Revels Office Author Joey Takeda Data Manager Tye Landels Junior Programmer Joey Takeda Programmer Martin Holmes Associate Project Director Kim McLean-Fiander Project Director Janelle Jenstad The Map of Early Modern Londonhttp://mapoflondon.uvic.ca/includes.xmlVictoria, BC, Canada
Department of English P.O.Box 3070 STNC CSC University of Victoria Victoria, BC Canada V8W 3W1
2016University of Victoria978-1-55058-519-3 Janelle Jenstad london@uvic.ca

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 Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Takeda, Joey ED - Jenstad, Janelle T1 - Revels Office T2 - The Map of Early Modern London PY - 2018 DA - 2018/06/20 CY - Victoria PB - University of Victoria LA - English UR - http://mapoflondon.uvic.ca/REVE2.htm UR - http://mapoflondon.uvic.ca/xml/standalone/REVE2.xml ER - RT Web Page SR Electronic(1) A1 Takeda, Joey A6 Jenstad, Janelle T1 Revels Office T2 The Map of Early Modern London WP 2018 FD 2018/06/20 RD 2018/06/20 PP Victoria PB University of Victoria LA English OL English LK http://mapoflondon.uvic.ca/REVE2.htm Takeda, Joey. Revels Office. The Map of Early Modern London, edited by Janelle Jenstad, U of Victoria, 20 Jun. 2018, mapoflondon.uvic.ca/REVE2.htm. Takeda, Joey. Revels Office. The Map of Early Modern London. Ed. Janelle Jenstad. Victoria: University of Victoria. Accessed June 20, 2018. http://mapoflondon.uvic.ca/REVE2.htm. Takeda, J. 2018. Revels Office. In J. Jenstad (Ed), The Map of Early Modern London. Victoria: University of Victoria. Retrieved from http://mapoflondon.uvic.ca/REVE2.htm. Born digital. Egan, Gabriel, ed. Shakespearean London Theatres. De Montfort University and Victoria & Albert Museum. Open. Clerkenwell Information is not yet available. (CLER1.xml) Whitefriars

This page points to the district known as Whitefriars. For the theatre, see Whitefriars Theatre.

(WHIT4.xml) Whitefriars Theatre

One of the lesser known halls or private playhouses of Renaissance London, the Whitefriars, was home to two different boy playing companies, each of which operated under several different names. Whitefriars produced many famous boy actors, some of whom later went on to greater fame in adult companies. At the Whitefriars playhouse in 1607–1608, the Children of the King’s Revels catered to a homogenous audience with a particular taste for homoerotic puns and situations, which resulted in a small but significant body of plays that are markedly different from those written for the amphitheatres and even for other hall playhouses.

(WHIT17.xml) St. Peter’s Hill Information is not yet available. (STPE1.xml) College of Arms Information is not yet available. (COLL2.xml)

There were four Revels Offices in early modern London. For information about The Revels Offices and for a walking map that will take you to each early modern location, see the Shakespearean London Theatres (ShaLT) article on The Revels Offices.

The Julian calendar, in use in the British Empire until September 1752. This calendar is used for dates where the date of the beginning of the year is ambigious.

The Julian calendar with the calendar year regularized to beginning on 1 January.

The Julian calendar with the calendar year beginning on 25 March. This was the calendar used in the British Empire until September 1752.

The Gregorian calendar, used in the British Empire from September 1752. Sometimes referred to as New Style (NS). Years run from January 1 through December 31.

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 Janelle Jenstad Janelle Jenstad JJ

Janelle Jenstad, associate professor in the department of English at the University of Victoria, is the general editor and coordinator of The Map of Early Modern London. She is also the assistant coordinating editor of Internet Shakespeare Editions. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. Her articles have appeared in the Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Performing Maternity in Early Modern England (Ashgate, 2007), Approaches to Teaching Othello (Modern Language Association, 2005), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Institutional Culture in Early Modern Society (Brill, 2004), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), and Teaching Early Modern English Literature from the Archives (MLA, forthcoming). She is currently working on an edition of The Merchant of Venice for ISE and Broadview P. She lectures regularly on London studies, digital humanities, and on Shakespeare in performance.

 Tye Landels-Gruenewald Tye Landels-Gruenewald TLG

Research assistant, 2013-15, and data manager, 2015 to present. Tye completed his undergraduate honours degree in English at the University of Victoria in 2015.

 Kim McLean-Fiander Kim McLean-Fiander KMF

Director of Pedagogy and Outreach, 2015–present; Associate Project Director, 2015–present; Assistant Project Director, 2013-2014; MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.

 Joey Takeda Joey Takeda JT

Programmer, 2018-present; Junior Programmer, 2015 to 2017; Research Assistant, 2014 to 2017. Joey Takeda is an MA student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests include diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.

 Martin D. Holmes Martin D. Holmes MDH

Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.

 Sir Henry Herbert Sir Henry Herbert

Master of the revels.

ODNB Wikipedia Edmund Tilney Edmund Tilney

Courtier.

 Sir George Buck Sir George Buck

Historian and master of the revels.

ODNB Wikipedia

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Revels Office Revels Office 51.52380693,-0.10294478 51.5131856,-0.10803541 51.5123877,-0.09833655 51.51384995,-0.09355685

There were four Revels Offices in early modern London:

Information from ShaLT. Date Location Master of the Revels 1578-1607 St. John’s Priory Buildings, Clerkenwell Edmund Tilney 1608-11 Whitefriars (by the Whitefriars Theatre) Edmund Tilney 1612-30 Peter’s Hill, near College of Arms George Buck (1612-1622), Henry Herbert (1622-1630) 1630-42 Near St. Mary-le-Bow Church, Cheapside Henry Herbert

For more information about The Revels Offices and for a walking map that will take you to each early modern location, see the Shakespearean London Theatres (ShaLT) article on The Revels Offices.