Editorial Board
Members of the Editorial Board will prioritize pages to be completed, suggest contributors and referees, pass on titles for the bibliography, offer comment on contributor guidelines and MoEML stylesheets, help establish editorial policy for the transcription and annotation of texts about London, and occasionally vet potential contributions. We intend to establish a fairly large editorial board of about 25 members, within which there will be several clusters of disciplinary or technical expertise. The following people have generously agreed to become members of the inaugural Editorial Board of The Map of Early Modern London. Other board members will be announced shortly.
Glenn Clark. Dr. Glenn Clark (Ph.D. Chicago) is an Associate Professor in the Department of English, Film and Theatre at the University of Manitoba. His research interests currently include the relationship between English drama and the post-Reformation pastoral ministry, and the significance of commercialized hospitality in Tudor-Stuart culture. He is the author of articles on Shakespeare and other aspects of early-modern English drama in journals and book collections including ELR, Renaissance and Reformation, Religion and Literature, Shakespeare and Religious Change (Palgrave, 2009), and Playing The Globe: Genre and Geography in English Renaissance Drama (Fairleigh Dickinson/Associated UP, 1998). He is co-editor of the volume City Limits: Perspectives on the Historical European City (McGill-Queen's, 2010).
Laura Estill. Dr. Laura Estill (Ph.D., Wayne State) will be joining the Electronic Textual Cultures Lab (ETCL) at the University of Victoria in Fall 2011 as a Banting Postdoctoral Fellow. Laura has two articles forthcoming in 2011: "Richard II and the book of life" will appear in Studies in English Literature; "Proverbial Shakespeare: The Print and Manuscript Circulation of Extracts from Love's Labour's Lost" will appear in the journal Shakespeare. Laura's book chapter, "Shakespearean Texts in Manuscript," co-written with Arthur F. Marotti, will be published in The Oxford Handbook to Shakespeare, ed. Arthur F. Kinney, also in 2011.
Tracey Hill. Dr. Tracey Hill is Head of the Department of English and Cultural Studies at Bath Spa University. Her specialism is in the literature and history of early modern London. She is the author of two books: Anthony Munday and Civic Culture (Manchester University Press, 2004), and Pageantry and Power: A Cultural History of the Early Modern Lord Mayor's Shows, 1585-1639 (Manchester University Press, 2010). She has also published a number of articles on Munday's prose works, on The Booke of Sir Thomas More, and on late Elizabethan history plays.
Brett D. Hirsch. Dr. Brett D. Hirsch is University Postdoctoral Research Fellow in Medieval and Early Modern Studies at the University of Western Australia. He is coordinating editor of Digital Renaissance Editions, co-editor of the Routledge journal Shakespeare,
and Vice President of the Australian and New Zealand Shakespeare Association (ANZSA). His research interests include early modern English drama, literary and cultural history, digital humanities, and critical editing, and he has published articles in these areas in The Ben Jonson Journal, Early Modern Literary Studies, Early Theatre, Literature Compass, and Parergon. He is currently working on an electronic critical edition of Fair Em and a monograph study of animal narratives in Shakespeare's England.
Mary Ann Lund. Dr. Mary Ann Lund is lecturer in Renaissance Literature at the University of Leicester. She is the author of Melancholy, Medicine and Religion in Early Modern England: Reading 'The Anatomy of Melancholy' (Cambridge University Press, 2010), and several articles on seventeenth-century prose writing and religious literature. She is currently editing Vol. 12 of The Oxford Edition of the Sermons of John Donne; her volume is of Donne's sermons preached at St. Paul's Cathedral in 1626. She also has a research interest in the history of medicine and early modern literature. She teaches a special subject at Leicester on early modern London.
James Mardock. Dr. James Mardock teaches Renaissance literature at the University of Nevada. He has published articles on John Taylor the "water-poet," on Ben Jonson's use of transvestism, and on Shakespeare and Dickens. His recent book, Our Scene is London (Routledge 2008), examines Jonson's representation of urban space as an element in his strategy of self-definition. His chapter in Representing the Plague in Early Modern England (ed. Totaro and Gilman, Routledge 2010) explores King James's accession and Shakespeare's Measure for Measure as parallel cultural performances shaped by London's 1603 plague. Dr. Mardock is at work on an edition of quarto and folio Henry V for the Internet Shakespeare Editions, for which he serves as assistant general editor, and a study of Calvinism and metatheatre in early-modern drama. He has also served as the dramaturge for the Lake Tahoe Shakespeare Festival.
Kevin Quarmby. Dr. Kevin A. Quarmby is a Fellow of the Royal Society of Arts, a Freeman of the City of London, and a Liveryman in the Worshipful Company of Poulters. Prior to his academic career, he was a professional actor who appeared in numerous London West End productions, as well as at the Royal National Theatre and Old Vic. Dr. Quarmby teaches Early Modern Literature and Drama in the virtual and London-based programmes of many institutions, including Shakespeare's Globe. His publications have appeared in Shakespeare, Research Opportunities in Medieval and Renaissance Drama, Cahiers Elisabethain, Shakespeare Survey, and other scholarly venues. His first monograph, The Disguised Ruler in Shakespeare and his Contemporaries, is forthcoming from Ashgate (2012). An established journalist and theatre reviewer, Dr. Quarmby writes for the online magazines CurtainUp in the USA and British Theatre Guide in the UK. His reviews for Rogues and Vagabonds are now part of the British Library's permanent "Digital Theatre Archive."
-- Dr. Janelle Jenstad (General Editor). Last updated: 4 May 2011.
This research was supported by the Social Sciences and Humanities Research Council.