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                <title>Map of London: Editorial Board</title>
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                Created 14 September 2011 from .php
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                <head>Editorial Board</head>
                <p>Members of the Editorial Board will prioritize pages to be completed, suggest contributors and referees, pass on titles for the bibliography, offer comment on contributor guidelines and <title level="m">MoEML</title> stylesheets, help establish editorial policy for the transcription and annotation of texts about London, and occasionally vet potential contributions.   We intend to establish a fairly large editorial board of about 25 members, within which there will be several clusters of disciplinary or technical expertise.  The following people have generously agreed to become members of the inaugural Editorial Board of <title level="m">The Map of Early Modern London</title>.  Other board members will be announced shortly.</p>
                <p>
                    <emph rend="font-weight: bold;">Glenn Clark</emph>.  <ref target="http://umanitoba.ca/faculties/arts/departments/english_film_and_theatre/faculty/faculty_details.php?id=1282365864">Dr. Glenn Clark</ref> (Ph.D. Chicago) is an Associate Professor in the Department of English, Film and Theatre at the University of Manitoba.  His research interests currently include the relationship between English drama and the post-Reformation pastoral ministry, and the significance of commercialized hospitality in Tudor-Stuart culture. He is the author of articles on Shakespeare and other aspects of early-modern English drama in journals and book collections including <title level="m">ELR</title>, <title level="m">Renaissance and Reformation</title>, <title level="m">Religion and Literature</title>, <title level="m">Shakespeare and Religious Change</title> (Palgrave, 2009), and <title level="m">Playing The Globe: Genre and Geography in English Renaissance Drama</title> (Fairleigh Dickinson/Associated UP, 1998).  He is co-editor of the volume <title level="m">City Limits: Perspectives on the Historical European City</title> (McGill-Queen's, 2010).</p>
                <p>
                    <emph rend="font-weight: bold;">Laura Estill</emph>.  Dr. Laura Estill (Ph.D., Wayne State) will be joining the <ref target="http://etcl.uvic.ca/">Electronic Textual Cultures Lab (ETCL)</ref> at the University of Victoria in Fall 2011 as a Banting Postdoctoral Fellow.  Laura has two articles forthcoming in 2011:  "Richard II and the book of life" will appear in <title level="m">Studies in English Literature</title>; "Proverbial Shakespeare: The Print and Manuscript Circulation of Extracts from <title level="m">Love's Labour's Lost</title>" will appear in the journal <title level="m">Shakespeare</title>.  Laura's book chapter, "Shakespearean Texts in Manuscript," co-written with Arthur F. Marotti, will be published in <title level="m">The Oxford Handbook to Shakespeare</title>, ed. Arthur F. Kinney, also in 2011.</p>
                <p>
                    <emph rend="font-weight: bold;">Tracey Hill</emph>.  <ref target="http://www.bathspa.ac.uk/about/profiles/profile.asp?user=academic\hilt1">Dr. Tracey Hill</ref> is Head of the Department of English and Cultural Studies at Bath Spa University. Her specialism is in the literature and history of early modern London. She is the author of two books:  <ref target="http://www.manchesteruniversitypress.co.uk/catalogue/book.asp?id=1203897">
                        <title level="m">Anthony Munday and Civic Culture</title>
                    </ref> (Manchester University Press, 2004), and <ref target="http://www.manchesteruniversitypress.co.uk/catalogue/book.asp?id=1204754">
                        <title level="m">Pageantry and Power: A Cultural History of the Early Modern Lord Mayor's Shows, 1585-1639</title>
                    </ref> (Manchester University Press, 2010). She has also published a number of articles on Munday's prose works, on <title level="m">The Booke of Sir Thomas More</title>, and on late Elizabethan history plays.</p>
                <p>
                    <emph rend="font-weight: bold;">Brett D. Hirsch</emph>.  <ref target="http://www.notwithoutmustard.net/">Dr. Brett D. Hirsch</ref> is University Postdoctoral Research Fellow in Medieval and Early Modern Studies at the University of Western Australia.  He is coordinating editor of <ref target="http://digitalrenaissance.arts.uwa.edu.au/">Digital Renaissance Editions</ref>, co-editor of the Routledge journal <ref target="http://www.tandf.co.uk/journals/shakespeare">
                        <title level="m">Shakespeare</title>
