Gentlemen, if you will meete my friend <name rend="; font-style: italic;" ref="#QUIC3">Francke</name> here, and me, at the <ref target="#BLUE2">blew Anchor Tauerne</ref> by <ref target="#BILL1">Billinsgate</ref> this Euening, we will there drinke to our happy voyage, be merry, and take Boate to our Ship with all expedition.</p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#GERT1">Gyr</name>. <gap resp="#LEBE1"/> Mary hang you; Westward with a waniō te’yee. <gap resp="#LEBE1"/></p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#FLAS1">Petronell</name>. Well my kinde Compere, you haue now Th’assurance we both can make you; let mee now entreate you, the money wee agree’d on may bee brought to the <ref rend="; font-style: italic;" target="#BLUE2">Blewe Ancor</ref>, nere to <ref rend="; font-style: italic;" target="#BILL1">Billings-gate</ref>, by Six a Clocke: where I and my cheife friends, bound for this voyage, will with Feastes attend you.</p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#SEAG1">Sea</name>. Come <name ref="#DRAW1">Drawer</name>, pierce your neatest Hogsheades, &amp; lets haue cheare, not fit for your <ref target="#BILL1">Billingsgate</ref> Tauerne; but for our <hi rend="; font-style: italic;">Virginian Colonel</hi>; he wilbe here instantly.</p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#SECU1">Secu</name>. Well, God pardon her for my part, and I doe Ile bee
            
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            sworne; and so <name ref="#QUIC3">Maister <hi rend="; font-style: italic;">Francis</hi></name>, here’s to all that are going Eastward to night, towardes <ref rend="; font-style: italic;" target="#CUCK1">Cuckolds hauen</ref>; and so to the health of <name ref="#BRAM5">Maister <hi rend="; font-style: italic;">Bramble</hi></name>.</p>
            
            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#QUIC3">Quick</name>. I pledge it Sir, hath it gone rounde, Captaines?</p>
            
            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#SEAG1">Sea</name>. It has sweet <name rend="; font-style: italic;" ref="#QUIC3">Franck</name>, and the rounde closes with thee.</p>
            
            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#QUIC3">Quic</name>. Wel Sir, here’s to al Eastward &amp; toward <ref target="#CUCK1">Cuckolds</ref>, &amp; so to famouse <ref rend="; font-style: italic;" target="#CUCK1">Cuckolds hauen</ref> so fatally remembred. <hi rend="; font-style: italic;">Surgit</hi>.</p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#DRAW1">Draw</name>. <name ref="#FLAS1">Sir <hi rend="; font-style: italic;">Petronell</hi></name>, here’s one of your water men come to tell you, it wilbe flood these three houres; and that t’will bee dangerous going against the Tyde: for the skie is ouer cast, &amp; there was a Porcpisce, euen now seene at <ref target="#LOND1">Londō bridge</ref>, which is alwaies the messenger of tempests, he sayes.</p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#SECU1">Secu</name>. You must bend then <name ref="#BRAM5">Maister <hi rend="; font-style: italic;">Bramble</hi></name>; So, now I am for you: I haue one corner of my braine, I hope, fit to beare one carouse more. Here Lady, to you that are encompast there, &amp; are asham’d of our company. Ha, ha, ha, by my troth, (my learn’d counsaile <name ref="#BRAM5">Maister <hi rend="; font-style: italic;">Bramble</hi></name>) my minde runnes so of <ref rend="; font-style: italic;" target="#CUCK1">Cuckolds hauen</ref> to night, that my Head runnes ouer with admiration.</p>
            
            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#BRAM5">Bram</name>. But is not that your wife. Neighbour?</p>
            
