Bookselling at Paul’s Churchyard Author2000 Dominic Carlone Markup Editor2021 Kate LeBere Data Manager Tye Landels Junior Programmer Joey Takeda Programmer Martin Holmes Associate Project Director Kim McLean-Fiander Project Director Janelle Jenstad The Map of Early Modern Londonhttp://mapoflondon.uvic.ca/includes.xmlVictoria, BC, Canada
Department of English P.O.Box 3070 STNC CSC University of Victoria Victoria, BC Canada V8W 3W1
2016University of Victoria978-1-55058-519-3 Janelle Jenstad london@uvic.ca

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 Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Carlone, Dominic ED - Jenstad, Janelle T1 - Bookselling at Paul’s Churchyard T2 - The Map of Early Modern London ET - 7.0 PY - 2022 DA - 2022/05/05 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/7.0/BOOK2.htm UR - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/BOOK2.xml ER - Carlone, Dominic. Bookselling at Paul’s Churchyard. The Map of Early Modern London, Edition 7.0, edited by Janelle Jenstad, U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/BOOK2.htm. Carlone, Dominic. Bookselling at Paul’s Churchyard. The Map of Early Modern London, Edition 7.0. Ed. Janelle Jenstad. Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/BOOK2.htm. Carlone, D. 2022. Bookselling at Paul’s Churchyard. In J. Jenstad (Ed), The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/7.0/BOOK2.htm.

By 1597, St. Paul’s was used not only as a church; it was the chief centre of the book trade, not only for London, but for the whole country (Mumby 45). Booksellers on Paternoster Row became a source of competition in the latter half of the century, eventually winning the prominent position in London bookselling, but Paul’s maintained its supremacy well into the seventeenth century.

 Kate LeBere Kate LeBere KL

Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s Survey of London, old-spelling anthology of mayoral shows, and old-spelling library texts. She authored the MoEML’s first Project Management Manual and quickstart guidelines for new employees and helped standardize the Personography and Bibliography. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.

 Joey Takeda Joey Takeda JT

Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.

 Tye Landels-Gruenewald Tye Landels-Gruenewald TLG

Data Manager, 2015-2016. Research Assistant, 2013-2015. Tye completed his undergraduate honours degree in English at the University of Victoria in 2015.

 Cameron Butt Cameron Butt CB

Research Assistant, 2012–2013. Cameron Butt completed his undergraduate honours degree in English at the University of Victoria in 2013. He minored in French and has a keen interest in Shakespeare, film, media studies, popular culture, and the geohumanities.

 Kim McLean-Fiander Kim McLean-Fiander KMF

Director of Pedagogy and Outreach, 2015–2020. Associate Project Director, 2015. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.

 Janelle Jenstad Janelle Jenstad JJ

Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).

 Martin D. Holmes Martin D. Holmes MDH

Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.

 Dominic Carlone Dominic Carlone DC

Hypertext student at the University of Windsor in Fall 1999. Shakespeare student at the University of Windsor in Winter 2000. Dominic Carlone was one of the three students who created the first version of MoEML in 1999.

 Richard III Richard III King of England 1452/53 1485/86

King of England and Lord of Ireland 1483-1485.

EB ODNB Wikipedia William Shakespeare William Shakespeare 1564/65 1616/17

Playwright and poet.

EB ODNB Wikipedia Andrew Wise Andrew Wise

Publisher.

 Worshipful Company of StationersStationers’ Company

The Stationers’ Company was one of the lesser livery companies of London. The Worshipful Company of Stationers is still active (under the new title of the Worshipful Company of Stationers and Newspaper Makers) and maintains a website at https://www.stationers.org/ that includes a history of the company.

 Born digital. Mumby, Frank Arthur. Publishing and Bookselling. 5th ed. London: Jonathan Cape, 1974. Print. St. Paul’s Cathedral

St. Paul’s Cathedral was—and remains—an important church in London. In 962, while London was occupied by the Danes, St. Paul’s monastery was burnt and raised anew. The church survived the Norman conquest of 1066, but in 1087 it was burnt again. An ambitious Bishop named Maurice took the opportunity to build a new St. Paul’s, even petitioning the king to offer a piece of land belonging to one of his castles (Times 115). The building Maurice initiated would become the cathedral of St. Paul’s which survived until the Great Fire of London.

(STPA2.xml) London

The city of London, not to be confused with the allegorical character (London).