                    </ref>,
                        and Vice President of the Australian and New Zealand Shakespeare Association (<ref target="http://www.anzsa.org">ANZSA</ref>). His research interests include early modern English drama, literary and cultural history, digital humanities, and critical editing, and he has published articles in these areas in <title level="m">The Ben Jonson Journal</title>, <title level="m">Early Modern Literary Studies</title>, <title level="m">Early Theatre</title>, <title level="m">Literature Compass</title>, and <title level="m">Parergon</title>. He is currently working on an electronic critical edition of <title level="m">Fair Em</title> and a monograph study of animal narratives in Shakespeare's England.</p>
                <p>
                    <emph rend="font-weight: bold;">Mary Ann Lund</emph>.  <ref target="http://www2.le.ac.uk/departments/english/people/maryannlund">Dr. Mary Ann Lund</ref> is lecturer in Renaissance Literature at the University of Leicester.  She is the author of <title level="m">Melancholy, Medicine and Religion in Early Modern England: Reading 'The Anatomy of Melancholy'</title> (Cambridge University Press, 2010), and several articles on seventeenth-century prose writing and religious literature.  She is currently editing <ref target="http://www.cems-oxford.org/donne/volume-12">Vol. 12</ref> of <title level="m">The Oxford Edition of the Sermons of John Donne</title>; her volume is of Donne's sermons preached at St. Paul's Cathedral in 1626.  She also has a research interest in the history of medicine and early modern literature.  She teaches a special subject at Leicester on early modern London.</p>
                <p>
                    <emph rend="font-weight: bold;">James Mardock</emph>.  <ref target="http://www.unr.edu/cla/lande/People/Faculty/Mardock_Profile.htm">Dr. James Mardock</ref> teaches Renaissance literature at the University of Nevada. He has published articles on John Taylor the "water-poet," on Ben Jonson's use of transvestism, and on Shakespeare and Dickens. His recent book, <ref target="http://www.routledge.com/books/details/9780415875547/">
                        <title level="m">Our Scene is London</title>
                    </ref> (Routledge 2008), examines Jonson's representation of urban space as an element in his strategy of self-definition. His chapter in <ref target="http://www.routledge.com/books/details/9780415877978/">
                        <title level="m">Representing the Plague in Early Modern England</title>
                    </ref> (ed. Totaro and Gilman, Routledge 2010) explores King James's accession and Shakespeare's <title level="m">Measure for Measure</title> as parallel cultural performances shaped by London's 1603 plague. Dr. Mardock is at work on an edition of quarto and folio <title level="m">Henry V</title> for the <title level="m">Internet Shakespeare Editions</title>, for which he serves as assistant general editor, and a study of Calvinism and metatheatre in early-modern drama. He has also served as the dramaturge for the Lake Tahoe Shakespeare Festival.</p>
                <p>
                    <emph rend="font-weight: bold;">Kevin Quarmby</emph>.  <ref target="http://www.quarmby.biz/index.htm">Dr. Kevin A. Quarmby</ref> is a Fellow of the Royal Society of Arts, a Freeman of the City of London, and a Liveryman in the Worshipful Company of Poulters. Prior to his academic career, he was a professional actor who appeared in numerous London West End productions, as well as at the Royal National Theatre and Old Vic.  Dr. Quarmby <ref target="http://www.quarmby.biz/lecturing.htm">teaches</ref> Early Modern Literature and Drama in the virtual and London-based programmes of many institutions, including Shakespeare's Globe.  His <ref target="http://www.quarmby.biz/current_pub.htm">publications</ref> have appeared in <title level="m">Shakespeare</title>, <title level="m">Research Opportunities in Medieval and Renaissance Drama</title>, <title level="m">Cahiers Elisabethain</title>, <title level="m">Shakespeare Survey</title>, and other scholarly venues. His first monograph, <title level="m">The Disguised Ruler in Shakespeare and his Contemporaries</title>, is forthcoming from Ashgate (2012). An established journalist and theatre reviewer, Dr. Quarmby writes for the online magazines <title level="m">CurtainUp</title> in the USA and <title level="m">British Theatre Guide</title> in the UK. His reviews for <title level="m">Rogues and Vagabonds</title> are now part of the British Library's permanent "Digital Theatre Archive."</p>
                <p>-- <name type="person" ref="mol:JENS1">Dr. Janelle Jenstad</name> (General Editor).  Last updated:  4 May 2011.</p>
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