            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#SECU1">Secu</name>. No by my troth <name ref="#BRAM5">Maister <hi rend="; font-style: italic;">Bramble</hi></name>; ha, ha, ha, a Pox of all <hi rend="; font-style: italic;"><ref target="#CUCK1">Cuckolds-hauen</ref>s</hi> I say.</p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#FLAS1">Pet</name>. Gossip, laugh no more at <ref rend="; font-style: italic;" target="#CUCK1">Cuckolds-hauen</ref> Gossip.</p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#SECU1">Secu</name>. What <name rend="; font-style: italic;" ref="#WINI1">Winnie</name>? Wife, I say? out of dores at this time! where should I seeke the Gad-flye? <ref rend="; font-style: italic;" target="#BILL1">Billingsgate</ref>, <ref rend="; font-style: italic;" target="#BILL1">Billingsgate</ref>, <ref rend="; font-style: italic;" target="#BILL1">Billingsgate</ref>. Shee’s gone with the Knight, shee’s gone with the Knight; woe be to thee <ref rend="; font-style: italic;" target="#BILL1">Billingsgate</ref>. A boate, a boate, a boate, a full hunderd Markes for a boate.</p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#SLIT1">Slit</name>. All haile, faire Hauen of married men onely, for there are none but married men Cuckolds. For my part, I presume not to arriue here, but in my Maisters behalfe, (a poore Butcher of <ref target="#EAST2">East-cheape</ref>) who sends me to set vp (in honour of <name ref="#STLU1">Saint <hi rend="; font-style: italic;">Luke</hi></name>) these necessarie Ensignes of his homage: And vp I got this morning, thus early, to get vp to the toppe of this famous Tree, that is all fruite and no leaues, to aduance this Crest of my Maisters occupation. Vp then, Heauen and <name ref="#STLU1">Saint <hi rend="; font-style: italic;">Luke</hi></name> blesse me, that I be not blowne into the <ref rend="; font-style: italic;" target="#THAM2">Thames</ref> as I clime, with this furious Tempest; Slight, I thinke the <name ref="#SATA1">Deuill</name> be abroade, in likenesse of a storme, to rob me of my Hornes: Harke how he roares. Lord! what a coyle the <ref rend="; font-style: italic;" target="#THAM2">Thames</ref> keepes! she beares some vniust burthen I beleeue, that she kicks and curuets thus to cast it: Heauen blesse all honest passengers, that are vpon her back now, for the Bitte is out of her mouth I see, and shee will runne away with ’hem. So, so, I thinke I haue made it looke the right way, it runnes against <ref target="#LOND1">London-Bridge</ref> (as it were) euen full butt. And now, let mee discouer from this loftie prospect, what pranckes the rude <ref rend="; font-style: italic;" target="#THAM2">Thames</ref> playes in her desperate lunacie. O me, here’s a Boate has beene cast away hard by. <gap resp="#LEBE1"/></p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#SECU1">Secu</name>. What! landed at <ref rend="; font-style: italic;" target="#CUCK1">Cuckolds hauen</ref>? Hell and damnation. I will runne backe and drowne my selfe. { <hi rend="; font-style: italic;">He falles downe</hi>.</p>
            
            <p rend="; text-indent: 2em;"><name ref="#SLIT1">Slit</name>. Poore man how weake hee is! the weake water ha’s washt away his strength.</p>
            
            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#SECU1">Sec</name>. Landed at <ref rend="; font-style: italic;" target="#CUCK1">Cuckolds hauen</ref>? if it had not bin to die twentie times a liue, I should neuer haue scapt death: I will neuer arise more: I will grouell here, and eate durt till I be choak’t: I will make the gentle earth doe that, which the cruell water ha’s denied me.</p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#SLIT1">Slit</name>. <gap resp="#LEBE1"/> A womanly faith, a woman, though it be almost at <ref rend="; font-style: italic;" target="#STKA3">S. Kath’rins</ref>, I discerne it to be a woman for al her bodie is aboue the water, &amp; her clothes swim about her most handsomely. O they beare her vp most brauely! has not a woman reason to loue the taking vp of her cloathes the better while she liues, for this? Alas, how busie the rude <ref rend="; font-style: italic;" target="#THAM2">Thames</ref> is about her? A pox a’ that waue. It wil drowne her, yfaith, twill drowne her. <gap resp="#LEBE1"/></p>
           