(LOND5.xml) Paternoster Row Information is not yet available. (PATE1.xml) St. Paul’s Churchyard

Surrounding St. Paul’s Cathedral, St. Paul’s Churchyard has had a multi-faceted history in use and function, being the location of burial, crime, public gathering, and celebration. Before its destruction during the civil war, St. Paul’s Cross was located in the middle of the churchyard, providing a place for preaching and the delivery of Papal edicts (Thornbury).

(STPA3.xml)

Our editorial and encoding practices are documented in detail in the Praxis section of our website.

Author A person or organization chiefly responsible for the intellectual or artistic content of a work, usually printed text. This term may also be used when more than one person or body bears such responsibility. MoEML uses the term author to designate a contributor who is wholly or partly responsible for the original content of either a born-digital document, such as an encyclopedia entry, or a primary source document, such as a MoEML Library text. Data manager A person or organization responsible for managing databases or other data sources. MoEML uses the term data manager to designate contributors who maintain and manage our databases. They add and update the data sent to us by external contributors or found by MoEML team members. They also monitor journals and sources regularly to ensure that our databases are current. Markup editor A person or organization performing the coding of SGML, HTML, or XML markup of metadata, text, etc. MoEML uses the code mrk both for the primary encoder(s) and for the person who edits the encoding. MoEML’s normal workflow includes a step whereby encoders check each other’s work. We use the term encoder to designate the principal encoder, and markup editor to designate the person who checks the encoding. Project director A person or organization with primary responsibility for all essential aspects of a project, or that manages a very large project that demands senior level responsibility, or that has overall responsibility for managing projects, or provides overall direction to a project manager. MoEML’s Project Director directs the intellectual and scholarly aspects of the project, consults with the Advisory and Editorial Boards, and ensures the ongoing funding of the project. Programmer A person or organization responsible for the creation and/or maintenance of computer program design documents, source code, and machine-executable digital files and supporting documentation. MoEML uses the term programmer to designate a person or organization responsible for the creation and/or maintenance of computer program design documents, source code, and machine-executable digital files and supporting documentation. Research team head A person who directed or managed a research project. MoEML uses the terms research term head and assistant project manager interchangeably. Updated legacy encoding. Standardized respStmts for JENS1, MCFI1, and HOLM3 and added TAKE1 as Junior Programmer. Added XInclude for listPrefixDef in the header. Added global publicationStmt through XInclude. Eliminated superfluous catRef elements from the header. Put change elements inside revisionDesc into the correct (latest first) order. Added profileDesc containing document type information expressed in catRef elements. Converted @rend to @style, through XSLT transformation. Transformed existing byline elements into a respStmt element in the header. Left byline elements in place for the moment. Added front element with docTitle as part of a normalization process. This will be used as the definitive page title on rendering. Created file, transfered content from original location in STPA2. Bookselling at Paul’s Churchyard

As the title page of the first Quarto of Richard III shows us, the printed version of Shakespeare’s play was sold by Andrew Wise, dwelling in Paules Church-yard, at the Signe of the Angell, 1597. Viewing the title pages of many plays by Shakespeare and his contemporaries, one is likely to find similar inscriptions. By 1597, St. Paul’s was used not only as a church; in fact, one might say it was used not even primarily as a church. It had become the bookshop of London.

Parts of the cathedral and its surrounding areas had been used as markets since the fourteenth century. By the beginning of the sixteenth century, St. Paul’s Churchyard was the chief centre of the book trade, not only for London, but for the whole country (Mumby 45). Booksellers on Paternoster Row became a source of competition in the latter half of the century, eventually winning the prominent position in London bookselling, but Paul’s maintained its supremacy well into the seventeenth century.

The bookshops at Paul’s were populated largely by foreign booksellers in the sixteenth century. England did not have its own printing press until the 1490s, and in 1484 Richard III had passed an Act of exemption to foreign printers, encouraging them to bring their trade to London. The central settling point for these booksellers was Paul’s.

Foreign competition angered the members of the English printing organization, the Stationers’ Company, which did not obtain its charter until 1557 (Mumby 47). Through a series of government interventions, control was shifted from the foreign printers to the Stationers’ Company during the course of the century. By Shakespeare’s day, power was firmly within their hands. Before a Shakespeare play could appear in the shops at Paul’s, it had to be approved and registered in the Stationers’ Register.