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#DRAW1">Draw</name>. Comfort your selfe; That power that preserued you from death: can likewise defend you from infamie, howsoeuer you deserue it. Were not you one that tooke Bote, late this night, with a Knight, and other Gentlemen at <ref rend="; font-style: italic;" target="#BILL1">Billings-gate</ref>?</p>
            
            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#WINI1">Wynn</name>. Vnhappy that I am, I was.</p>
            
            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#DRAW1">Draw</name>. I am glad it was my good happe to come downe thus farre after you, to a house of my friends heere in <ref rend="; font-style: italic;" target="#STKA3">S. Kath’rines</ref>, since I am now happily made a meane to your rescue, from the ruthlesse tempest; <gap resp="#LEBE1"/></p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#SLIT1">Slit</name>. See, see, see! I hold my life, there’s some other a taking vp at <ref rend="; font-style: italic;" target="#LLLL1">Wapping</ref>, now! <gap resp="#LEBE1"/></p>
            
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            <p rend="; text-indent: 2em;">1. <hi rend="; font-style: italic;">Gen</hi>.<note type="editorial" resp="#LEBE1">I.e., First Gentleman.</note> On the cost of Doggs Sir: Y’are ith’ <hi rend="; font-style: italic;">Ile a Doggs</hi> I tell you. I see y’aue bene washt in the <ref rend="; font-style: italic;" target="#THAM2">Thames</ref> here, &amp; I beleeue ye were drownd in a Tauerne before, or els you would neuer haue tooke boate in such a dawning as this was. <gap resp="#LEBE1"/></p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#FLAS1">Pet</name>. <gap resp="#LEBE1"/> Woe, woe is me, what shall become of vs? the last money we could make, the greedy <ref rend="; font-style: italic;" target="#THAM2">Thams</ref> has deuourde; and if our Ship be attach’t, there is no hope can relieue vs.</p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#TOUC3">Touch</name>. <gap resp="#LEBE1"/>
                
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                <gap resp="#LEBE1"/> I wonder I heare no news of my sonne <name rend="; font-style: italic;" ref="#GOLD13">Goulding</name>! He was sent for to the <ref rend="; font-style: italic;" target="#GUIL1">Guild-hall</ref>, this Morning betimes, and I maruaile at the matter, if I had not layd vp Comfort, &amp; hope in him, I should grow desperate of al. <gap resp="#LEBE1"/></p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#GOLD13">Gould</name>. They haue their degree of welcome, I dare affirme. The Colonell, and all his company, this morning putting forth drunke from <ref rend="; font-style: italic;" target="#BILL1">Belinsgate</ref>, had like to haue been cast away o’this side <ref rend="; font-style: italic;" target="#GREE6">Greenwich</ref>: and (as I haue intelligence, by a false Brother,) are come dropping to towne, like so many Masterlesse men, i’their doublets and hose, without Hatte, or Cloake, or any other—</p>
            
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#QUIC3">Quic</name>. Would it had beene my fortune, to haue beene trust vp at <ref rend="; font-style: italic;" target="#LLLL1">Wapping</ref>, rather then euer ha’ come here.</p>
          
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            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#TOUC3">Touch</name>. <gap resp="#LEBE1"/> he was a Gentleman, and I a poore <ref rend="; font-style: italic;" target="#CHEA2">Cheapeside</ref> Groome <gap resp="#LEBE1"/> one that married a daughter of mine, Ladefied her, turn’d two thousand poundes worth of good land of hers, into <hi rend="; font-style: italic;">Cash</hi>, within the first weeke, bought her a new Gowne, &amp; a Coach, sent her to seeke her fortune by land, whilst himselfe prepared for his fortune by sea, tooke in fresh flesh at <ref rend="; font-style: italic;" target="#BILL1">Belingsgate</ref>, for his owne diet, to serue him the whole voyage, the wife of a certaine vsurer, cald <name rend="; font-style: italic;" ref="#SECU1">Securitie</name>, who hath bene the broker for ’hem in all this businesse: Please Maister Deputy, <hi rend="; font-style: italic;">Worke vpon that now</hi>.</p>
            
            <gap resp="#LEBE1"/>
            
            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#TOUC3">Touch</name>. Now sonne, come ouer ’hem with some fine guird, as thus, <hi rend="; font-style: italic;">Knight you shall be encountred</hi>, that is, had to the <hi rend="; font-style: italic;">Counter</hi>;<note type="editorial" resp="#LEBE1">I.e., <ref target="#COUN1">Wood Street Counter</ref> or <ref target="#SOUT4">Southwark Counter</ref>.</note> or <hi rend="; font-style: italic;"><name ref="#QUIC3">Quicksiluer</name>, I will put you in a crucible</hi> or so.</p>
            
            <gap resp="#LEBE1"/>
            <pb n="H1r" xml:id="EAST3_sig_H1r" facs="https://search.proquest.com/eebo/docview/2248501663/pageLevelImage/?imgSeq=29"/>
            <gap resp="#LEBE1"/>
            
            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#TOUC3">Touch</name>. <gap resp="#LEBE1"/> They’le looke out at a window, as thou rid’st in triumph to <ref rend="; font-style: italic;" target="#TYBU1">Tiborne</ref>, and crye, yonder goes honest <name rend="; font-style: italic;" ref="#QUIC3">Franck</name>, mad <name rend="; font-style: italic;" ref="#QUIC3">Quicksiluer</name>; <gap resp="#LEBE1"/></p>
            
            <gap resp="#LEBE1"/>
            <pb n="H1v" xml:id="EAST3_sig_H1v" facs="https://search.proquest.com/eebo/docview/2248501663/pageLevelImage/?imgSeq=30"/>
            <gap resp="#LEBE1"/>
            
            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#GOLD13">Goul</name>. Officers take ’hem to the Counter.<note type="editorial" resp="#LEBE1">I.e., <ref target="#COUN1">Wood Street Counter</ref> or <ref target="#SOUT4">Southwark Counter</ref>.</note></p>
            
            <gap resp="#LEBE1"/>
            <pb n="H4v" xml:id="EAST3_sig_H4v" facs="https://search.proquest.com/eebo/docview/2248501663/pageLevelImage/?imgSeq=33"/>
            <gap resp="#LEBE1"/>
            
            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#WOLF5">Wolfe</name>. And he has conuerted one <name rend="; font-style: italic;" ref="#FANG2">Fangs</name> a Sarieant, a fellow could neither write, nor read, he was call’d the Bandog o’the Counter:<note type="editorial" resp="#LEBE1">I.e., <ref target="#COUN1">Wood Street Counter</ref> or <ref target="#SOUT4">Southwark Counter</ref>.</note> and he has brought him already to pare his nailes, and say his prayers, and ’tis hop’d, he will sell his place shortly, and become an Intelligencer.</p>
            
            <gap resp="#LEBE1"/>
            <pb n="I2v" xml:id="EAST3_sig_I2v" facs="https://search.proquest.com/eebo/docview/2248501663/pageLevelImage/?imgSeq=35"/>
            <gap resp="#LEBE1"/>
            
            <p rend="; text-indent: 2em;"><hi rend="; font-style: italic;">Fri</hi>.<note type="editorial" resp="#LEBE1">I.e., Friend.</note> Is the Knight any, Scholler too?</p>
            
            <pb n="I3r" xml:id="EAST3_sig_I3r" facs="https://search.proquest.com/eebo/docview/2248501663/pageLevelImage/?imgSeq=35"/>
            
            <p rend="; text-indent: 2em;"><hi rend="; font-style: italic;">Pris</hi>. 1.<note type="editorial" resp="#LEBE1">I.e., First Prisoner.</note> No, but he will speake verie well, and discourse admirably of running Horses, and <ref rend="; font-style: italic;" target="#WHIT4">White-Friers</ref>, and against Baudes; and of Cocks; and talke as loude as a Hunter, but is none.</p>
            
            <gap resp="#LEBE1"/>
            
            <lg>
                <l><name ref="#QUIC3">Qui</name>. <hi rend="; font-style: italic;">In</hi> <ref target="#CHEA2">Cheapside</ref> <hi rend="; font-style: italic;">famous for Gold &amp; (Plate,</hi></l>
                <l><name ref="#QUIC3">Quicksiluer</name> <hi rend="; font-style: italic;">I did dwel of late</hi>:</l>
                <l rend="; font-style: italic;">I had a Master good, and kind,</l>
                <l rend="; font-style: italic;">That vvould haue vvrought me to his (mind.</l>
            </lg>
            
            <gap resp="#LEBE1"/>
            
            <lg>
                <l rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#FLAS1">Pet</name>. I thanke you <name rend="; font-style: italic;" ref="#QUIC3">Francis</name>.</l>
                <l><hi rend="; font-style: italic;">I thought by Sea to runne away, —But</hi> <ref target="#THAM2">Thames</ref>, <hi rend="; font-style: italic;">and Tempest did me stay</hi>.</l>
            </lg>
            
            <gap resp="#LEBE1"/>
            
            <lg>
                <l rend="; text-indent: 2em;"><name ref="#QUIC3">Quic</name>. <hi rend="; font-style: italic;">Still</hi> Eastward hoe <hi rend="; font-style: italic;">vvas all my (word:</hi></l>
                <l rend="; font-style: italic;">But VVestward I had no regard.</l>
                <l rend="; font-style: italic;">Nor neuer thought, vvhat vvould come (after</l>
                <l rend="; font-style: italic;">As did alas his youngest Daughter, <gap resp="#LEBE1"/></l>
            </lg>
            
            <gap resp="#LEBE1"/>
            <pb n="I3v" xml:id="EAST3_sig_I3v" facs="https://search.proquest.com/eebo/docview/2248501663/pageLevelImage/?imgSeq=36"/>
            <gap resp="#LEBE1"/>
            
            <lg>
                <l><name rend="; font-style: italic;" ref="#QUIC3">Quick</name>. <gap resp="#LEBE1"/> <hi rend="; font-style: italic;">Farevvel</hi> <ref target="#CHEA2">Cheapside</ref>, <hi rend="; font-style: italic;">farevvel svveet trade</hi></l>
                <l rend="; font-style: italic;">Of <name ref="#GOLD3" type="org">Goldsmithes</name> all, that neuer shall fade</l>
                <l rend="; font-style: italic;">Farevvell deare fellovv Prentises all</l>
                <l rend="; font-style: italic;">And be you vvarned by my fall:</l>
                <l rend="; font-style: italic;">Shun Vsurers, Bauds, and dice, and drabs.</l>
            </lg>
            <lg>
                <l rend="; font-style: italic;">Auoide them as you vvould French scabs</l>
                <l rend="; font-style: italic;">Seeke not to goe beyond your Tether,</l>
                <l rend="; font-style: italic;">But cut your Thongs vnto your Lether</l>
                <l rend="; font-style: italic;">So shall you thriue by little and little,</l>
                <l><hi rend="; font-style: italic;">Scape</hi> <ref target="#TYBU1">Tiborne</ref>, Co<hi rend="; font-style: italic;">ū</hi>ters,<note type="editorial" resp="#LEBE1">I.e., <ref target="#COUN1">Wood Street Counter</ref> and <ref target="#SOUT4">Southwark Counter</ref>.</note> <hi rend="; font-style: italic;">&amp; the</hi> <ref target="#STMA12">Spitle</ref></l>
            </lg>
            
            <gap resp="#LEBE1"/>
            <pb n="I4r" xml:id="EAST3_sig_I4r" facs="https://search.proquest.com/eebo/docview/2248501663/pageLevelImage/?imgSeq=36"/>
            <gap resp="#LEBE1"/>
            
            <p rend="; text-indent: 2em;"><name ref="#TOUC3">T<hi rend="; font-style: italic;">ouch</hi></name>. Bring him forth, <name ref="#WOLF5">Maister <hi rend="; font-style: italic;">Wolfe</hi></name>, and release his bands. This day shalbe sacred to Mercy, &amp; the mirth of this <hi rend="; font-style: italic;">Encounter</hi>, in the <hi rend="; font-style: italic;">Counter</hi>.<note type="editorial" resp="#LEBE1">I.e., <ref target="#COUN1">Wood Street Counter</ref> or <ref target="#SOUT4">Southwark Counter</ref>.</note>—See, we are encountred with more Suters.</p>
            
            <gap resp="#LEBE1"/>
            
            <p rend="; text-indent: 2em;"><name rend="; font-style: italic;" ref="#GERT1">Gert</name>. As heartely, as I would be forgiuen, Knight. Deare Father, giue me your blessing, and forgiue me too; I ha’ bene proud, and lasciuious, Father; and a Foole, Father; and being raisd to the state of a wanton coy thing, calld a Lady, Father; haue scorn’d you, Father; and my Sister; &amp; my Sisters Veluet Cap, too; and would make a mouth at the Citty, as I ridde through it; and stop mine eares at <hi rend="; font-style: italic;"><ref target="#STMA47">Bow</ref>-bell</hi>: I haue said your Beard was a Base one, Father; and that you look’d like <hi rend="; font-style: italic;">Twierpipe</hi>, the Taberer; and that my Mother was but my Midwife.</p>
           
            <gap resp="#LEBE1"/>
            <pb n="π" xml:id="EAST3_sig_π" facs="https://search.proquest.com/eebo/docview/2240892348/pageLevelImage/?imgSeq=33"/>
            <gap resp="#LEBE1"/>
            
            <p rend="; text-indent: 2em;"><seg type="supplied" n="lost-folio; evidence: external" resp="#LEBE1" source="#CHAP10"><name rend="; font-style: italic;" ref="#TOUC3">Touch</name>.</seg> <gap resp="#LEBE1"/> <seg type="supplied" n="lost-folio; evidence: external" resp="#LEBE1" source="#CHAP10">Haue you no apparell to lend <name rend="; font-style: italic;" ref="#QUIC3">Francis</name> to shift him?</seg></p>
            
            <p rend="; text-indent: 2em;"><seg type="supplied" n="lost-folio; evidence: external" resp="#LEBE1" source="#CHAP10"><name rend="; font-style: italic;" ref="#QUIC3">Quick</name>. No sir, nor I desire none; but here make it my suite, that I may goe home, through the streetes, in these as a spectacle, or rather an example to the <hi rend="; font-style: italic;">Children of <ref target="#CHEA2">Cheapside</ref></hi>.</seg></p>
            
            <gap resp="#LEBE1"/>
            
            <l rend="; "><seg type="supplied" n="lost-folio; evidence: external" resp="#LEBE1" source="#CHAP10">EPILOGVS.</seg></l>
            <p><seg type="supplied" n="lost-folio; evidence: external" resp="#LEBE1" source="#CHAP10"><hi rend="; display: inline-block; float: left; font-size: 250%; line-height: 90%; margin-right: 0.05em; padding: 0;">S</hi>Tay Sir, I perceiue the Multitude are gatherd together, to view our comming out at the <hi rend="; font-style: italic;">Counter</hi>.</seg><note type="editorial" resp="#LEBE1">I.e., <ref target="#COUN1">Wood Street Counter</ref> or <ref target="#SOUT4">Southwark Counter</ref>.</note> <gap resp="#LEBE1"/></p>
            
            <gap resp="#LEBE1"/>

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